JACOB ANDERSON as Louis de Pointe du Lac
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JACOB ANDERSON as Louis de Pointe du Lac

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A certain section of the fandom is perfectly willing to acknowledge the ways Gabriella abused Lestat, both when he was human and after he became a vampire. They'll acknowledge their sexual and incestuous relationship as abusive. But when it comes to Claudia, they suddenly become blind to abusive dynamics. Lestat's actions toward Claudia get reframed as something else entirely, something that apparently shouldn't be called abuse.
That same section of the fandom will tell you how important it was to see Lestat's trauma treated as valid and handled with care, while ignoring the abuse apologia and victim-blaming directed at Louis. Apparently, Lestat is the only character whose trauma is entitled to that level of empathy.
Many of those same fans will complain that people are trying to deny Lestat's victimhood, when that would be impossible even if anyone wanted to. The writers have gone out of their way to ensure Lestat's victimhood is consistently recognized and validated. At the same time, you have Rolin Jones saying Louis can no longer "play the victim card," because God forbid any character who isn't named Lestat be allowed to exist as an abuse victim in their own right.
Those fans will watch the sĂŠance scene and cheer Claudia on as she calls Louis nappy-headed and a slave, and then tell people to stop complaining because she called him a slave before, as though context doesn't matter. As though Claudia essentially telling Louis, "We're being treated like slaves" in Season 1 is remotely the same as telling him that being a slave is part of his nature.
The same people have questioned Louis's victimhood since day one, yet will jump down people's throats the moment anyone points out the double standard in how the narrative treats Louis's abuse versus Lestat's. Any criticism of the disproportionate care, validation, and narrative weight afforded to Lestat's trauma is immediately reframed as an attempt to dismiss or deny his abuse, rather than recognizing that people are pointing out that Louis is so rarely extended the same grace.
They will endlessly dissect Louis's past as a pimp to argue that he is some uniquely great evil, while conveniently ignoring that Lestat was a customer. He was emptying coffers to buy women during that same time period, but I guess buying women is somehow less reprehensible than selling them. It does make you wonder: who exactly do they think Louis was pimping those women to? The discussion rarely follows its own logic to its inevitable conclusion, because that would require applying the same moral standards to Lestat that they so eagerly apply to Louis.
These same fans will scrutinize Louis and Armand through the lens of the pimp and CSA victim dynamic, treating it as essential context for understanding their relationship. But when it comes to Armand and Lestat, not a peep. Suddenly, the fact that Lestat was someone who bought people for sex, just as Armand was someone who was bought and exploited for sex, becomes completely irrelevant. Apparently, those dynamics only matter when they can be used to demonize Louis.
Many of them will write metas about how Lestat has been conditioned to believe his body is his only value, how he has learned to equate sex with love and validation, and how that makes him vulnerable to exploitation. Yet many of those same people seem unable to recognize that the narrative repeatedly faults Louis for being unwilling or unable to make himself emotionally, romantically, or sexually available to the men in his life. Louis's emotional distance or withdrawals are often treated as moral failings rather than symptoms of trauma or expressions of autonomy. When Louis pulls away from Lestat, it becomes evidence of cruelty or neglect. When he is cold and distant toward Armand, it becomes evidence of toxicity and abuse. Louis is repeatedly framed through the lens of what he failed to provide the men who wanted access to him. The irony is that many of the same viewers who can recognize sexual and emotional conditioning when it comes to Lestat seem unable to recognize the expectations being placed on Louis. They understand that nobody is entitled to Lestat's body, affection, or emotional availability. But when Louis exercises that same autonomy, his boundaries are recast as methodical cruelty.
And when viewers point out all those issues, that section of the fandom retreats into a collection of strawmen and pats itself on the back for rebutting arguments nobody made, because it is incapable of engaging with the actual criticisms being raised. And then there's also the performative "I wish we could all just get along" lament, framing conflict itself as the problem while turning a blind eye to the issues that gave rise to those criticisms in the first place.
Le Petit Coup đЏ
version without the blood under the cut
No because Iâm still thinking about it..how tf does Loumand get from Armand lynching and branding Louis to them flirting at an auction?

