Hey. This is a sideblog that I pretty much use as my main account at this point.
I'm Casper, a dude from somewhere vaguely in western America. I'm an artist/writer, and I occasionally dip my toes into the world of animation when I feel masochistic.
I currently donât take drawing requests, but feel free to make âem anyway- thereâs always a chance something will strike inspiration, yâknow? Also feel free to just talk/interact, I'm pretty much always down for talking lol
Some books + movies I like:
-The Stand
-The Outsiders
-After Hours
-âŚand a lot more. Also just 80s movies in general honestly
-The Clash, The Pixies, Velvet Underground, The Magnetic Fields, Creedence Clearwater Revival, Tom WaitsâŚ.really any older punk/classic rock music
Art boundaries:
-Folks can use if for profile pics if they credit me and tell me first
-Yâall can trace it for the sake of learning/practice so long as you donât post it, yk?
-Ask me if youâre gonna put it in a fanfic! Iâll probably say yes, but definitely ask me first
Tags under the cut (for easier navigation lol)
Drawings & paintings Iâve done-> my art
Writing-> my writing
The Outsiders x Top Gun AU-> steve & mav half bros au
Outsiders x Tex x That Was Then, This is Now AU-> Dally Mark & Tex au
Long bits of text thatâre mainly personal thoughts but often have something to do w/ fandom-> rambling
Drawings of my personal life/experiences-> self portrait
Talking about my own art/tools/processes, and/or tutorials-> how i draw
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@soggyspongâs tags under a post about Lloyd Henreid being a good camp counselorâI had to draw em oml
I love that that implies when Lloyd sleeps with Dayna he's under the impression that she's the guardian of one of the children he works with and goes for it anyway đ
âŹď¸he spends the rest of the day wondering about each child are you the one with the hot mom?? and then being disturbed by the thought lol
âŹď¸No because heâs so good w/ kids! He was proud of the educations they were able to give kids in Vegas even though he was a sixth grade dropout⌠If he were a bit more polished and all, heâd make a great camp counselor and it hurts so bad đ if only someone better than Flagg or Poke had taken him under their wing at some point
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One very interesting thing about Lloyd Henreidâs story is that it leads the reader to consider that you donât have to be inherently evil to be a bad person. Lloydâs only paranormally induced change over the course of the story is his intelligence.
His issue, the reason he spends his life doing such horrible things, robbery and rape and murder, is that he is miserably stupid. He does not get particular pleasure out of doing these things just because they hurt other people, unlike Poke, who does and is set up to be his foil. Lloyd participates in these activities willingly because it seems not to have occurred to him that other people are people. What pre-Vegas Lloyd lacks is empathy. He does what he feels like or what the people with him tell him to, and doesnât really think of how other people may be affected. âMurder was,â as King says, âa trifle beyond their intellectual reachâ. Take the Gorgeous George anecdote.
When Poke and Lloyd kill Gorgeous George, (what, you donât remember GG? Donât worry, I have enough tabs in my copy of the Complete and Uncut for the both of us) Lloyd feels slightly uncomfortable watching him suffocate. He seems to have a murky feeling that something here is wrong. But George flops around in a sort of funny way as he dies, and Lloyd chuckles, feeling âa bit cheered upâ. He doesnât seem to have the capacity to grasp the weight of his crimes.
This is why, when Flagg makes him smarter, he seems to the reader to become a better person. The text intentionally serves us a number of details that paint him in a different light. He is good with kids. He looks the other way to let his friends flee. He hates his job, but covers for people and helps them out when he can (âThatâs what Iâm here forâ). He is visibly filled with guilt and horror at each crucifixion, and even makes clear efforts to restore his attitude to what it once was:
âJust tell yourself you donât know him,â Lloyd said, â[âŚ] thatâs what I always do. It makes it easier.â
He attempts to cope with his guilt and fear by detaching himself from his victims and their feelings. It is a direct parallel to the Gorgeous George scene.
