Me and the 3 other ellabs shippers just cheered
will byers stan first human second
Mike Driver
Cosimo Galluzzi
art blog(derogatory)
ojovivo
Xuebing Du
we're not kids anymore.
Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă
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almost home
I'd rather be in outer space đ¸
Misplaced Lens Cap
Show & Tell
Claire Keane
trying on a metaphor

@theartofmadeline
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Game of Thrones Daily
PUT YOUR BEARD IN MY MOUTH

shark vs the universe
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@winter-19
Me and the 3 other ellabs shippers just cheered

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^3^
Ok, more â¤đ for the God of â¤đ.
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kiss me tender, kiss me slow

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without a second thought
At the range with Abby
These are a few Last of Us sketches I did a while back! I kind of adore Ellie (like I adore them all obviously) but that's why I drew her twice here lol
If you like these sketches I'm selling all of them together here or just the bottom left Ellie one here
SEATTLE â DAY TWO.
This image is very Ellie Williams to me

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i think abby would be a weepy drunk. the kind that hugs really tight is all "im so glad youre my friend" while sobbing into your shirt kinda deal
fucking death gripping nora's shoulders and crying about how much she means to her and nora has been through this tunnel before, she's just rubbing abbyâs back and telling her that "it's okay you big drunk baby" and that makes abby do that cry laugh thing
and she'd be so pouty and sensitive too, just pressing into nora's sids the entire walk home (they're walking so abby can sweat out some of the cheap tequila manny treated them too) and abby is loudly and drunkenly complaining about how owen was trying to speak to her again despite mel giving her death stares across the room and she just rolls her head to the side with big wide slightly teary eyes and asks nora if she would ever treat her that way and nora needs to steel herself to not make eye contact because she will want to kiss her so she just holds abby by the shoulder and tries to crack a joke to distract her so she doesn't need to process all this
they've made it back safely, despite abby deciding balance is not something she cares for as they climb the stairs back to their room and DESPITE her wanting to jusr collapse onto the couch and pass out, nora has helped her change and tucked her in.
and as nora steps into the shower to decompress, the image of abby, abby mother-fucking-anderson, a machine of finely tuned precision aggression looking up at her with full lips and pleading eyes is all she can think of. and if her hand runs over her chest, following the warmth flow of the running shower, dipping between her legs as she bites back a moan of abbyâs name, well no one else needs to know of that.
nora gets out of the shower, hoping the sound of running water hid her moans and that the steam would be explanation enough for why sheâs so flushed and breathing so heavily and uh-oh. abby is awake and glaring at nora.
âyou left me alone.â sheâs still drunk and still taking things too seriously to the point itâs adorable and nora has to laugh. âwell i donât think our bath is roomy enough for us to share.â
abby does that uncontrollable drunken laugh, big grin, head tipping back before she just returns to staring at nora, eyes half lidded, âonly one way to find out.â and then boom, she passes right onto the couch she had apparently snuck out to camp on waiting for nora. and now nora has to try and tiptoe back to her room and sleep without letting abbyâs words consume her mind.
LIPS OF AN ANGEL (or abby gets a late night visit from mel)
pairing: mel/abby
contents: infidelity, sub abby, dom mel, oral sex, scissoring, angst (the council has decided), that's pretty much it! based loosely on the song of the same name.
word count: 4.3k
Abby knows better than to answer any phone call after 11 p.m.
She especially knows better than to answer a call from Mel, of all people, when the hourâs this late. Thereâs nothing good waiting for her on the other end of this call. Nothing sane or simple or safe.
Still, her thumb moves before her brain can stop it. Muscle memory, at this point. She lifts the phone to her ear, and for a moment all she hears is static.
Then Mel's voice bleeds through, quiet and raw, frayed at the edges.
"âŚAbby?"
ellie is forced to sit down on the floor in front of abby and dina, and both of them just sternly acknowledge that ellie has been very good as of late and that if she really wants a reward she will need to jerk off in front of them so they can judge her form. she cant climax, though, has to hold herself back for them. because she wants to be a good girl for them.
ellie just nervously laughs fully expecting this to be some kind of joke, that abby and dina are just trying to fuck with her (in ellie's mind its definitely more abby trying to fuck with her, in reality dina is the mastermind). abby shakes her head and just bluntly puts it, "if you really want to be our good girl, something like this shouldn't be a problem, right?" and that gets ellie's attention. gets her shifting her thighs around her lower half begins to feel a bit too warm to be comfortable.
dina nods sagely, leaning over to rest her head on abbyâs shoulder like a picture-perfect couple as if they're not unravelling ellie's self control with just their words. "don't let me down ellie," dina pouts, shifting her head to kiss abby's cheek, "i promised her you'd put on a real good show for us..."
ellie gulps. cheeks on fire, hands already shifting to fumble with the waist of her jeans before the words can even leave her throat.
"okay..." she mumbles, head slumping forward in beautiful submission as she strips for her very invested audience. no shame in her actions, no second guessing, just heavy breathing and tensed muscles as ellie strips herself bare, clothes falling to a pile beside her as both abby and dina rake their eyes over ellie's figure.
as her boxers drop to the floor, ellie lets out a squeak. the cold air of the room distorting with the heat of abby and dina's hungry gaze. she moves her hand towards her crotch, almost in a desperate attempt to hide away from them but abby loudly clears her throat.
"hands by your sides, and on your knees, girl." no name. ellie didn't need a name right now. she wasn't ellie to them right now. she was just their toy, their thing, their entertainment, and those thoughts alone were to get ellie wet. ellie drops to her knees slowly, not in an effort to tease but merely because ellie was so nervous, so eager, so desperate that she had to concentrate on every one of her movements of else she'd fall over.
dina lets out a soft giggle, hand coming up to toy with her bottom lip as ellie splays her thighs apart as she eagerly looks up at the two of them. abby does a better job at hiding her hunger, the only indication being the blush forming over her freckled cheeks as she brings a foot upwards to press the heel of her boot into ellie's thigh.
"wet already? good, it's going to make this easier." abby snickers as ellie whines, hips pushing forward to chase the heat of abbyâs shoe. the sounds the come from her parted lips are downright sinful and abby relishes every single one of them before dina snaps her fingers so both her girls can focus.
âyou want be to good for us, right ellie?â itâs not a question. not to ellie. not in this state. she nods, eyes half lidded as she tries to be patient, tries to ignore her arousal pooling beneath her aching up, tries to focus on listening to words and not chasing her primal instincts.
âwell⌠abbyâs boots are looking a little worse for wear, a bit scuffed right baby?â itâs abbyâs turn to shudder, head rolling back as dina leans over to ghost her lips up the ridges of her pulsing jugular. âbeen slacking on cleaning them havenât you?â abby nods, the only separating factor between her and ellie right now was that at least abby had her clothes on, which didnât mean much when dina could make her feel so pliable and willing. and then with a hushed whisper, just loud enough for ellie to make out, dina confides to abby her desire, âtell her to lick them clean.â
abbyâs eyes shoot open and her mouth gapes in shock. dina looks as calm as can be and abby is forced to snap her head back and forth between the two, between dina who is just ever so calmly sitting next to her and ellie, who is on the verge of tears from just sitting there naked. abby gulps. voice trembling as she lifts a leg up, offering the toe of her boot to ellie, hand extending to parse through her messy locks of hair.
ây-you heard her ellie, lick âem.â a stutter. abbyâs still pretending like sheâs in charge here and internally dina laughs. both of them look so good like this. ellie keens, eyes fluttering shut as she slumps forward, dropping onto her knees and elbows so her tongue could roll forward and grind against the leather of abbyâs doc martens. on all fours, ass in the air, lapping at her ownerâs feet, like a dog. a good dog at that.
Oh my cuties.. Just a little sketch

