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pairing: emily prentiss x f!reader
word count: 2.3 k
summary: JJ quietly challenges everything youâve been telling yourself about what happened at the pond, forcing you to question whether Emilyâs reaction was ever just about the job.
A/N: You can read the other parts here.
Masterlist ⢠Taglist⢠Age gap masterlist ⢠AO3
Emily doesnât bring it up again that day, at least, she makes no attempt to reopen the conversation with you. Instead, you catch her through the glass of her office more than once, her attention lingering just long enough in your direction to make it impossible to dismiss as coincidence.
Each time, thereâs a brief hesitation before she turns back to whatever file or phone call demands her attention. At first, you tell yourself youâre imagining it, that itâs just the habit, but by the fourth time, even that excuse starts to feel thin.
So you stop looking altogether, because not looking turns out to be easier than pretending it doesnât matter when she does.
The rest of the afternoon slips into the steady rhythm of the BAU, reports stacking into neat categories that turn people into timelines and events into structured summaries. You answer when spoken to, sign what needs signing, keep your attention anchored to whatever is directly in front of you. It feels easier than letting your thoughts wander where they naturally want to go.
By six oâclock, the bullpen has thinned out almost completely. Reid is still there, half buried behind a leaning tower of books and notes, murmuring to himself about statistical inconsistencies as if the answer might suddenly reveal itself if he says it quietly enough. Garcia had already swept through earlier, leaving behind a trail of color and a cheerful goodbye that echoed briefly through the open space before she disappeared into the elevator. Rossi followed not long after, keys already in hand, offering you a casual nod as he passed your desk.
When the last of the movement fades, you shut down your computer and sit back for a moment as the screen goes dark. You gather your files more slowly than necessary, aligning edges and corners with unnecessary precision before sliding them into the drawer, stalling without admitting it even to yourself.
âHeading home?â JJâs voice comes from a few steps away, and when you look up, sheâs already dressed in her coat, bag resting against her hip as she watches you with that familiar half-curious expression she tends to use when sheâs not entirely done observing people yet.
You straighten slightly in your chair before answering her, glancing toward the elevator and then back at her as you pick up your jacket. âYeah,â you say after a beat, slipping one arm through the sleeve as though itâs just another motion in a long list of things youâre doing. âYou heading out too?â
A small smile pulls at her mouth as she adjusts her bag strap. âIf I donât leave now,â she explains, tilting her head slightly as if sheâs still half-in conversation with someone else, âIâm going to have to justify to Henry why pancakes are apparently negotiable.â
The corner of your mouth lifts before you can stop it, a small reaction that doesnât quite make it to anything more, and JJ notices immediately. âThere it is,â she remarks softly, as if sheâs been waiting for it.
You pause mid-motion, pulling your jacket on a bit slower than needed as you glance at her. âWhatâs that supposed to mean?â
âThat smile,â she replies, fastening her coat with slow precision while still watching you, âI havenât seen much of that this week.â
Your smile fades before it fully reaches your face, slipping away as easily as it came. âIâve just been tired,â you answer, though it sounds more like something you offer than something you mean to explain.
âI get that,â she says quietly, glancing to the side before she steps toward the elevator.
You follow her gaze without meaning to, and that is when you notice it too. Emilyâs office through the glass, the muted movement inside it, her standing at her desk mid-call, already halfway into something else even while still physically present here.
Something in your focus lingers a fraction too long.
âYouâve been doing that a lot,â JJ notes after a moment, quieter now, more observation than comment.
You glance at her. âDoing what?â
âLooking,â she answers simply, letting the word sit before she adds anything else. âAt her. At that office. Like youâre always expecting something to change.â
That makes your attention snap back to her more quickly than intended.
âIâm notââ you start, then stop.
JJ doesnât push. âIâve just never seen all of those things happen at once,â she admits. âThe anger, the command⌠the way she handled you out there.â
She watches your face for a second longer, then continues more carefully. âWhen she pulled you out of the field, she was your Unit Chief. That part made sense to everyone.â
A faint pause follows, just long enough for the hum of the bullpen to fill it. âBut when she caught you before you hit the ground,â JJ adds, her expression shifting slightly, âthat wasnât your Unit Chief anymore.â
The elevator chimes softly behind you, doors sliding open as if inviting you to leave the conversation before it deepens. Neither of you moves.
You glance at JJ, already anticipating where she is taking this, and feel your body tighten before she even finishes the thought. âI donât know what you mean,â the words smoother than they feel.
JJ tilts her head slightly, not challenging you, but not letting the answer settle either. âYou do,â she states simply, as if she has no interest in arguing the point because she is already certain of it.
Her words echo in your mind, lingering in a way you donât push away, and your gaze drifts toward Emilyâs office almost on its own.
She is inside her office, one hand braced against the edge of her desk, the other holding a phone between shoulder and ear. She is listening, nodding once, already reaching for a file without sitting down. Everything about her looks operational, controlled, efficient.
But it is not her movements you notice, it is the weight in them. The way her shoulders sit just slightly lower than usual. The way she doesnât fully pause between tasks, as if stopping would make something catch up to her that she has been outrunning since that day.
A faint tension tightens in your jaw before you even realize youâre holding it.
âSheâs worried,â JJ says after a moment, her voice softer now. A faint crease forms between her brows as she studies your face. âAnd so are you, just in different ways.â
Your eyes drop first, almost reflexively. âI gave her a reason to be.â
âYou saved a childâs life,â JJ remarks gently, âbut you also ignored a direct order.â
âThatâs not what this is about.â
âItâs about her not being able to separate those two things when itâs you,â she states, one brow lifting slightly. âShe can separate them with everyone else,â she continues. âShe always has. Thatâs the job. Thatâs what sheâs good at.â
A beat settles between you.
âBut with youâŚâ She stops herself there, as if deciding not to finish the sentence in the obvious way.
You look away again before she can. âI didnât do anything different,â you insist.
JJ lets out a slow breath. âI know,â she admits. âYou reacted the way you always do.â
You give the smallest nod. That much has never been in question.
âIâm not saying she made the wrong call. You were out there, you made the save. No one is arguing that.â
You brush a loose strand of hair behind your ear and angle yourself toward the elevator. The conversation has become uncomfortably personal, and every instinct tells you to end it before JJ continues.
JJ catches the movement, her eyes returning to you with quiet understanding. She folds her arms loosely across her chest. âIâve worked with her long enough to know the difference between a decision and a reaction.â
âIt was a reaction to a situation,â you offer, your voice a little unsure.
JJ shakes her head, certain. âIt was a reaction to you.â
The words donât feel dramatic when she says them. Thatâs what makes them stick.
A few desks behind her, someone laughs too loudly at something that has nothing to do with this conversation. The sound fades quickly again, swallowed by the bullpenâs usual rhythm, but it doesnât reset the space between you.
âIâm not telling you what it means,â JJ adds after a moment. âI think you already know what it felt like.â
You donât answer right away. The silence stretches just enough that the elevator gives up waiting and the doors begin to close.
