Ah look, it’s back. The post that’s wrong and makes me actually want to talk about music history.
A) This piece is not Tchaikovsky, it’s called Ricochet (Ping Pong Concerto) by Andy Akiho
B) Tchaikovsky has some unconventional percussion in the 1812 Overture, but it explicitly calls for an actual literal battery of cannons. It’s often creatively replaced by conductors because not all performance halls and/or educational establishments condone the use of an actual literal battery of cannons.
C) The piece that requires unspecified percussion is Mahler’s 6th Symphony, which calls for a sound that is “brief and mighty, but dull in resonance and with a non-metallic character (like the fall of an axe).” This is usually translated as “Take a huge-ass hammer and hit a huge-ass block of wood with it.”