Hi, yâall, figured it was time for a proper introduction post <3
Name - Tabi
Age - 26
Pronouns - Iâm open to suggestions lmao
Sign - Sagittarius
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masterlist - updated 06/25/25
All of my previous writing will be linked above. I do not plan to continue/finish any previous fics, specifically for COD. Iâm so sorry if that is disappointing to anyone. It was a hard decision, but ultimately the right one for me.
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something something werewolf price taking in some scared, pitiful thing that got bit while camping out in the woods. what's that? you didn't know werewolves are real? poor thing, he'll take you in and show you how to be a proper werewolf.
step one will be to move into his place- after all, he's got the appropriate countermeasures and cages built into his home to prevent nasty 'accidents' like yours. he'll teach you how to prepare for the full moon, how to recover after it, how to adjust to your heightened senses and instincts, and of course, how to deal with your first heat.
hm? you say you never saw who bit you? you're sure? oh, well, they're probably long gone by now, but you don't have to worry about them. he'll be your pack, sweetheart, and if you're good and follow his rules, he'll introduce you to the rest of his pack.
all you have to do is follow his lead and he'll make sure you're all right. after all, that's what alpha's do, isn't it? and that's what he is- your alpha. and he drills it into your head that that's exactly what he wants you to say when you meet other wolves, verbatim:
Summary: Forged in darkness and marked by scars, Soldat is freed by chance. Wounded and lost, he follows the hand that touched him without command.
Word Count: 7.1k.
note: After finishing Tangled, someone asked if Iâd ever thought about writing an AU with another creature. Iâd always loved the idea of a Frankenstein-inspired story, but I never quite managed to give it proper shape. And, here we are.
Masterlist
The only sound in the room was the cards slapping against the wooden table, punctuated with the occasional scrape of chair legs and the clink of whiskey glasses. The smoke from cigarettes curled lazily in restless ribbons, casting shadows across the space where four Hydra officers sat hunched over their game.
"Your move, Schmidt."
Soldat knelt in a corner, bent over boots that had already been polished to a mirror sheen twice that evening. The rough gray uniform scratched at his skin, a shapeless garment that swallowed his body. No shoes, the stone floor drilled its chill into his bones as he worked. His motions were relentless and precise, dragging cloth over leather in strokes that were so exact that a metronome might have measured them.
"Look at the concentration on that thing," Brennan muttered, laying down two kings. "You'd think those boots were made of gold."
A ripple of laughter circled the table. Soldat didn't react. His shoulders remained perfectly squared and his breathing even, as he moved on to the next boot in the endless line they'd provided him.
âI wonder if Zola matched all the parts properly when he stitched it together,â Schmidt mused, his voice flat with casual cruelty. âThat arm looks a bit darker compared to the torso, donât you think?â
Hayes leaned forward, squinting through the haze. âNow that you mention it⌠yes. There- along the shoulder. The seam is clear enough. Skin toneâs all wrong.â
âRan out of quality stock,â Brennan said with a snort. âHad to make do with whatever corpses were left on the field.â
The cloth in Soldatâs hand stilled. Not long, just the faintest pause, before resuming its rhythm. A strand of dark hair fell across his face, obscuring the pale blue eyes that remained fixed downward.
"I heard Zola's been wanting to test all its... functions," Hayes said, in a conspiratorial whisper. "Says we've only scratched the surface of what it can do."
Schmidt raised an eyebrow. "What's that supposed to mean?"
"Use your imagination, I know you can," Hayes gestured vaguely toward the figure on the floor. "Built it from the finest specimens. Young soldiers, all in their prime. One would assume everything works."
The laughter that followed was harsh and grating. Soldat continued his work, but the cloth twisted faintly in his grip, knuckles white against the leather.
"Damn, Hayes. You have a sick mind."
"Just saying," Hayes shrugged, taking a swig from his glass. "Waste not, want not, right? If we're keeping the thing around for entertainment..."
"Might be fun during the next card game," Schmidt added thoughtfully. "Could use something to liven up these long nights."
Soldat reached for another boot. His movements remained controlled and mechanical, but a keen observer might have noticed the slight tension that crept into his shoulders, the way his jaw clenched almost imperceptibly.
"Pass," Hayes said, folding his cards. "But speaking of entertainment⌠Soldat."
The dark threads of hair framed his features as his head lifted immediately. Blue eyes, startlingly cold in the gaslight, fixed on Hayes with perfect, hollow attention.
"Bring us another bottle from the cabinet. The good stuff."
He rose smoothly to his feet with fluid movements despite the patchwork nature of his construction. Up close, the signs were more obvious: the subtle color variations where different limbs had been grafted together, the scars that marked the seams of Zola's handiwork. A masterpiece of anatomical engineering, cobbled together from the finest specimens the battlefield could provide.
He crossed to the liquor cabinet with measured steps, each footfall silent on the stone floor. His hands -one noticeably paler than the other- reached for the crystal decanter with precision.
"Look at that," Brennan murmured appreciatively. "Moves like a dancer. Zola really knew what he was doing."
The Soldat returned with the bottle, setting it on the table with careful precision before resuming his position on the floor into the posture of a penitent. He picked up another boot, another cloth, and fell back into the rhythm of endless, meaningless labor.
"You know what I heard?" Hayes leaned forward. "Zola's been keeping notes. Detailed observations about its... responses. Physical reactions. Reflexes."
"What kind of responses?"
"The interesting kind." Hayes grinned wolfishly. "Apparently, despite all the conditioning, some basic human reactions are still intact. The body remembers what the mind's been trained to forget. Touch, pressure, pain. The instincts are still in there."
"That so?" Schmidt dealt another hand. "Might warrant investigation. For scientific purposes, naturally.â
"Of course," the others chorused, laughter filling the smoky air.
Brennan ground his cigarette into the tray. âStrange, though. Itâs too quiet tonight. Usually, we obtain at least some sound out of it when we work it like this.â
Hayes tilted his head, studying the figure on the floor. âYouâre right. Normally, thereâs a grunt, a breath, something. Tonight, nothing.â
"Maybe it's finally learning its place," Schmidt observed. "Though I have to admit, the silence is almost... disappointing."
Hayes reached for the empty glass, rolling it in his palm before sending it spinning across the room. It shattered against the Soldatâs back, exploding into shards that rained around him.
Not a flinch. Not a flicker. He bent only to the task at hand, as though the violence had never happened. He simply reached for another boot and continued his methodical polishing, ignoring the glass that now littered the stone around his knees.
Brennan clicked his tongue. "Didn't even blink."
"Clean that up," Schmidt ordered casually. "With your hands. Don't want anyone cutting themselves on your mess."
Without hesitation, Soldat set down the boot and complied. He collected each piece carefully, tiny cuts blooming along his skin where the edges bit in, but he did not pause, did not look at the red that streaked his fingers. Stacking all in a neat pile beside him, he returned to his polishing as if nothing had happened.
The officers exchanged glances across the smoke and cards, their expressions a blur of cruelty, boredom, and something close to admiration for the thing they commanded.
----
Heavy footsteps echoed in the corridor, growing closer. The card game paused as a junior operative burst through the door, his face flushed from running.
"Sir," he panted, addressing Schmidt. "Urgent telegram from headquarters."
Schmidtâs eyes read the message, and his expression hardened line by line until his jaw clicked audibly. He crushed the telegram in his fist. âShit. The operation at the Archdukeâs gala is scrubbed. Faulty intelligence. Security doubled.â
"What does that mean for us?" Hayes asked, though his tone suggested he already knew.
"It means," Schmidt stood slowly, "that we need the Soldat. Tonight. And it needs to be fast."
The men exchanged uneasy glances. Fast meant automobile, a technology so recent and expensive that using one would draw unwanted attention. Witnesses. Complications.
"We'll have to use the box." Brennan muttered.
In the corner, the polishing cloth went still. For the first time that night, the Soldat froze entirely. For just a moment, his pale blue eyes widened before the mask of compliance slipped back into place.
"Soldat," Schmidt barked. "Leave those boots. Get your gear. Now."
He rose smoothly to his feet, stepping carefully away from the glass fragments near his knees. Blood from the cuts on his palms dripped steadily onto the stone floor as he moved toward the door with silent steps.
The basement of the manor was a different world. Darker, damper, thick with the smell of mold and neglect. His bare feet made no sound on the worn stone steps as he descended into the depths of the building. A narrow corridor led to his cell, if it could be called that.
A windowless room barely large enough to hold a rickety cot and a threadbare blanket that had seen better decades. No comfort, no softness. Just containment.
In the corner was a reinforced wooden chest, its iron bands and heavy lock speaking to the importance of its contents. he knelt before it and worked the combination with precision. The lid opened with a protesting creak, and the smell of oiled leather and steel spilled into the cell. Inside lay his second skin, Hydraâs true claim over his body.
A fitted black leather uniform that seemed to absorb what little light filtered into the cell. The jacket was cut in a military style but modernized, with reinforced panels across the chest and shoulders. High boots polished to a mirror shine sat beside fitted trousers designed for silent movement. Fingerless gloves lay folded beside a utility belt equipped with holsters and pouches for various implements of destruction.
And there, nestled at the bottom like a sleeping serpent, was the mask.
The leather contraption swallowed the lower half of his face, a cage of straps and buckles designed to bite into flesh during long hours of deployment. It did not simply silence him; it stripped away the possibility of identity. Not a soldier. Not a man. A weapon.
Soldatâs breathing hitched almost imperceptibly as he lifted the gear from its resting place. Outside, he could hear the men moving urgently, their voices carrying down through the manor's ancient walls. Time was running short, and delays were not tolerated.
He began to change, trading his shapeless gray uniform for the sleek black leather that transformed him from prisoner to predator. The trousers were tight around his legs, the boots laced up until they bit into his calves, and the jacket fastened against his chest as though it had been cut from his very outline.
The muzzle came last, as it always did. His hands trembled -barely, briefly- as he lifted it to his face, feeling the familiar weight of leather against his jaw, the press of straps against his head. The buckles clicked into place, sealing away the last traces of whatever humanity might have remained in his expression.
When the door of the cell opened again, the creature that stepped through was not the kneeling thing with bloodied palms and silent obedience.
It was the Winter Soldier.
----
Schmidt stood behind a wooden table in the briefing room, with blueprints and diagrams spread before him like a battle plan. Hayes flanked him.
"Your target," he began without preamble, âA Philosopher's Stone. Genuine, if the reports are to be believed.â
âIntelligence suggests it can transmute base metal into something harder than steel," Hayes added with barely contained excitement. "Imagine what we could accomplish with such materials."
Schmidt spread the blueprints wider, tracing his finger on the building's layout. "The estate belongs to Lord Pemberton, a collector of... unusual antiquities. The stone will be housed in his private vault, here-" he tapped a room in the building's east wing, "behind a steel door and combination lock. Security consistsâŚâ
Soldat absorbed every detail: entry points, guard rotations, the location of the servant's quarters, and the distance between the main house and the gate. His mind catalogued each piece of information with mechanical precision.
"You have four hours from insertion to extraction," Schmidt continued. "Retrieve the stone. No witnesses."
The muzzle allowed no voice, but Soldatâs curt nod was enough.
"Needless to say, failure," Hayes said quietly, his eyes trailing meaningfully over his body, "is not an option."
It never was. Beneath the black leather, scars crossed Soldat's skin, marks that had nothing to do with Zola's surgical reconstruction. Reminders of lessons, the price of imperfection carved into flesh that felt pain all too keenly despite its origins.
"Move out," Schmidt ordered.
Soldat followed his handler through the manor's twisting corridors to the hangar that waited at the far end of the complex, a converted stable large enough to house Hydra's most valuable assets.
He carried no weapons. Those would travel separately inside the vehicle, stored in compartments designed for easy access once they reached the target site. His next accommodation, after all, would have precious little room for anything beyond his own body.
Barely room enough for that.
In the center of the cavernous space was an automobile, black and impossibly modern for the remote countryside. But it wasn't the vehicle that drew his attention.
It was the iron trunk strapped to its rear.
The container was built like a vault, thick iron plates riveted together, with only a handful of small holes drilled near what would be the head. Ventilation, just enough to sustain life. Nothing more.
His steps slowed almost imperceptibly as they approached. His breathing, already controlled by the restrictive muzzle, would become a careful exercise in survival once sealed inside that metal tomb. Every inhalation would need to be measured, calculated, and conserved.
For just a moment -barely a heartbeat- he hesitated.
The crack of a palm against leather echoed through the hangar like a gunshot.
"Move, you worthless piece of shit!" Schmidt's voice exploded with sudden fury, his hand still raised from the vicious backhand that had snapped Soldat's head to the side. "What do you think you are, standing there like some frightened child? You're nothing! A fucking collection of spare parts stitched together for our convenience!"
Soldat's head remained turned from the blow, a red mark blooming across the exposed skin above his muzzle.
"You exist because we allow it," Schmidt continued, his voice dropping to a venomous hiss. "You breathe because we require it. You feel pain because it serves our purposes. And you will get in that box because that's what tools do, they get stored."
He grabbed a fistful of dark hair, wrenching Soldat's face toward the iron container. "Look at it. That's where you belong.â Then he shoved him toward the trunk with enough force to send him stumbling forward.
"Now get inside before I decide you need a more permanent reminder of your place."
The Soldatâs back straightened as all traces of hesitation vanished behind the mask. He approached the iron container already calculating angles, positioning, and the careful arrangement of limbs necessary to fit within the cramped confines.
The box yawned open like a hungry mouth, waiting to swallow him whole.
He placed one booted foot inside, then the other, lowering himself with fluid grace despite the restrictive space. His knees drew up to his chest, arms folded tight against his torso, and then shifted to his side, dark hair falling toward his face as he settled into the cramped fetal position that would be his world for the next several hours.
The iron walls pressed against him on all sides, cold metal biting through the leather of his uniform. Through the small ventilation holes, he could see fragments of the hangar's gaslight, brief glimpses of freedom that would soon disappear entirely.