At the last second, JJ reaches out and presses the button again, reopening them with a soft mechanical chime. âYou donât have to name it, but you should probably stop pretending it was only about the case.â
Her eyes stay on you, steady but not pressing. âAnd I think she already stopped pretending. Thatâs the problem.â
With that, JJ leaves you standing there. She steps into the elevator alone, while you remain where you are, the weight of the conversation settling too heavily in your chest for your feet to follow.
The drive home takes longer than it should. Every set of traffic lights seems determined to catch you, forcing you to sit in silence while the first drops of rain begin to gather on the windshield. By the time you leave the city behind, the drizzle has turned into a steady downpour, the wipers moving back and forth in a hypnotic rhythm that does nothing to quiet the thoughts circling your mind. JJâs voice slips back in without invitation, followed by Morganâs, and then Emilyâs, each memory folding into the next until you can no longer tell where one conversation ends and another begins. You tighten your grip on the steering wheel when the light finally turns green, pressing a little harder on the accelerator than necessary, as though moving forward might be enough to leave the rest behind.
It isnât.
By the time you reach your apartment building, the rain has soaked through your hair in the short walk from the parking lot. The key slips against the lock on the first attempt, your damp fingers refusing to find the right angle until you let out a quiet breath and try again. This time the mechanism gives with a familiar click. You step inside, nudge the door shut behind you with your heel, and let your keys fall into the ceramic bowl by the entrance.
The sharp clink echoes through the apartment.
For a moment, you simply stand there, your hand still resting on the doorknob while the sound fades into the silence around you. The rooms are exactly as you left them that morning, yet they feel strangely unfamiliar now, as though the conversation with JJ has followed you home and settled into every corner before you had the chance to arrive.
You shrug out of your jacket and drape it over the nearest chair before slipping off your shoes. One lands neatly beside the door. The other skids a little farther across the hardwood floor, and you watch it for a second without bothering to pick it up. Instead, you head for the bathroom, turning the shower on as hot as you can stand it. Steam quickly fills the small room, fogging the mirror until your own reflection disappears behind a veil of white, but even beneath the rush of water your thoughts refuse to quiet.
When she caught you before you hit the ground⌠that wasnât your Unit Chief anymore.
You brace one hand against the cool tiles, your head lowering beneath the steady stream of water. It drums against the back of your neck, runs over your shoulders, and disappears down the drain, but the thoughts stay exactly where they are.
Dinner is little more than routine. You heat whatever happens to be in the fridge, eat half of it standing at the kitchen counter, then carry the plate to the sink without remembering what it tasted like. Hoping for a distraction, you pick up the novel lying open on the coffee table, sink into the couch, and manage only a few pages before you realize youâve read the same paragraph three times without taking in a single word.
With a quiet sigh, you close the book and let your head fall back against the cushions.
Your gaze drifts toward the bedroom.
Emilyâs jacket is still folded across the chair where you left it after washing it. You were supposed to bring it back days ago. Instead, it has remained exactly where it is, untouched except for the brief moments when your eyes linger on it a little longer than they should.
Almost without thinking, you cross the room. Your fingers brush lightly over the sleeve, tracing the fabric beneath your fingertips. You had washed it twice before hanging it to dry, convinced the scent would disappear with the second cycle. It hadnât.
Even now, you can still remember the faint trace of sandalwood that had clung stubbornly to the fabric, and with it comes the memory you have been trying all week not to replay: Emily standing far too close, pulling the zipper of the jacket all the way to your chin because your hands had been shaking too hard to do it yourself, her palms rubbing warmth back into your arms with patient determination while she searched your face as though reassuring herself that you were still standing.
You let your hand fall away from the jacket and take a slow step back, forcing a little distance between yourself and the memory.
âGet a grip,â you mutter into the empty apartment.
The words sound hollow the moment they leave your mouth.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch ⢠No registration required ⢠HD streaming
pairing: emily prentiss x f!reader
word count: 2.3 k
summary: JJ quietly challenges everything youâve been telling yourself about what happened at the pond, forcing you to question whether Emilyâs reaction was ever just about the job.
A/N: You can read the other parts here.
Masterlist ⢠Taglist⢠Age gap masterlist ⢠AO3
Emily doesnât bring it up again that day, at least, she makes no attempt to reopen the conversation with you. Instead, you catch her through the glass of her office more than once, her attention lingering just long enough in your direction to make it impossible to dismiss as coincidence.
Each time, thereâs a brief hesitation before she turns back to whatever file or phone call demands her attention. At first, you tell yourself youâre imagining it, that itâs just the habit, but by the fourth time, even that excuse starts to feel thin.
So you stop looking altogether, because not looking turns out to be easier than pretending it doesnât matter when she does.
The rest of the afternoon slips into the steady rhythm of the BAU, reports stacking into neat categories that turn people into timelines and events into structured summaries. You answer when spoken to, sign what needs signing, keep your attention anchored to whatever is directly in front of you. It feels easier than letting your thoughts wander where they naturally want to go.
By six oâclock, the bullpen has thinned out almost completely. Reid is still there, half buried behind a leaning tower of books and notes, murmuring to himself about statistical inconsistencies as if the answer might suddenly reveal itself if he says it quietly enough. Garcia had already swept through earlier, leaving behind a trail of color and a cheerful goodbye that echoed briefly through the open space before she disappeared into the elevator. Rossi followed not long after, keys already in hand, offering you a casual nod as he passed your desk.
When the last of the movement fades, you shut down your computer and sit back for a moment as the screen goes dark. You gather your files more slowly than necessary, aligning edges and corners with unnecessary precision before sliding them into the drawer, stalling without admitting it even to yourself.
âHeading home?â JJâs voice comes from a few steps away, and when you look up, sheâs already dressed in her coat, bag resting against her hip as she watches you with that familiar half-curious expression she tends to use when sheâs not entirely done observing people yet.
You straighten slightly in your chair before answering her, glancing toward the elevator and then back at her as you pick up your jacket. âYeah,â you say after a beat, slipping one arm through the sleeve as though itâs just another motion in a long list of things youâre doing. âYou heading out too?â
A small smile pulls at her mouth as she adjusts her bag strap. âIf I donât leave now,â she explains, tilting her head slightly as if sheâs still half-in conversation with someone else, âIâm going to have to justify to Henry why pancakes are apparently negotiable.â
The corner of your mouth lifts before you can stop it, a small reaction that doesnât quite make it to anything more, and JJ notices immediately. âThere it is,â she remarks softly, as if sheâs been waiting for it.
You pause mid-motion, pulling your jacket on a bit slower than needed as you glance at her. âWhatâs that supposed to mean?â
âThat smile,â she replies, fastening her coat with slow precision while still watching you, âI havenât seen much of that this week.â
Your smile fades before it fully reaches your face, slipping away as easily as it came. âIâve just been tired,â you answer, though it sounds more like something you offer than something you mean to explain.
âI get that,â she says quietly, glancing to the side before she steps toward the elevator.
You follow her gaze without meaning to, and that is when you notice it too. Emilyâs office through the glass, the muted movement inside it, her standing at her desk mid-call, already halfway into something else even while still physically present here.
Something in your focus lingers a fraction too long.
âYouâve been doing that a lot,â JJ notes after a moment, quieter now, more observation than comment.
