The Hermit. Tarot of Lombardije, c. 1810

Mundus subterraneus : in XII libros digestus, c. 1665 by Kircher, Athanasius, 1602-1680

Art Nouveau angel locket, circa 1895–1915, featuring carved figure, green stone wings, and diamond accents.

The Return of Persephone (1891) by Alfred Kingsley Lawrence (British, 1893 – 1975), oil on canvas laid to board, 50 x 60 in. (128 x 152cm.), Private Collection

'Witches' Flight' by Francisco Goya, 1798.

“Subject, Object, Adject” (2006) ⌇ Jaime Pitarch — chair and wood shavings from its own legs

Cormorant fishing is an old tradition in which fishermen use trained cormorants to catch fish.

charcoal on paper, 2024

René Lalique Serpent Pectoral Pendant designed around 1899.

Sadan Vague - 'Twisted Trinity'

The Death of Icarus (b.1823-1889) by Alexandre Cabanel

The Spring Festival of Flora before the Acropolis, (Detail), (1901), by Ferdinand Leeke (German, 1859 – 1923), oil on canvas, 100 x 150 cm, Private Collection

Isabella and the Pot of Basil (1907) by John William Waterhouse, RA (English, 1849 – 1917), signed and dated 'J.W. Waterhouse/1907.' (lower right), oil on canvas, 41 ¼ x 29 1/8 in. (104.8 x 74 cm.), Private Collection

'The Ride' by Franz von Stuck, 1903.

This work was created with the themes of “decaying beauty” and “sacred stillness.” Like an altar left behind in ruins over long years, it bears a soot-darkened texture and intricate ornamentation. Though decadent in nature, it evokes a subtle sense of salvation, embodying a dark fantasy world." — Virtu More

british smallsword ca. 1780-1810