Ok, this is mega cheeky, I know! Simply couldn't help strike a pose when holding these "ancient" phones! #biznesswoman #nokianostalgia
noise dept.

gracie abrams
h
taylor price
occasionally subtle

izzy's playlists!
I'd rather be in outer space đ¸

⣠Chile in a Photography âŁ


Discoholic đŞŠ
Claire Keane
Xuebing Du
KIROKAZE
One Nice Bug Per Day
let's talk about Bridgerton tea, my ask is open
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Game of Thrones Daily
The Bowery Presents
hello vonnie
Keni

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@wandarossi
Ok, this is mega cheeky, I know! Simply couldn't help strike a pose when holding these "ancient" phones! #biznesswoman #nokianostalgia

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The illiterate of the 21st century will not be those who cannot read and write, but those who cannot learn, unlearn, and relearn.
Alvin Toffler
I hate the law. I want to feel, to make others feel. 1902
Isabelle Eberhardt, quoted by WOLF, N. (2012). Vagina: a new biography. New York, NY.
There is a contradiction in wanting to be perfectly secure in a universe whose very nature is momentariness and fluidity. But the contradiction lies a little deeper than the mere conflict between the desire for security and the fact of change. If I want to be secure, that is, protected from the flux of life, I am wanting to be separate from life. Yet it is this very sense of separateness which makes me feel insecure. To be secure means to isolate and fortify the âI,â but it is just the feeling of being an isolated âIâ which makes me feel lonely and afraid. In other words, the more security I can get, the more I shall want. To put it still more plainly: the desire for security and the feeling of insecurity are the same thing. To hold your breath is to lose your breath.
Watts, Alan W. (2011): The Wisdom of Insecurity. A Message for an Age of Anxiety. New York. Vintage Books.
She wasn't afraid of people in need because she wasn't afraid of needing others.
Brown, B. (2015): Rising strong. The reckoning. The rumble. The revolution. Audiobooks.

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An honorable human relationship â that is, one in which two people have the right to use the word âloveâ â is a process, delicate, violent, often terrifying to both persons involved, a process of refining the truths they can tell each other. It is important to do this because it breaks down human self-delusion and isolation. It is important to do this because in doing so we do justice to our own complexity. It is important to do this because we can count on so few people to go that hard way with us.
Rich, Adrienne (1995): On Lies, Secrets, and Silence: Selected Prose 1966-1978. London, New York. W. W. Norton and Company.
All love stories are frustration stories⌠To fall in love is to be reminded of a frustration that you didnât know you had (of oneâs formative frustrations, and of oneâs attempted self-cures for them); you wanted someone, you felt deprived of something, and then it seems to be there. And what is renewed in that experience is an intensity of frustration, and an intensity of satisfaction. It is as if, oddly, you were waiting for someone but you didnât know who they were until they arrived. Whether or not you were aware that there was something missing in your life, you will be when you meet the person you want. What psychoanalysis will add to this love story is that the person you fall in love with really is the man or woman of your dreams; that you have dreamed them up before you met them; not out of nothing â nothing comes of nothing â but out of prior experience, both real and wished for. You recognize them with such certainty because you already, in a certain sense, know them; and because you have quite literally been expecting them, you feel as though you have known them for ever, and yet, at the same time, they are quite foreign to you. They are familiar foreign bodies. (âŚ) However much you have been wanting and hoping and dreaming of meeting the person of your dreams, it is only when you meet them that you will start missing them. It seems that the presence of an object is required to make its absence felt (or to make the absence of something felt). A kind of longing may have preceded their arrival, but you have to meet in order to feel the full force of your frustration in their absence.
Phillips, A. (2013): Missing out: In Praise of the Unlived Life. Kindle edition.
Both nature and nurture lead us to offload emotion and discomfort, often unto other people. The irony is that at the exact same time we are creating distance between ourselves and the people around us by offloading unto others we are craving deeper emotional connection and richer emotional lives.
Brown, B. (2015): Rising strong. The reckoning. The rumble. The revolution. Audiobooks.
It could sound disgusting - and that's the point. Nothing is erotic that isn't also, with the wrong person, revolting, which is precisely what makes erotic moments so intense: at the precise juncture where disgust could be at its height, we find only welcome and permission.
De Botton, Alain (2012): How to think more about sex. The school of life. London, p. 18.
But deep inside, we never quite forget the needs with which we were born: to be accepted as we are, without regard to our deeds; to be loved through the medium of our body; to be enclosed in another's arms; to occasion delight with the smell of our skin - all of these needs inspiring our relentless and passionately idealistic quest for someone to kiss and sleep with.
De Botton, Alain (2012): How to think more about sex. The school of life. London.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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by Marcelo Romero
Inspiration for energizer
Hi ladies! For our current #hyperislanduk project we just launched The Future of Sex. If youâre interested in a collaborative and interactive way to learn about and explore your sensuality and sexuality, sign up! http://the-future-of-sex.launchrock.com #hyperpassionfruit #thefox #hyperislandladies
Some fabulous contributions to Passionfruitâs first co-creation workshop around female sensuality. We gained priceless insights, always wanna work this way! đ #PowerToTheUser #hyperpassionfruit #hyperislanduk #DMMCrew6
illustrations & art
â¤ď¸ peacocks
When a woman learns how to nourish a romance with her own body, to unite with it from the inside, alive in all her senses, she exudes a breathtakingly feminine quality that transforms the atmosphere around her.
Richardson, Diana (2004): Trantric orgasm for women. Destiny Books. Rochester, Vermont.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Recently, Iâve had an interaction that pushed my buttons in an unusually strong manner. I did exactly what BrenĂŠ Brown recommends (before I read this article though). It works. Try it. âWhen you reckon with emotion, you can change your narrative. You have to acknowledge your feelings and get curious about the story behind them. Then you can challenge those confabulations and get to the truth.â Source: BrenĂŠ Brown on How to Reckon with Emotion and Change Your Narrative
Visited the marvelous space of @rawdesignstudio yesterday. Creative director Rob Watson gave me a set of carefully crafted postcards with the firm's values. I am bringing two of them to Copenhagen as my mantra cards. Thanks Rob! đť (at The Mill)