You glance at her. âDoing what?â
âLooking,â she answers simply, letting the word sit before she adds anything else. âAt her. At that office. Like youâre always expecting something to change.â
That makes your attention snap back to her more quickly than intended.
âIâm notââ you start, then stop.
JJ doesnât push. âIâve just never seen all of those things happen at once,â she admits. âThe anger, the command⌠the way she handled you out there.â
She watches your face for a second longer, then continues more carefully. âWhen she pulled you out of the field, she was your Unit Chief. That part made sense to everyone.â
A faint pause follows, just long enough for the hum of the bullpen to fill it. âBut when she caught you before you hit the ground,â JJ adds, her expression shifting slightly, âthat wasnât your Unit Chief anymore.â
The elevator chimes softly behind you, doors sliding open as if inviting you to leave the conversation before it deepens. Neither of you moves.
You glance at JJ, already anticipating where she is taking this, and feel your body tighten before she even finishes the thought. âI donât know what you mean,â the words smoother than they feel.
JJ tilts her head slightly, not challenging you, but not letting the answer settle either. âYou do,â she states simply, as if she has no interest in arguing the point because she is already certain of it.
Her words echo in your mind, lingering in a way you donât push away, and your gaze drifts toward Emilyâs office almost on its own.
She is inside her office, one hand braced against the edge of her desk, the other holding a phone between shoulder and ear. She is listening, nodding once, already reaching for a file without sitting down. Everything about her looks operational, controlled, efficient.
But it is not her movements you notice, it is the weight in them. The way her shoulders sit just slightly lower than usual. The way she doesnât fully pause between tasks, as if stopping would make something catch up to her that she has been outrunning since that day.
A faint tension tightens in your jaw before you even realize youâre holding it.
âSheâs worried,â JJ says after a moment, her voice softer now. A faint crease forms between her brows as she studies your face. âAnd so are you, just in different ways.â
Your eyes drop first, almost reflexively. âI gave her a reason to be.â
âYou saved a childâs life,â JJ remarks gently, âbut you also ignored a direct order.â
âThatâs not what this is about.â
âItâs about her not being able to separate those two things when itâs you,â she states, one brow lifting slightly. âShe can separate them with everyone else,â she continues. âShe always has. Thatâs the job. Thatâs what sheâs good at.â
A beat settles between you.
âBut with youâŚâ She stops herself there, as if deciding not to finish the sentence in the obvious way.
You look away again before she can. âI didnât do anything different,â you insist.
JJ lets out a slow breath. âI know,â she admits. âYou reacted the way you always do.â
You give the smallest nod. That much has never been in question.
âIâm not saying she made the wrong call. You were out there, you made the save. No one is arguing that.â
You brush a loose strand of hair behind your ear and angle yourself toward the elevator. The conversation has become uncomfortably personal, and every instinct tells you to end it before JJ continues.
JJ catches the movement, her eyes returning to you with quiet understanding. She folds her arms loosely across her chest. âIâve worked with her long enough to know the difference between a decision and a reaction.â
âIt was a reaction to a situation,â you offer, your voice a little unsure.
JJ shakes her head, certain. âIt was a reaction to you.â
The words donât feel dramatic when she says them. Thatâs what makes them stick.
A few desks behind her, someone laughs too loudly at something that has nothing to do with this conversation. The sound fades quickly again, swallowed by the bullpenâs usual rhythm, but it doesnât reset the space between you.
âIâm not telling you what it means,â JJ adds after a moment. âI think you already know what it felt like.â
You donât answer right away. The silence stretches just enough that the elevator gives up waiting and the doors begin to close.
At the last second, JJ reaches out and presses the button again, reopening them with a soft mechanical chime. âYou donât have to name it, but you should probably stop pretending it was only about the case.â
Her eyes stay on you, steady but not pressing. âAnd I think she already stopped pretending. Thatâs the problem.â
With that, JJ leaves you standing there. She steps into the elevator alone, while you remain where you are, the weight of the conversation settling too heavily in your chest for your feet to follow.
The drive home takes longer than it should. Every set of traffic lights seems determined to catch you, forcing you to sit in silence while the first drops of rain begin to gather on the windshield. By the time you leave the city behind, the drizzle has turned into a steady downpour, the wipers moving back and forth in a hypnotic rhythm that does nothing to quiet the thoughts circling your mind. JJâs voice slips back in without invitation, followed by Morganâs, and then Emilyâs, each memory folding into the next until you can no longer tell where one conversation ends and another begins. You tighten your grip on the steering wheel when the light finally turns green, pressing a little harder on the accelerator than necessary, as though moving forward might be enough to leave the rest behind.
It isnât.
By the time you reach your apartment building, the rain has soaked through your hair in the short walk from the parking lot. The key slips against the lock on the first attempt, your damp fingers refusing to find the right angle until you let out a quiet breath and try again. This time the mechanism gives with a familiar click. You step inside, nudge the door shut behind you with your heel, and let your keys fall into the ceramic bowl by the entrance.
The sharp clink echoes through the apartment.
For a moment, you simply stand there, your hand still resting on the doorknob while the sound fades into the silence around you. The rooms are exactly as you left them that morning, yet they feel strangely unfamiliar now, as though the conversation with JJ has followed you home and settled into every corner before you had the chance to arrive.
You shrug out of your jacket and drape it over the nearest chair before slipping off your shoes. One lands neatly beside the door. The other skids a little farther across the hardwood floor, and you watch it for a second without bothering to pick it up. Instead, you head for the bathroom, turning the shower on as hot as you can stand it. Steam quickly fills the small room, fogging the mirror until your own reflection disappears behind a veil of white, but even beneath the rush of water your thoughts refuse to quiet.
When she caught you before you hit the ground⌠that wasnât your Unit Chief anymore.
You brace one hand against the cool tiles, your head lowering beneath the steady stream of water. It drums against the back of your neck, runs over your shoulders, and disappears down the drain, but the thoughts stay exactly where they are.
Dinner is little more than routine. You heat whatever happens to be in the fridge, eat half of it standing at the kitchen counter, then carry the plate to the sink without remembering what it tasted like. Hoping for a distraction, you pick up the novel lying open on the coffee table, sink into the couch, and manage only a few pages before you realize youâve read the same paragraph three times without taking in a single word.
With a quiet sigh, you close the book and let your head fall back against the cushions.
Your gaze drifts toward the bedroom.
Emilyâs jacket is still folded across the chair where you left it after washing it. You were supposed to bring it back days ago. Instead, it has remained exactly where it is, untouched except for the brief moments when your eyes linger on it a little longer than they should.
Almost without thinking, you cross the room. Your fingers brush lightly over the sleeve, tracing the fabric beneath your fingertips. You had washed it twice before hanging it to dry, convinced the scent would disappear with the second cycle. It hadnât.
Even now, you can still remember the faint trace of sandalwood that had clung stubbornly to the fabric, and with it comes the memory you have been trying all week not to replay: Emily standing far too close, pulling the zipper of the jacket all the way to your chin because your hands had been shaking too hard to do it yourself, her palms rubbing warmth back into your arms with patient determination while she searched your face as though reassuring herself that you were still standing.
You let your hand fall away from the jacket and take a slow step back, forcing a little distance between yourself and the memory.
âGet a grip,â you mutter into the empty apartment.