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"THEN when Armand was like "Ok, my coven is gonna mutiny if I don't kill you so I'll have to kill you" he proceeded to burn his life's work down and kill 12/13 people Armand had spend the past 200 years with"???? THEY KILLED CLAUDIA??? That post has 429 likes right now... Do people watch the show or do you only watch it to find ways to minimize the pain the black characters go trough?
Also, let's not pretend that Armand couldn't leave Louis. Heck, he could've killed Louis and stopped his attack on the coven. He DECIDED to not do it. Armand is stronger than Louis, it's insulting to both to think otherwise.
Armand lynched Louis, abused him and lied to him for years. It's crazy to think otherwise.
Not my tweets! Just ones that have been on my mind.
I wanna write TVL off so bad but Iâm struggling not to incorporate TVL!Lestatâs characterization into how I overall interpret Lestat because, unfortunately, I do see a consistent line of characterization. I can see how IWTV!Lestat would also be TVL!Lestat. Itâs just not what I was expecting and Iâm still trying to get my thoughts together about it.
đ¨ Very long post under the cut! đ¨
Loumuel fic idea where it is based on the movie "Anatomy of a Fall". Miss Lou is under investigation for the suspicious death of the famous singer Lestat De Lioncourt. The detectives are not convinced that Lou had no hand in her husband's death, especially when it was only her and Lestat in the house when he fell from the second floor window. Trapped in a fuck ass nowhere town in France with her little daughter Claudia, Lou doesn't know who to turn to until she remembers Lemuel Babangida! Lemuel with whom she briefly went to college back in the States. He had also later migrated to France to pursue a degree in Law and has since established his own practice and risen high up in the ranks of being one of the most sought after lawyers in such difficult cases. They had kept in touch for years, though the pace of a busy life never allowed a hearty reunion between these friends. Can Mr Babangida come through for his friend in her time of need? A no nonsense lawyer who has always been quick to offer Lou a smile, though has maintained a sort of distance from her; can Lou trust him to clear her name now? And on cold winter nights as these two friends pour over the details of the case, is the warmth with which Lemuel looks at Lou one only of friendship? Amidst a violent storm of courtrooms where the public lawyers seem bent on indicting her, predatory reporters who circle her like vultures, and true crime podcasters sensationalizing the death of Lestat de Lioncourt, perhaps there is still light yet at the end for our Lou!
actually I love black women who show off how successful they are. I love black women who indulge in luxurious things. I love black women who are proud of their sexuality.
You mfs hate it when black women are successful or proud of themselves. Theyâre either too sexual or too aggressive to yall. And once they get success youâre mad. When white girls do it all the fucking time. When white girls get to be dainty when black girls are watered down to being only baddies and sassy. Because theyâre too dramatic or theyâre too masculine or theyâre too aggressive
it also truly shows when yall then go to them because youâre so used to black women serving you. Youâre used to being on a pedestal. You pretend to be a savior and say âIâm white butâ and then get mad when she tells you to shut up. Black women should get to be loud, they deserve to be dramatic and heard.
So in short, black women deserve success. Black women deserve to be sexual. (If they wish!) Black women deserve to be luxurious. They deserve to be educated and proud. They deserve to be women.

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it's ridiculous how many "iwtv fans" (quotation marks used because most of them are just fans of lestat/armand/tvc and not the actual story iwtv is telling) will make these self-righteous posts saying "um...why is nobody acknowledging louis' flaws? he's the REAL villain because he was a pimp/failed claudia in certain moments/was kind of mean sometimes/is self-deluded about his flaws," as if that's some kind of huge revelation. as if we didn't watch two season of a detailed character study, much of which was about louis acknowledging and accepting these flaws. as if he isn't extremely self-flagellating to to the point of suicide about them. as if they aren't a big part of what makes him such a realistic, relatable, interesting character that we love so much. as if they're speaking some great truth to power by saying "i can't expand my mind enough to understand or sympathize with a complex black protagonist." it pisses me off man.
this post is getting a little traction again and i find it very funny bc it turns out those "iwtv fans" were the iwtv writers themselves
You cannot crave white adjacency or white approval AND be against antiblackness.
I'm sorry to be the one to tell you this, but it's time someone told you.
I think this essay points out what many of us loved about IWTV seasons 1 & 2 and why Rolin Jones & Co. felt they had to retroactively take a sledgehammer and burning cross to it in TVL.
Read the whole essay here...
Iwtv fans will bend over backwards to justify lestat beating his parter and daughter just to then come up with "paying a journalist to write your memoir is just like being a pimp actually"

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we can talk around it a lot, but the reality right now is that tvl writers have chosen abuser-centric narrative as the most important/true/interesting one. and this is not a watsonian critique.
iwtv is the story told from the povs of victims. and it was amazing and well-written, but looking back at it now we can highlight some very important things: 1) the story is put under scrutiny of an in-universe journalist 2) the narrative constantly emphasizes the idea that victims weren't "perfect", that they fought back and there were a lot of complexity in the relationship dynamics 3) the narrative focuses on accountability of the victims, making them acknowledge moments where they made mistakes and did things they later regretted.
which sounds fine on paper, right? this is gothic fiction, that's what we do here, we look at uncomfortable things and recognize that abusers are not one-note caricatures, that things are complex and humanity is kinda fucked up.
except then they wrote tvl. and things are not looking good from the doylist pov.
here the writers made another set of decisions that played into very specific narrative. now that the season is told from pov of someone who abused main characters from the previous seasons, we see some interesting changes: 1) the story is not questioned or challenged by anyone in the narrative 2) the accountability is downplayed, the abuser suddenly has a lot of reasons "to act like that" framed in sympathetic light 3) people who abused the abuser are depicted as one-note caricatures 4) the victims of the main character are framed as selfish liars, cruel and shallow in their actions.
and here you could say "wait, maybe they're going full meta..." but we have another surprise: the writers didn't waste any time to confirm that their intention was indeed to punish the victims from iwtv, that these characters played their "victim cards" and that they were assholes for not being loving and caring enough to their abusers too.
all this paint not-so-great picture. this is not complexity, this is abuser-centric storytelling, and the writers think it's far more interesting and "brave" than anything else. generally speaking, i believe that fiction can be anything, but it's important to be careful with the message the story provides, especially in the context of current-day culture and politics. we all need to be smarter etc etc. fiction can be and has been very harmful in the past. but going beyond that and saying things rolin and hannah said behind the screen... well, it's not even about fiction anymore.
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