Itâs also a sign that the change here is not that he has simply become a better person, but a smarter one. With intelligence comes empathy, and understanding the world as something other that what revolves around yourself. As a result, he cares about other people now.
This comes too late, of course. Flagg is making him smarter so he can run his empire, not take care of people. Itâs clicked for him that all of this behavior is bad, but heâs in no position to stop doing it anymore.
Lloyd was not inherently malicious. The thing that made pre-Captain Trips Lloyd such a bad person, it seems, was that he was too dumb to consider that he could try being a good one.
Iâm watching that documentary âBefore Stonewallâ about gay history pre-1969, and uncovered something which I think is interesting.
The documentary includes a brief clip of a 1954 televised newscast about the rise of homosexuality. The host of the program interviewed psychologists, a police officer, and one âknown homosexualâ. The âknown homosexualâ is 22 years old. He identifies himself as Curtis White, which is a pseudonym; his name is actually Dale Olson.
So I tracked down the newscast. According to what I can find, Dale Olson may have been the first gay man to appear openly on television and defend his sexual orientation. He explains that thereâs nothing wrong with him mentally and heâs never been arrested. When asked whether heâd take a cure if it existed, he says no. When asked whether his family knows heâs gay, he says that they didnât up until tonight, but he guesses theyâre going to find out, and heâll probably be fired from his job as well. So of course the host is like âŚwhy are you doing this interview then? and Dale Olson, cool as cucumber pie, says âI think that this way I can be a little useful to someone besides myself.â
1954. 22 years old. Balls of pure titanium.
Despite the pseudonym, Daleâs boss did indeed recognize him from the TV program, and he was promptly fired the next day. He wrote into ONE magazine six months later to reassure readers that he had gotten a new job at a higher salary.
Curious about what became of him, I looked into his life a little further. It turns out that he ultimately became a very successful publicity agent. He promoted the Rocky movies and Superman. Not only that, but get this: Dale represented Rock Hudson, and he was the person who convinced him to disclose that he had AIDS! He wrote the statement Rock read. And as we know, Rock Hudsonâs disclosure had a very significant effect on the national conversation about AIDS in the U.S.
It appears that no one has made the connection between Dale Olson the publicity agent instrumental in the AIDS debate and Dale Olson the 22-year-old first openly gay man on TV. So I thought Iâd make it. For Pride month, an unsung gay hero.
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you mentioned a while back that you thought of dally and sylvia as childhood friends, so... do you have any hcs regarding that?
(if this comes up in suicide blonde you can just direct me there. i've been so busy lately i haven't had any time to sit down and read but hopefully after this week i'll be able to đ¤)
First offâobligatory apologies for the fact that this has taken a month to answer đ
Anyway, I donât think it does come up in Suicide Blonde actually! I think I forgot about that mostly while writing it. But I did say that, and I do still like it for trans Dally hcs. (When I write Dally as cisgender I donât think theyâd be as close as kids, heâs the type of asshole little boy that girls his age hate)
For the record, I do think this dynamic is kinda twisted, but itâs Sylvia x Dallas itâs not gonna be healthy, soâŚchildhood friends headcanons letâs gooooo
Oh btw Iâm looking at it now and this is not headcanons this is a story outline this is very much just a story outline oops
â
-Dally meets Sylvia at a bar in late summer at the age of five. Heâs there with his dad.
-Sheâs there with her uncle, Buck Merril, who at this point in time is a young and terribly irresponsible babysitter. Sylvia talks to him first, because she thinks heâs cute, like a scruffy lost kitten. She also mistakes him for a boy.
-At age five, Dallas hasnât yet realized that he is a boy, and is torn between being awfully offended and weirdly pleased when Sylvia comes over and says she doesnât usually see little boys here.