The words sound hollow the moment they leave your mouth.
pairing: emily prentiss x masc!reader
word count: 2.4 k
summary: When Spencer Reidâs world unravels, your path crosses with Emily Prentiss again â and so does everything you thought youâd left behind. Youâre the sharp-suited attorney brought in to save him from prison. Sheâs the Unit Chief trying to hold her team together. And between you? Unfinished history, quiet tension, and a spark that never really went out.
tags: unresolved feelings, tension you can taste, defense attorney!reader, Unit Chief Emily Prentiss
pictures: Kelly Sikkema Unsplash // Hermes Rivera Unsplash
A/N: This story is based on this anonymous request I received â thank you, whoever you are, for the prompt and the trust! I really hope this hits the notes you were hoping for. And I hope you like it, I got a bit carried away while writing...
Masterlist
The first time you see her again, itâs at Quantico. Youâre wearing your usual: a tailored navy suit with crisp lines, open collar, and polished shoes that catch the light as you move. You donât wear this outfit to impress, â never âbut because youâve learned that presence matters in rooms like these. People underestimate how much power lives in a clean cut and quiet confidence. Still, thereâs a flicker of something in Emily Prentissâs eyes when she sees you in the hallway. Something that starts as surprise and twists quickly into something warmer, heavier, and far more complicated. You try to hide your amused grin behind your folder, which you lift up as a greeting.
She steps toward you, slow but purposeful, like sheâs still deciding whether this is a welcome reunion or an inconvenient echo from another lifetime.
âDidnât expect to see you back here,â she says, arms crossed, tone attempting neutrality but fraying at the edges.
You arch a brow, the familiar smirk tugging at your lips. âDidnât expect to get called in on an FBI internal disaster. But then again, I never say no to a challenge.â
A shadow passes over her face â not from you, but from the reason youâre here. Reid. Youâve read the file. Every line of it. Youâd followed the case from a distance â as much as anyone outside the Bureau could. Reid, arrested in Mexico, caught crossing the border with a controlled substance linked to an unsanctioned trip and a body in his wake. His motives blurred by personal desperation, by the crumbling health of his mother, by a web of international jurisdiction and internal politics no one at the FBI seemed eager to unravel.
They hung him out to dry.
Youâve seen it before. Youâve built your career on cleaning up the mess left when institutions protect themselves before their people. And Spencer Reid, despite everything, is still one of theirs. Still a profiler, still a colleague, still Emilyâs team. And if thereâs one thing Emily Prentiss doesnât do, itâs abandon her own.
You glance past her shoulder, through the glass walls of the bullpen. A team unraveling. Pressure pressing from every side. And there she stands in the center of it, trying to hold it all together with duct tape and sheer will.
âYouâre the only one I could trust,â she says, after a pause too long to be professional. Her voice is softer now, rough around the edges like itâs been ground down by months of crisis.
You tilt your head slightly. âThatâs a dangerous thing to say to a defense attorney.â
Her lip quirks. âThen letâs keep it between us.â
Itâs not just a formality. Thereâs a weight in her voice. And you nod, once. âThen letâs bring him home.â
And just like that, youâre pulled back into orbit. Same gravity, same burn.
You and Emily havenât spoken properly in years. Not since that case in Marseille, when you were both younger and still pretending your lives were simple. You remember the tension then, the long nights, the way she always read your thoughts before you spoke them. You remember the almosts, the drinks you didnât have, the silence after she left.
And now here she is, Unit Chief of the BAU, standing a little too close, eyes scanning your face like sheâs wondering how much has changed.
You become a fixture at Quantico. A disruption at first not in the loud, brash sense, but something subtler. Your presence shifts the balance. You command space and you donât apologize for it.
Each morning you arrive with coffee, three cups in a tray and one in your hand for her. You hand it over without a word, and she accepts it without thanks, because thereâs no need. You still remember how she takes it. Black, no sugar.
It doesnât go unnoticed.
Garcia watches you like sheâs watching the second act of a drama sheâs been rooting for since season one. One afternoon she plants herself beside you in the bullpen and sighs dreamily.
âThat suit is illegal in five states,â she says, chin propped on her hand. âSeriously, you make Armani look like a lifestyle choice.â
You smile around the rim of your coffee. âFlattery will get you classified files, Penelope.â
She winks. âAnd Emily? Blink twice if youâre emotionally compromised.â
Emily doesnât blink. Just walks past with a muttered, âYouâre all children,â but her gaze lingers on you longer than necessary.
--
Itâs in the interrogation room that you see her â really see her â again. Not the composed Unit Chief shaped by years of protocol and paper-pushing, but the woman you met in smoky bars and narrow alleyways, the one who once stood shoulder to shoulder with you under the hot Marseille sun, a cigarette in one hand and danger thrumming beneath her skin. The fire in her eyes now is the same. Unfiltered and unrelenting.
You stand back, arms folded across your chest, blazer tailored to sharp angles, shoes planted like you own the ground beneath them. You only watch, because Emily Prentiss doesnât need help. She needs space to act. And youâre not the type to get in the way of a storm in full swing.
Emily leans across the table, palms flat against the metal, her voice like cut glass â smooth, cold, and devastating. Her blouse dips slightly as she moves in, hovering just close enough to make the air feel heavier.
âYou think you can lie to me?â she murmurs, tone even but lethal. âYou think you can twist your story into knots and I wonât notice the frayed ends?â
The suspect shifts in his seat, there is a twitch in his jaw, a flicker in his gaze. Sheâs got him.
She begins to move â slow, deliberate â the way a hawk circles prey thatâs already bleeding. Her questions are scalpels now: slicing, layering and precise. Each one tighter than the last. Each answer he gives pulls the noose a little more.
What he thought were clever lies unravel into threads of panic. And in the silence between her words, the fear blooms.âIf you so much as breathed near Spencer Reid with intent,â she continues, and you catch the subtle quiver in her fingers, the steel threaded with fury, âIâll bury you in federal process so deep, youâll beg for solitary just to remember what your own voice sounds like.â
The man breaks, not with a bang, but a slow, visible collapse. His breath stutters in his chest before it ever makes it to his mouth. His eyes dart from Emily to the door, his hands tremble. You watch as something in his shoulders folds inward, caving under the weight of her words and the inevitability of the truth.
He tries to speak, but the syllables tumble out in fragments â half-formed, half-swallowed, like his mouth canât keep up with the panic clawing up his throat.
âI⌠I didnât meanâ It wasnâtâ I justâŚâ
His gaze drops to the table, as if the cold surface might offer sanctuary. But Emily doesnât let up â she doesnât need to. She simply straightens, her eyes never leaving his, and in that charged silence you see it: heâs done.
Not because she shouted, not because she threatened him. She saw right through him, and he knew it.
Emily straightens slowly, the faint crack of her bones echoing in the tense room, a breath held tight deep in her ribs, fire banked but far from extinguished. She doesnât meet your eyes again until the door hisses shut behind her.
âThat wasâŚâ
âHot?â you offer, one brow arched, the corner of your mouth tugging upward.
She turns that signature glare on you, but thereâs a flicker of amusement behind it. âEffective.â
You grin wider, shoulder to shoulder now, warmth blooming between you.
