âItâs important to do whatâs best for you, whether people approve of it or not. This is your life. You know whatâs good for you. And remember that self love takes strength.â
â Unknown

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@xo-c-skeleton
âItâs important to do whatâs best for you, whether people approve of it or not. This is your life. You know whatâs good for you. And remember that self love takes strength.â
â Unknown

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âYears ago a friend of mine had a dream about a strange invention; a staircase you could descend deep underground, in which you heard recordings of all the things anyone had ever said about you, both good and bad. The catch was, you had to pass through all the worst things people had said before you could get to the highest compliments at the very bottom. There is no way I would ever make it more than two and a half steps down such a staircase, but I understand its terrible logic: if we want the rewards of being loved we have to submit to the mortifying ordeal of being known.â
â I Know What You Think of Me, Tim Kreider for the New York Times
after YEARS of seeing this quote online and finding it to be the most deeply and resoundingly profound writing i finally found the source article and absolutely nothing could prepare me for this opening paragraph
Itâs been one year since we escaped the real world together and imagined ourselves someplace simpler. With tall tall trees and salt air. Where youâre allowed to wear lace nightgowns that make you look like a Victorian ghost every day & no one will side eye you cause no one is around. Itâs just you and your imaginary cabin and the stories you make up to pass the time. To say thank you for all you have done to make this album what it was, I wanted to give you the original version of The Lakes. Happy 1 year anniversary to Rebekah, Betty, Inez, James, Augustine, and the lives we all created around them. Happy Anniversary, folklore. đż
https://taylor.lnk.to/thelakesoriginal
pro hoe â¨pro virginâ¨pro choiceâ¨pro sex on the 1st dateâ¨pro waiting til marriageâ¨pro anything thats consensual & youâre comfortable withâ¨
Iâm elated to tell you that my 9th studio album, and folkloreâs sister record, will be out tonight at midnight eastern. Itâs called evermore. To put it plainly, we just couldnât stop writing songs. To try and put it more poetically, it feels like we were standing on the edge of the folklorian woods and had a choice: to turn and go back or to travel further into the forest of this music. We chose to wander deeper in. Iâve never done this before. In the past Iâve always treated albums as one-off eras and moved onto planning the next one after an album was released. There was something different with folklore. In making it, I felt less like I was departing and more like I was returning. I loved the escapism I found in these imaginary/not imaginary tales. I loved the ways you welcomed the dreamscapes and tragedies and epic tales of love lost and found into your lives. So I just kept writing them. And I loved creating these songs with Aaron Dessner, Jack Antonoff, WB, and Justin Vernon. Weâve also welcomed some new (and longtime) friends to our musical kitchen table this time aroundâŚ
đˇ: Beth Garrabrant

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âIf the worst thing thatâs happened to me so far is I wore dumb clothes and dated a shitty dude, I think Iâm doing all right.â
Guys do any of you have a sister? And considered them your best friend? Well I do and did. And now she told me we're just sisters now not friends...and she dont understand why that would hurt my feelings

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âIt is the worst feeling you know? Knowing you are only temporary to someoneâŚ.and the worst part? Knowing there is nothing you can do to change it.â
â
When I die please donât cry because I was never worth it.
I NEED TO GO ALONE.

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For years I asked, pleaded for a chance to own my work. Instead I was given an opportunity to sign back up to Big Machine Records and âearnâ one album back at a time, one for every new one I turned in. I walked away because I knew once I signed that contract, Scott Borchetta would sell the label, thereby selling me and my future. I had to make the excruciating choice to leave behind my past. Music I wrote on my bedroom floor and videos I dreamed up and paid for from the money I earned playing in bars, then clubs, then arenas, then stadiums.Â
Some fun facts about todayâs news: I learned about Scooter Braunâs purchase of my masters as it was announced to the world. All I could think about was the incessant, manipulative bullying Iâve received at his hands for years.Â
Like when Kim Kardashian orchestrated an illegally recorded snippet of a phone call to be leaked and then Scooter got his two clients together to bully me online about it. (See photo) Or when his client, Kanye West, organized a revenge porn music video which strips my body naked. Now Scooter has stripped me of my lifeâs work, that I wasnât given an opportunity to buy. Essentially, my musical legacy is about to lie in the hands of someone who tried to dismantle it.
This is my worst case scenario. This is what happens when you sign a deal at fifteen to someone for whom the term âloyaltyâ is clearly just a contractual concept. And when that man says âMusic has valueâ, he means its value is beholden to men who had no part in creating it.Â
When I left my masters in Scottâs hands, I made peace with the fact that eventually he would sell them. Never in my worst nightmares did I imagine the buyer would be Scooter. Any time Scott Borchetta has heard the words âScooter Braunâ escape my lips, it was when I was either crying or trying not to. He knew what he was doing; they both did. Controlling a woman who didnât want to be associated with them. In perpetuity. That means forever.Â
Thankfully, I am now signed to a label that believes I should own anything I create. Thankfully, I left my past in Scottâs hands and not my future. And hopefully, young artists or kids with musical dreams will read this and learn about how to better protect themselves in a negotiation. You deserve to own the art you make.
I will always be proud of my past work. But for a healthier option, Lover will be out August 23.Â
Sad and grossed out,
đ
Taylor