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not enough ellabs hate fucking. not enough arguing inches from each other's faces and shoving and pressing in too close. not enough of them beating the shit out of each other and then making out, smearing their blood between them. not enough ellie with her cheek crushed against a wall while abby tries her best to fuck some manners into her (it won't work), not enough "i hate you"s that would be more believable if she wasn't pushing her ass back into it and panting like a dog, not enough abby wrapping her hand around ellie's neck and squeezing just to feel her claw and buck and panic before she comes harder than she ever has in her life...or something idk
the glow (dina/abby, 447 words)
my shirt's back on I forgot my songs the glow is gone my gliding body stopped
-
thinking about abby and dina having a picnic in the grass, dina wearing a sundress she never usually wears. she doesnât wear dresses at all--theyâre too impractical for farm life, but today sheâs wearing one because itâs just her and abby on a blanket so far out in a field that they can pretend theyâre somewhere else
they need a break from it sometimes, the routine, the heavy lifting, the weight of remembering how they both arrived there. but they canât forget entirely, because when dina touches abbyâs cheek she feels the soft ridge of the scar she gave her. the other ones mark her arms, her chest, in clumsy, desperate slashes. now dina touches each of them in a silent apology abby doesnât need.Â
abby needs dina because she needs to repent, and resting her cheek against dinaâs hipbone, sinking her weight into her, is a confession. a beginning. her fingers skirt the hem of dinaâs dress and lift it up her thigh just a little, asking, not going any further. dinaâs fingers toy with her hair, gently, and she nods. you can. Iâll let you this time.