Schmidt's came from behind him, twisted with disdain. "Useless trash," he muttered, slamming the lid down with a resounding clang.
----
"Alright, who's driving?" Brennan's voice came muffled through the iron walls, followed by the sound of car doors opening.
"Not me," Schmidt replied with a slight slur. "Had three glasses of that whiskey, maybe four. You're more sober than I am."
"Like hell I am. You saw me matching you drink for drink all evening."
A pause.
"Fine," Schmidt said with exaggerated patience. "We'll take turns. Two hours each. You start, I'll sleep, then we switch when we hit the halfway point."
"Fair enough. Wake me if you see any constables on the road."
The engine roared to life with a mechanical growl that vibrated through every rivet of the iron container. Soldat closed his eyes, focusing on the careful rhythm of breathing that would sustain him through the journey ahead. Each inhalation had to be measured, each exhalation controlled. The mask made everything more difficult, forcing air through narrow passages while the metal box turned his breath stale and warm.
The automobile lurched forward, beginning its journey through the winding country roads that would take them to the target.
For nearly two hours, he endured the relentless punishment of rutted dirt roads and rocky paths barely wide enough for the automobile's wheels. The primitive roads of the countryside were never meant for such modern contraptions, and his body pressed against the unforgiving metal with each violent jolt, the constant battering made worse by the cramped confines. Then something changed.
The vehicle veered sharply to the right, and he felt the sickening sensation of the wheels leaving the treacherous mountain path entirely, plunging over the rocky embankment into the ravine below.
The world became chaos: metal slamming, glass shattering, the sickening sensation of weightlessness, followed by hard impacts as the vehicle tumbled down the steep embankment. The iron trunk became a battering ram, slamming against trees and rocks, each collision driving Soldat against the container's walls with crushing force.
Then, silence.
Smoke. The distant crackle of flames began to spread through the wreckage near him.
He lay still in the darkness, assessing damage and cataloguing pain. His left shoulder felt wrong. Dislocated, perhaps fractured. Blood trickled from somewhere above his right eye, warm and sticky against his face. But he was alive.
Alive, and trapped.
----
She lay in her bed staring up at the wooden beams that crossed her cottage ceiling.
Tomorrow would mark exactly two years since she'd stepped off the mail coach in this remote village, carrying nothing but a battered medical bag and the desperate need for silence.
She closed her eyes, but the sleep remained elusive. It always did when her mind wandered back to the years that had led her here.
The war had demanded nurses, and her country had been bleeding young men faster than the hospitals could tend them. She'd learned her craft not in the sterile halls of some prestigious institution or a convent, but in the chaos of military campaigns that had stretched across her homeland for the better part of a decade. Women like her -unmarried, without family ties- had been essential when every able-bodied person was needed to keep soldiers alive.
Six years in the military hospital. Six years of learning to set bones, stitch wounds, and recognize the difference between a man who would live and one who wouldn't. She'd become skilled at reading pain in a soldier's eyes, at knowing which wounds were beyond her abilities and which she could heal with careful attention.
Then came the draft notice. Two more years, this time in field hospitals that moved with the army itself. Tents pitched in mud, working by candlelight, and the constant thunder of artillery that made her hands shake as she tried to thread needles with precision.
When the war finally ended, the city felt like another battlefield. Too many people, too much noise, too many reminders of what she'd seen and done. The offer to work as Dr. Whitmore's assistant in this isolated village had felt like salvation, a chance to practice in quiet rooms where the loudest sounds were birds singing outside the windows, and for the first time in years, she could breathe without smelling blood.
The villagers had their peculiarities, certainly. They were suspicious of outsiders, prone to superstition, and sometimes brought her patients with ailments that seemed more suited to the last century than this one. But the doctor paid for her services, as also did the people who ventured to her house instead of going to the clinic for small things, and most importantly, they left her alone when she needed solitude.
She turned onto her side, pulling the quilt up to her chin. Tomorrow she would gather herbs from the undergrowth in the forest, as she did every few weeks when her supplies ran low. The routine had become her comfort, walking the familiar paths, identifying plants by touch and scent, and filling her satchel with nature's gifts.
----
The first light of dawn was creeping through the window when she finally gave up on sleep. She rose quietly and moved to the small wardrobe that held her possessions.
Her fingers found the familiar fabric hidden behind her respectable dresses: the practical bloomers she'd worn during her time at the field hospitals. The divided skirt had been scandalous enough in a war zone; here in the village, it would be nothing short of outrageous. But the forest paths were treacherous, full of roots and brambles that could easily catch in a dress, and she had no intention of returning home with torn fabric and scraped knees.
She pulled the bloomers on quickly, followed by a simple blouse and sturdy boots. The best part of leaving before the village woke was avoiding the disapproving stares that would surely follow if anyone saw her in such "immodest" attire.
A lady, after all, should never draw unwanted attention from passersby, even if that lady happened to be trudging through dense undergrowth in search of medicinal herbs to heal them.
In the small kitchen, she prepared a quick breakfast of tea and bread, eating by the window as she watched the world slowly wake around her. Then she braided her hair back into a practical plait and secured some tools in a leather satchel that would hold the day's harvest.
The walk to her favorite gathering spot would take nearly two hours through increasingly wild terrain, but she didn't mind. The solitude was worth every step, and the herbs that grew in that remote area were some of the finest she'd ever found. By the time she returned, the satchel would be full of plants that Dr. Whitmore's patients would need in the coming weeks.
She stepped out into the cool morning air, pulling her shawl closer around her shoulders as she began the long walk toward the forest. The road was empty, and she moved quickly, eager to reach the tree line before anyone might spot her unconventional clothing.
----
Soon the roofs of the village disappeared behind her, and the dirt road gave way to a narrow track where brambles tugged at her bloomers.
The forest thickened the farther she went, until the morning light broke only in scattered shards through the canopy. Her satchel was already half full with chamomile and willow bark when she decided to venture a little further up the hillside, searching for a particular mushroom that grew only in the soil near the summit.
As she advanced through the dense undergrowth, something dark and unnatural caught her eye between the trees ahead. She paused, squinting through the dappled shadows, trying to make sense of the shape that didn't belong among forest and stone.
Metal. Twisted and blackened.
Her training took over before her brain could intervene. She moved toward the wreckage promptly, already cataloguing possibilities. A cart accident, perhaps, or some piece of industrial equipment that had somehow found its way into this remote wilderness.
But as she drew closer, the disaster became clearer.
It was an automobile, one of those impossibly expensive modern things she'd only heard described in the city, never crossed one. The vehicle lay on its side, its elegant lines now warped by impact and flames.
Her steps quickened despite the rational knowledge that after such devastation, there were unlikely to be survivors. Still, years in field hospitals override logic.
Someone might yet live. Someone might yet be saved.
But as she reached the twisted wreckage, hope died in her chest.
Two figures sat slumped in what remained of the automobile's interior, barely recognizable as human. The fire had been merciless, leaving behind only charred remains that spoke of a death too swift for suffering, or so she hoped.
She whispered a brief prayer for their souls and stepped back from the scene, scanning the scattered debris for anything that might identify these poor souls. Personal effects, luggage, anything that could help her notify their families or at least give them proper names for burial.
That's when she noticed it, at perhaps twenty feet from the main wreckage, half-hidden behind a fallen log.
A metal container, roughly the size of a large trunk but built with the reinforcement of a bank vault. Iron plates riveted together with industrial precision, the surface darkened by soot but otherwise intact. It must have been thrown during the automobile's tumble down the embankment.
She approached it carefully. There were small holes drilled on the sides. Ventilation holes, perhaps? An odd feature for luggage, but then again, she'd never seen an automobile before today, much less whatever cargo such wealthy travelers might carry.
Maybe inside she would find documents, identification papers, something to help piece together who these people had been. The least she could do was ensure they received proper burial rites and that word reached whatever family might be waiting for their return.
The lock looked complex, but the impact might have damaged the mechanism. She knelt beside the container, running her fingers along its edges, searching for any weakness that might allow her to open it and discover the identities of the poor souls who had met such a violent end in this peaceful forest.
----
Darkness had been his companion for hours now. Thick, suffocating darkness broken only by thin streams of light filtering through the ventilation holes.
His body had grown stiff and cold in the cramped confines, his muscles cramping from the enforced fetal position. The muzzle made every breath a careful calculation, and the stale air inside the container had grown heavy and warm with his exhalations.
Then he heard them, footsteps, soft but distinct against the forest floor.
Every sense of his body sharpened instantly, battle-trained instincts overriding physical discomfort. Through one of the small holes, he could make out movement between the trees. A figure approached the wreckage, and he pressed his eye closer to the openings, straining to see clearly through the limited view.
A woman. But dressed... strangely. Practical clothing that was more suited to man's work than feminine respectability. She moved toward the burned automobile, and he watched her pause at the sight of the bodies inside.
Her posture spoke of familiarity with death, professional assessment rather than feminine hysteria.
Then her gaze found the container.
His heartbeat quickened, a betrayal of the perfect stillness they'd trained into him. She was walking toward him now, circling the iron trunk with obvious curiosity. She could free him. But then what?
The mission parameters came to his mind: no witnesses. But his handler was dead, his charred remains were testament to that.
The woman appeared to pose no immediate threat, but years of experience had taught him that threats often came in deceptive packages.
Yet, she was his only chance to escape this iron coffin. Without her intervention, he would die slowly, as his air supply dwindled and his water ran out.
Through the small opening, he watched her work at the lock. She whispered something -words he couldn't quite make out through the metal walls- but her tone seemed... kind? Concerned?
His training collided with something else, something deeper and more human that the conditioning had never quite managed to erase. The part of him that recognized compassion when he saw it, even if he couldn't remember the last time he'd experienced it himself.
----
She forced the lid open with both hands, metal biting back and groaning until something gave in.
The stench hit her first: sour sweat, rusted metal, and underneath it all, the metallic tang of old blood. Her stomach lurched, but she pushed harder, and the lid fell back with a hollow clang.
She found herself staring down at a large body, folded into a space that seemed far too small to contain it. Dark hair fell across a muzzled face that was more angles than curves; his wrists bore the telltale bruising of restraints.
For a second, her brain refused to make sense of it, because people didnât go in places like this. Even in the worst hospital, or the psychiatric wards she'd heard whispers about, or even prison cells. This was worse.
Cult sacrifice, she thought darkly, some ritual cage. Or human trafficking. Something obscene.
Her mind catalogued the obvious injuries: contusions across his exposed skin, the unnatural angle of his left shoulder, the telltale signs of dehydration in his sunken cheeks.
But it was his eyes that made her blood freeze.
Pale blue and burning with the desperation of a cornered animal, fixed on her with an intensity that made every instinct scream danger. She wanted to reach out, but his stare nailed her where she stood. This was no accident victim. This was something else entirely.
She used a gentle tone, the same one she'd used with delirious patients who couldn't distinguish friend from foe. "It's alright," she whispered, though nothing about this was alright. "You're safe now. I'm going to help you."
Her hands hovered uselessly in the air, as if touch alone could conjure sense from this nightmare. She swallowed, fixed her gaze on the black mask strapped tight over his mouth and jaw. Not cloth. Something harsher, molded. It erased half his humanity, leaving only his eyes, and they were a world unto themselves. Glacial, fever-bright, alive with a feral calculation that made her pulse stumble.
Slowly, she lowered one hand, palm open, âI just want to check you,â she murmured, though her voice quivered. âMake sure youâre not-â
A shift. Barely more than the flex of muscle under dark leather, but enough to stop her breath. His shoulders twitched like he meant to unfold, to get out from that coffin of steel.
Her instinct screamed to slam the lid shut and run.
Instead, she forced herself an inch closer, brushing the rim of the box with her fingertips.
The sound he made was not a word. It was the guttural choke of someone whose throat had forgotten how to speak. Low, warning, animal. His stare pinned her harder than any chain could.
She froze, realizing all at once that whatever this man was -victim or monster- he was not used to mercy.
----
The lid opened, and suddenly the world became too bright, too vast, too unpredictable. his pupils contracted painfully as daylight flooded his iron prison, and with it came the scent of trees and damp herbs, alien smells after hours of breathing his own stale air.
The woman's silhouette blocked out part of the light, and every conditioned reflex screamed the same message: new contact equals a potential threat, equals eliminate.
Pain lanced through his dislocated shoulder as he managed to shift maybe two inches. His legs, cramped from hours in the same position, barely responded to his command. The most he could manage was that slight twitch of his shoulders. Pathetic, but apparently enough to make her freeze.
Good. Fear was useful. Fear kept people at a distance.
The sound that emerged from behind his muzzle was barely human. Part warning growl, part the rasp of air through a throat that had been silent too long. He couldn't form words even if he wanted to, couldn't explain, threaten, or negotiate. All he had were his eyes, and he used them like weapons, fixing her with a stare that had made grown-up men step backward.
She didn't run. That was... unexpected.
Instead, she moved closer, touching the edge of his prison. He could see her hands shaking despite her calm voice. Probably it was her professional instinct versus self-preservation, he had seen it before.
But this was different. She wasn't Hydra. The way she looked at him, the horror in her expression when she'd first opened the container... that wasn't the clinical assessment of a handler evaluating their asset. That was a genuine shock at his treatment.
Which meant she was either an exceptional actress, or she truly had no idea what he was.
His eyes tracked her movements as she leaned closer, cataloguing every detail. Her clothing suggested practical work rather than wealth. Her posture spoke of some kind of medical training, since she seemed confident around injuries and blood. And underneath it all, that gentleness in her voice that his mind insisted must be manipulation, even as some deeper part of him wanted desperately to believe it might be real.
He flexed his fingers. If he pounced now -if his body would even allow it- her throat would be within reach. Quick, simple, and efficient. A solution Hydra would approve.
And yet⌠he didnât.
He hated to hesitate.
"You're hurt," she said simply, keeping her voice soft.
His eyes tracked the movement of her lips, then darted to her hands, back to her face, then to the forest beyond her shoulder.
