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Andulka
EXPECTATIONS
Lint Roller? I Barely Know Her
let's talk about Bridgerton tea, my ask is open
oozey mess
KIROKAZE
gracie abrams
@theartofmadeline
Cosimo Galluzzi
Kiana Khansmith
bliss lane
Today's Document
h
Game Changer & Make Some Noise
YOU ARE THE REASON
Cosmic Funnies
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izzy's playlists!
seen from Russia
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@wandaluvstacos
literally just start posting about your OCs. you don’t even have to “properly” introduce them just make them a dedicated tag, tag them on posts that remind you of them, and then start talking about them like everyone’s supposed to already know who they are. i am not joking when i say this method works.
AND CRUCIALLY NEVER APOLOGIZE FOR TALKING ABOUT THEM. IF YOU DO NOT LOVE YOUR CREATIONS ENTHUSIASTICALLY AND UNAPOLOGETICALLY THEN WHY SHOULD ANYONE ELSE!!!!!
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Chapter 8 is up on Patreon!
Mikayel Simonian was a fledgling vampire once, though he doesn’t remember how he was turned. What he does remember is waking up in the year of 1986 to a group of magical misfits with the ability to cure vampirism—with exceptions, of course. Their history as fledglings themselves combined with the power of their magic enables them to do what no normal human can: hunt vampires. Over forty years, Mikayel has brought an end to more fledglings than he can count, and even a few full-fledged vampires. He’s seen most things. What he’s never seen before is a vampire deliberately seeking his coven out with a new fledgling in tow to beg them for a cure. Because a cure for the fledgling would mean turning her into a vampire hunter. But this handsome and unusually principled vampire named Erich Krüger seems insistent, so Mikayel and his team agree to try.
People have started dying on Mikayel’s home turf, and new fledglings are the cause. Whoever is controlling them is wily and secretive, and neither Mikayel nor his fellow hunters can track the fledglings down once they vanish into the night. It may require the help of a foe. Erich claims to know the vampire villain and has insight into what he has planned. But no one has ever teamed up with another vampire to hunt a vampire—Mikayel may be the only one crazy and desperate enough to try.
Contains: mxm with some light fxm, blood (obvs lol), gore, murder, sex scenes, slow burn romance, some nazi shit (bigotry, homophobic slurs, etc)
Genre: Horror/romance/thriller
Rating: 18+
EXCERPT:
Mikayel still had Zeinab’s phone number in his phone, though he’d renamed it DO NOT CALL HER YOU FUCKING IDIOT after she tore him a new one last time he’d called her depressed and lonely. That was fifteen years ago, but still—he didn’t think Zeinab thought any more fondly of him now than she did back then. That said, she was an incredible hunter with sharp instincts, and he could swallow his ego if it meant saving his own skin. He just hoped she picked up when he tapped the call icon.
One ring. Two. Three. Four. At least her phone was on. He could imagine her looking at his number, contemplating whether it was worth it. Five. Maybe she was thinking about the time he interrupted their anniversary dinner to track down a fledgling nearby. Six. Or the time he took a risk on chasing down several fledglings on his own against her advice and nearly got his head bitten off. She had to nurse him back to health for a week after that snafu. Seven.
Finally a click and then her smoky voice with its light Persian accent: “You better be dying in a hospital right now to be calling me.”
“Oh my God, you actually picked up.” He realized he probably had four seconds before she hung up on him. “I am not in a hospital, no, but this is sort of a life or death situation for a friend of mine, and I need your help.”
“You have a coven in Chicago to deal with this.”
“I’m not in Chicago, I’m in Indiana. I need you in Muncie.”
“Muncie? What are you doing there?”
“Well, I’m not there yet. I will be in two hours.” Faster, if Roseline let him drive. “I think we might be dealing with a master and it’s just Roseline and me.” And Erich, if Erich was in any shape to fight. Best leave that detail out until Zeinab was in Muncie.
“It may take more than three of us.”
“Right, so if you’ve got any discreet friends you can bring from the Indianapolis coven, that’d be great.”
“Why discreet?”
“Because my coven doesn’t know I’m out here and… well, they don’t know about this whole mess, and I have to keep it that way.”
Zeinab didn’t speak for a whole ten seconds, long enough that Mikayel said, “Hello?”
