Anything you want it to be

Image Description: A colored illustration of Ino Yamanaka and Naruto Uzumaki from Naruto in a forest. Ino sits against a tree looking fondly at a sleeping Naruto, who is wearing a white, orange, and black jacket over a dark shirt, while Ino is wearing her canon outfit. End ID.

Huizi said, “I am not you, to be sure, so I don’t know what it is to be you. But by the same token, since you are certainly not a fish, my point about your inability to know the happiness of fish stands intact.”

Zhuangzi said, “Let’s go back to the starting point. You said, ‘Whence do you know the happiness of fish?’ Since your question was premised on your knowing that I know it, I must have known it from here, up above the Hao River.”

—Zhuangzi: Essential Writings, pg. 76

It would be criminally neglectful to talk extensively about Mushishi without discussing Ginko and Adashino’s friendship. Apart from Ginko himself, Adashino is the most frequently recurring character in the stories, and he and Ginko obviously share a connection that goes well beyond trading in mushi-related goods. 

In contrast to Ginko’s other significant relationship, this one is not with someone who shares his degree of centeredness. Adashino’s focus is markedly external, his habits of life and outlook very much out of line with the teachings of Lao Tzu. Most obviously, he stockpiles a wealth of mushi-related treasures and is always on the lookout for more, while Ginko’s possessions are pretty much what he has in his backpack. The storing up of wealth and possessions, the Dao De Jing warns, can only bring grief: “Amass a store of gold and jade,” it says in verse #9, “and no one can protect it.” And indeed, Adashino’s storehouse is invaded with dire consequences no later than the tenth episode of the first season. His insatiable desire for interesting items persists nonetheless, leaving him open to a level of emotional excitability Ginko never displays even at his most distressed.

(Still, a man’s gotta protect his property…)

This is hardly the only particular in which Adashino and Ginko are decidedly unalike. S2 E8 "Wind Raiser” especially develops their differences. When Adashino takes credit for Ginko’s cure, Ginko completely ignores it; when Adashino speculates about what the young man Ginko advises will do, Ginko responds with a laconic, “Who knows?” These simple interchanges point toward their fundamental contrast: Ginko’s mindset is Daoist, and Adashino’s is (mostly) not. In accord with multiple verses of the Dao De Jing (#2, #10, #30…), Ginko doesn’t care a damn about who gets credit for his work; neither does he care to speculate about future events, preferring to “move with the present” (Dao De Jing #14). His focus is centered; Adashino’s is outward.

Given these divergent values and the fact that Ginko reguarly cheats Adashino—of which Adashino is well aware—an observer might wonder why these two have anything to do with each other, much less why they’re such good friends. 

But their bond makes perfect sense through a Daoist eye. 

Daoist perspectivism

To the Daoist mind, contrasts and differences are part of how the world functions—and this includes differences from the Daoist mind. Zhuangzi not only teaches followers of the dao to not disdain non-Daoist values but hold “perfectly to the differing allotments of things” (Zhuangzi: Essential Writings, pgs. 70–71); his own closest friend Huizi is a man with whom he trades debates and criticisms throughout the Zhuangzi (pgs. 8, 38, 112…). This worldview doesn’t seek the exclusion of others—the Daoist idea of “oneness” means that opposing views and forces are inherently one, without being made to unite or agree.

Along with this embracing of contrasts comes a firm belief in perspectivism: that anything that can be affirmed from one perspective can be negated from another and vice versa, and that each person and creature’s nature and experiences determine what is right from her/his/its own perspective. "The embrace of the same viewpoint,” says the Zhuangzi, “comes simply from being in the same position” (pg. 101).

Just as Ginko understands that the natures of the mushi are rightful parts of the world whether they’re valued by humans or not, he also understands the validity of differing human viewpoints. Though he scolds Adashino for the trouble his collection causes, he doesn’t consider him lesser or unworthy of friendship because of it, or because of any other contrasts between them. Through all the disparity in their values, they share a connection—and in true Daoist fashion, their differences are likely what brought them together in the first place. Ginko gathers mushi-related items, and Adashino wants them. Ginko has no desire to collect things or haul them around, so he’s happy to sell… if not always honestly.

Which raises the next point about their relationship: Ginko’s shady business ethics. 

