girls love the overgrown megastructure. girls want to live in the overgrown megastructure. girls want to build communities and societies in the overgrown megastructure
Monterey Bay Aquarium

Discoholic 🪩

pixel skylines
we're not kids anymore.
Aqua Utopia|海の底で記憶を紡ぐ
sheepfilms
cherry valley forever
Mike Driver

Love Begins
taylor price
he wasn't even looking at me and he found me
wallacepolsom
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Fai_Ryy

Janaina Medeiros
Claire Keane
Misplaced Lens Cap
official daine visual archive
art blog(derogatory)
macklin celebrini has autism

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@weirdsociology
girls love the overgrown megastructure. girls want to live in the overgrown megastructure. girls want to build communities and societies in the overgrown megastructure

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drinking toasted orange peel oolong and watching a documentary about the order of the solar temple* while an enormous cat tries to groom my hair. i've had worse mornings
(*before you google: cw for child death, suicide, mass murder)
NOT THE CRABS WE EXPECTED BUT STILL SOME CRABS WE DESERVE!!!
Reblog this post to cast Crumb of Serotonin on whoever you reblogged it from
Robby: By the way I like hearing people call you Dr. Abbot way too much.
Jack: Robby.
Robby: I think we should incorporate it.
Jack: Absolutely fucking not.
Robby: Come on.
Jack: Robby, we are not roleplaying emergency physician and patient.

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everyone tells you the last 1/4 of harrow the ninth is heartwrenching but everyone says it's because harrow finally remembers gideon and this is true
but i always forget how much it gets me, every time, that abigail and magnus and ortus and the other ghosts stay. they stay for harrow, because they see her - a teenage girl struggling under impossible conditions, impossible duty. the scene where ortus tells her he's sorry is the saddest part in the whole thing, and it is a damn sad book
give me the beat boys and free your plums I wanna steal some of the icebox ones this is just to say
betraying someone who trusts them deeply is one of the sexiest things a character can do its unparalleled. cause either the relationship is irrevocably changed and said character is completely at fault (guilt complex, hot) or it isnt and then both sides have to deal with the fact that they care about each other enough to overlook the betrayal (unceasing devotion, also hot)
Higgledy piggledy, turning and turning as gyres are widening, centers unheld,
things fall apart and there’s anarchy everywhere; falcons fly freely and can’t be compelled.
Dimming the tide there is blood in the water and everywhere customs of innocence drowned.
Held by the worst is a fervent intensity; lacking conviction the best run aground.
Surely there must be some kind of apocalypse; surely epiphany must be at hand!
Visions unbidden from Spiritus Mundi of something awakening out on the sand:
Head of a man with a leonine frame and a pitiless gaze that’s as blank as the sun;
sleep became nightmare by passage of centuries long before eons of slumber were done.
Higgledy piggledy, beast of antiquity, imminent, just as the prophecies warn,
shambling slowly but revelatorily, slouching towards Bethlehem, there to be born.

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heather collins and emery walsh were definitely missed in season two because how come abbot got to basically spawn in the ed with full armour in his sweaty swat thing acting all cool and no one bullied him. how come no one made fun of this man. we could have had mckay and heather roll their eyes behind his back, we could've had emery make fun of his little outfit the second she walked in with her hands on her hip. he would have never been allowed to feel any pride about being there had any of those two seen him. his ego would have been stomped on and for good reason. i think even al hashimi should have been more weirded out by this madman
i like that jack's big, bold strategy for getting robby to listen to him in that last episode essentially boiled down to a full hour of staring intently at robby until he orbited his way back to him (because of course he would eventually, because he always does) and then once he had his attention, proceeding to following him around until he gave up trying to escape and let jack aggressively emote in his general direction until robby gave in and listened.
i'm dying to know if this plan was born from experience or instinct. has jack deployed that strategy on him before? robby knew he was being handled and tried to shake jack off for two full episodes before he gave in, so this is clearly not brand new behavior. how did jack discover this was the way to break through robby's defenses? how many times has robby tried to be emotionally distant with jack and jack just flat out refused to let him. it's like the fight leaves robby entirely. he lets jack care, unapologetically, in a way he does not (at least that we've seen) let anyone else. even with dana, who gets the closest to any other person on screen, but still he tries to be strong for her in the end, but with jack he resists and resists and resists and resists but then he gives in, and somehow jack knows that's how it's going to go, that he just has to tread lightly until he can wage a full on emotional attack, where robby will let him in and then he has to talk fast and show that he cares so much because he knows that when he finally wears robby down that's the only time he has a chance to make all of it land.
there's something very funny to me about the idea the jack has poured hours into coming up with a plan of attack with robby over the years, like the 'break glass in case of emergency plan', but it's basically just the jaws theme playing in his head while slowly encroaching into robby's personal bubble and his big finisher is somehow just him yelling "you're a fucking dumbass and you are so loved! let me love you, you stubborn asshole!!!!" paired with as much physical affection as robby will let him get away with. how many years has jack had to study this ridiculous man to have a "robby is being an idiot and thus i need to Act" plan just waiting in the wings, ready to deploy?
We need to standardize clothing sizes. This is fucking stupid. Pass a federal law or something. I’m sick of this shit.
*pastel cartoon of artfully mud-splattered Cordelia Naismith and Aral Vorkosigan smirking at each other, arms crossed*
House of the Dragon meets Murderbot in SHARDS OF HONOR, a swoony new sci-fi romantasy by debut author Lois McMaster Bujold, perfect for fans of Andor.
Enemies-to-lovers ⚔️
Forced proximity 🏕️
Marriage of convenience 👰🏻♀️🤵🏻♂️
He falls first 😍
“Touch her and die” 😠
Silver fox 👨🏻🦳
“Gorgeous!” -Emily Broccolini, #1 NYT-bestselling author of An Heir of Storms and Sapphires and A Queen of Tornadoes and Topaz
“Screaming, crying, throwing up 😭💕” -Goodreads reviewer
“Step on me Cordelia 😩🥵” -Goodreads reviewer
You forgot
🏳️🌈 representation
^ absolutely, and only because I made this post before I got to that part
really proud of what I’ve done:
and a great point here:

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She literally does not give a damn what that old fool is yelling about
the lion does not concern herself with papa