Felix Tobeen
On The Dune, ca.1914
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@xushima
Felix Tobeen
On The Dune, ca.1914

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– Tenho vontade de te fazer um gesto absolutamente masculino com a parte do meu corpo que é absolutamente masculina.
Abstract conversations without content
Thomas Heinz
Edward Ruscha Now Then As I Was About to Say, 1973 Shellac on moiré rayon.
John Wesley (American, 1928-2022), Untitled, 2011. Acrylic on canvas, 44 x 66 in.

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John Wesley (American, 1928-2022), Untitled (Hand Cream), 1991. Acrylic on canvas, 117.5 x 124.5 cm.
Tom Wesselmann
Love (2015)
Anna Weyant
É preciso dizer sempre aquilo que se vê: sobretudo. E isso é o mais difícil. É preciso ver sempre aquilo que se vê.
Le Corbusier conversa com os estudantes das escolas de arquitectura

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sebastien chou photo
Nunca gostei de lamber, a frio, a superfície de um corpo. Sinto-o murcho ao gosto, acre ao odor. Mas, se pousas um pé no meu seio e levantas os braços deixando cair o cabelo, penso que é um pé de escrita dividido em dedos que procura a minha emoção. Que me provoca. No fim, mordo-lhe. É esta a minha retribuição de escritora viva.
Maria Gabriela Llansol, Onde Vais, Drama-Poesia? (fragmento)
David Boyd
Jim Dine So I lean back (Oo La La) Lithograph and Ron Padgett poetry, 1970

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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“estou a subir com o amor ao colo - o Amor está quase a cair. É com o que eu sonho, o amor de pé, o amor falcão, Aramis, o amor sem a resistência do ar, ou da gravidade e, alguém, talvez tu, me diz, a meu lado: «queria fazer amor contigo, e ando à procura de outra coisa.»”
— Maria Gabriela Llansol, in O Raio Sobre o Lápis
LOVE (2015), dir. Gaspar Noé.