Wavebreaker Games

As I mentioned earlier, I have a strong desire to incorporate storytelling elements into my current project, despite it being a casual flappy game. To accomplish this, I've devised a strategy where the background serves as a platform to showcase significant events.

In order to test this concept, I conducted a quick experiment involving a thrilling hunt of a massive "powered beast" in the background, which could potentially become a recurring theme in the game world I'm constructing. Although it is currently in its rudimentary form, similar to other aspects of the game, I am establishing the groundwork for exploring various avenues in terms of game design. Subsequently, I can refine the implementation and polish all the details to enhance the overall experience.

I've been working on a character selection menu to easily test new characters in the game. In the future, I plan to set up a character shop and a lore page. The menu is currently basic, but functional. 

Additionally, I have added a new character! I'm really enjoying the character creation pipeline I've established. It takes me about an hour and a half to create a character from concept to completion. They're not perfect, but I'm satisfied with the end result. There are still some areas in the pipeline that need improvement, but I believe I can resolve them with practice.

I spent today working on improving the player character I created, and I believe I have reached the limit of my current skills. However, I am satisfied with the design, as it aligns well with the overall aesthetic of the game.

Since I was pleased with the final result, I decided to establish a pipeline to replicate this process more efficiently. Now, I believe I will be able to create new characters more easily. As demonstrated in my previous post, I start with a basic character shape reference – which remains the same for all characters. Then, I add unique characteristics and personality to make each character distinct. Finally, I incorporate real-world references to add details and maintain a slightly realistic touch while preserving the vector art style. This is how I created the second witch character for the game.

Although I am making a mobile flappy game, I want to explore storytelling and world-building in every project that I embark on because that is something that I am very passionate about and really enjoy in every sort of media.

The method I use for world-building is one I got from a college professor who was very knowledgeable about the process. The first step is to create something that I call a World Board.

The image is blurred for obvious reasons—I don't want to spoil everything about this world—and this might be a world that I dive deeper into in future projects. But essentially, the World Board is divided into 4 sections.

The Commandments - The rules of your fictional world that cannot be broken. Write as many as you'd like, just be sure to stick to them in any step forward to make your world consistent, cohesive, and believable.

The World Events - The main events that mark the origin and development of your world. You don't really have to make a detailed outline of each event (that is something that you'll do in the next steps), but you should at least have a beginning to your world and a development that leads into the 'Present Day'. A more interesting approach (in my opinion) is to also include some sort of end to your world, just so you know how things will wrap up.

The Eras - Divide the world events into eras. Make as many as you'd like, just make sure they make sense. Think of the real world and its eras as an example: Prehistory, Classical, Middle Ages, Early Modern, and Modern eras. These are defined by key events.

Topics to explore - This should be the last section to be written on your World Board. Take a look at the board and see topics and events you'd like to explore in your projects!

This is a continuation of the previous post. If you haven't read it, you can catch up here.

I have been experimenting with the art style of the player character. I stopped and took a minute to look at the background, and I really enjoy the art style and direction taken with these assets. So, I decided to try making a version of the character in that style. This will also help with world building. Tomorrow, I will explain further why.

Keep in mind that this is an art style that I am not particularly familiar with (and I am not an artist by any means), but I quite like the end product, and I think I will keep this art style. However, I have to add more details and highlights to be more faithful to the asset pack.

Overall, this was a faster process than my normal hand-drawn asset pipeline might take and avoids an overhaul of the assets already implemented in the game.

Here's the character in the game:

Obviously, the model is really small in the gameplay section, so you can't see any details. That's why I think I'll add a tab where you can get the lore of characters, and there you might see the model up close.

Like I discussed previously, I plan on making the playable character(s 👀) from scratch, and to do so, I have to establish a viable pipeline. However, my main concern is that I haven't settled on the visual style yet. Although the mockup I created using asset packs looks acceptable, it doesn't match my personal style. Normally, I create hand-drawn assets and then digitally color them, so I'm not very accustomed or familiar with the vector art style found in the asset packs I used.

Currently, I'm considering remaking the assets in my own style and proceeding from there. I still believe it's important to create a mockup using asset bashing, as it gives me a better understanding of the assets required.

Later on, I may create a more detailed breakdown of my 2D asset pipeline. For now, I've redesigned a placeholder player character to appear less extravagant.