-They do get into an argument about this tho đ(istg five year olds argue about fucking everything)
-That becomes an argument about who is older (itâs Dally, but Sylvia has a leg up on him in the fight because she knows what year she was born in and he hasnât yet been made aware that years have numbers)
-Then Dallyâs loser dad is all like âshut the fuck up Iâm drinkin âere go play kick the canâ
-Dally still has a slight capacity for obedience at this point (it hasnât been ironed outta him just yet) so he listens. He and Sylvia play âkick the broken glass bottleâ because they canât find a can. They both end up with a couple scratches and scrapes from this horrible game. When Buck eventually finds them heâs pissed off.
-As with most friendships that happen when one is five, this terrible activity plus the shared telling-off they experience together is enough for them to decide they are now best friends.Â
-Then when they start grade school, theyâre in the same class. (Different school than the Curtis gang is at atpâDally gets expelled from this school and moved to the Curtisesâ school a few years later)
-They pretend to be horses together because Sylvia is real into horse books and Dallas already wants to be a cowboy. (actually a cowgirl at the time, but yk yk you get it Iâm not gonna clarify every single time gender comes up lol.)
-Sylviaâs parents work full time, so Buck, her fatherâs much-younger half brother, is very often the one in charge of her/picking her up from school/making sure she is alive and whatever. He doesnât mind doing this because Sylvia is fully willing to clean all the stalls in his stables for just a bit of time near his horses. (He doesnât actually make her do this lol but she is willing)
-Dallyâs a latchkey kid, so Sylvia often convinces Buck to drive him home, too. There they hang out in the fields and woods on the edge of Tulsa. They watch Buckâs horses and play elaborate games. Sylvia likes to make up stories/worldbuild, while Dally likes to hit things with sticks and also likes hearing her talk, so this works out well for them.Â
-When Sylvia begins to get crushes on boys (or whatever it is that second grade girls have when theyâre still far too young to act on it but do find people cute), Dally gets sort of angry and doesnât know why. Heâs kind of possessive of her, and very jealous, but in a platonic for now way lol they are children
-Like his feelings get way too hurt when she hangs out w/ other people. Which she does fairly often. Sylvia has an easier time socially than he does. (My hc for her home life is that itâs actually really good until sheâs in her tweens-early teens, when her folks die in an accident.) Dally on the other hand has an awful home life, and people donât like him much because he has an awful temper. He bit a teacher once. No one trusts him at all except Sylvia, and thatâs just âcos she also has a bit of a crazy streak.
-When theyâre like eight, while tromping through the prairies, Dally (still not quite jaded yet, though no longer so obedient) tells Sylvia that he thinks he wants to marry her when they grow up. Sylvia tells him thatâs gross. Theyâre both girls. Ew. Dallyâs soul is legitimately crushed. Instead of expressing that though, he punches her, and they fight in the grass. When they are done, Dallyâs eye is blacked and Sylviaâs missing a baby tooth. They donât speak to each other after that for two weeks, which in kid years is more like two months.
-Then Sylvia gets into a fight with a different friend and sheâs besties with Dally again like nothing happened. Alls fair in the second grade, yo
-Dally is occasionally sent to girlsâ reform school and things like that now and again, but he and Sylvia remain friends, even if thereâs periods where theyâre less close than others
-Itâs at age twelve, in the summer before they go off to junior high, that Dallyâs father is sent to jail and Dally has to move to NYC to live with his mother now. Dally decides to run away from home that night, and he goes to Sylviaâs. They both pack their things and hop onto the train to Windrixville. When theyâre buying supplies and talking to farmers, the people in the country mistake Dally for a boy. He goes with it, and Sylvia feels really confusing feelings about it. In the empty church, Dally has Sylvia cut his hair short âso that itâs more believableâtheyâre lookin for two girls, not a girl and a guyâ
-Theyâre still found pretty fast thoâSylvia starts to feel really bad about her parents being worried, and later that same day, she calls them to tell them sheâs okay. They manage to get their hiding place out of her because she feels so guilty
-Dally is furious at her, and she starts crying. He tries to catch another train, alone this time, and is promptly found. He blames Sylvia entirely.