Calculating escape routes, she realized. So she reached slowly toward the leather satchel at her side, watching his reaction. The moment her hand moved, his entire body went rigid, that warning sound rumbling again from behind the mask. She froze, palm still open in the air.
"Iâm gathering medicine," she whispered, tapping the satchel gently. "Some is for pain."
Something flickered across his visible features. Confusion, perhaps, or disbelief. As if the concept of someone offering to ease his pain was foreign as a language he'd never heard.
She withdrew her hand, settling back on her heels. "I won't touch you without permission," she said firmly.
His eyes widened fractionally, and she caught something raw and desperate flashing across his features before the mask of wariness slammed back down.
----
Minutes passed in tense silence. She didn't move closer, didn't reach for him, didn't do anything but sit beside the container and occasionally glance around the forest, as if keeping watch. The gesture was unconscious, protective, and it did something strange to his chest, a tightness that had nothing to do with the muzzle's restrictions.
When a branch snapped somewhere in the distance, his reaction was immediate and violent. His body jerked against the container's walls, sending fresh agony through his dislocated shoulder, but he couldn't stop the response, couldn't control the way his nervous system flooded with panic chemicals.
"Shh," she breathed, and before she could think better of it, her hand was extended toward him, not quite touching, but close enough that he could feel the warmth radiating from her palm. "Itâs just a squirrel. You're safe."
Safe. Another impossible word.
But her hand... wasn't closed into a fist. Wasn't holding a weapon or a tool. He stared at it, this foreign gesture, trying to process what it meant.
Slowly -so slowly she barely dared to breathe- his own fingers stretched from where they'd been pressed against his chest. His hand was shaking, fine tremors that spoke of exhaustion and overstimulated nerves, but he lifted it anyway.
He didn't quite touch her. Just let his fingertips hover an inch away from her palm, close enough to feel her heat.
It was the first choice he could remember making in years.
The first time he had reached toward another person instead of backing away.
Then retreated.
----
"Can you sit up?" she asked eventually, "That shoulder needs attention, and lying like that will only make it worse."
He considered this. His body was screaming at him to move, to get out of this confined space, but the other voice in his head -drilled into him, beaten into him-insisted he wait for explicit permission. He hesitated, staring at her lips, waiting for the tone of authority that never came.
With considerable effort, he braced his good arm against the metal wall and pushed himself upright. Every inch was agony. His shoulder throbbed with each movement, and his vision hazed at the edges, but he gritted his teeth behind the muzzle and made no sound. He would not show weakness. Weakness cost blood.
"Carefully," she murmured, softly. Her tone held no impatience, no irritation at his obvious limitations. "There's no rush."
No rush. When had there ever been no rush? When had anyone ever told him to take his time, to move at his own pace?
For a flicker of a moment, he hated her. Hated the softness of her tone and the impossible patience in her eyes, because it made his chest hurt.
Yet he couldnât look away.
He found himself staring at her again, trying to decode this impossibility of a woman who looked at him and saw something worth helping instead of something to be used.
"So⌠may I look at your shoulder then?" she asked, in the same careful tone. "I need to see how badly it's dislocated."
He stared at her. The question was something foreign and dangerous. May I? Not an order. Not a demand. A request for permission that he could theoretically refuse.
His breathing quickened behind the muzzle. Permission implied choice, and choice implied consequence, and consequence meant pain if he chose wrong. But she was waiting, patiently, for an answer he didn't know how to give.
Slowly, reluctantly, he managed a single, jerky nod.
She moved with deliberate care, telegraphing every motion as her hands approached the leather of his jacket. Her fingers found the fastenings, and she began to work them loose with the efficiency of someone accustomed to undressing patients.
The moment her knuckles brushed against his collarbone through the leather, he flinched violently. Not from pain -though his shoulder screamed in protest at the movement- but from something different.
Touch that wasn't meant to hurt him was so foreign that his body didn't know how to process it. Every nerve ending fired warning signals, even as a treacherous part of his mind relished the warmth of her skin, the gentleness of her hands.
She froze immediately. "I'm sorry," she whispered, pulling back. "Did I hurt you?"
He shook his head frantically, then stopped, confused by his own reaction. Why was he apologizing? Why did he care if she thought she'd caused him pain?
"The jacket needs to come off so I can see the damage properly," she said softly. "I can help, or you can do it yourself if that's easier."
The leather was tight against his body, designed for stealth and durability rather than easy removal. With his left arm useless, getting it off alone would be nearly impossible. But the alternative-
His good hand clenched into a fist against his thigh, nails biting into his palm through the fingerless glove. The physical pain was easier to process than the emotional chaos her simple offer had unleashed.
After a long moment, he forced himself to meet her eyes and nodded again. Permission granted, even though every instinct screamed against it.
She worked with care on the intricated fastenings of his jacket. The leather was unlike anything she'd encountered. Reinforced, military-grade. As she peeled it away from his injured shoulder, she realized there was nothing beneath it. No shirt, no undershirt. Just skin pressed directly against the harsh material.
Her hands faltered as more of his torso came into view.
The dislocation itself was bad, yes, but treatable. Her training could assess that with a glance. What stopped her cold were the other things.
Scars. Not the random marks of an accident or battle, but precise, surgical lines that traced along his shoulders where arms met torso, skin tones mismatched in subtle, unnatural variations. And down the center of his chest, a vertical scar ran from sternum to navel, perfectly straight, perfectly intentional.
She tried to keep her expression neutral, professional, but her brow furrowed despite her efforts. In all her years tending battlefield injuries, in all the horrors she'd witnessed in military hospitals, she had never seen anything like this.
This wasn't surgery to heal. This was a surgery to build.
Her gaze met his, searching for some explanation, some context that would make sense of what she was seeing. But his pale blue eyes were fixed on her reaction, tracking every flicker of her expression like a man taught to read danger in the smallest twitch.
He was waiting for her to recoil. Waiting for the disgust, the fear, the horrified recognition of what he was.
She forced her hands to remain steady as she gently examined the shoulder joint, even as her mind reeled with impossible implications.
Her fingers pressed carefully along the swollen ridge of his shoulder, testing the resistance of bone against muscle. He flinched, almost imperceptibly, but didn't pull away. Not once. He just sat there on the crate, breathing shallowly through the black mask, just looking at her.
"You're going to have to stay still," she murmured, more to fill the silence than because she thought he needed instruction.
She braced him with one hand against his chest, feeling the heat of his skin under her palm, and the steady thrum of his heart. With her other hand, she eased the joint back into place with a clean motion.
The pop was muffled, but his reaction wasn't. His whole body tensed, jaw clenching beneath the mask, veins rising at his temple, but not a sound escaped his lips.
When it was done, she let out the breath she hadn't realized she was holding. His arm hung heavy but properly aligned now.
----
For a long moment, neither of them moved. He stared down at his shoulder with something approaching bewilderment, as if he couldn't quite comprehend what had just happened. Slowly, tentatively, he rolled the joint. The sharp pain that had been his constant companion for hours was... gone.
His eyes snapped back to her face, wide with confusion that bordered on panic. This made no sense. Pain was alleviated through punishment, by earning relief through completing tasks, and by proving one's worth. Not freely through gentle hands and whispered reassurances.
She was still watching him with that same careful attention, and he realized she was waiting for some kind of response. Gratitude? Recognition? He didn't know what she expected, didn't know what was appropriate. His handlers had never required thanks for maintenance; he was equipment, and equipment was repaired when it broke, nothing more.
But this felt different. She felt different.
His good hand moved without conscious thought toward his shoulder, then stopped just short of touching the spot where her palm had pressed against his chest. The skin there still felt warm, still carried the ghost of her touch, gentle and utterly foreign.
A sound escaped his lips then, barely audible through the muzzle. Not quite a whimper, not quite a sigh. Something raw and confused and desperately grateful that he had no words for.
She leaned back slightly, giving him space, but her expression remained soft. "Better?" she asked simply.
He nodded. It was all he could manage to do, but to him it felt monumental. The acknowledgment that yes, she had helped him, and he was better because of it.
The concept was so alien to him that it made his chest compress with something that might have been emotion, if he'd been allowed to feel such a thing.
youâve decided itâs time to have a babyâwith or without a partner. working at the BAU hasnât exactly left room for candlelit dinners or whirlwind romances, so youâve started looking into a donor. simple. sensible. entirely under control⌠until Spencer Reid overhears you talking about it and, in true Spencer fashion, decides to make things complicated in the most endearing way possible.
the proposition
the agreement
the appointment
extra: the most academically stressful room on earth
cycles
margin of certainty
unspoken things
couple energy
under surveillance
cold metal, warm hands
sacrifice
collision course
the truth comes with jell-o
tender things
premature celebration
gravitational pull
flicker
the night shift
the gift
growing pains
forks and futures
aisle seven
valentine's day extra: not nothing
close
soft click
normal
making room
tiny, supposedly
out loud
a strategic allocation of time
of bronze â and blaze â and betting pools
breaking news: romance
i don't wanna miss it
now
a dawn that blooms
homecoming
gold
father's day extra: the astronomy of little things
This whole series was perfect, you took so many of the scariest parts about becoming a parent and wrote them into such a beautiful image. The pacing of the story was so good, and all of the characterization was spot on <3 also this may have been the sweetest love story ever
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summary: a late-night shower, an accidental scare, and Spencer quietly explaining the universe to Aurora unravel into one of those fragile, life-altering moments where love stops feeling hypothetical and starts feeling like home
includes: part 35, no use of y/n, postpartum recovery, newborn baby, talk of breastfeeding/nursing, exhausted new parents, domestic intimacy, emotional vulnerability, protective instincts, brief panic response, mention of firearm/gun ownership, soft humor, Spencer Reid being devastatingly tender, crying, discussions of safety/fear, fluff, found family, soft kisses
note: this is the last part I had planned! so... The End! but don't worryâif you want more, requests are open. So, while I won't be posting parts every week anymore, I'll still add on if anyone had any requests for The Donor Dilemma universe. Thank you all so much for reading. I know I've said it a lot but I am really so happy you guys loved this series đ
The shower feels almost unreal.
Not because thereâs anything extraordinary about it. Itâs your shower. Your shampoo bottle tipped sideways in the corner. Your face wash balanced precariously near the sink because you keep forgetting to put it away properly. The same faint crack in the third tile from the drain youâve noticed a hundred times before.
But tonight it feels sacred.
Steam curls thickly through the bathroom, fogging the mirror and softening the edges of everything until the world becomes water and warmth and white noise.
For the first time all day, you were able to lie Aurora down peacefully in her crib.
No tiny cries cutting through your nervous system like biological alarm bells.
Just heat pouring over your skin in endless steady sheets.
You stand beneath it with your eyes closed and let yourself exist for a second.
Actually exist.
The water loosens muscles you didnât even realize had locked up. Your shoulders ache beneath it. Your back protests faintly. Every part of you feels overused in the deeply physical, deeply human aftermath of childbirth and exhaustion and loving something so much it rewired your entire body overnight.
Earlier, Aurora spit up down the front of your shirt.
A truly impressive amount, honestly.
Youâd stared at it for a full five seconds before realizing you were too tired to care.
And then somehow the day just⌠kept happening around it.
Feeding her.
Holding her.
Trying to remember if youâd eaten.
By the time night arrived, you still smelled faintly like sour milk and baby lotion and exhaustion.
Now the water strips all of it away slowly.
Steam kisses against your skin. Shampoo lathers beneath your fingers. The scent blooms warm around you, familiar enough to feel grounding.
You tilt your face into the spray and exhale so deeply it almost hurts.
God.
You could live here.
No one warned you how much becoming a parent turns basic hygiene into a luxury experience. This isnât a shower anymore. This is a spiritual retreat with plumbing.
You scrub carefully around the lingering soreness still threaded through your body, movements slow and thoughtful.Â
You rinse the last of the conditioner from your hair slowly, fingers combing through damp strands while water streams warm down your spine.
The monitor sits on the sink beside you.
Tiny.
Silent.
Youâve looked at it at least twelve times in the last five minutes.
Probably more.
Not because itâs made a sound. It hasnât. The little screen is black, the sound signal is in the green, peaking slightly at the sound of the lullaby you left playing. But no cries.
And yet your eyes keep flicking toward it anyway, instinct dragging your attention back every few seconds like an invisible thread tied somewhere beneath your ribs.
The first few times, it made sense.
You were checking.
Now itâs become automatic.
Your body still hasnât learned the difference between silence and danger.
You exhale slowly and lean your head back beneath the spray again.
The water drums softly against your skin.
You should get out.
You know you should.
The heat is making your skin pink at the edges, and your fingers are starting to wrinkle slightly from staying in too long.
But the second you think about stepping out, your entire body protests.
Because outside the shower, there are responsibilities again.
Laundry.
Bottles.
The constant low-level awareness of another tiny human existing in the next room.
In here, for ten stolen minutes, thereâs only warmth.
Only steam and quiet and the strange suspended feeling of being no oneâs immediate emergency.
You close your eyes again.
You would stay in here forever if your body would let you.
Honestly, if someone slid a sandwich through the curtain every few hours and promised the apartment wouldnât collapse without you, you could probably evolve into some kind of aquatic cryptid and never leave.
But your breasts are starting to ache.
Not sharply yet. Just that deep, heavy pressure building beneath your skin, warm and insistent, your body already preparing for the next feeding before Aurora has even made a sound.
And she will wake up soon.
You know it with startling certainty now.
Not from the monitor.
From somewhere deeper.
Some new instinctive clock stitched directly into your nervous system.
You glance toward the sink again automatically.
Still quiet.
Still sleeping.
But probably not for long.
A small sigh leaves you, half resignation, half reluctant amusement.
âAlright,â you murmur softly to absolutely nobody. âTiny dictator wins again.â
The water slips down your shoulders one last time as you reach reluctantly for the handle.
The second the spray stops, cool air rushes in around you.
Immediate betrayal.
You make a face at the universe.