Hey everyone! My name is Sem, and I am embarking on my solo developer journey! I am starting small but aiming to grow from there. My first project is a Flappy Bird-style game with a gravity change mechanic. The theme inspiration is Kiki’s Delivery Service, and I am currently working on the visual elements of the game. Sound is next on my list! If you'd like to keep up with my development journey, please follow my page for daily updates. Thank you!!

As you probably gathered from the previous post, gameplay is king in my book. However, the visual aspect of a game is arguably more important.

Never judge a book by its cover, but people do, and that's normal.

So when designing a product, even if you consider its functionality (i.e. gameplay) to be the reason a customer would want it, its visual elements are what draw them near enough to even see what the product does. The process of finding an art direction is one that I am constantly iterating upon, and I am not certain I've nailed it yet, but I'm getting more comfortable with it now to showcase.

First, I create a mood board. I personally do this on Pinterest (because I am lazy), but there are numerous other alternatives which might serve you better. I ended up choosing the theme from Kiki's Delivery Service but collected a variety of different references.

Then, I search through my collection of game assets that I have from Humble Bundle. Since I am not the best artist, whenever I see a game art asset bundle on there, I buy the lowest tier. It costs a buck, and you start accumulating interesting-looking assets. The problem with using premade assets is finding a coherent style. To that end, I try to use as few different asset packs as possible and decide whether I am going for a more detailed look, hand-drawn, pixel art, or vector art, and only use assets in that style.

Next, I take a screenshot of gameplay and do assetbashing photobashing using the assets. This helps me arrive at something I think looks cool. However, this doesn't mean that the final game will look like this. It's just a nice starting point, and it helps me determine which asset packs to use and customize.

The process to make a video game is a long and complex one, and it's very different from developer to developer. Some might focus first on visual elements, others on story and world building, or even making a paper prototype and going from there, but that doesn't mean that one approach will particularly make a game better or worse at the end of the day.

The method I use was actually something I got from Mr. Luís António, you might know him as the developer behind Twelve Minutes. In a couple of talks, he spoke about his process to develop and plan a game, and two of his lessons really stuck with me.

First, you must feel a game before you see it or hear it, meaning that you have to take advantage of the dimension that a video game has as a medium that books or films can't replicate, and that's gameplay. Your game must be playable and enjoyable before anything else, and that's why my games start by looking like this now, while before I got too preoccupied getting placeholders for every single element.

The second lesson is for a game to stand on its feet, it needs a skeleton. What is this skeleton? A main menu, a pause menu, settings, a loading screen, a clear heads-up display, and so on. These are 'must-haves' in a game, the parts of a video game that all players are expecting even if it isn't what they're particularly looking for. So as soon as I got the core gameplay loop down, I start developing these elements without any embellishment, just checking off the requirements of the game's skeleton.

I've made short games in the past, even released two crappy, clunky demos on the Play Store, but I haven't done a full production from start to finish.

I want to start small and build upon that. I also want to do something that's accessible and free, something that can introduce an audience to me as a developer, but also something that can generate some sort of revenue, even if small. I can't live just off of air.

That's why I'm making a mobile game. Now, before you leave, I'm making this game as a project with a smaller scope, and I'm not only planning on making mobile games, but it's a good place to start.

Now, without further ado, what I am making is… a Flappy Bird clone with a gravity change mechanic. Whenever you tap, the character switches between going up or down. Honestly, this is the type of game I play on my phone, so I want to do something I'd like to play.

Concerning the theme of the game, I am currently split between a steampunk aesthetic inspired by Treasure Planet or a modern witch/fantasy setting like in Kiki's Delivery Service.

There's something strangely soothing about opening an empty Unity project. The possibilities of what you can create from this blank slate are almost overwhelming.

That's why the first step when creating a game should be grabbing a pen and paper and writing down ideas. A professor of mine once said that all original ideas are just a bunch of existing concepts glued together by cohesive logic, making sure that it doesn't fall apart. For example, you could break down Among Us as a digital Mafia/Werewolf game with short, easy party game elements, like in 'WarioWare, Inc.: Mega Party Games!'

Hi! My name is Sem and I’ve been studying game design and development for the past 5 years, and right now I’m at a crossroads.

I can start looking for a job in the industry, kickstarting my career as a programmer, but there’s just a tiny problem with that… I live right about here, and as you can imagine, there’s not many game studios in my neighborhood.