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@wordsandchocolate
Palazzo Daniele, Puglia | Photo by Adrian Gaut

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Sergiu CiochinÄ

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Tom | @tom_juenemannÂ
Country Home Collection, 1992
Compagnie Française des Chocolats et des Thès. 1895. ThÊophile-Alexandre Steinlen.
23 x 31 ½ in./58.4 x 80.2 cm
1932 - Charles C. Ebbets photographing the construction of a skyscraper
https://www.instagram.com/oldnewyorkcity
@augustnoire
original photo aesthetic. ||Â by zhenya minaeva. ISABELLA

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Useful writing advice (short story edition)
Hereâs some useful writing advice I picked up from a writing workshop with a creative writing director and author: General Advice
ĂÂ Originality is everything: the best thing you can bring to writing is something you have to say, and the aim is to convey this as clearly and powerfully as possible ĂÂ The more personal something is the more universal ĂÂ Sensory detail is key to stories ĂÂ Get rid of all unnecessary words in a sentence. In short stories every sentence is more important than in a novel ĂÂ Donât âpaint a pictureâ with words. Create a moment for your reader to be in with your character; take a moment from a characterâs life and render it with precision. You want your reader to encounter a significant moment within your characterâs life (not about tying up the story neatly) ĂÂ Mine past memories for material, even if not autobiographical Except in rare circumstances, set it in a place you have inside knowledge of o Landscape is vital - it shapes behaviour, community etc. If it is closely linked to characters, descriptions of landscape will mean a lot to the reader and tell you about the characters without even sharing their emotion ĂÂ Expect to rework the first sentence when you have an overview of the story, after youâve finished ĂÂ Kurt Vonnegut: stories can often start a third of the way from what you think (because you spend the first third of writing âgetting intoâ the story) ĂÂ Allow for a reworked endings â donât fall into fade-out endings! ĂÂ Editing usually takes longer than the actual writing ĂÂ Make every word have a purposeÂ
What annoys judges of writing competitions Ă Too many adverbs â the right verbs donât need adverbs (one judge threw out a story after reading the first line âshe strode quickly across the parkâ because strode implies a fast pace) Ă âHelpingâ the reader too much o  Hilary Mantel: âI always assume my reader is at least as intelligent as meâ o  Trust your reader to understand what youâre saying â show donât tell (e.g. donât say âHer cheeks flushed red. She was embarrassedâ) Ă Overuse of exclamation marks o  Emotion and impact should convey enough Ă Overuse of â â to emphasise a word â if itâs necessary then italicise the word instead Ă Your characters donât have to be loveable but the reader has to care about them/what happens to them o  You read fiction to encounter the characters Ă Read stories that inspire you â not to write like them but to write short stories like you. Kurt Vonnegutâs advice Ă Use the time of a total stranger in such a way that he or she will not feel the time was wasted. Ă Give the reader at least one character he or she can root for. Ă Every character should want something, even if it is only a glass of water. Ă Every sentence must do one of two things-reveal character or advance the action. Ă Start as close to the end as possible. Ă Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them-in order that the reader may see what they are made of. Ă Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia. Ă Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.
Christophe Jacrot (French, b. 1960, Paris, France) - En Dessous de ZĂŠro (Below Zero) series, Norilsk, Siberia, Russia, Photography
âOne wants to tell a story, like Scheherezade, in order not to die. Itâs one of the oldest urges in mankind. Itâs a way of stalling death.â
â Carlos Fuentes (via lovedly)
hoveringcat:Â 50 Watts has posted a fantastic collection of illustrations made in 1964Â by Ruth Tzarfati, for her childrenâs book âGood Senses and Instincts: Biography of a Hamsterâ.

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Speaking Voice vs Character Voice
It sounds like folks whose first language is something other than English may be struggling with the concept of character voice, perhaps simply because of the dual-meaning of the word âvoice.â
Of course the primary meaning of the word âvoiceâ refers to âspeaking voiceâ or the sound produced in our throats when we speak, but when we talk about âcharacter voice,â weâre talking about the characterâs âvocal personality.â It includes things like:
whether they talk a lot or very little
whether they speak loudly or softly
whether they talk fast or slow
whether they interrupt a lot or wait their turn
whether they use a lot of slang or have a catch phrase
whether they use poor grammar or proper grammar
whether they use a lot of foul language
whether they have any verbal or vocal tics
whether they have any speech impediments
whether they speak with a âforeignâ accent and how strong it is
facial expressions, mannerisms, and gestures used while speaking
and yes, things like tone, quality, and pitch of their speaking voice
All of those things are affected by a characterâs personality. A person who is shy might speak softly, infrequently, and formally. Someone who is very outgoing might speak fast, often, say a lot, and speak loud. Itâs up to you to consider how your characterâs personality would affect their âvocal personalityâ or âcharacter voice.â I hope that clears things up a bit! âĽ
â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘â˘
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âIf God has made your cup sweet, drink it with grace; or even if He has made it bitter, drink it in communion with Him. If the providential will of God means a hard and difficult time for you, go through it.â
â My Utmost - Oswald Chambers (via toknowyourname)