Perspectivism applies here too. As Zhuangzi tells us, “whatever might be [from some perspective] strange, grotesque, uncanny, or deceptive” (pg. 13) can be affirmed as right from another view, and this certainly applies to Ginko and Adashino’s exchanges. To an outsider, they’re questionable as all get out—but it’s not an outsider’s view that matters. Both Ginko and Adashino freely choose to associate with each other on their current terms, because that choice makes sense to them. Adashino knows from the start that Ginko isn’t always on the level—from his first appearance in S1 E5 “The Traveling Swamp,” he’s questioning Ginko’s story about the green sake cup. And as Ginko points out, Adashino is under no obligation to buy from him—he chooses to, knowing the odds, and continues to choose to. And we can see in “Wind Raiser” that Adashino values even the more questionable items Ginko’s sold him; he’s held on to all of it, even the stuff he’s probably guessed is junk.

Whether this arrangement makes sense or seems right to an outsider is irrelevant. Ginko and Adashino accept each other as they are, and the only ones who need to validate those choices are themselves. 

So, for all their differences, do Ginko and Adashino have anything in common? 

In fact, they do—and one significant value they share is the very perspectivism that shapes their relationship. We can see as much in “The Traveling Swamp,” when Adashino asks Ginko why he’s so determined to save Io from becoming a mushi. 

“If the girl said she wanted desperately to live,” he says, “I’d understand. But she wanted to become part of the swamp, right? That might be her happiness… Sometimes that’s the way it is in this world, though it sounds cruel…”

Adashino’s statement points to the path along which he and Ginko connect: No less than Ginko, Adashino is open to another’s perspective, even one that he acknowledges sounds terrible. He fully understands that “rightness” for one person is not the same as “rightness” for another.

Ginko’s reply underscores that he shares this value. In S1 E1 “The Green Throne,” he made a human a mushi because it was her choice—despite his own assessment that becoming a mushi is a terrible fate for a human. He seeks to prevent the same from happening to Io, not because he doesn’t value her choice, but because his observation of her has convinced him that she doesn’t understand what she’s giving up—that she’s making her choice without full knowledge. 

Interestingly, in this sense, Ginko and Adashino’s exchange is reminiscent of one between Zhuangzi and Huizi. Crossing over a river with his friend, Zhuangzi comments on the happiness of the fish below. Huizi protests and asks, "Whence do you know the happiness of fish?” In his frequently smartass fashion, Zhuangzi replies that he knows it from the position where they stand, above the river, watching the fish (pg. 76).

Not simply a play on words, this exchange is an illustration of Daoist perspectivism. Zhuangzi’s point is that, while we truly can’t know the perspectives of anyone other than ourselves, we must proceed from our own—including our observations of what may or may not make others happy. Not able to consult Io on the matter, Ginko has to proceed from his own observations, which lead him to believe she still cherishes human feelings.

Like Zhuangzi and Huizi, Ginko and Adashino both know that perspective is individual, and they respect the choices others make from their own. Adashino respects that Io may, after all, want to become a mushi, and Ginko respects that, in his assessment, she probably doesn’t—just as, in Renzu’s case, he respects that she does. 

By this same principle, they respect each other’s natures, Ginko accepting that Adashino is an outward-focused, obsessive collector of things, and Adashino accepting that Ginko will occasionally chastise him or sell him a bad coat. 

On these multiple levels, their relationship is one of Daoist perspectivism. And in the same way that Ginko can guess what Io’s happiness might be, we can “know” from observing them that Ginko and Adashino value their relationship just as it is—with no need for any foundational “rightness” other than their own choices.

Source:  Mushishi / 蟲師

i wanna show off the mushi-shi stuff i've got coming to my shop!! two ginko standees and a karibusa tanyuu notepad ♥

Source:  Blue Period / Burū Piriodo / ブルーピリオド

Zelda Reacts Part 10

the people wanted sexy Fierce Deity and I'm nothing if not a people pleaser soooooo... 👉👈 (psst there's a little bonus here)

Source:  Blue Period / Burū Piriodo / ブルーピリオド

Zelda Reacts Part 10

the people wanted sexy Fierce Deity and I'm nothing if not a people pleaser soooooo... 👉👈 (psst there's a little bonus here)

Source:  Blue Period / Burū Piriodo / ブルーピリオド

HERE'S MY QUEEN <333333

HAPPY LATE WAMAN'S DAY

Draka gets flower too

Jolentaaaaaa 🌸🌠✨🌌