But the moments where I can truly say âfuck itâ are magical because it is in those moments where I learn to be myself.
Rachel Anne Williams, from âLearning To Say âFuck Itâ To Passingâ (via the-final-sentence)
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@waltzingwithmidnight
But the moments where I can truly say âfuck itâ are magical because it is in those moments where I learn to be myself.
Rachel Anne Williams, from âLearning To Say âFuck Itâ To Passingâ (via the-final-sentence)

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âCoffee should not be drunk in a hurry. It is the sister of time, and should be sipped slowly, slowly. Coffee is the sound of taste, a sound for the aroma. It is a meditation and a plunge into memories and the soul.â
âMahmoud Darwish, from Memory for Forgetfulness: August, Beirut, 1982
RenĂŠ Magritte, The Mystery of the Ordinary, 1926 - 1938
Frida
,

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From: Tristan Tzara, La rose et le chien: poème perpĂŠtuel, Illustrations by Pablo Picasso, PAB [Pierre AndrĂŠ Benoit], Alès, 1958, BnF â RĂŠserve des livres rares, Paris  Â
She is taken by a wave of feeling, a sea-swell, that rises from under her breast and buoys her, floats her gently, as if she were a sea creature thrown back from the sand where it had beached itselfâas if she had been returned from a realm of crushing gravity to her true medium, the suck and swell of saltwater, that weightless brilliance.
Michael Cunningham, from The Hours

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The Conformist (1970) âIl conformistaâ
Robert Doisneau Decor III, 1963 Gelatin silver print, printed c. 1963.
Alexander Rodchenko
Eleanor Powell and Fred Astaire dancing to âBegin the Beguineâ in Broadway Melody of 1940Â (Norman Taurog, 1940)
âWe eat the year away. We eat the spring and the summer and the fall. We wait for something to grow and then we eat it.â
â Shirley Jackson, We Have Always Lived in the Castle

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âDear March, how are you? And the rest? Did you leave Nature well? Oh, March, come right upstairs with me, I have so much to tell! I got your letter, and the birdâs; The maples never knew That you were coming, â I declare, How red their faces grew! But, March, forgive me â And all those hills You left for me to hue; There was no purple suitable, You took it all with you.â
â Emily Dickinson, from Part Two: Nature (LXXXVII) in âThe Collected Poems Of Emily Dickinsonâ
âI have never had such a feeling of complete understanding.â
â Martha Gellhorn, from a letter to Bertrand de Jouvenel c. May 1932