I wrote this song when I was 17. Not-so-coincidentally, the first line of the song is âYou were 17âŠâ
I had been listening to a lot of Laura Marling - in particular her song âGhosts.â
At the time she was also 17 years old, and it inspired me to see a girl my age with a kickass music career showcasing her songwriting.
When I wrote this song, I envisioned it slowly building emotionally and musically with each verse until it had more and more drums that jolted you like heartbeats.
I did have a specific inspiration in mind. I was kind of making digs at myself with lines like âOnly read what you were told, never were one for being bold. You did what Mama said, but now youâre getting old.â Despite being an independent thinker (literally won an award in school as a kid for that), and having a healthy distrust for authority, I was very much a rule follower and incredibly cautious at that point in my life. My mom even took me aside one day in high school and told me that âitâs okay to break the rules sometimes.â She and my dad were concerned how well behaved I was!
Though Iâm not sure I properly conveyed it (because other parts of the song are dark as hell), some of the lines are very tongue-in-cheek. I was roasting the fuck out of how sheltered and well-behaved I was, while also somewhat roasting my friends who rebelled so hard against that very thing in themselves that they ended up going out and doing very stupid, very dangerous things to feel more badass and less guilty about their naĂŻvetĂ©.
There is also the thing about tattoos in this song. I have never liked tattoos. My mom was always very negative about them in my childhood, teaching me about how in the holocaust our family members had been forced to have numbers tattooed on them. How we should treat our bodies as temples, and how my grandmother refused to even pierce her ears.
Embarrassingly enough, when I was 16 I wrote an essay about how much I hated tattoos. In my English class, we were learning about how to use strong language to convey your opinion and sway people. I definitely overdid it for that paper, using cutting words to describe how âdisgustingâ I thought tattoos were, even if I didnât feel quite that strongly enough in real life.
Even more embarrassingly, my Papaw was at the time an editor of a publication called âChristian Ethics Today.â He went ahead and published my essay viscerally condemning tattoos, and so now that essay from when I was 16 and playing around with persuasive and descriptive language lives on in infamy as one of the top Google results when you search my name.
Even though I have no tattoos of my own, I do not feel that way anymore (and honestly never really did). I am not judgy about other peopleâs tattoos. If they make you happy, I am genuinely happy for you! Iâm not gonna be an asshole about it. But yeah, please donât google my name and read that article ! So incredibly embarrassing.
Relating to this song, 17 year old me had seen several friends turn 18 and immediately go out and get some âŠ.pretty regrettable tattoos (in their words, not just mine!). So keeping on the theme of roasting myself and my friends for trying to rebel against being sheltered and well-behaved⊠Getting a tattoo that said âI Never Couldâ clearly fit with that!
Itâs interesting⊠I often ask my friends and family and musical mentors what they think my songs mean. I always have my own interpretations, but itâs very rewarding hearing how others hear and interpret them.
One of my mentors who recorded a bunch of demos for me in his local studio when I was in high school always told me how this was his favorite song of mine. When I asked him what he thought the song was about, his interpretation was completely different than mine and actually very compelling. He even viewed the narrator of the song as being a different gender than what I felt when I wrote it, which in my opinion changed the song a great deal in meaning.
I loved his interpretation. And every interpretation of this song that I have heard since then. Everyone I have asked seems to interpret it in a completely different way, and I think thatâs so cool.
I even hesitate to share too much of my original intention when writing this song, because I think there are so many better ways to understand and relate to it. I also feel very differently about it at age 36 than I did when I wrote it at 17.
Another interesting fact about this song (though somewhat unsurprising given the lyrics) is that my mother HATES this song. Itâs like she takes the line about rebelling against what your Mama told you to do incredibly personally.
When I would gleefully tell people how much my mom hates this song of mine, she would like to joke to them that I had probably been mad that she told me I wasnât allowed to make cookies one day and turned my anger at her into this song.
That is definitely⊠one way to interpret this song, but I like to think thereâs more to it than that.
This was one of the 4 songs my band played for my schoolâs Battle of the Bands my senior year of high school (which we won!).
Our set list was a Wanda Jackson song, a Byrdâs song, this original song, and another song I had written in high school called âChange My Mind.â
(I think âChange My Mindâ was what cinched our win⊠see the video of High School!Me performing it at our Battle of the Bands here:
Sidenote: I forced a friend of mine to play fiddle for our band even though she didnât feel comfortable doing it and didnât want to do it. So donât judge her fiddle playing on this video!)
I have a recording of our performance of this song that night somewhere, but it does sound quite different to the version on my album I did in Austin with session musicians (which is the version I am sharing here).
The more slowed down, moody version on my album (that I honestly prefer to my original vision of the song) is all thanks to session guitarist Scrappy Judd Newcomb who came up with it and felt strongly that that was the vibe the song should have.
All right, thatâs enough rambling about this song. But I would be interested in your interpretation of it if anyone is inclined to share!
Hope I didnât ruin it for anyone with the backstory!
You were seventeen
Said you'd always had it easy
Life was boring
You were caged
You dreamed of soaring
So you got nothing to hide, nothing to lose
So you got nothing to hide, nothing to lose
He was dark and handsome
But not tall or like a con
You said "I don't talk to strangers"
But you followed him
And no one even noticed you were gone
And no one even noticed you were gone
He said he'd teach you to be wild
And you were sick of being good
So he took you to a place
where you couldn't see his face
And he said "if this don't make you bad,
I don't know what would"
You got a big tattoo that said 'I never could'
And you always knew that you never could
And you always knew that you never could
And you never had it easy
Your head was full of worthless books
Only read what you were told
Never were one for being bold
You did what mama said, but now you're gettin old
You did what mama said, but now you're gettin old
He said he'd teach you to be wild
And you were sick of being good
So he took you to a place
Where you couldn't see his face
And he said "if this don't make you bad
I don't know what would"
You got a big tattoo that said 'I Never Could'
And you always knew that you never could
And you always knew that you never could
If this don't set you free I don't know what would