“It’s so great to know that you haven’t changed at all,” she said.
reinstalled grindr and this was thee last dm someone sent me lmfao
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“Spider-Girl” — Adolph Friedländer
this is how new yorkers @ mamdani
IT’S LITERALLY HAPPENING LMAOOOOO
thank god vampirism is a flexible metaphor
it’s about being queer it’s about surviving assault it’s about alienation and most of all it’s about how everyone who loved you before might not be able to even look at you now, no matter how many times you try to explain that you didn’t ask to die and you didn’t ask for that death to leave you only half-eaten when it got bored of you.
This is without even mentioning the broader metaphorical implications of disease and contagion; foreign invasion; colonial or imperial violence; interpersonal abuse; generational trauma; religious trauma; violent cultural assimilation; repressed or suppressed desire; the fear of no longer being able to recognise or relate to someone you love; and on and on and on.
Vampirism is a flexible metaphor that reflects the anxieties and desires of its age and its authors, and I love that for it!
I mean, in some very interesting Technically Correct ways, they didn't actually die? Now, they're very much no longer alive. But the forces involved are such that they didn't get any of the usual cellular processes of death, they simply went from biology to physics in less time than it takes a signal to travel down your optic nerve.
if you go from biology to physics without dying first you don’t go to heaven the uber driver went over this
Mammal in a Sunday Dress, by Georgina M. Cox, 2026
Mammal in a Sunday Dress explores the uneasy relationship between femininity, civilisation, and the animal body. At first glance, the figure appears modest and withdrawn. Her posture is composed, her gaze seemingly lowered towards her bare feet, recalling the conventions of nineteenth-century portraiture where women were often depicted as passive objects of observation. Yet as the viewer moves closer, the illusion collapses. Her eyes are not lowered at all. She is looking directly back. The delayed eye contact transforms the encounter. The viewer approaches believing they are safely observing a woman; instead, they realise they have been observed themselves. The work refuses the traditional power dynamic of portraiture, denying the comfort of anonymous spectatorship. Looking becomes a reciprocal act. For Cox, the painting considers humanity's persistent desire to separate itself from the rest of the animal kingdom. The title quietly undermines this distinction. A "mammal" is not another creature—it is us. The Sunday dress, rich with cultural associations of femininity, morality, and respectability, becomes an attempt to distinguish ourselves from nature. Yet clothing cannot alter biology. Beneath lace and ritual remains the same vulnerable animal body. The work also reflects on the historical relationship between women and nature. Across art, religion, and philosophy, women have repeatedly been positioned as closer to instinct, emotion, reproduction, and the body itself, while men have been aligned with reason, culture, and civilisation. Mammal in a Sunday Dress does not reject this comparison. Instead, it questions why proximity to nature has so often been treated as something lesser. Chiaroscuro isolates the figure within darkness, allowing the luminous dress to symbolise the performance of civilisation while the bare feet quietly return the body to the earth. Neither is presented as more truthful than the other. The painting exists in the tension between performance and instinct, refinement and biology. Mammal in a Sunday Dress ultimately asks a simple but unsettling question: if every layer of culture were stripped away, what would remain? Not a king. Not a saint. Not a gentleman or a lady. Only another mammal, looking back.
source
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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suburban women on september 15 1967 tuning in to star trek and seeing fuck-or-die mode spock getting in a sweaty man fight with captain kirk in amok time
i am consistently horny on main for these two on bluesky but I guess on tumblr I never post that shit lol. I've been allergic to mxf stuff for a very long time but APPARENTLY if I make the woman 6' tall and powerful and rich and a huge bitch, it's actually a really fun power fantasy.
I think I am still unreachable by most mxf cuz it's either got a female sub + man who I will call the cops on for sexual assault or it's, like, healthy and normal, but I've made Elleri different enough from me that I don't really relate to her and therefore she can be as horny as she likes. JustAsexualThings and all of that.
anyway, I will publish this book once I finish it and probably bypass Patreon entirely, idk. all the people who like my gay writing might be like "WTF" but listen when I tell you that I'm writing mxf in ways that only gay/trans people will like. At least, that's the goal.
"dni if you engage with irredeemable media! dni to kill a mockingbird stans" ok well CLEARLY you have never read to kill a mockingbird if you think it's irredeemable media and also having a book that was published in 1960 on your dni stan list is kinda ridiculous actually
i literally do not think any of you have ever read a book published before the 2000s before in your entire life
#'Dni if you've read to kill a mockingbird' what's is this the Florida banned books list #Who r u Ron DeSantis
#can somwone pleasw provide context to whatever the fuck op is referring to
You really buried the lede by only mentioning To Kill a Mockingbird
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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