-In New York, Dally starts to grow into himself. His mother lives in Greenwich Village, and is kind when she isnât high, but mostly is high and neglectful (kinda like Rusty-Jamesâs dad in Rumble Fish if that means anything to you.) He has a neighbor who is a trans woman, and he bothers her with questions because he has a sinking feeling that heâs not too different from her. She gives him the clothes she wore as a man. Heâs pretty devastated when she has to leave.
-He gets the name âDallasâ from a guy he starts hanging around with because he thinks Dallyâs accent is from Texas. Dal never corrects him, and when Dallyâs mom moves them to another part of New York, he begins to introduce himself as âDallas.â He thinks itâs a tuff name. Very cowboy.
-Two-ish years pass, and then Dallyâs sent home to Tulsa again. This time, heâs at the Curtisesâ high school. Having been semi friends with the gang before, he slots back in pretty well, under the guise of having heard about their outfit from his âsister,â who is âstaying in New York.â
-Everyone buys it pretty easily. Except for Sylvia.Â
-Sheâs had a terrible time while Dally was away. Her parents both died and she moved across town to live with Buck, who is a well intentioned but horrible guardian. Her friends ditch her because she depresses them now, and in this part of town, the divide between Socs and greasers is much more pronounced. She goes from a somewhat crass but otherwise promising kid to the textbook definition of greaser girl in a matter of weeks. And thatâs about where she is in life when Dally comes back.
-Desperate for some semblance of her old life, she latches onto him fast.Â
-At first he tries to keep his distance, because he hates her for being the only one who recognizes him, and because heâs still a bit angry at her for calling her parents all those years ago.
-But he does also genuinely miss her. They fall back into friendship pretty fast, although theyâre even less healthy about it now.
-To make matters worse theyâre also very much attracted to each other. Sylvia had a crush on him before he left for NY, but hid it because he was another girl. He had a crush on her as a kid, but hid it because she kind of broke his heart a little.Â
-Now, Sylvia says they should date just so that he can learn how to be a real man. He resents this reasoning, but would rather date her for a bad reason than allow someone else to date her. And it does actually make him feel more âproperlyâ masculine. (A pretty toxic idea, but I do keep saying they are far from healthy)
âŚAnyway thatâs about where Iâll end it for nowâŚbut thereâs one version of the Dally/Sylvia origin story that swirls around in my head lol.
happy 400 followers to me, and happy pride month to everyone! a gift for myself, made purely for fun, i hope you enjoy a bit of self-indulgent art of stevepop as jack and marla :)
â ramble under the cut!
HOHHHH MY GOSHHHH i got it finished finally. that was really fun. really really really fun to make, actually. i mean, the colors were ATROCIOUS but the concept was a delight for ME personally. I'm having a time with just making doodles of these two. what better than an au that makes absolutely no sense, with two characters you wouldn't even recognize without the tags / mentioning their damn names đ.
I've officially been on tumblr for over a year now, and just earlier this week i finally hit 400 followers !!! WAOW ! isn't that something. i felt. so accomplished seeing that number. the largest amount i ever had on a social media where i posted my art was 200, so seeing double the amount for the first time ever made me feel reaaaally happy. it did !!!
i think it's kind of funny i managed to finish this drawing on the first of june, but i think it felt appropriate for both celebration timing and for the art piece itself. i think that's my first ever rendered drawing of a "kiss" I've ever made. saying / typing that makes me laugh a little because MY GOD. YOU LOSER (@ self)
the original sketch of the drawing, I'd say, is just as pretty to stare at. but also you can tell i kinda drew it at an angle, because soda looks... like he's leaning.