--
She sees you in action, too. Itâs not the same, there is no mirrored glass, no interrogation table, but itâs no less commanding.
The courtroom isnât built for grace, but you move through it like a conductor guiding an orchestra of chaos. Every step is deliberate, every gesture precise. Sometimes it feels like a carefully learned dance: the steps, the mimicry, the controlled movements. You stand beside Reid, shoulders straight, confidence rippling from you like silk under tension. Your suit, dark and perfectly cut, shifts with every breath. Your presence fills the room, not loud, and never aggressive, just undeniable.
When you speak, the prosecution leans in, wary. The judge watches you like sheâs waiting for a reason to interrupt, but never finds one. You dismantle the narrative with cool exactness, pointing to gaps and protocol failures with a tactful ruthlessness that makes even seasoned agents squirm. But never once, do you let Emilyâs name cross your line of fire.
Sheâs in the back during the hearing. Doesnât say a word, doesnât need to. You can feel her gaze â quiet, unwavering, trained on you like a pressure point between your shoulder blades. She never did like being powerless. And watching someone she cares about on trial? Thatâs never been something she could sit with easily.
Afterward, the hallway is quiet, fluorescents buzz overhead, and the scent of bitter coffee clings in the air. Youâre leaning against the wall, ankles crossed, cuffs rolled just enough to bare the line of your forearms. Your tie hangs loose, your posture relaxed â the kind of worn elegance that reads like ease but was honed from years of war in courtrooms and backrooms alike. The coffee in your hand is awful, but you sip it anyway.
When Emily appears at the far end of the corridor, her steps are slow. Not hesitant, just heavy, like sheâs still holding the weight of everything that just passed. She stops a few feet from you, gaze traveling over your face, down to your loosened collar.
âYou were⌠impressive in there,â she says quietly. âYou didnât pull punches.â
You glance sideways at her, a slow smirk tugging at your mouth. âIâm always good. You just never stuck around long enough to see it.â
The words come out softer than they could have. Thereâs no accusation in them, only memory. The echo of a hotel hallway in Marseille, years ago, and a door that never opened again. You will never forget the silence.
Emily exhales slowly, looks away for a moment, like sheâs considering what to say next.
âI left because I was scared,â she says, barely above a whisper. âNot of you. Just⌠of what it was turning into.â
You can only nod. Not because you forgive her, you never really blamed her. But because you understand. Because youâve been running, too.
Your eyes find hers. Your heart is pounding in your ears, but you need to be honest with her.
âI was scared too,â you admit, voice low, roughened at the edges. âJust didnât get the chance to run first.â
That draws a flicker of something from her, not quite a smile, not quite regret. A shared truth, a shared pain. For a second, neither of you speaks. The air between you is still, charged with the quiet gravity of two people orbiting something they never dared to name.
Then her phone buzzes â a case update, maybe. Reality creeps back in, and Emily glances at the screen with a frown, then back at you. âDuty calls.â
You nod. âIt usually does.â
She hesitates, like thereâs more she could say, but instead, she just touches your arm as she passes. Her fingers linger just long enough to make you wonder what mightâve happened if either of you had opened that damn door years ago.
And then sheâs gone. But the silence she leaves behind isnât empty this time. It feels like the end of a chapter, or maybe just the pause between two.
--
The night Reid walks free, the sky splits open. Thunder grumbles across Quantico, and rain lashes the asphalt like it has something to prove. The team celebrates in hushed tones, the kind of joy tempered by weeks of fear and exhaustion. Laughter echoes down the hallways, plastic cups thudding gently against tables, the quiet sound of relief shared in sips as you step into the bullpen.
They want you to celebrate with them, but you slip away because you want to see her.
You find her in her office. The blinds are drawn, and Emily leans against her desk, a folder in her hand. Youâre drenched when you step inside. Your shirt is clinging to your chest, your suit jacket folded over one arm, tie hanging loose like an afterthought.
âDidnât mean to intrude,â you say, a goofy smile on your face.
âYouâre not,â Emily replies, her voice softer than you expect.
She moves toward you, slowly. No longer Unit Chief, no longer agent. Just Emily. Just a woman standing in front of someone she should have let go of years ago but never did.
She stops close, close enough to see the droplets still caught in your lashes, to feel the heat radiating off your skin beneath the wet cotton of your dress shirt. Her fingers brush yours, barely there. But itâs enough.
âYou did good,â she says, eyes never leaving yours. âMore than good.â
You let out a breath, almost a laugh. âCareful, Prentiss. That almost sounded like praise.â
She tilts her head, a rare and vulnerable smile tugging at her mouth. âDonât let it go to your head.â
You step closer, bridging the last few inches. Voice low. âToo late.â
And then you kiss her.
Itâs not fireworks, itâs gravity. A slow collapse into something inevitable. Her hands find your chest, fingers curling into the fabric. Yours slide along her waist, memorizing every inch you once had to ignore. Itâs the kind of kiss thatâs been building through every coffee, every sideways glance, every word unspoken in Marseille and every step untraveled since.
When you break apart, foreheads pressed together, breath mingling between you, you whisper âSo⌠howâs that for timing?â
She laughs, the sound warm and cracked open. âLong overdue.â
And when she kisses you again, itâs not with heat or urgency, itâs with the weight of everything youâve both carried. The regret, the longing, the impossible timeline youâve finally stepped free of. A future no longer out of reach.
Thereâs no need to say anything more. Because this, the press of her hands to your soaked chest, the feel of her lips brushing yours again and again as the storm rages outside, this isnât closure. This is continuation.
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word count: 2.3 k
Summary: An Unsub is inside the mall, opening fire. You and Claire are caught in the middle of it, while Emily is already on scene, trying to de-escalate the situation.
A/N: You can find the other parts here.
tags: tw!gun violence, tw!active shooter, tw!gunshots, college!reader, fem!reader, emily prentiss unit chief, mutual pining, age gap, quiet tension, things left unsaid, unspoken connection, slow burn
Masterlist ⢠Taglist⢠Age gap masterlist ⢠AO3
Claire steps out of the changing room quickly, one shoe half on, the fabric of her top slightly twisted.
âWhat was that?â she asks, though you both know exactly what it is.
Somewhere in the distance, the sound comes again, too sharp to belong to anything ordinary, too final to be mistaken twice. It reverberates through the corridors, making it unmistakably clear what it is, even as your mind refuses to accept the reality unfolding around you.
Claire is still looking at you, but she doesnât say a word. You watch her shoulders tense before her body turns toward the exit on its own. Her eyes remain fixed on you for another heartbeat, while the rest of her has already chosen a direction.
Around you, people begin to move the same way. Not together, but uncertainly, as though everyone is responding to a different version of the same moment. There is still no chaos. No panic. Everyone clings to the hope that they misheard the sound, that in a minute they will simply continue shopping, laugh about overreacting, and convince themselves it was nothing more than a misunderstanding.
As a woman to your left collides with a clothing rack, the sound is louder than you would like, you look toward Claire as she flinches. She is holding her phone in her hand, her thumb hovering over a chat. You look at her in confusion, your gaze dropping to her hand gripping the phone tightly, as if it could anchor her to something stable.