The bathroom suddenly feels quieter without the constant rush of water filling it, every tiny sound sharper now. The drip from the showerhead. The faint lullaby crackling softly through the baby monitor. Your own exhausted breathing.
You pull the curtain aside, steam curling outward in thick clouds.
The mirror is completely fogged over now, your reflection reduced to a vague silhouette moving through white haze. For a second, you barely recognize yourself anyway.
Damp hair clinging to your shoulders.
Softness everywhere.
Healing everywhere.
Evidence.
The monitor remains quiet while you dry off slowly.
Too slowly, probably.
Because exhaustion has turned every task into interpretive dance performed underwater.
You manage moisturizer on autopilot. Brush your teeth with one eye half closed. Tug on one of Spencerâs old T-shirts and a pair of soft shorts because actual pajamas currently feel like a commitment youâre not emotionally prepared to make.
By the time you finish combing through your damp hair, your boobs hurt enough to become officially annoying.
âYep,â you mutter at the ceiling. âSheâs waking up soon.â
You reach for the bathroom door handle with the slow, automatic movement of someone running on borrowed energy and muscle memory alone.
Your hand wraps around it.
You twist. Push it open slightly.
And then you stop.
The house is still quiet. That same late-night hush, the kind that sits in corners and softens edges and makes every sound feel like it belongs to a different world. The hallway beyond the bathroom is dim, the faint glow from the living room barely reaching this far like a memory of light rather than light itself.
But down the hallâ
Auroraâs room is glowing.
Not dark like you left it.
A soft lamp burns inside, warm amber spilling through the crack in the door like something has gently exhaled light into the room and forgotten to take it back.
Your stomach tightens instantly.
Slowly, you push the bathroom door open just a little more.
You stare.
For a second, your brain refuses to process it.
Because you knowâviscerally, absolutelyâyou turned that lamp off.
You closed the door.
You remember the soft click of it.
The careful dark you left behind.
Your body reacts before your thoughts fully catch up, that same stitched-in instinct snapping taut beneath your ribs.
Aurora.
Your pulse shifts. You tense. For a second, your entire being forgets how to be anything except alert.
Itâs not a thought so much as a snap of instinct.
Your gun.Â
It's in the safe on your dresser. You could grab it quietly and quickly. You couldâ
ââŚand in astrophysics, thereâs a concept called gravitational time dilation, which basically means time passes slightly differently depending on how strong gravity is in a given place.â
Itâs Spencer.
Soft. Sleep-warmed. Threaded with that familiar gentleness he only uses when he thinks the world is made of something fragile.
Your shoulders drop so fast it almost hurts.
The panic drains out of you in one clean, disorienting wave, leaving behind only exhaustion and the faint sting of adrenaline leaving your bloodstream like a departing storm.
You exhale once.
Slow.
Then again.
A breath that feels like coming back into your body.
Right.
You gave him a key.
Of course Spencer Reid would be in your babyâs room at what feels like an unreasonable hour explaining spacetime to a newborn like itâs a bedtime story and not one of the most incomprehensible forces in the universe.
You lean lightly against the wall for a second, eyes closing briefly. Then you move.
Quiet steps across the hallway carpet. Damp hair cooling against the back of your neck. One hand still loosely curled around the edge of your oversized shirt like your body hasnât entirely caught up to the fact that the danger has already passed.
The closer you get, the clearer his voice becomes.
ââŚwhich sounds fake,â Spencer is murmuring softly, âbut technically the astronauts on the International Space Station age very slightly differently than we do on Earth because of velocity and gravitational variance, so really, relativity is less of a theory and more of an aggressively proven inconvenience.â
His voice drops lower for a second, fond amusement threading through it.
âI know. Very rude of physics.â
You reach the door.
Itâs cracked open just enough to let warm light spill into the hallway in a thin golden line.
And there he is.
Spencer sits in the rocking chair beside the crib, socked feet planted unevenly against the floorboards like he got here quickly and forgot to settle properly afterward. Aurora is tucked carefully against his chest, bundled in one of the pale yellow swaddles someone gifted you at the baby shower.
Sheâs awake.
Barely.
Tiny eyes heavy with sleep, one fist tucked near her cheek while Spencer supports her effortlessly against him, his long fingers spread protectively across the curve of her back.
The lamp beside him paints everything honey-soft.
His hair is a mess.
Not styled messy. Real messy. Flattened on one side from exhaustion, curling slightly at the ends. His glasses sit low on his nose, and thereâs a faint crease across his T-shirt like he either slept in it or accidentally used it as a burp cloth sometime in the last hour.
Probably both.
You donât interrupt.
You canât.
Something about the scene in front of you feels too delicate to touch directly, like stepping closer too fast might scatter it into pieces before youâve fully held it.
Spencer keeps rocking slowly, the old chair creaking softly beneath him in uneven little rhythms. Aurora rests against his chest with complete, unconscious trust, her tiny face tipped toward the sound of his voice like she already knows it belongs to safety.
Outside the nursery window, the world is dark blue and silver at the edges.
Inside, everything glows warm.
Spencer adjusts the blanket around her with absurd care before continuing in that quiet, thoughtful cadence of his, like heâs explaining the universe one piece at a time because he genuinely believes she deserves to know how astonishing it is.
âTechnically,â he murmurs, âmost of the atoms in your body were formed inside stars billions of years ago, which means you are, scientifically speaking, made of recycled cosmic debris.â
Aurora blinks slowly.
Spencer smiles faintly.
âI know,â he whispers. âVery dramatic.â
Your chest aches so hard it almost feels physical.
Because this is Spencer.
This is how he loves.
Not loudly. Not carelessly.
He offers people pieces of the universe wrapped carefully in his hands and trusts them not to break.
His thumb strokes lightly across Auroraâs back while he rocks her again, smaller this time.
âAnd before you get concerned,â he continues softly, âwhich I assume you will eventually because youâre biologically related to me now, space is mostly safer than people think it is.â
A tiny pause.
Then quieter:
âStill probably donât become an astronaut.â
You bite down on a smile.
Spencer looks at Aurora for a long time. His finger runs gently across her little cheek, and something in his expression shifts then.
Softer somehow.
The edges of his humor fading into something deeper.
âYou know,â he says quietly, âI spent a long time thinking the world was mostly something to survive.â
Spencer looks at Aurora like heâs trying to memorize her and understand her at the same time.
âAnd sometimes it is,â he admits. âSometimes itâs loud and unfair and people leave or hurt you or disappear before they should.â
His voice stays calm, but thereâs something beneath it now. Old bruises wrapped carefully in gentleness.
âBut thenâŚâ He swallows once, eyes flicking over her tiny face. âThen there are moments like this.â
The rocking chair creaks softly.
âYou.â
Your throat tightens instantly.
Spencer exhales through the smallest smile, disbelieving and tender all at once.
âAnd suddenly the entire universe feels different.â
Aurora squirms faintly in her sleepiness, one tiny hand escaping the blanket near her cheek.
Spencer immediately tucks it back in with careful fingers.
âIâm going to keep you safe,â he whispers.
The words are quiet. Certain.
Not dramatic promises made for comfort. Not impossible guarantees.
Just truth.
The kind spoken by someone who has already decided it with every part of himself.
âIâll always keep you safe,â he murmurs.
Thatâs what does it.
The tears hit you so suddenly you barely have time to process them before your chest tightens and a tiny involuntary sniffle slips out into the quiet room.
Spencerâs head snaps toward the doorway immediately.
His entire body changes in an instant.
One second soft and thoughtful, the next alert with concern so immediate itâs almost violent in its intensity.
âHeyââ
He stands too fast.
The rocking chair bumps backward slightly from the sudden movement, and he catches Aurora instinctively against his chest before it can even shift her.
His eyes lock onto you.
Your damp hair. Your face. The tears gathering faster now that youâve been caught.
âWhy are you crying?â he asks immediately, voice tight with alarm. âAre you okay? Did something happen?â
You let out one helpless, watery laugh that absolutely does not help the situation.
His concern sharpens further.
âOh god,â he says, already moving toward you. âAre you in pain? Do you need to sit down? Did you tear something? Should I call someone?â
âSpenceââ
âBecause youâre crying and there are several medically significant possibilities associated with postpartum recovery and I really need you to be specific right nowââ
âIâm okay.â
He reaches you anyway, still visibly unconvinced.
Aurora stays tucked securely against his chest while his free hand comes immediately to your face, thumb brushing anxiously beneath your eye like he can physically check for danger there.
âYouâre crying,â he says softly, bewildered by it.
âYou were talking to her,â you whisper back.
âThatâsâŚâ He blinks once. âYes?â
âAbout space.â
His expression somehow becomes even more confused.
ââŚYes?â
âAnd then you told her youâd always keep her safe.â
Understanding hits him slowly. You watch it happen in real time. The panic easing first. Then confusion. Then something gentler.
His shoulders lower a fraction.
âOh,â he says quietly.
You laugh again through another sniffle, wiping quickly beneath your eyes. âYou sounded so serious.â
âI was serious.â
âI know,â you say, voice wobbling around the edges. âThatâs why Iâm crying.â
Spencer stares at you for a second like this information genuinely short-circuited him.
Then his entire expression softens into something unbearably tender.
The hand against your cheek slides more fully along your jaw.
âYouâre crying because I love our daughter?â he asks carefully.
âYou were giving her a physics lecture at two in the morning.â
âShe seemed engaged.â
âSheâs six pounds.â
âThatâs not mutually exclusive.â
Another laugh escapes you before you can stop it, quieter this time.
Spencer watches you like each sound physically settles something inside him.
Then, very gently, he leans forward and presses a kiss to your forehead.
Spencerâs lips linger against your forehead for a second before he pulls back just enough to look at you properly again.
Close enough that you can still feel the warmth of his breath against your skin.
Aurora makes a tiny sleepy noise between you both, nestled securely against his chest like sheâs already decided this is her preferred method of transportation.
You sniff once, rubbing quickly beneath your eyes again.
Then you narrow them at him a little.
ââŚYou scared me,â you mumble.
Immediate guilt flashes across his face. âWhat?â
âI came out of the bathroom and her light was on.â You gesture vaguely toward the nursery behind him. âAnd you were just⌠in here. Existing ominously.â
âOminously?â he repeats softly.
âYou know what I mean.â
His expression crumples slightly with regret. âIâm sorry.â
âI almost went for my gun.â
That visibly alarms him. âYou almost what?â
âYou left the door cracked and I saw the light and my brain immediately went full Final Girl survival mode.â
Spencer looks genuinely horrified by this development.
âI shouldâve texted you,â he says immediately.
âYes.â
âI didnât think.â
âYou literally always think.â
âThatâs fair.â
You cross your arms loosely over yourself, oversized shirt sleeves swallowing part of your hands. âWhy didnât you tell me you were here?â
His face softens again then, concern melting into something quieter.
âI knew Rory was going to wake up soon,â he says gently.
You smile. âRory?â
âOh, uhââ Spencer smiles sheepishly. âI thought maybe⌠a cute nickname. So⌠Rory. Do you not like it?â
Your expression softens instantly.
âNo,â you say quietly. âI love it.â
The relief that crosses his face is small but immediate, like heâd been bracing for the possibility that you might hate it and had already prepared to retire it forever if you did.
âYeah?â he asks.
âYeah.â You glance down at Aurora, bundled against his chest. âRory fits her.â
Spencer looks down at her too then, and something in him visibly melts all over again.
âShe justâŚâ He huffs a tiny laugh through his nose. âShe feels like a Rory.â
âShe does.â
Aurora makes a faint little sigh, entirely unaware that sheâs currently being assigned lifelong emotional significance while unconscious.
Spencerâs thumb strokes gently across the blanket wrapped around her.
Then he looks back at you, softer now.
âI wanted to let you sleep,â he says quietly. âOr⌠shower. Relax for a little while without worrying sheâd wake up.â
Your chest tightens again, though this time the ache comes wrapped in warmth instead of tears.
âYou came all the way over here just so I could shower in peace?â
A faint flush creeps into his face like heâs embarrassed to have been caught being thoughtful.
âShe started fussing about ten minutes after I got here,â he admits. âI figured if she cried loud enough for the monitor to pick it up, youâd get out early.â
You stare at him.
And there it is again.
That impossible tenderness that keeps sneaking up on you in ordinary moments and wrecking you from the inside out.
âSo you justâŚâ You gesture toward him vaguely. âSecret-agent babysat?â
âI had a key,â he says, like that explains everything.
âIt does not explain the stealth.â
His mouth twitches faintly. âYou sounded relaxed.â
You narrow your eyes at him suspiciously. âWere you listening to my shower?â
âNo,â he says immediately.
A beat.
ââŚNot intentionally.â
You just look at him for a moment.
At the sleep-rumpled hair falling into his eyes. At the baby tucked carefully against his chest like sheâs made of spun glass and starlight. At the lingering concern still softening the space between his eyebrows because you cried for thirty seconds and his nervous system apparently filed it as a national emergency.
You are catastrophically in love with this man.
Spencerâs still watching you carefully, probably trying to determine whether youâre about to cry again or accuse him of committing shower espionage.
Instead, you hear yourself say:
âMove in with me.â
Silence.
Complete silence.
Spencer blinks.
Once.
Then again.
Like his brain just fully unplugged from the wall.
You suddenly become very aware that perhaps this was not the smoothest delivery.
Your stomach flips immediately.
Because Spencer still hasnât said anything.
Heâs just staring at you with this utterly stunned expression, mouth parted slightly like every word heâs ever learned abandoned him at once.
And in the absence of a response, your brain does what exhausted brains do best.
Panic.
âI mean,â you say quickly, already talking over yourself, âobviously you donât have to. I just thought maybe it made sense because youâre already here all the time anyway and half your stuff is basically migrated over through natural selection at this point, and you already have a key and technically youâve slept here for like⌠four consecutive nights now.â
Spencer opens his mouth.
You keep going.