eyeah, i fixed that in the rendered version đ by a LOT â he was clung onto steve beforehand, now he's just holding him, i think it works a lot better for it but also i kinda wish i kept him clung on just bc of the probability of him falling over since ... in jack's scenario, he was actively bleeding out, so i think he would've grabbed more dramatically â now soda just looks tired and drowsy, which feels a bit more in character for HIS version of the narrator. ykwim?
i was gonna make a gif version of this drawing where it blurs out like the actual end of the movie, but i chose against it bc my program wouldn't work... but you can imagine it for cool points if you want đ
I'll shush up now, but GAHH. AHHH. i don't even care if this flops honestly, I'm over the moon. I'm having a fun time. that's what I'm here for man. I'm gonna go finish another brownie for 400.
thankyou thankyou thankyou a thousand times over and to the stars !!! đŤś
wait cos i kinda wanna write steviepop again just cos itâs been such a hot minuteâlmk if you have any prompts/requests, I canât think of anything lol
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yâall once this final week of school is over imma try to clear the askbox at least through February lol. Sorry itâs taken so long to do so đđ
previews for the lost boys out in nyc started yesterday and I want to stay close-minded but with the new photos of the set and the curtain call video it all looks so fuckin cool đ
white dwyane costumed like marko and latino marko costumed like dwyane will always be crazy to me tho like it would be perfect but the flip is throwing me off in a :/ way still lmao
^^ okay that probably sounds like Iâm saying a latino guy playing marko is whatâs weird (which itâs absolutely Not) but I canât figure out how to word what I mean in a better way sofhskjddk just that the casting was already great if theyâd kept dwyane poc with a poc guy in the cast that looks good in the dwyane costume guys Listen Please-
but Iâve been hearing good things by movie-first TLB fans so Iâm slowly becoming optimistic⌠also love that apparently despite alan being played by a girl the froggâs still refer to themselves as brothersâŚ. transmasc alan #real
okay⌠Iâm setting you free now lmao đ
first offâso sorry itâs taken me like actual months to answer this Iâve been very behind in schoolwork đ
Second offâno yeah I was so wrong about the TLB musical holy shit
I havenât listened to it, but everything I hear about it is amazing. The photos look amazing, the casting looks fantastic, the feel is still so perfectly 80s campâmovies are by far my preferred medium, but Christ, if I was gonna watch a musical it would 100% be this one. When the cast album comes out I think Iâll give it a listen
I do wish theyâd swap Dwayne and Marko back but whatever. Iâm all for POC Marko but yo. He looks sm like movie Dwayne be fr man câmon just swap their names đ (idk prolly thereâs a reason for that that im not aware of)
Marko, Paul, and Dwayne as a whole are probably my least favorite changes in the musical just cos none of them really feel like their movie counterparts to me, but the fact that David, Michael, and Star are so amazing balances it out. In the movie I feel pretty meh towards Michael and David, and even Star (who I love!) admittedly doesnât have a ton going for her in canon. So their amazing aura here balances out the lack of âcharacter essenceâ New Paul Marko and Dwayne have (FOR ME)
And let it be said that just because they donât feel like â¨my Paul Marko & Dwayne⨠doesnât mean they donât look fantastic, because they absolutely do. They look amazing, just different. I bet if I watched the musical Iâd walk away liking them just as much (well, almost. Kinda hard to replace Alex Winter for me but yk yk)
And yes! Transmasc Alan lol! That fits so well and I love that they did that instead of gender swapping him. I mean nothing wrong w/ that either, but keeping him Alan just feels really good. Sorta adds something that has always existed but that you wouldnât have seen in an 80s movie except as the butt of a joke. (If that, even. Other than maybe âJust One of the Guysâ I canât think of a single time trans men are even referenced at all in an 80s movie.) So I genuinely love that change, especially considering the dire political situation rn for all trans people but especially trans kids. ik itâs not like, in the musicalâs text or anything (I mean I assume), but itâs still a choice they made and I find that really cool. (Kinda making a mountain outta a molehill here maybe, but heyâItâs just really nice! and I wanna give it its due diligence đ)