Claire looks at you with glassy eyes, opens her mouth, closes it again, and then holds the phone out to you. It is her chat with Emily.
âI texted her earlier,â she whispers, âEmily. I told her we were in the mall⌠well, I didnât think anything would happen, I just⌠a few days ago she said something about avoiding crowded places, I think, or maybe it was more like advice, I donât know, I didnâtââ
Her voice breaks before she can finish, panic beginning to take shape in every word as it spreads through her. You are still trying to process her words, to complete the puzzle.
âI just asked her if a mall counts,â she murmurs finally, her voice lower now, as if even the sentence itself feels too heavy to say out loud.
At her words, your focus sharpens. âDid she reply?â you ask, your voice barely above a whisper, but even as the question leaves your lips, you already know the answer.
Claire doesnât respond. She simply stares at her phone, the message still unread.
The realization settles heavily between you. Emily Prentiss. Supervisory Special Agent. BAU profiler. The woman who had warned Claire.
Until now, those words had never really belonged to the woman you knew. Emily had simply been Claireâs godmother, warm, composed, someone who smiled across a dinner table and made even awkward conversations feel easy. The stories about her work had always sounded like they belonged to someone else.
Not anymore.
For the first time, you see her as the person those stories were about. A woman trained for moments like this. Someone who hunts the people everyone else runs from. Someone who knows exactly what to do while the rest of the world is still trying to understand whatâs happening.
Several floors above you, Emily is already moving.
There is no hesitation in the way she advances through the corridor. Every order has already been given, every role already understood. Her team doesnât wait to be told what comes next because they have done this too many times before. There is no room for explanation now. Only observation, decisions, and movement.
âUnits, I need containment on all exits,â Emily says into her comms, her voice steady, stripped of any excess that could slow clarity. âWe have a confirmed match to the behavioral profile. This is our suspect.â
There is no need to repeat what they already know. The profile has been built long before they arrive, reconstructed from previous incidents until the recurring patterns have become something far more reliable than speculation. Everyone on the team knows what they are looking for, knows the role they have to play the moment the first shots are reported.
âLuke, west corridor. JJ, coordinate the evacuation with mall security. Containment protocol is active. No engagement without clear visual confirmation.â
Emily doesnât wait for an acknowledgement. She knows they have heard her.
As she continues along the upper level, her eyes move almost constantly, never lingering on a single point for more than a heartbeat. The glass storefronts reflect movement from every direction, multiplying silhouettes until civilians and officers blur into one another. The open architecture of the mall leaves very little room to disappear. It offers almost no protection to the people trying to escape, but neither does it offer much to someone trying to remain unseen.
That is the only advantage she allows herself to hold onto.
Her gaze drifts across the upper level before dropping to the floor below, unconsciously comparing what she sees to the profile that has accompanied her here. She isnât looking for a face. She is looking for behaviour. For the next decision he is likely to make if he remains consistent with everything they already know about him. Patterns rarely disappear under pressure. More often, they become clearer.
Her attention settles briefly on the lower corridor before shifting again, recalculating, searching for the smallest inconsistency in the flow of people. And still, despite the discipline with which she forces herself to stay inside the present, one thought refuses to disappear entirely.
Claire.
Emily lets the thought go before it can become one. Not because she chooses to, but because there is no room for it. Her mind does what years in the BAU have trained it to do: separate what matters from what can wait. Anything without immediate operational value is pushed aside before it has the chance to distract her.
Yet no matter how hard she tries, Claire remains somewhere at the edge of her awareness. She thinks back to the message she sent Claire, hoping she listened to her.
And with her comes another memory, one she never intended to revisit. A kitchen filled with conversation, Claire talking far more than necessary, as she always does, and you sitting beside her, listening instead of competing for attention. Emily had caught herself looking at you more than once, noticing the way you watched people before speaking, as though you preferred understanding a room to filling it.
The memory lasts no longer than a heartbeat before it dissolves beneath the movement below. Something changes.
Emily notices it before anyone around her reacts. The flow of people begins to fracture in small, almost invisible ways. A man changes direction without finishing the step he intended to take. A couple stops walking for no apparent reason. Others glance over their shoulders, searching for something they cannot yet identify.
The crowd has started correcting itself and then a shot rings out. The sound tears through the open architecture of the mall, ricocheting off glass and polished stone until it reaches every level at once. For the briefest moment, the building seems to hold itself perfectly still. Then everything moves.
People scatter, each body moving on instinct. Some duck immediately, others remain frozen, trying to understand what theyâve heard before allowing themselves to believe it. Somewhere below, someone screams. Another voice follows. Then another.
Emily is already moving before the echo has fully faded. Her gaze drops to the lower level, searching for the point where the disturbance began. She still cannot see the shooter, but she knows heâs down there.
Down on the lower level, the sound reaches you very differently. It doesnât become information. It becomes impact.
Claireâs hand clamps around your wrist so suddenly that it hurts, her fingers digging into your skin with enough force to make you wince. The pain feels almost welcome. It gives your mind something solid to hold on to, something real that is smaller than everything else threatening to swallow it whole.
For one impossible second, you wait for someone to laugh. For somebody to explain that it was a display collapsing, a balloon bursting, anything but what you already know it was. No one does. People begin running.
Someone crashes into your shoulder hard enough to send you stumbling sideways before another body forces its way past from the opposite direction. You would probably lose your footing if Claire werenât still holding on to you.
âKeep moving!â
âWhereâs my son?â
âOver here!â
The voices pile over one another until none of them belong to a single person anymore. Somewhere a child is sobbing. Someone is praying. Someone keeps shouting a name into the crowd, louder each time, until the words dissolve into the same raw panic as everything else around you.
âNo, no, no!â
âWhere is she?â
Every head turns toward a different part of the mall. Some people stare toward the upper levels, others toward the corridors branching off in every direction. Everyone is looking for an exit, or for the source of the shot. There is nothing to see.
Another sound comes again, somewhere deeper inside the mall. It tears through the building with the same merciless clarity as before. Your head snaps toward the corridor outside the store before you can stop yourself, your heart lurching so violently that it almost hurts. You keep your eyes on Claire because it feels easier than looking at everything around you.
Every few steps another shoulder crashes into yours, another stranger brushes past close enough that you catch fragments of perfume, aftershave or sweat before theyâre swallowed by the crowd again. The air feels heavier now, thick with fear and the sharp scent of adrenaline, and for one absurd moment you realise youâre struggling to draw a full breath.
You force yourself to keep moving.
Until now, some small, stubborn part of you had refused to believe this could really be happening. It had searched for another explanation, another possibility, anything that would wake you from the nightmare steadily unfolding around you. That part disappears.
Without thinking, your free hand reaches for Claireâs arm and holds on, not because she is about to leave you behind, but because you need to feel something that hasnât changed. Something solid. Someone real.
For the first time since the day began, the world no longer feels unpredictable. It feels terrifyingly certain.
âDonât stop,â she whispers, her voice barely audible beneath the chaos.
You nod because you donât trust yourself to speak. Still, you donât miss the way the atmosphere in the mall begins to change. More and more heads turn upward instead of over their shoulders, and without thinking, you do the same. Claire has already stopped to look.
