Felix Tobeen
On The Dune, ca.1914

Kaledo Art

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@xushima
Felix Tobeen
On The Dune, ca.1914

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– Tenho vontade de te fazer um gesto absolutamente masculino com a parte do meu corpo que é absolutamente masculina.
Abstract conversations without content
Thomas Heinz
Edward Ruscha Now Then As I Was About to Say, 1973 Shellac on moiré rayon.
John Wesley (American, 1928-2022), Untitled, 2011. Acrylic on canvas, 44 x 66 in.

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John Wesley (American, 1928-2022), Untitled (Hand Cream), 1991. Acrylic on canvas, 117.5 x 124.5 cm.
Tom Wesselmann
Love (2015)
Anna Weyant
É preciso dizer sempre aquilo que se vê: sobretudo. E isso é o mais difícil. É preciso ver sempre aquilo que se vê.
Le Corbusier conversa com os estudantes das escolas de arquitectura

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sebastien chou photo
Nunca gostei de lamber, a frio, a superfície de um corpo. Sinto-o murcho ao gosto, acre ao odor. Mas, se pousas um pé no meu seio e levantas os braços deixando cair o cabelo, penso que é um pé de escrita dividido em dedos que procura a minha emoção. Que me provoca. No fim, mordo-lhe. É esta a minha retribuição de escritora viva.
Maria Gabriela Llansol, Onde Vais, Drama-Poesia? (fragmento)
David Boyd
Jim Dine So I lean back (Oo La La) Lithograph and Ron Padgett poetry, 1970

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“estou a subir com o amor ao colo - o Amor está quase a cair. É com o que eu sonho, o amor de pé, o amor falcão, Aramis, o amor sem a resistência do ar, ou da gravidade e, alguém, talvez tu, me diz, a meu lado: «queria fazer amor contigo, e ando à procura de outra coisa.»”
— Maria Gabriela Llansol, in O Raio Sobre o Lápis
LOVE (2015), dir. Gaspar Noé.