âAnd your apartmentâs smaller and your shower pressure kind of sucks, respectfully, and also I justâŚâ Your hands gesture vaguely between the two of you like your emotions are now operating entirely through exhausted charades. âI donât know. Weâre already doing all of this together and I love you and you love me and sheâs ours and maybe I just want you here all the time instead of leaving eventually andââ
âHey.â
His voice is soft.
Gentle enough to finally interrupt the spiral.
You stop mid-sentence.
Spencerâs looking at you now with something so openly overwhelmed it almost knocks the breath out of you again.
Not uncertainty.
Not hesitation.
Just pure emotional astonishment.
Like you handed him something fragile and impossible and he still hasnât recovered from the weight of it.
âOh,â you say quietly, immediate embarrassment creeping in now. âYou donât have to answer right away, I just kind of blurted it out and maybe postpartum hormones are staging a hostile takeover of my frontal lobe, soââ
He kisses you.
Completely cutting you off.
Aurora remains safely cradled between his chest and one arm while his free hand finds your waist instantly, pulling you gently into him like he physically couldnât stay still another second.
The kiss is warm and immediate and full of something almost aching in its sincerity.
You make a small startled sound against his mouth before melting into it anyway.
Because Spencer kisses like he means everything.
Like every feeling arrives fully formed and honest.
When he finally pulls back, heâs smiling.
Not the small, shy smiles he sometimes tries to hide.
This one is bigger.
Brighter.
Disbelieving in the happiest possible way.
âI would love to move in with you,â he says softly.
Your entire body goes still.
ââŚYeah?â
A breath of laughter escapes him, almost overwhelmed around the edges.
âYes,â he says again, forehead falling lightly against yours. âGod, yes.â
Something warm bursts through your chest so fast it feels almost liquid.
You laugh helplessly, relief and joy tangling together until neither feels separate anymore.
Spencerâs eyes crinkle softly as he looks at you.
âYou thought I was unsure?â he asks quietly.
âYou were silent for a really long time.â
âIt was like⌠four seconds.â
âThatâs a year in panic time.â
A tiny laugh slips out of him.
Then his expression softens again as he looks at you standing there in oversized clothes and damp hair and lingering exhaustion, eyes still slightly glassy from crying over astrophysics and fatherhood.
âYou asked me to build a life with you,â he murmurs. âMy brain needed a second to survive that.â
For a moment, neither of you moves.
The nursery light glows soft around the edges of him, turning everything warm. Gold on his skin. Gold in Auroraâs tiny blanket. Gold caught in the damp ends of your hair where they cling to your shoulders.
And Spencer is still smiling at you like youâve just rewritten gravity in front of him.
Your chest feels too full for your body.
âYou know,â you murmur, voice quieter now, âmost people probably discuss moving in together under less emotionally unstable circumstances.â
âWe can revisit it later if you want,â he says immediately. âI can prepare a pros and cons list. Or a timeline. I could make a spreadsheet.â
includes: part 33, childbirth, labor and delivery, medical setting, contractions, pushing, crowning, epidural, anatomical references, intense physical sensation, emotional vulnerability, birth scene detail, newborn care, breastfeeding, family dynamics, tenderness, fluff, domestic softness
note: this chapter contains descriptions of labor amd birth, as well as breastfeeding. please feel free to skip those parts if they make you uncomfortable! to make this easier, ive included some dividers. Orange brackets birth, purple brackets breastfeeding. thank you so much for reading and thank you to those that suggested this option for censoring 𩷠also posting a day early as a treat (and also because I have another one shot coming tomorrow đđ)
The room changes shape.
At first, itâs just movement at the edges.
A shift in footsteps. The soft squeak of rubber soles against polished floor. The quiet rustle of gloves being pulled on, snapped into place with practiced ease.
Then the light changes.
Something bright is wheeled over youâadjusted, angledâand suddenly the space between your knees is flooded with a clean, focused glow. Itâs not harsh, exactly, but itâs intentional. Directed. Like a spotlight finding its mark.
You blink against it, breath catching as the next contraction starts to gather low in your abdomen.
âOkay,â your doctor says, voice steady and warm, threading through the movement like a guide rope. âWeâre just going to make a few small adjustments, alright? Youâre doing beautifully.â
You nod, even though your brain is already starting to narrow again, pulled inward by the rising pressure.
Hands move around youânot overwhelming, not chaotic. Efficient. Coordinated. Someone adjusts the bed, and you feel it beneath youâthe subtle shift as the lower half angles slightly downward, opening your hips just a little more.
âLetâs bring you up just a bit,â your doctor continues, one hand light but firm at your shoulder. âThere we goâgood. You're going to push here soon. Keep your chin tucked when you push, like youâre curling around your baby. Weâll do it together.â
Spencerâs hand never leaves yours.
Not when the bed shifts. Not when the light brightens. Not when more people step into the room, their voices low and calm as they take their places like this is a dance theyâve done a thousand times.
You feel it though. The room filling.
The quiet expansion of presence. More eyes. More hands ready. More now.
âOkay,â your doctor says again, softer this time, closer. âI know everything feels like itâs happening very quickly, but youâre in control here. Your body knows exactly what to do. Iâm just here to help you through it.â
That lands somewhere deep, even as your breath starts to stutter with the next contraction building faster this time.
Spencer shifts closer, his other hand coming up to brace gently behind your shoulders as youâre guided into position. Not pushing. Just there. Solid. Ready.
âIâve got you,â he murmurs, voice low and steady near your ear. âYouâre not doing any of this alone.â
âI know,â you breathe, even as your fingers tighten around his.
The pressure surges.
Stronger now. Heavier. Like gravity itself has decided to lean in.
âOkay,â your doctor says, and thereâs a slight change in her tone nowânot urgency, but precision. Focus sharpened to a point. âBig breath inâdeepââ
You inhale, chest expanding as much as it can around the weight of everything happening.
âAnd now curl forward and push. Right into it. Thatâs itââ
You bear down.
And the world condenses.
The light above you blurs at the edges. The room fades into piecesâsound without shape, motion without detail. All of it narrowing into this one moment, this one effort, this one impossible, necessary push.
A strained sound escapes you, raw and unfiltered.
âThatâs it,â your doctor encourages immediately. âPerfectâjust like thatâhold itââ
Spencerâs voice cuts through everything else.
âStay with it,â he says, closer now, steady like gravity. âYouâre right there, keep going.â
âI canâtââ you gasp, the pressure almost too much to hold onto.
âYou are,â he counters instantly, not louder, just certain. âYouâre doing it right now.â
âFive more seconds,â your doctor says. âYouâre doing exactly what you need toâdonât let it go yetââ
Your whole body strains, every muscle pulling inward, downward, focused on something you canât see but can feel moving.
âThreeâtwoâoneâokay, breathe.â
It breaks.
You fall back against the pillows, breath tearing out of you in uneven bursts, your body going loose all at once like it forgot how to hold tension.
âOh my god,â you whisper, half-laughing, half-gasping.
âThat was excellent,â your doctor says, and you can hear the smile in it. âThatâs exactly how we want it.â
You let out a breath that trembles on the way out.
Spencerâs thumb is still moving over your hand, grounding you back into the room piece by piece. The light. The voices. Him.
âYou did really well,â he murmurs.
âI hated it,â you manage weakly.
âThatâs fair.â
Thereâs a flicker of quiet laughter somewhere near your shoulderâone of the nurses, maybeâbut itâs soft, warm. Not at you. With you.
Your doctor adjusts slightly again, her presence steady, hands sure and unhurried even as everything else feels like itâs accelerating.
âYouâre making real progress,â she says. âBabyâs moving down exactly how we want. Youâre going to feel more pressure as we goâthatâs a good sign, even if it feels intense.â
You nod faintly, even as your chest rises and falls too fast.
âOkay,â she continues, ânext contraction, same thing. Deep breath, curl forward, push into it. Iâll guide you.â
Guide you.
That word anchors again just as the next wave starts to build.
Faster this time.
Your fingers tighten around Spencerâs.
He notices immediately.
âI know,â he says softly. âIâve got you.â
âI donât want to do that again,â you breathe.
âI know,â he repeats. Then, gentler, âBut you can.â
The pressure rises, pulling you under before you can think too hard about it.
âAlright,â your doctor says, voice calm but focused. âHere we go, big breathââ
You inhale.
âAnd push.â
You curl forward, exactly like she showed you, chin tucked, body folding in on itself as you bear down again, a broken sound slipping out of you as the force takes over.
âThatâs it, perfect positioning. Keep going.â your doctor encourages.
Spencerâs hand tightens around yours, his other steady at your shoulder.
âYouâre doing it,â he says, voice low and unwavering. âJust like that.â
âThree more secondsââ
Your breath shakes.
âTwoââ
Everything tightens.
âOneâokay, breathe.â
Your chest heaves as the contraction ebbs, the world rushing back in around the edges like sound returning after a long drop underwater.
For a second, thereâs only breath.
In. Out. Shaky. Real.
Spencerâs hand is still there, anchoring you to something solid. His thumb keeps tracing that same steady path over your knuckles, like heâs memorized the shape of you through motion alone.
âYouâre doing incredibly well,â he says quietly.
âGreat, thank you,â you say. âKeep doing that. Feels nice.â
âWhat? Encouraging you?â he asks.
âYes.â
âOkay,â your doctor says gently, shifting her position again. âYouâre getting very close now. Iâm going to have you do that again with the next contraction, just like before. Youâre moving her down beautifully.â
You nod faintly, even as your body starts to gather itself again, the next wave building with quiet inevitability.
âYouâve got this,â Spencer says.
The contraction rises. Stronger. Lower.
âHere we go,â your doctor says, voice sharpening just slightly with focus. âBig breath in deepââ
You inhale, your chest expanding against the pressure.
âAnd push, right into itââ
You bear down again.
This time, something shifts.
Itâs subtle, but unmistakable.
A deeper stretch. A different kind of pressure. Not just downward now, but outward, like your body is opening around something that is very, very real.
A strained sound tears out of you, sharper than before.
âGood,â your doctor encourages quickly. âThatâs exactly itâsheâs right thereâkeep goingââ
âSpenceââ your voice breaks.
âIâm here,â he says immediately, closer, his forehead nearly brushing yours now. âStay with me. Just a few more seconds.â
âHold it, hold it, donât let it go yetâŚâ your doctor guides.
Your entire body strains, every muscle pulling tight around that overwhelming stretch.
And thenâ
âOkay, breathe.â
It releases.
But not completely.
You fall back again, breath shuddering out of you, but the pressure doesnât disappear this time. It lingers. Heavy. Present.
Different.
You blink, disoriented. âWhyâwhy does it still feel likeâŚâ
Your doctorâs voice is calm, but thereâs a note of something brighter in it now.
âBecause sheâs right there,â she says. âYouâre crowning.â
Crowning.
âOh my god,â you whisper, your eyes going wide despite everything.
Spencer freezes for half a second beside you. You feel it in the way his grip tightens just slightly, like the word hit him too.
âSheâsâ?â he starts.
âYes,â your doctor confirms, warmth threading through her voice. âYour babyâs head is right there. Youâre doing it.â
You shake your head once, overwhelmed, a half-laugh, half-gasp breaking out of you. âI donât like that. I don't like that phrasing.â
Thereâs a ripple of soft laughter around the roomâgentle, encouraging, never unkind.
Another contraction begins to build.
Stronger.
Sharper.
âOh fuckââ you breathe, your hand clamping down on Spencerâs again.
âI know,â he says, already there. âI know.â
âThis next one, I want you to push slowly,â your doctor says. âControlled. Weâre going to ease her out. Listen to me, okay?â
You nod quickly, even as your breath starts to stutter.
âBig breath inââ
You inhale.
âAnd gentle push, slowlyââ
You bear down again, but this timeâ
This time it burns.
Not pain, not exactly. The epidural dulls it, softens the edges, but thereâs still a raw, stretching intensity that steals the air from your lungs.
Spencerâs voice is right there, low and steady. âBreathe. Youâre okay. Youâre okay.â
âIâm not okay,â you insist, borderline delirious.
âYou are,â he says, softer now. âYouâre right at the end.â
âOkay, pauseâbreatheââ your doctor instructs.
You collapse back again, panting, your entire body trembling with effort.
âSheâs right there,â your doctor says again, almost in awe. âYouâre so close.â
Another contraction is already building.
Fast.
Relentless.
You feel it and immediately shake your head. âNo. No, no, noââ
Spencer leans closer. âOne more,â he says gently. âJust one more like that.â
You squint at him. âYou donât know that.â
âI have moderate confidence,â he says.
You let out a broken laugh that turns into a gasp as the contraction peaks again.
âOkay,â your doctor says, focused now. âThis is it. Big breathââ
You inhale, your entire body bracing.
âAnd pushâsteadyâsteadyââ
You bear down.
Everything narrows.
The stretch, the pressure, the overwhelming, impossible need to finish thisâ
âThatâs itâthatâs itâkeep goingââ your doctor encourages, voice rising just slightly.
Spencerâs hand tightens around yours. âYouâre doing it. Youâre doing itââ
âI canâtââ you gasp. âIt's too much. I can't do itââ
âYou are. Almost there, sweetheart.â
âHeadâs outââ your doctor says, calm but bright.
Your eyes snap open. âWhat?â
A chorus of soft laughter ripples through the room.
âDo you want to see?â the nurse asks Spencer gently.
âNo!â you say immediately. âAbsolutely notââ You turn your head toward Spencer, eyes narrowing despite everything. âYou are not allowed to look.â
More laughter, warmer this time, wrapping around you like something light in the middle of everything heavy.
âOkay,â your doctor says, smiling audibly now. âNext contraction, weâll get the rest of her out. Youâre almost there.â
Almost there.
The next contraction builds before you can even process the last one.
âOkayâbig breathââ
You inhale.
âAnd pushââ
You bear down one more time, everything in you pulling toward that final momentâ
And thenâ
Release.
A sudden, startling absence of pressure. A shift so immediate it almost feels unreal.Â
For one suspended, impossible second, thereâs nothing.