Figures move across the upper walkway. Dark tactical vests. Weapons held low, their movements calm and deliberate in a way that feels almost unreal against the chaos below. They arenât running. They arenât hesitating either. They spread out with practiced precision, each of them seeming to know exactly where to go before anyone has to say a word.
For a moment, all you can do is stare at the bold white letters on their vests. FBI. The word settles quietly in your mind.
Something inside you loosens, despite knowing the danger is far from over. Help is here. People who know what theyâre doing. People who might be able to end this. Hope flickers through you for the briefest moment before reality catches up with it again. If the FBI is here, then this isnât the kind of nightmare people simply wake up from.
Claire doesnât hesitate. She catches your wrist again and pulls you toward a restaurant tucked between two clothing stores, its darkened windows shielding the people inside from curious glances but not from whatever is happening beyond the glass. You understand her intention immediately. Fewer sightlines. Fewer places to be seen.
You stumble after her.
The moment the door swings shut behind you, the noise changes. It doesnât disappear, but the walls swallow enough of it that every sound becomes strangely muted. The smell hits you almost immediately. Coffee. Warm food. Sweat. Tears. Fear.
The restaurant is already crowded. People are huddled beneath tables, pressed against booths or crouched in corners with their phones clutched tightly in trembling hands.
âPlease answerâŚâ
âDad?â
âCome on⌠come onâŚâ
Some are crying openly as they call names into unanswered lines. Others whisper prayers beneath their breath.
âPlease let them be okay.â
âJust let them answer.â
A woman sits completely motionless, staring at nothing, her phone still resting in her lap as though she has forgotten why she picked it up in the first place.
You drop into a crouch before you consciously decide to move, Claire guiding you toward the very back of the restaurant without ever letting go of your hand. She doesnât stop until the two of you reach a booth tucked into the furthest corner, hidden as well as anything can be hidden in a place built almost entirely from glass. She lowers herself beside you, and for a few seconds neither of you says a word. All you can hear is your own breathing, far too loud inside your chest, your heartbeat refusing to slow no matter how hard you try to control it.
You press your palm against your knee, searching for something solid, something that hasnât changed. It doesnât help.
You force yourself to inhale slowly. One light. Two. Three. You count the ceiling lamps because numbers donât change, because numbers are easier than listening to the panic rising outside. It almost works. Then someone screams. Your head snaps up before you can stop yourself.
Beside you, Claire goes completely still. âThere,â she breathes.
You follow her gaze, squinting through the reflections on the glass until, for the briefest moment, you think you catch a figure moving across the lower level. Not clearly enough to make out a face, only a dark silhouette slipping through the crowd with a steadiness that doesnât belong there.
Then another shot echoes through the mall.
For a moment, there is only the sound, suspended in the air, and the sudden certainty that whatever this is, it isnât ending yet.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Free to watch ⢠No registration required ⢠HD streaming
word count: 2.3 k
Summary: An Unsub is inside the mall, opening fire. You and Claire are caught in the middle of it, while Emily is already on scene, trying to de-escalate the situation.
A/N: You can find the other parts here.
tags: tw!gun violence, tw!active shooter, tw!gunshots, college!reader, fem!reader, emily prentiss unit chief, mutual pining, age gap, quiet tension, things left unsaid, unspoken connection, slow burn
Masterlist ⢠Taglist⢠Age gap masterlist ⢠AO3
Claire steps out of the changing room quickly, one shoe half on, the fabric of her top slightly twisted.
âWhat was that?â she asks, though you both know exactly what it is.
Somewhere in the distance, the sound comes again, too sharp to belong to anything ordinary, too final to be mistaken twice. It reverberates through the corridors, making it unmistakably clear what it is, even as your mind refuses to accept the reality unfolding around you.
Claire is still looking at you, but she doesnât say a word. You watch her shoulders tense before her body turns toward the exit on its own. Her eyes remain fixed on you for another heartbeat, while the rest of her has already chosen a direction.
Around you, people begin to move the same way. Not together, but uncertainly, as though everyone is responding to a different version of the same moment. There is still no chaos. No panic. Everyone clings to the hope that they misheard the sound, that in a minute they will simply continue shopping, laugh about overreacting, and convince themselves it was nothing more than a misunderstanding.
As a woman to your left collides with a clothing rack, the sound is louder than you would like, you look toward Claire as she flinches. She is holding her phone in her hand, her thumb hovering over a chat. You look at her in confusion, your gaze dropping to her hand gripping the phone tightly, as if it could anchor her to something stable.
Claire looks at you with glassy eyes, opens her mouth, closes it again, and then holds the phone out to you. It is her chat with Emily.
âI texted her earlier,â she whispers, âEmily. I told her we were in the mall⌠well, I didnât think anything would happen, I just⌠a few days ago she said something about avoiding crowded places, I think, or maybe it was more like advice, I donât know, I didnâtââ
Her voice breaks before she can finish, panic beginning to take shape in every word as it spreads through her. You are still trying to process her words, to complete the puzzle.
âI just asked her if a mall counts,â she murmurs finally, her voice lower now, as if even the sentence itself feels too heavy to say out loud.
At her words, your focus sharpens. âDid she reply?â you ask, your voice barely above a whisper, but even as the question leaves your lips, you already know the answer.
Claire doesnât respond. She simply stares at her phone, the message still unread.
The realization settles heavily between you. Emily Prentiss. Supervisory Special Agent. BAU profiler. The woman who had warned Claire.
Until now, those words had never really belonged to the woman you knew. Emily had simply been Claireâs godmother, warm, composed, someone who smiled across a dinner table and made even awkward conversations feel easy. The stories about her work had always sounded like they belonged to someone else.
Not anymore.
For the first time, you see her as the person those stories were about. A woman trained for moments like this. Someone who hunts the people everyone else runs from. Someone who knows exactly what to do while the rest of the world is still trying to understand whatâs happening.
Several floors above you, Emily is already moving.
There is no hesitation in the way she advances through the corridor. Every order has already been given, every role already understood. Her team doesnât wait to be told what comes next because they have done this too many times before. There is no room for explanation now. Only observation, decisions, and movement.
âUnits, I need containment on all exits,â Emily says into her comms, her voice steady, stripped of any excess that could slow clarity. âWe have a confirmed match to the behavioral profile. This is our suspect.â
There is no need to repeat what they already know. The profile has been built long before they arrive, reconstructed from previous incidents until the recurring patterns have become something far more reliable than speculation. Everyone on the team knows what they are looking for, knows the role they have to play the moment the first shots are reported.
âLuke, west corridor. JJ, coordinate the evacuation with mall security. Containment protocol is active. No engagement without clear visual confirmation.â
Emily doesnât wait for an acknowledgement. She knows they have heard her.
As she continues along the upper level, her eyes move almost constantly, never lingering on a single point for more than a heartbeat. The glass storefronts reflect movement from every direction, multiplying silhouettes until civilians and officers blur into one another. The open architecture of the mall leaves very little room to disappear. It offers almost no protection to the people trying to escape, but neither does it offer much to someone trying to remain unseen.
That is the only advantage she allows herself to hold onto.
