Howdy howdy! I'm Grace or Goblin, I'm an artist, theatre major, and writer. I mainly use she/her pronouns but I am comfortable with any! Have fun with em if you want!
Here are all the things and places I'm at:
Instagram | My webbed site, shop and art comm info | YouTube | Twitch (technically) | AO3
Tags, basic comm info, and other organizational stuff UTC!
Prices are in USD, payment is done via my website! More info available there, as well (will draw/won't draw, anti-genAI protection stuff, etc.)
[#we goblins ramble] : general chatting, goblin lore (personal stories) kinda whatever is on my mind :D
[#we goblins draw] : My art!
[#we goblins study] : college stuff! Mostly complaining. But I'm genuinely enjoying school I promise lol
[#we goblins form orderly queues] : queue tag (rarely used)
[#autism game] : personal Warframe tag for when I don't want to maintag something lol
[#bibleposting] : Bible/faith related stuff (mostly memes but once in a blue moon it's actual. Like. Scholarly stuff about the Bible.)
[#library science stuff] : library/information science related stuff! I want to get an MLIS after I get my bachelor's. Life goal even if I never get the chance to work in the field. <3
[#finding bones finding ghosts] and [#fbfg] : tags related to my ongoing Warframe fanfic!
[#others drifters], [#others operators], and [#others ocs] : tags for other people's characters! First two are Warframe specific but the last one is just a free-for-all of cool OCs <3
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Work in Progress: The Vast Untime
Here is the concepts of the skeletal form and Resmara.
Three people?
Maybe.
Image 1: The skeleton is a composite of the different body parts of Xaku's progenitors.
We decided to add Entrati coins to give that funerary rite feel, a reference to "Charon's Obol."
The jawbones are two, but with six rows of teeth to evoke horror and make it clear that they are three people in one.
The foot bones, especially the phalanges, are fused, designed to fit within the frame of the armor.
There are a pair of upper limbs embedded in the rib cage to provide structure, once again evoke horror, and make it clear that Indifference has played a lot with these characters, transforming them into "Horror of the Void."
Image 2: This drawing represents the "normal" version of the Protoframe (yes, because there's a Corrupted-style one).
The concept revolves around a reference that emerged during a Team session: Mary Shelley, Frankenstein.
This monstrosity (we understand the jokes, perhaps) was born after the pieces of Xaku's progenitors were "awakened" by the hand of Indifference, which is why there is the central eye on the head and the void vines coming out of the cracks in the armor.
The central eye is used as a union of the vision of the three people and as a mask that reveals the skeletal form beneath it.
I'm still thinking about the guy who saw me realize my wheelchair wouldn't fit in the elevator because he (also a wheelchair user) was already inside it and immediately quipped, "This elevator ain't accessible enough for the both of us."
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Perhaps this is an obnoxious take on my part, but video games should, above all things, prioritize the ability of being paused. At any point. Regardless of whether it's during a cutscene, a special animation, or a time-based puzzle. You never know when you're gonna get a phone call, or someone will need you in another room, or you get a sudden urge to go to the bathroom, or you hear your cat licking plastic, or whatever. Other entertainment mediums like books, movies, and music can be paused whenever you want. Why do some games not give you the same luxury??
It genuinely upsets me that there are people who call this animation and voice acting bad, thereâs so much heart and soul on display in just this clip alone
I spent the afternoon arranging our books by size and color (and itâs so satisfying and looks amazing) and my partner came home and stared in shock at the bookcase and then said âiâm a librarian, you canât do this.â
it has occurred me during this process that apparently not everyone thinks about books by what color they are? like, literally when iâm looking for a book, i picture it in my mind. i have a veryâŚtactile experience with the books i read and idk! i thought everyone did that lol.
my partner was like âhow will i find [this book] for instanceâ and i replied âeasy, itâs purpleâ and he looked at me like i was a witch.
This actually is interesting in terms of information-seeking behavior, which is a thing librarians think about a lot and often actually study (some library jobs require you to publish, and academic librarians, for instance, will often use the students at the college they work at to study how they search for information in order to figure out how to best provide them services).
When you go for an MLS (Masterâs of Library Science, which is a thing, and which is usually required for âprofessional-levelâ library work [which is also a weird and contentious concept that I wonât go into here]), one of the things you study is the organization of information. This deals with how to determine what a book or other material is âabout"âa concept we tongue-in-cheek call âaboutness"âand how to convey that to a potential user of the item and make it easy for them to find. Things like keywords and subject headings, do I put this book about how often wild birds attack aerial drones in with books about birds or with books about technology, if its a fictional novel do I put fantasy in itâs own section or mix it in with all of the other fiction, so on and so on.
OP is organizing books by how they would look for them. OPâs partner is thinking in terms of aboutness. This is a system that works for OP because itâs their personal library: they know basically what books they own and they only own books that are relevant to them, and if they know what the book looks like, that can be a quick way to find it.
In a library that assumes the public (or people who do not own that particular collection of books) are using the collection, that doesnât work. Books are often re-issued in multiple covers, or re-bound in new covers when they get worn out, and if the user doesnât know what the book looks like or is expecting a different cover, theyâre lost. Thatâs why non-personal libraries used standardized cataloging systems like the Dewey Decimal System or Library of Congress System to organize a book by what itâs âaboutâ, and then put books about the same or similar topics together, marked with labels and signage so a person unfamiliar with the book or collection can find their way to it.
Basically, OPâs system works for their own personal library, because itâs best suited to how the primary userâOP themselvesâlooks for books. OPâs librarian partner is coming from a background of thinking in terms of a public-facing collection, where aboutness is the key criteria and communicating it to a user unfamiliar with the collection is the priority.
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I don't think it's unreasonable for our public officials to be expected to prove they're alive and not in a coma to be able to retain their office.
If someone were, as a random example, say hospitalized for over two weeks with no explanation, I think that should automatically trigger a special election to replace them.
If you're still able to do your job, then prove it. And if you're not, then you're actively obstructing democracy by not stepping down.
Which is to say, that if a public official were to pass away or into a coma, and their handlers choose to obfuscate that fact, this should be seen as intentionally obstructing democracy.
And there should be, you know, consequences for the people who would do such a thing.