No pressure. No strain. No burning stretch pulling you apart from the inside.
Just⌠absence.
actual birth is over, but a warning that there is a mention of cord cutting in a few paragraphs!
Your body doesnât know what to do with it. It feels like stepping off a moving train and still swaying in place, like everything should still be happening but suddenly isnât.
Your breath catches in the hollow space where the effort used to live.
And thenâ
A sound.
Sharp. New. Indignant in the way only something brand new can be.
Your head jerks forward instinctively, eyes wide, searchingâ
âThere she is,â your doctor says, and thereâs something different in her voice now. Not just calm. Not just practiced.
Bright.
Real.
The cry cuts through everything again, louder this time. Alive.
âOh my god,â you whisper, and it comes out like you donât quite believe your own voice belongs here anymore.
Thereâs movement between your legs, quick but careful, and thenâ
Warmth.
A sudden, solid weight placed against you, low on your stomach, slick and real and there.
You gasp, the sound breaking into something softer, something unsteady.
Sheâs smaller than you expected.
And heavier.
And real in a way nothing else has been until this exact second.
âOhâoh my god,â you repeat, your hands coming up instinctively, hovering for half a heartbeat like youâre afraid to touch herâ
âand then you do.
Your fingers find her, trembling, sliding gently over damp, warm skin, over the soft curve of her back. Sheâs still crying, little chest heaving, limbs moving in loose, uncertain motions like she hasnât quite figured out gravity yet.
âHi,â you breathe, voice shaking. âHi, babyââ
Spencer hasnât said a word.
You feel him before you look at himâhis hand still wrapped around yours, but looser now, like he forgot how tightly he was holding on.
When you turn your head, heâs staring.
Not at you.
At her.
His entire expression has gone still in a way youâve never seen before. Not blank. Not frozen. Just⌠completely overtaken. Like every thought heâs ever had stepped aside all at once.
ââŚSheâs here,â he says, and itâs barely above a whisper. Like saying it any louder might break something sacred.
You smile, tears slipping free before you even register them.
âSheâs here,â you echo.
âDad,â your doctor says gently, cutting through the haze with a small, knowing smile, âdo you want to cut the cord?â
It lands in the room like a new object being introduced to gravity.
Spencer blinks.
Once.
Then again.
It takes him a second too long to process the word like it might be metaphorical. Like it might be optional in a philosophical sense rather than a literal, immediate invitation.
ââŚCan I?â he asks, and his voice cracks slightly on the first syllable.
Your doctorâs smile widens just a fraction, soft and amused in the warmest way. âYes. If youâd like to.â
Spencer looks at her like sheâs just offered him access to something forbidden and sacred at the same time.
His hand tightens slightly around yours. âI⌠didnât realize that wasââ
âSpence,â you cut in, voice weak but immediate, threaded with exhausted affection and something dangerously close to laughter, âshut up and cut it.â
That does it.
A sound breaks out of him then. Not a laugh he can fully contain. It slips out sideways, breathy and disbelieving, like his body finally gave up trying to process everything neatly.
âOkay,â he says, still smiling like he canât quite believe this is real. âOkay.â
He looks at the doctor again, more carefully this time. âI can do it?â
âYes,â she confirms softly. âIâll guide you.â
He nods once, sharp and almost scientific in its focus returning, but thereâs still something undone at the edges of him as he lets go of your hand reluctantly.
He moves carefully. Like the space between him and everything important has suddenly become fragile.
You watch him take the small scissors with slightly too much precision, like heâs afraid even the weight of them might matter too much.
The doctor guides his hands gently into place. âThere.â
A small, decisive motion.
Your doctor nods approvingly. âPerfect.â
Spencer freezes for half a second longer, scissors still in his hand, like heâs waiting for confirmation from the universe itself that he didnât just accidentally break something important.
The scissors are taken from him. He lets them go too easily, like his fingers forgot they were holding anything at all.
You can barely feel your own body.
Not because of the epidural anymore. Something deeper than that. Like your mind is standing a half-step outside of you, watching everything happen through glass that just turned warm.
Sheâs crying. Strong, healthy, real.
A nurse moves in close, efficient and gentle, and you see it in fragments first: gloved hands, a small clamp being positioned, the careful, practiced pinch of something that used to be a bridge.
âThe cord is clamped,â your doctor says softly, almost reverent in its simplicity. Then she smiles, already moving with calm efficiency. âWeâre all done here. Sheâs perfect.â
Perfect.
The word lands in your chest and just⌠stays there.
Someone reaches in again and you see it properly nowâyour daughter, wrapped loosely in a soft towel, tiny fists flexing like sheâs arguing with the concept of being held still. A small knit hat is lowered onto her head with careful hands, absurdly oversized, slipping just slightly before being adjusted.
âThere we go,â the nurse murmurs, smoothing it down. âNow youâre official.â
You let out something between a laugh and a sob without meaning to.
Spencer makes a sound beside you like heâs trying not to fall apart quietly in a room that is not designed for falling apart.
âI didnât know they did hats,â he says, very softly.
âMost babies are born underprepared,â your doctor replies, still smiling.
He nods once, like that is a legitimate systemic issue he will file away for future consideration.
Then he looks at you.
And whatever he sees there seems to undo the last of his careful composure. Tears fill his eyes and trail down his cheeks immediately.
You donât even have time to ask whatâs wrong before movement happens around you againâgentler now, slower, like the room is transitioning into something new without announcing it.
âOkay,â your nurse says softly. âWeâre going to bring her to you now.â
Your breath catches before you can stop it.
âOkay,â you whisper back, like youâre agreeing to something you donât fully understand but trust anyway.
Spencer is immediately closer again.
One hand finds the edge of your shoulder, grounding you without pressure, like heâs afraid even touch might be too loud for this moment.
âIâve got you,â he says, like itâs instinct now. Not reassurance. Just fact.
âI know,â you breathe.
And then sheâs lowered into your space.
Careful hands guide her in, and suddenly there is weight where there wasnât weight before.
Warm. Living. Unmistakably real.
Your gown is adjusted with quiet efficiency, the fabric pulled down just enough, and then she is placed against your bare chest.
Skin to skin.
The world rearranges itself again.
Because nothing prepares you for that first contact. Not reading. Not imagining. Not the hours of waiting or the months of anticipation.
Itâs just⌠her.
Small and warm and solid in a way that feels impossible for something so new. Her cries soften immediately the moment sheâs settled, not gone, just⌠less lost. Like she recognized something she was looking for.
Your hands come up automatically.
Careful. Shaking.
You touch her like youâre learning a language no one taught you but your body somehow remembers anyway. Fingers tracing the soft curve of her back, the tiny rise of her ribs, the delicate shape of something that shouldnât fit in the world yet does.
âOh my god,â you whisper again, but this time it doesnât sound like disbelief.
It sounds like recognition.
Spencer leans in slightly, hovering at your side like he doesnât want to interrupt gravity.
He doesnât touch her at first.
Just watches.
Like if he looks too directly at her for too long, something might shift too fast.
âSheâsâŚâ he starts.
Stops.
Tries again.
âSheâs very small.â
You let out a soft, breathless laugh. âThatâs your observation?â
âItâs accurate,â he insists faintly.
âShe was just inside me, Spence,â you murmur, still staring down at her like she might disappear if you blink too hard. âI think we know sheâs small.â
That earns the smallest, most disbelieving laugh from him. Like his brain needed something normal to grab onto and your tone handed it a lifeline.
The nurse pulls your blanket up over both of you, tucking it gently around your shoulders and over the baby, cocooning you in warmth that feels almost unreal after everything that came before it.
The room dims slightly as lights are adjusted. Not dark. Just softer.
Contained.
Spencer finally sits properly at your side again, but he doesnât settle all the way. Like heâs not sure heâs allowed to yet.
âSheâs not crying anymore,â you say.Â
âSheâs listening,â Spencer says.
His hand hovers for a fraction of a second over her, suspended in that fragile space between âtouchâ and âdonât disturb this miracle,â before he finally lets his fingertips land.
Gentle.
Careful in a way that feels almost reverent.
He traces the curve of her cheek with the back of one finger.
She doesnât flinch. Doesnât pull away. Just⌠exists under his touch like she was always meant to be there.
Spencerâs breath catches slightly.
ââŚSheâs so warm,â he says, like heâs surprised the world got that detail right.
You let out a soft laugh, exhausted and dazed and still not entirely convinced this is real. âYeah. Because she's stolen all of my warmth."
That earns you a faint, disbelieving huff of laughter from him, but his eyes donât leave her.
âAnyway, she's listening,â Spencer repeats. âTo your heartbeat. Sheâs been hearing it constantly for months. Itâs one of the first familiar rhythms sheâs ever known.â
His hand slides a little higher, careful not to disturb her hat as he brushes a thumb along the edge of her temple.
âWhen newborns are placed skin-to-skin, they often orient toward the chest first,â he continues quietly. âItâs not just warmth. Itâs recognition. Your body is⌠the closest thing she has to home right now.â
Something in your chest tightens at that. Not painful. Just overwhelming in a way you donât have words for yet.
You look down at her again.
So small. So certain in her smallness.
Her tiny fist flexes against your skin like sheâs testing the world one sensation at a time. Her breathing is uneven, still learning itself, but steadier now than it was before.
âShe's perfect,â you whisper.
âYeah. She is.â
âAlright,â the nurse says gently, glancing between you and Spencer and then down at the tiny, breathing miracle on your chest. âWeâre going to give you some time. We have a policyâfirst hour is just you, your partner, and your baby. Skin-to-skin, bonding, all of that good stuff.â
You nod, though itâs a little delayed, like your brain has to travel farther than usual to reach your body.
âAfter that,â she continues, âwe can bring visitors in if youâd like. Family, friendsâwhoever youâre ready for.â
Visitors.
That feels like a word from another life. A different chapter. Something that belongs to a version of you that existed before this exact second.
âOkay,â you manage, voice soft and uneven. âOkay.â
Spencer nods immediately beside you, his voice steadier, though it still carries that quiet, stunned reverence he hasnât quite shaken yet. âThank you.â
The nurse smilesâone of those knowing, seen-this-a-thousand-times smiles that somehow still feels personal.
âOf course,â she says. Then, softer, almost like sheâs letting you in on a secret, âTake your time.â
And then sheâs gone.
Time does something strange after that.
It doesnât stop. It doesnât even slow. It just⌠loosens its grip. Like itâs no longer measuring anything important.
You donât move.
Not really.
Your hands stay where they are, curved protectively around her, fingers splayed just enough to feel the steady rise and fall of her tiny breaths against your skin. Every inhale she takes feels like a quiet miracle. Every exhale, proof sheâs staying.
You just⌠look at her.
Your daughter.
The word lands differently now. Heavier. Not in a way that weighs you down, but in the way something precious settles into place and refuses to be ignored.
Her eyes are open.
That surprises you more than anything else.
Wide. Searching. Not focused, not really, just drifting in soft, uncertain movements like the world is a watercolor painting she hasnât learned how to interpret yet.
You blink slowly, studying them like they might give you answers if you just look long enough.
âTheyâre gray,â you murmur, voice hushed without meaning to be.
Spencer leans in a fraction closer, following your gaze immediately. âMost newborns have that,â he says quietly. âItâs due to low melanin levels in the iris at birth. The final color can take months to stabilize.â
You hum softly. Of course he knows that.
You tilt your head just slightly, watching the way her eyes drift, catching light, unfocused but curious in that instinctive, brand-new way.
âI wonder what theyâll be,â you say.
Spencer is quiet for a moment.
Not because he doesnât have an answer. Because this isnât a question that wants one.
He watches her instead.
The way her tiny brow shifts. The faintest crease forming like sheâs already trying to make sense of something far too big for her.
Your fingers trace lightly along her back again, slower this time, more certain. Mapping her. Learning her.
Sheâs so small.
Spencer wasnât wrong.
But she feels⌠complete. Not fragile in the way you expected. Not breakable. Just new. Like the world hasnât had time to leave marks on her yet.
âShe has your nose,â you say suddenly, the observation slipping out before you can stop it.
Spencer blinks. âWhat?â
You tilt your head slightly, studying her face with exaggerated seriousness now. âThatâs your nose.â
He leans in closer, squinting just a little like that will somehow improve the resolution of a newbornâs features.
âI donât think thatâs enough data to make that determination,â he says.
You huff a soft laugh. âIt absolutely is.â
âSheâs been alive for less than an hour.â
âAnd already taking after you. Thatâs crazy.â
He exhales through his nose, something warm and disbelieving curling through it. âThatâs not how genetic expression works.â
âToo late,â you say. âIâve decided.â
He shakes his head, but thereâs no real argument in it. Just quiet amusement threading through something much bigger he hasnât fully put down yet.
She makes a small sound then.
Not a cry. Not even close. Just⌠a noise.
Soft. Curious. Like her voice is testing itself the same way her hands do, flexing and curling against your skin in slow, uncertain movements.
Both of you freeze.
Itâs immediate. Instinctive. Like the world just held its breath with you.
Her mouth opens slightly, lips parting in a way that feels deliberate even if it isnât. Her head shiftsâjust a littleâcheek brushing against your chest as she turns.
Searching.
Spencer notices it at the same time you do. Of course he does.
âThatâs a rooting reflex,â he murmurs, voice dropping even lower, like heâs afraid to interrupt something sacred. âSheâsâsheâs looking forââ
âI know,â you whisper, even though your voice wavers just slightly on the edges.
Your hand moves without thinking, adjusting her just a little closer, supporting the small, fragile weight of her head.
She settles almost immediately.
Like she found what she was looking for.
The shift is subtle, but it hits you anyway. Deep. Immediate. Something instinctive answering something instinctive, your body responding before your brain even catches up.
For a little while, neither of you says anything.
The room feels⌠hushed in a different way now. Not the clinical quiet from before, not the focused stillness of work being done. This is softer. Like the air itself is trying not to interrupt.