Her gaze drifts across the upper level before dropping to the floor below, unconsciously comparing what she sees to the profile that has accompanied her here. She isnât looking for a face. She is looking for behaviour. For the next decision he is likely to make if he remains consistent with everything they already know about him. Patterns rarely disappear under pressure. More often, they become clearer.
Her attention settles briefly on the lower corridor before shifting again, recalculating, searching for the smallest inconsistency in the flow of people. And still, despite the discipline with which she forces herself to stay inside the present, one thought refuses to disappear entirely.
Claire.
Emily lets the thought go before it can become one. Not because she chooses to, but because there is no room for it. Her mind does what years in the BAU have trained it to do: separate what matters from what can wait. Anything without immediate operational value is pushed aside before it has the chance to distract her.
Yet no matter how hard she tries, Claire remains somewhere at the edge of her awareness. She thinks back to the message she sent Claire, hoping she listened to her.
And with her comes another memory, one she never intended to revisit. A kitchen filled with conversation, Claire talking far more than necessary, as she always does, and you sitting beside her, listening instead of competing for attention. Emily had caught herself looking at you more than once, noticing the way you watched people before speaking, as though you preferred understanding a room to filling it.
The memory lasts no longer than a heartbeat before it dissolves beneath the movement below. Something changes.
Emily notices it before anyone around her reacts. The flow of people begins to fracture in small, almost invisible ways. A man changes direction without finishing the step he intended to take. A couple stops walking for no apparent reason. Others glance over their shoulders, searching for something they cannot yet identify.
The crowd has started correcting itself and then a shot rings out. The sound tears through the open architecture of the mall, ricocheting off glass and polished stone until it reaches every level at once. For the briefest moment, the building seems to hold itself perfectly still. Then everything moves.
People scatter, each body moving on instinct. Some duck immediately, others remain frozen, trying to understand what theyâve heard before allowing themselves to believe it. Somewhere below, someone screams. Another voice follows. Then another.
Emily is already moving before the echo has fully faded. Her gaze drops to the lower level, searching for the point where the disturbance began. She still cannot see the shooter, but she knows heâs down there.
Down on the lower level, the sound reaches you very differently. It doesnât become information. It becomes impact.
Claireâs hand clamps around your wrist so suddenly that it hurts, her fingers digging into your skin with enough force to make you wince. The pain feels almost welcome. It gives your mind something solid to hold on to, something real that is smaller than everything else threatening to swallow it whole.
For one impossible second, you wait for someone to laugh. For somebody to explain that it was a display collapsing, a balloon bursting, anything but what you already know it was. No one does. People begin running.
Someone crashes into your shoulder hard enough to send you stumbling sideways before another body forces its way past from the opposite direction. You would probably lose your footing if Claire werenât still holding on to you.
âKeep moving!â
âWhereâs my son?â
âOver here!â
The voices pile over one another until none of them belong to a single person anymore. Somewhere a child is sobbing. Someone is praying. Someone keeps shouting a name into the crowd, louder each time, until the words dissolve into the same raw panic as everything else around you.
âNo, no, no!â
âWhere is she?â
Every head turns toward a different part of the mall. Some people stare toward the upper levels, others toward the corridors branching off in every direction. Everyone is looking for an exit, or for the source of the shot. There is nothing to see.
Another sound comes again, somewhere deeper inside the mall. It tears through the building with the same merciless clarity as before. Your head snaps toward the corridor outside the store before you can stop yourself, your heart lurching so violently that it almost hurts. You keep your eyes on Claire because it feels easier than looking at everything around you.
Every few steps another shoulder crashes into yours, another stranger brushes past close enough that you catch fragments of perfume, aftershave or sweat before theyâre swallowed by the crowd again. The air feels heavier now, thick with fear and the sharp scent of adrenaline, and for one absurd moment you realise youâre struggling to draw a full breath.
You force yourself to keep moving.
Until now, some small, stubborn part of you had refused to believe this could really be happening. It had searched for another explanation, another possibility, anything that would wake you from the nightmare steadily unfolding around you. That part disappears.
Without thinking, your free hand reaches for Claireâs arm and holds on, not because she is about to leave you behind, but because you need to feel something that hasnât changed. Something solid. Someone real.
For the first time since the day began, the world no longer feels unpredictable. It feels terrifyingly certain.
âDonât stop,â she whispers, her voice barely audible beneath the chaos.
You nod because you donât trust yourself to speak. Still, you donât miss the way the atmosphere in the mall begins to change. More and more heads turn upward instead of over their shoulders, and without thinking, you do the same. Claire has already stopped to look.
Figures move across the upper walkway. Dark tactical vests. Weapons held low, their movements calm and deliberate in a way that feels almost unreal against the chaos below. They arenât running. They arenât hesitating either. They spread out with practiced precision, each of them seeming to know exactly where to go before anyone has to say a word.
For a moment, all you can do is stare at the bold white letters on their vests. FBI. The word settles quietly in your mind.
Something inside you loosens, despite knowing the danger is far from over. Help is here. People who know what theyâre doing. People who might be able to end this. Hope flickers through you for the briefest moment before reality catches up with it again. If the FBI is here, then this isnât the kind of nightmare people simply wake up from.
Claire doesnât hesitate. She catches your wrist again and pulls you toward a restaurant tucked between two clothing stores, its darkened windows shielding the people inside from curious glances but not from whatever is happening beyond the glass. You understand her intention immediately. Fewer sightlines. Fewer places to be seen.
You stumble after her.
The moment the door swings shut behind you, the noise changes. It doesnât disappear, but the walls swallow enough of it that every sound becomes strangely muted. The smell hits you almost immediately. Coffee. Warm food. Sweat. Tears. Fear.
The restaurant is already crowded. People are huddled beneath tables, pressed against booths or crouched in corners with their phones clutched tightly in trembling hands.
âPlease answerâŚâ
âDad?â
âCome on⌠come onâŚâ
Some are crying openly as they call names into unanswered lines. Others whisper prayers beneath their breath.
âPlease let them be okay.â
âJust let them answer.â
A woman sits completely motionless, staring at nothing, her phone still resting in her lap as though she has forgotten why she picked it up in the first place.
You drop into a crouch before you consciously decide to move, Claire guiding you toward the very back of the restaurant without ever letting go of your hand. She doesnât stop until the two of you reach a booth tucked into the furthest corner, hidden as well as anything can be hidden in a place built almost entirely from glass. She lowers herself beside you, and for a few seconds neither of you says a word. All you can hear is your own breathing, far too loud inside your chest, your heartbeat refusing to slow no matter how hard you try to control it.
You press your palm against your knee, searching for something solid, something that hasnât changed. It doesnât help.
You force yourself to inhale slowly. One light. Two. Three. You count the ceiling lamps because numbers donât change, because numbers are easier than listening to the panic rising outside. It almost works. Then someone screams. Your head snaps up before you can stop yourself.
Beside you, Claire goes completely still. âThere,â she breathes.
You follow her gaze, squinting through the reflections on the glass until, for the briefest moment, you think you catch a figure moving across the lower level. Not clearly enough to make out a face, only a dark silhouette slipping through the crowd with a steadiness that doesnât belong there.
Then another shot echoes through the mall.
For a moment, there is only the sound, suspended in the air, and the sudden certainty that whatever this is, it isnât ending yet.