Sabra Field (American, b. 1935, Tulsa, OK, USA) - Winter Woods, Woodblock Print: Ink on Paper
Cosimo Galluzzi

Origami Around
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JBB: An Artblog!
Xuebing Du
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One Nice Bug Per Day
YOU ARE THE REASON
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Jules of Nature

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@whenmemoriesfrost
Sabra Field (American, b. 1935, Tulsa, OK, USA) - Winter Woods, Woodblock Print: Ink on Paper

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The Writer's Technique in Thirteen Theses by Walter Benjamin (as appears in his 1928 treatise One-Way Street, in a section titled "Post No Bills")
Face stone, Urra Moor, North Yorkshire

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Accidental <3 from my coffee
Blue night, winter.

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MOST of my problems could be solved by carly rae jepsen cut to the feeling. the rest will have to be solved by carly rae jepsen run away with me.
my 2026 reading list
I have said that a photograph bears witness to a human choice being exercised. This choice is not between photographing X and Y; but between photographing at X moment or at Y moment. The objects recorded in any photograph (from the most effective to the most commonplace) carry approximately the same weight, the same conviction. What varies is the intensity with which we are made aware of the poles of absence and presence. Between these two poles photography finds its proper meaning. (The most popular use of the photograph is as a memento of the absent.)
John Berger, “Understanding a Photograph” (1968), collected in Understanding a Photograph (2013)
The hues of winter 🏔

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'In the Winter Dusk'. David Grossmann. 2022.
David Grossmann (American, 1984), In the Winter Dusk, 2022. Oil on linen over panel, 127 × 76.2 cm.
children's chair from the 1920s