You shift slightly against the pillows, adjusting her with careful, uncertain hands. The nurse had helped at firstâguided her, guided youâbut now itâs just the two of you figuring it out in real time.
Itâs awkward for a second.
More than a second, if youâre being honest.
You glance down, brows pulling together faintly as you try to follow the vague memory of instructions that felt much clearer when you'd binged an entire series on Youtube on breastfeeding.
âOkay⌠wait,â you murmur, half to yourself. âSheâsâsheâs supposed toâŚâ
You trail off, gently repositioning her, your fingers a little clumsy but determined.
Spencer doesnât interrupt.
He watches.
Not in a way that makes you self-consciousâthereâs no scrutiny in it. Just quiet attention, like heâs cataloging something important without quite knowing where it belongs yet.
âYou can say something, you know,â you mutter after a second, a hint of tired humor threading through it.
âIâm⌠trying to determine if this is a situation where my input would be helpful or intrusive,â he says carefully.
You huff a soft, breathless laugh. âBold of you to assume I know the difference right now.â
That earns a faint smile from him, small but real.
ââŚOkay,â he says, leaning just slightly closer. âDo you want me toâlook something up? Orââ
âNo,â you cut in gently, shaking your head. âI think⌠I think I just have toââ
You adjust her again, a little more instinctively this time.
And thenâ
Oh.
She latches.
Itâs not painless, but not exactly painful either. Thereâs a strange, pulling sensationânew, unfamiliar, a little overwhelming in its own rightâbut itâs not wrong. Itâs⌠purposeful. Like your body recognizes the action even if your brain is still catching up.
âOh,â you whisper.
Spencerâs head tilts slightly. âOh?â
You let out a small, disbelieving breath, your hand coming up to steady her without even thinking about it.
âI thinkââ you swallow, eyes fixed on her, ââI think sheâs actually doing it.â
Thereâs a pause.
Spencer leans in just a fraction more, careful, like heâs approaching something delicate and alive.
ââŚShe is,â he says quietly.
You can hear it in his voiceâthat same note from earlier. The one that sounds like awe trying to disguise itself as observation.
You laugh softly under your breath, the sound shaky but warm. âOkay. Okay, thatâsââ you shake your head faintly, overwhelmed in a quieter way now, ââthatâs kind of incredible.â
âIt is,â he agrees.
breastfeeding no longer described but still sort of mentioned
Silence settles again, but itâs different this time.
Full.
You shift slightly, getting more comfortable, your body slowly unwinding now that the urgency is gone. The blanket tucked around you both traps the warmth, turning the space into something cocooned and small.
âShe just⌠knows how to do that?â you murmur after a minute, still watching her like she might suddenly reveal a second, even more surprising skill.
âInstinct,â Spencer says softly. âNewborn reflexes are⌠remarkably well-coordinated in certain areas. Rooting, suckingâthose behaviors are present almost immediately after birth.â
You glance up at him, one brow lifting faintly. âYouâre trying very hard not to turn this into a lecture.â
âI am,â he admits.
âGood,â you say, a ghost of a smile tugging at your mouth. âKeep that up.â
He huffs a quiet breath, something like a laugh hiding inside it.
ââŚItâs difficult,â he says. âThereâs a lot of relevant information.â
âIâm sure there is,â you reply. âBut right now, Iâm gonna go with âsheâs doing greatâ and leave it at that.â
âThatâs a valid summary,â he concedes.
You settle back a little more, your head tipping against the pillow as the initial intensity of everything starts to melt into something slower. Softer. The adrenaline is ebbing now, leaving behind a kind of quiet, heavy clarity.
Your fingers move absently along her back again, tracing the same path over and over, like youâre memorizing her through touch.
âSheâs so calm,â you say.
Spencer watches her for a moment, his expression gentler than youâve ever seen it.
âSheâs where sheâs supposed to be,â he says.
That does something to you.
It lands deep, quiet but solid, like a stone dropped into still water.
You blink a couple of times, your vision going just slightly unfocused before you rein it back in.
âYeah,â you murmur. âI guess she is.â
She stays latched, small and determined, her tiny body pressed close to yours in a way that feels both fragile and unshakable. Each pull is soft but purposeful, a quiet rhythm that anchors you deeper into the moment. You hadnât known what to expect from this part. If it would feel clinical, awkward, uncertain.
It doesnât.
It feels⌠right. Strange, yes. New in every possible way. But right, like something ancient and instinctive slipped into place without asking permission.
You keep one hand curved around her back, fingers splayed gently, feeling every small shift of her as she feeds. The other rests near her head, thumb brushing lightly along the edge of her hat.Â
There's a sparse head of brunette hair peaking out from under it. Not a lot, but more than you'd imagined.
Eventually, the rhythm slows.
Itâs gradual at first. Easy to miss if youâre not paying attention. The small, steady pulls become softer. Less frequent. Her movements lose that determined edge and drift into something looser, sleep tugging at her in quiet increments.
You feel it before you see it.
The way her body relaxes more fully against you. The tiny weight of her settling, heavier now in that boneless, dozing way that makes your chest tighten for reasons you donât try to name.
You glance down.
Her eyes are closed.
Not tightly. Not fussing. Just⌠gone, like someone gently flipped a switch and she decided that was enough world for now.
Her mouth is open, a bit of milk dripping from the corner of her lip.
You smile faintly, your voice softer than itâs been all day. âShe fell asleep.â
He watches her for a long second, like heâs verifying it from multiple angles. Then his shoulders ease just slightly, something in him settling alongside her.
ââŚThat was fast,â he says.
âSheâs had a big day,â you murmur.
That earns a quiet breath of a laugh from him, warm and almost disbelieving.
âStatistically speaking,â he says, âthis is likely the most eventful day of her life so far.â
âWow,â you reply, deadpan. âIncredible insight.â
âI try.â
You shift carefully, adjusting her just enough to keep her comfortable without waking her. Every movement feels deliberate now, like the margin for error has shrunk to something sacred and small.
The room hums quietly around you. Distant sounds. Soft movement beyond the door. But none of it touches this space.
Spencer watches you settle her, something thoughtful passing through his expression before he looks back up at you.
ââŚIs there anything you need?â he asks.
Itâs simple. Quiet. But it carries weight, like he means anything.
You consider it for a second.
âThere is one thing,â you say.
He straightens slightly, attention sharpening immediately. âWhat is it?â
You look at him then. Really look at him.
At the way heâs still half in awe. At the way his composure keeps slipping at the edges, like he hasnât quite figured out how to hold all of this yet.
ââŚGive me a kiss,â you say softly.
Thereâs a flicker of surprise in his expression. Not confusion. Just⌠a brief pause, like his brain didnât anticipate something so simple.
Then he smiles.
Itâs small. Warm. A little tired. A little overwhelmed. Entirely him.
âOkay,â he says.
He leans in carefully, one hand coming up to rest lightly near your shoulder, like heâs grounding himself as much as you. His lips find yours gently, no urgency, no hesitation. Just a quiet, steady press that lingers for a second longer than necessary.
It feels like exhaling.
When he pulls back, his forehead hovers close for just a moment, his breath still warm against your skin before he settles back again.
You study him for half a second, something soft tugging at the corners of your mouth.
âDo you want to hold her?â you ask.
ââŚI can hold her?â he asks.
Thereâs something almost careful in the way he says it. Like heâs asking permission for something larger than the action itself.
You let out a quiet, tired laugh, shaking your head just slightly. âSpencer.â
His brows knit faintly. âYes?â
âShe is your daughter.â
That lands.
You see it happen in real time. The shift. The realization settling into something solid and undeniable.
His expression softens immediately, something bright flickering through the awe that hasnât left him since she arrived.
ââŚRight,â he says, nodding once. Then again, quicker this time, like heâs catching up to the idea. âRight, yes. Iâokay.â
He moves closer, slower now. Careful in a different way than before. Not hesitant. Just⌠deliberate.
You guide him gently, adjusting your hold just enough, your hands steady despite the lingering exhaustion in your limbs.
âSupport her head,â you murmur.
âI know,â he says quickly, then softens, ââI mean, yes. I will.â
You pass her to him.
Itâs a small shift.
Barely anything, physically.
But it feels like the world tilts for a second as her weight leaves you and settles into his arms instead.
Spencer stills completely once sheâs there.
Like he doesnât trust the air to move around him too quickly.
He looks down at her, and something in his face just⌠opens.
All the careful structure. All the logic. All the quiet control he carries through everything else.
Gone.
Replaced with something softer. Wider. Almost disbelieving in its depth.
ââŚHi, beautiful girl,â he says quietly.
She doesnât stir.
Just sleeps there, small and warm and entirely unaware of the gravity sheâs just rearranged.
Spencer lets out a slow breath, like heâs been holding it for longer than he realized.
ââŚOkay,â he murmurs, more to himself than anyone else. âOkay, Iâve got you.â
The way he says it sounds less like reassurance and more like a promise heâs already decided to keep.
âSpence,â you murmur.
He looks up immediately. Like heâs been tuned to your voice specifically.
âYeah?â
âI love you.â
It lands gently.
No weight behind it. No expectation. Just truth, set down softly between everything else.
Spencer doesnât answer right away.
Not because he doesnât feel it. You can see that immediately in the way something shifts in his expressionâsomething deep and bright and almost startled, like it caught him off guard even though it shouldnât have.
His gaze flicks down to her for half a second.
Then back to you.
And he smiles.
Itâs not careful or restrained. Itâs warm in a way that spreads slowly, like light finding its way into every corner of him all at once.
âI love you too,â he says. Simple. Like itâs the easiest fact heâs ever known.
Your throat tightens just slightly, your lips curving into something softer, something that feels like it belongs exactly here.
Between you.
Between all of this.
Spencer shifts carefully, still holding her like sheâs been entrusted to him by something far larger than either of you, and you ask him for your phone.
He reacts immediately, almost instinctively, setting the moment down gently in his mind before reaching for it. The device feels absurdly small when he places it in your hand, like it belongs to a different version of life entirely. You scroll with tired, slightly unsteady focus, fingers lingering longer than usual on names that suddenly feel louder than they should.
You start making calls.
First your parents. Then his mom.
When your parents arrive, they come in with that familiar rush of emotion that tries to stay composed but fails almost immediately at the edges. They donât linger on words much at first. They move straight to you, then to her, like gravity reorganizing itself around something newly arrived in the world.
There are long, full embraces. The kind that donât need explanation. The kind that carry everything already understood.
They tell you, quietly and repeatedly, that theyâre proud of you. That she is beautiful. That you did well. That you are loved in a way that has no conditions or measurements attached to it.
They donât stay long, not because they donât want to, but because the moment is too tender to overfill. Before leaving, they each press a kiss to your forehead, then another for the baby, and step back into the hallway with lingering glances that feel like theyâre trying to memorize the shape of the room.
The door opens again, softer this time. No rush behind it. No burst of voices spilling in ahead of the moment.
Just a quiet arrival.
Diana steps inside like sheâs entering something sacred rather than simply walking into a room. Thereâs a gentleness to the way she moves, a careful awareness that seems to reach the edges of everything without disturbing it.
Her eyes find Spencer first.
They soften immediately, something deep and knowing passing through them as she takes in the sight of himâsitting there, shoulders slightly curved inward, holding his daughter like the world has narrowed to the exact span of his arms.
âHi, sweetheart,â she says, voice warm and steady, threaded with something that sounds like quiet awe.
Spencer looks up, and whatever composure heâd managed to gather loosens all over again.
âHi, Mom.â
She doesnât hesitate, but she doesnât rush either. She steps in close and wraps her arms around him as best as she can, careful of the baby between them. Itâs an adjusted kind of embraceâangled, mindfulâbut itâs full. Complete.
Spencer leans into it instinctively.
For a second, he looks very young.
Very much like someoneâs son before he is anything else.
Dianaâs hand comes up to cradle the back of his head briefly, her touch light but grounding, her cheek brushing his temple.
âYou did so well,â she murmurs, not questioning it, not framing it as comfort. Just stating something she believes to be true.
Spencer lets out a small breath that sounds like it had been waiting for that exact sentence.
ââŚWe did,â he says quietly.
She pulls back just enough to look at him properly, her hands lingering for a moment on his shoulders, her gaze flicking down to the baby again with something bright and almost disbelieving.
Then she turns to you.
Thereâs no distance in it. No formality.
She steps closer, reaching for your hand like itâs the most natural thing in the world.
Her fingers are warm when they close gently around yours.
âHow are you feeling?â she asks softly.
Itâs not casual. Itâs not surface-level. The question lands with weight, like sheâs asking about all of it at onceâthe exhaustion, the overwhelm, the quiet after everything loud.
You squeeze her hand faintly, your thumb brushing against her knuckles in a tired, instinctive gesture.
âMostly tired,â you admit, voice soft but honest.
Diana smiles, and itâs the kind of smile that doesnât try to fix anything. Just understands it.
âThat makes sense,â she says gently. âYouâve done something extraordinary.â
Diana receives her like sheâs done this beforeânot just physically, but emotionally. Like she understands the gravity of being handed something so new, so important, so entirely alive.
The baby settles against her almost immediately, still half-asleep, her tiny face tucked slightly inward, her body instinctively curling into the warmth sheâs given.
Diana stills.
Completely.
Her breath catches, just slightly.
ââŚHello, darling,â she whispers.
Her voice changes on the word. Softens. Opens.
Like something in her rearranged itself to make space.
Spencer watches her closely, his hands hovering for a moment after letting go, like part of him hasnât quite accepted that the weight isnât there anymore.
You reach over, brushing your fingers lightly against his wrist.
He looks at you.
And in his eyes, thereâs something steady now. Still overwhelmed, still bright with everything this moment holdsâbut steadier.
Dianaâs hands move with a kind of quiet knowing.
Not hurried. Not hesitant. Just⌠certain.
She adjusts the blanket first, tucking it more securely around the babyâs small body, smoothing the fabric with gentle, practiced strokes. Then her fingers lift to the tiny knit hat, nudging it down just slightly where itâs slipped, her touch feather-light, like sheâs aware that even something this small deserves care.
