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@wwateerflux
Eindbeeld

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Snelle schets: idee schaduw/lichtwerking
Fase II Week IIII: een poging tot het overstappen van een render in Revit naar Rhino
Snelle schets: narratief, paranoia
Fase II Week III

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Fase II Week II
Twee schilderwerken waarbij tactieken te zien zijn die ook terugkomen bij het beeld van de Waterflux.
Caravaggio; Chiascuro: het overdrijven in schaduw en lichtwerking.
Monet; Impressionisme: een momentopname in een steeds veranderende tijd.
Snelle schets: eerste idee
Technieken en tactieken fase II
Revit/Rhino (techniek)
Photoshop (techniek)
Paranoia, de angst en ovoorspelbaarheid van de natuur/locatie (tactiek): de natuur/ weergeven op een onduidelijke manier (moeilijk vatbare omgeving, onduidelijke natuur; lichtinvallen,bomen, grenzen met omgeving...).
Fictie als praktijk, narratieve structuren op een specifieke geografische locatie (tactiek): spelen met schaduw en lichtwerking, zodat het lijkt of het gebouw zich in een steeds veranderende tijd bevindt. De architectuur heeft een ambigu uiterlijk en lijkt steeds veranderen.
Project:
Afstudeerproject 3de jaar toegepaste architectuur
Woontoren gelegen aan de kattendijkdok in Antwerpen
This is a take on the different reflections seen on the water flux. R&Sie(n) makes 'architecture which expresses the action to produce in differed and altered time'. As seen by the impressionists in the 19th centrury who tried to capture a fragile moment in time, we see the same fragile moment in the waterflux through the slightly (organic?) forms on the facade and the different light sources.

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Nature cannot be demesticated in R&Sie(n)'s architecture. This video shows the unpridictable and self organasing side of nature.
My take on the Water-Flux building as known by my previous research on the building/architect.
New-Territories seek to articulate the real and/or fictional, geographic situations and narrative structures that can transform them, with technology, robotic and human natures, physiological and psychological.Β
R&Sie(n) shows in a morfogenetic (growth, differentiation and movement of cells) and parametric way that nature cannot be domesticated and predictable. There is a relation between the biological and parametrical and the morphogenetic architecture and its context. This sketch shows how the waterflux-building looks like a grass-cell.
Note: like cells make more cells than needed to prepare for global stresses, also the waterflux will be redundant.
Francois Roche has been working under the virtual character of "s/he". He does not want to be identified because it makes people focus on your abilities. As we see in the water flux the only persons visibile have been 'desidentified' and put out of proportion.

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The architecture of R&Sie(n) shows the relation of the building with his envoroment. They use mathematical programs like Rhino with alogoritms based on a biological model to study the enviroment and situations. In the waterflux, R&Sie(n) studies the relation of a building with the envoriment of the the Swiss alps. The concept as shown in located in the swiss alps and will freeze and defreeze according to the global stresses. The natural envoriment causes to make the building look a certain way which will be progressivly controlated by its enviroment (like the spikes on the waterflux like ico on branches). The intrusion of the nature in the building will first be simulated by the parametric programs.
The Water Flux building. Made by R&Sie(n). Like a plant which is unpridicatble and self organising, also the building will function this way. The scary and unprodictalble nature is seen on the way the grass is deformed, the trees, the lighting (artificial and natural), the textured facade...