Richard Hellâs East Village apartment
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@zinzinina
Richard Hellâs East Village apartment

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Gauri Gill and Rajesh Vangad, 'The Sweet and Salty Sea', 2015, from the series 'Fields of Sight'
sweet roll
These are fucking amazing
The figure swinging the earth â The Force Of Nature by Lorenzo Quinn
The guy being dragged by a bird â part of an installation titled Hacienda Paradise â Utopia Experiment by Fredrik Raddum.
The balancing elephant â Balancing Elephant by Daniel Firman.
The tea splashes kissing â Kiss of Eternity by Johnson Tsang.
The figure emerging from the wall â Break Through From Your Mold by Zenos Frudakis
The meditating figure splitting apart â Expansion by Paige Bradley.
The horses running through water â Mustangs at Las Colinas by Robert Glen.
The giant peeking from under the lawn â Popped Up by Ervin LorĂĄnth HervĂŠ
The man under the raining umbrella â Lâuomo della Pioggia (The Rain Man) by Jean-Michel Folon.
The huge bearded guy â The Appennnine Colossus by Giambologna.
The impossibly balanced stones on a beach â Untitled by Adrian Gray
The dragons with an egg â The Dragons in Love or The Varna Dragons by Darin Lazarov.
The stairway to nowhere â Diminish And Ascend by David McCracken
The underwater circle â Vicissitudes by Jason deCaires Taylor.
The epic warrior guy â General Guan Yu by Han Meilin
The sinking library â Sinking Building Outside State Library, Melbourne, Australia. I couldnât find an artistâs name.
The giant hand holding a tree â The Caring Hand by Eva Oertli and Beat Huber
THANK YOU FOR SOURCES
Twin Peaks | 1.02 "Traces to Nowhere"

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sorry I canât hang out tonight. yeah Iâm busy freaking out over things that might not even happen. yeah itâs gonna take a while
Grzegorz Jacek Olejniczak (Polish b.1968), Before the Storm, 2025, Oil on canvas
itâs bc im on that damn phone honestly
awesome picture how do i move on now from this moment
Tiko Jijelava by JaĹĄa MĂźller for Vogue Adria April 2026

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ocd will have me thinking i cant text "here now if you wanna head over" because i sound like blowjob mario with a walkie talkie
nobody thinks this way, you are a broken person
It's nice that loud noises don't stick to clothes like smells do. That would be really bad if they did.
Jacob Anderson and Sam Reid for GQ Hype by Huy Luong
i know iâm just in a bad mood but this push to re-categorize every kind or moral human action as inherently punk and cool is fucking cringe because youâre showing your ass about your priorities. as a visibly alt queer myself, who gives a FUCK if being nice is âpunkâ? just be nice because itâs nice. iâm not giving you special scene brownie points for it?? and you donât even listen to punk music or care about the history? so why do you care about being âpunkâ?? IM GOING CRAZY
while im reiterating posts, letâs touch this one!
so, so many well-meaning people going âwell, if feeling punk is what makes people be nice and do nice things, let them say theyâre punk!â to which, yeah, i canât stop them
my objection isn't "being nice isn't punk, therefore don't be niceâ
my objection is that we've reached a point where every positive human behavior gets reframed as an aesthetic identity instead of just being a positive human behavior
if you think helping people is good, then help people because it's good!
if you think kindness is good, be kind because it's good!
i don't understand the need to run every moral action through a "but is it punk?" filter first, especially when a lot of the people doing this have no actual interest in punk as a culture, music scene, history, or political tradition (for better or for worse)
at a certain point "punk" just becomes shorthand for "thing i personally approve of," and then the word stops meaning anything at all
ANYWAY! hereâs some punk bands you could check out if youâre interested in punk music that might reflect the values you hold dear but youâre not sure where to start: Against Me!, Crass, The Dicks, MDC, X-Ray Spex, The Muslims, G.L.O.S.S., Big Joanie, Los Crudos, Pansy Division! give them a try! happy thrashing!

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theres this quote running around from jacob anderson where he talks about how historically black people have been removed from period dramas and how, as suggested by the interviewer (w/ blueiight embellishment ofc), the very few times black charas would show up in these period pieces theyd be side characters delegated to a raceblind narratively incoherent plot to placate an audience ashamed with / of the nuances of blackness. i rly like how he said louisâs character represents both a âblack and very human story about a vampire⌠[Black people] do not usually have the opportunity to play such complex and fluent charactersâ. i think that brings to heart a lot of why this show has my heart, as an armchair historian and r.n. (dont ask what that stands for). u racebent characters in a way that coheres, situate ur black characters in a specific context, and the story never deludes us into thinking the mere existence of an interracial relationship is enough to end racism. in e2 louis literally says âfledgling sounds like slave, dont call me thatâ and e3 starts with louis telling lestat the history of dismembering runaway enslaved ppl & placing their bodies on the gates of of jackson square.. in his initiation to vampirism, louis is moved from the historically Black creole treme area he grew up in & is placed into lestatâs townhome in the very white, french, old quarter. vampirism as hes initiated into is a loving, powerful, cruel, and isolating existence for louis. bc of vampirism he is able to kill a racist person and not be lynched for it, hes able to echo the historical dismemberment on the alderman by placing his body on the st louis cathedral, but he is unable to kill racist groups & systems that initiate race riots. his connection to claudia in s1 is not so much by the oedipal, but by both their connection as lestatâs fledglings and as Black [creole] people placed in a part of the city largely alien to them both. this connection can be broken down even further. louis saw claudia as his joychild of sorts, â[his] redemptionâ for his 5 years of pimping but a big part of her tragedy is that a child being made into a vampire cannot redeem anyone, much less redeem an individual from what was a historical inevitability. claudia is adopted into such a stature that she wouldve otherwise never reached by virtue of being made a vampire, but even then that is conditional. claudia is rendered inert from being anyoneâs âwifeâ forever trapped in the confines of immaturity as a âdaughterâ, only hoping at best to be louisâs âsisterâ and isnt that resonant to bw.. sheâs selectively infantilized both a child âmeddling in the affairs of her parentsâ , ungrateful, arrogant, and adultified - presumed powerful enough to âpoison louis against [lestat]â , taking on the role of louisâs âknight in vengeful white blackâ .. the response lestat has to claudia is characterized by him continuing the cycle of abuse he once faced toward her and with a black claudia who was once a poor girl now adopted into this immortal luxury it takes on a racialized element. âbach is beyond youâ and claudia bites back with âyes this french music is hmm. not made for these mongrel earsâ. the absence of metaphor is striking!! literally the fact that this show does not shy away from the era its set in is why its so good.