Children in Horror
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Children in Horror

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Kids (1995) - Larry Clark
5 bullets on this film:
It’s really disturbing but it’s awesome because it’s realistic.. I can’t stop thinking about this damn movie. It shows the dark side of youth, not the usual hollywood bullshit (sorry hollywood, love you, call me!)Â
The characters are assholes, but you end up loving them. They are kind of disgusting, but each one of them has a backstory and you can’t help feeling sympathetic towards them.
The actors are all inexperienced and their characters are based on their real selves, so the movie feels really authentic. And Chloe Sevigny <3
The themes of the film are important and it’s a wake-up call for HIV, diseases, drugs and basically life in general.Â
It was written by Harmony Korine (the director of Gummo) who was only 19!!!! Larry Clark directed it almost perfectly and they managed to produce a cool-controversial-sickening-weird-amazing film. How can someone even do that?
Suspiria (1977) dir. Dario Argento
The Mirror (1975) dir. Andrei Tarkovsky
Andrei Tarkovsky with the cast and crew on the set of Stalker, 1979.

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ChloĂ« Sevigny behind the scenes of Gummo (1997)Â
Equinox Flower | Yasujiro Ozu | 1958
Stalker (1979) dir. Andrei Tarkovsky
I didn’t know what to watch today. Thank you chaotic nondeterministic god of tumblr for this conspicuous sign.
Wings of Desire (1987) dir. Wim Wenders

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“Why is it that you search for your own beauty in the eyes of others?”
—
Emma Bleker
So, why do you shop at night, then? People wind me up. How? They’re ignorant.
Under The Skin (2013) dir. Jonathan Glazer
Who is it? Who’s there? Ah, I’ve been expecting you! The American girl! I knew you’d come. You want to kill me! You want to kill Helena Markos!
Suspiria (dir. Dario Argento, 1977)
Blue Velvet (1986) dir. David Lynch
Early Summer | Yasujiro Ozu | 1951

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Some Like it Hot (1959)
Onibaba | Kaneto Shindo | 1964