There.
Perfect.
She doesnât say it out loud, but itâs there in the way her shoulders soften, in the way her breath steadies as she looks down.
And then she just⌠looks.
No analysis. No commentary. No need to fill the space with anything else.
A slow, quiet smile settles across her face, something deep and full and almost reverent. Like sheâs witnessing something sheâs been waiting for without realizing it had a shape until now.
Spencer watches her the way you watched him earlier.
Carefully. Softly. Like this matters.
Like she matters.
Like this moment is stitching something invisible back together in real time.
ââŚSheâs beautiful,â Diana says at last, her voice low, threaded with a kind of warmth that lingers.
âShe is,â Spencer replies, just as quietly.
Thereâs a small pause. Not empty. Just⌠full.
Diana glances up then, her gaze moving between the two of you, something curious and gentle flickering behind it.
ââŚHave you decided on a name?â she asks.
It lands softly, but it changes the air all the same.
You glance at Spencer instinctively.
Heâs already looking at you.
Thereâs something almost amused in it now, tucked beneath the exhaustion and awe. Like this is a problem heâs considered from seventeen different angles and still somehow wants your answer more.
âAurora,â you say first, your voice quiet but certain. âAurora Reid.â
Dianaâs expression brightens immediately, something delighted sparking in her eyes.
âAurora,â she repeats, like sheâs testing the weight of it. âThatâs beautiful.â
Spencer nods once, a small, thoughtful motion. âIt means âdawn,ââ he adds softly. âOr ânew beginning,â depending on the linguistic root youâre referencing.â
You glance at him. âOf course you know that,â you tease. âBut we also chose it from a poem.â
âLet me guess,â Diana says, âOf Bronze and Blaze?â
Spencerâs mouth curves, small at first, then warmer, like the memory rises up and meets him halfway.
âYeah,â he says, a soft breath of a laugh tucked into it. âYeah, that one.â
Dianaâs smile deepens, something fond and quietly luminous settling into her expression as she looks between him and the tiny girl in her arms.
âYou used to carry it around with you,â she says gently. âFolded up in that little blue notebook. You wouldnât let anyone else touch it.â
Spencer huffs under his breath, a faint, embarrassed sort of sound, but thereâs no real protest in it. Just recognition.
âI liked the imagery,â he murmurs.
âYou liked the idea of light coming back,â Diana corrects softly, not teasing. Just⌠remembering.
That lands somewhere deeper.
You see it in the way Spencerâs gaze drops again, drawn back to Aurora like gravity has claimed him fully now. Like every version of himself that came before this moment just quietly stepped aside to make room.
âDoes she have a middle name?â Diana asks gently.
You glance at Spencer instinctively.
Heâs already looking at Aurora, his thumb tracing absently along the edge of her blanket like heâs thinking through something he already decided a long time ago.
ââŚYeah,â he says quietly. âMarguerite.â
Dianaâs brows lift slightly, curious, inviting more.
Spencer glances up then, just briefly, before his gaze drops back down to her again.
âItâs French,â he adds. âIt means âdaisy.ââ
Thereâs a softness in the way he says it. Not performative. Not explanatory. Just⌠placed carefully into the moment.
You huff a quiet, tired laugh, your voice warm around the edges. âSheâs a morning daisy.â
That earns the smallest shift in Spencerâs expressionâsomething almost shy, almost pleased, flickering through the quiet awe he hasnât quite shaken yet.
ââŚYeah,â he murmurs. âI guess she is.â
Dianaâs smile deepens, something bright and quietly emotional settling into it.
Aurora shifts slightly in her arms, a small, sleepy movement, her fingers curling and uncurling against the blanket like sheâs testing the shape of her own existence.
Diana looks down at her, her expression softening even further, something almost reverent settling in.
âAurora Marguerite,â she says softly. âA dawn that blooms.â
Spencer exhales slowly, his hand finding yours again without looking, his fingers threading through yours like itâs instinct now. Like it always was.
ââŚIt fits,â he says.
You squeeze his hand faintly, your thumb brushing over his knuckles in that same absent, grounding rhythm he used earlier. Full circle. Closed loop.
âIt does,â you agree.
Diana glances up at the two of you then, something warm and knowing in her eyes. She doesnât say anything else about it. Doesnât need to.
Instead, she steps closer to the bed and very gently, very carefully, returns Aurora to Spencerâs arms.
He takes her like he did before. Slow. Certain. Like the world narrows to exactly the space she occupies.
Aurora settles against him without protest, her tiny face tucked in, her breath soft and even.
Spencer looks down at her for a long moment.
Then, quieter than before, like the words are meant just for herâ
âHi, Aurora.â
His thumb brushes lightly along the edge of her blanket.
ââŚWeâve been waiting for you.â
You watch him, something soft and full blooming in your chest all over again, like it hasnât quite figured out how to stop yet.
summary: a week into your quiet shift from friendship to something deeper, you and spencer enjoy a quiet morning together before work
includes: part 28, domestic intimacy, soft physical affection, pregnancy (third trimester), light humor, mutual care, gentle teasing, first intentional kiss, vulnerability without conflict, tenderness, âfound homeâ feeling
Spencer's alarm startles you awake.
The sound is gentleâsome unobtrusive instrumental piece he swears improves cognitive transition from sleep to wakefulnessâbut it still slices through the quiet room.
You groan into the pillow.
Beside you, Spencer shifts immediately. Not startled. Just aware. His hand fumbles for his phone on the nightstand, silencing it before the second refrain.
The room settles again.
Youâre halfway back under when the mattress dips.
Warmth presses into your back.
An arm slides carefully around your waist, palm spreading over the curve of your stomach like it belongs there. His nose nudges into the space between your shoulder and neck.
He exhales, deep and content.
You blink awake a little more.
ââŚDid I forget to set my alarm?â you mumble, voice thick with sleep.
âNo,â he murmurs into your shoulder. You can feel his mouth move when he talks. âItâs not six-thirty yet.â
You squint at the faint light leaking through the curtains. âThen why are we conscious?â
You feel it before you see itâthe way his cheek shifts against you.
Heâs smiling.
âI set mine fifteen minutes early.â
You huff a soft laugh. âWhy?â
His thumb traces a slow, absent line along your side. Thereâs the smallest hesitation, like heâs debating whether this is ridiculous to admit.
âSo I could cuddle you,â he says finally, quieter now. âBefore we have to get up.â
The room is dim and warm, the world outside still gray and far away. His arm tightens almost imperceptibly, like heâs bracing for you to tease him.
You smile.
âThatâs disgustingly cute,â you murmur.
He makes a soft, offended noise into your shoulder. âIt was a strategic allocation of time.â
âOh, absolutely,â you agree. âVery tactical.â
His fingers spread over your stomach again, protective without thinking about it. His chin settles against your shoulder. He breathes you in like heâs memorizing something.
âYouâre warm,â he adds, like this is supporting evidence.
You shift closer on purpose, pressing back into him. âYouâre a menace.â
âI am not.â
âYou set an early alarm to cuddle.â
ââŚI donât see the issue.â
You laugh, low and sleepy, and slide your hand over his where it rests against you. His thumb hooks instinctively between your fingers.
Outside, somewhere down the street, a car door slams. The world is starting whether youâre ready or not.
Spencerâs phone screen lights up again in warning at 6:30.
You feel him press a small, absent kiss into your shoulder. Not performative. Not even fully awake.
You grab his arm as he starts to pull away.
âFive more minutes,â you whisper.
âFour.â
You squeeze his hand. âSpence.â
He exhales, conceding. âFive.â
Five minutes pass the way they always do when you actually want them.
Too fast. Slippery. Gone.
His third alarm is less forgiving.
Spencer groans this time, which feels like a small personal victory.
You roll onto your back as he pushes himself up on one elbow, hair rumpled beyond saving, eyes still soft with sleep. For a second he just looks at you, like heâs cataloguing something important.
Then reality crashes back in.
âWe have to leave in forty-three minutes,â he mutters.
âYouâre very romantic.â
He leans down and presses a quick kiss to your forehead before sitting up fully. âPunctuality reduces occupational stress.â
You throw a pillow at his back as he shuffles toward the bathroom.
The pillow hits him square between the shoulders. He barely flinches.
âNoted,â he says, voice muffled slightly as he disappears into the bathroom, like youâve just added something to a running list instead of assaulted him with bedding.
The door clicks shut. You stare at it for a second. Then you flop back against your mattress, staring up at the ceiling, heart doing that stupid, quiet, steady thing itâs been doing all week.
Seven days of this strange, gentle shift where nothing exploded and everything changed anyway.
Seven days of lingering touches that donât feel accidental anymore. Of him saying your name softer. Of you not pulling away. Of conversations that almost circle the word love again but donât need to land on it every time because itâs already there, settled between you like something known.
And now, this.
Morning light. His toothbrush in your bathroom. His alarm set early just to hold you.Â
You press your palm over your face, dragging it down slowly.
God.
The bathroom door opens. Steam curls out first, followed by Spencer, in a large tee shirt and his pajama pants. His hair is still a mess, his eyes still heavy-lidded.
You smile before you can stop yourself.
Itâs soft. Unthinking. The kind that just⌠happens.
He pauses when he catches itâmid-step, one hand still half-lifted like he forgot what he was about to do next. Thereâs a flicker of something in his expression. Surprise, maybe. Or the quiet satisfaction he doesnât always know how to hide.
âWhat?â he asks, automatically suspicious.
You shake your head, pushing yourself up onto your elbows. âNothing.â
His eyes narrow just slightly. âThat was not a nothing smile.â
You huff a quiet laugh. âYouâre profiling me before coffee. That feels unfair.â
âI donât need caffeine to observe patterns,â he says, but thereâs no bite to it. Just warmth. Familiarity.
You tilt your head, studying him for a second longer.
âOkay,â you admit finally, voice quieter. âYou just⌠look nice.â
âOh,â he says.
Thereâs the faintest shift in his posture, like he doesnât quite know where to put that. Compliments have always been⌠complicated terrain.
You watch the way his fingers flex once at his side. The way his gaze flicks away, then back to you.
âYou look nice too,â he adds after a second, like heâs returning something carefully borrowed.
You snort softly. âIâve been awake for maybe three minutes.â
âYes,â he says, completely serious. âBut you look⌠rested.â
You raise a brow. âThatâs the nicest possible way you couldâve said that.â
âItâs also accurate.â
You laugh again, shaking your head as you push the blankets back and swing your legs over the side of the bed. The floor is cool against your feet.
Spencer watches you for a secondâjust a secondâbefore he looks away, giving you that same careful space he always does, even now.
âYou should eat something before we leave,â he says. âI can cook something while you shower.â
You smile, soft and easy. Something that doesnât need thinking anymore.
âSure,â you say.
Simple. Normal. Like agreeing to breakfast isnât suddenly threaded through with something warmer.
You shift your weight forward, pushing yourself fully to your feet. The room tilts for half a secondâjust enough to remind you youâre still carrying more than just yourselfâbut it settles quickly.
You take a step toward the bathroom. Thenâ
His fingers catch your wrist. Gentle. Not enough to stop you so much as ask.
You pause, turning back to him. Spencer looks like he surprised himself.
Thereâs a flicker of uncertainty in his expression, like he didnât think far enough ahead to what happens after he reaches for youâlike this part, the what now, still feels new under his hands.
You tug him down. Itâs not hesitant or careful in the way everything else has been.
Itâs quiet, yesâbut sure. Certain in a way that feels like itâs been building for far longer than either of you have been willing to say out loud.
Your lips meet his.
For a split second, he freezesâlike his brain needs to catch up to whatâs happening. And then he melts, soft and immediate.
His hand lifts, hovering for the briefest moment at your waist before settling there, fingers curling just slightly into the fabric of your shirt like he needs to anchor himself.
He exhales against your mouth. And then he smiles. You feel it.
A small, almost disbelieving curve of his lips, right there against yours, like he canât quite help it.
It pulls a quiet warmth through your chest, something steady and bright.
You pull back slowly, just enough to breathe.Â
âWhy are you smiling?â you murmur.
His eyes flick between yours, like heâs searching for the most accurate answer instead of the safest one.
âThatâs the first time weâve kissed,â he says quietly.
ââŚWe've kissed before,â you point out.
âUndercover,â he corrects immediately. âThat was situational. Context-dependent. Notââ he hesitates, searching âânot representative of personal intent.â
You huff a soft laugh, your thumbs brushing lightly along his cheekbones. âSo this is your official data point?â
âYes,â he says, completely serious.
That pulls a smile out of you. You tilt your head slightly, studying him like heâs the one being examined now.
âAnd?â you ask, softer, teasing threading through it. âWas it everything you were waiting for?â
Thereâs no hesitation. No deflection. No overthinking.
âAnd more,â Spencer says, soft but certain.
Your breath catches, just for a second.
And then you smileâslow, soft, a little helpless around the edges.
âGood,â you whisper.
Your thumbs trace once more along his cheeks before your hands finally slide down, lingering for just a second at his jaw before you let them fall.
He watches you like youâve just rewritten something fundamental. Like heâs memorizing this version of youâthe one who kissed him first. The one who didnât overthink it. The one who stayed.
âYou should shower,â he says, voice quieter now, but still gently insistent. âWeâre losing time.â
You laugh, breath still a little light, and take a step back.
âThere he is,â you murmur. âI was wondering when youâd come back.â
âI never left,â he says.
And somehow, that doesnât feel like a joke.
You shake your head, smiling, and turn toward the bathroomâbut not before catching the way heâs still looking at you.
Soft. A little awed. Like heâs still standing in that moment.
includes: part 16, pregnancy and prenatal ultrasound, fluff basically, medical exam setting and procedures, discussion of fetal development and measurements, shared awe in a small room, involuntary hand-almost-holding
You tap your fingers against your knee, then stop and start again, counting in your head, willing your pulse to slow. Youâve been trying to make yourself normal, reminding yourself of logic, of schedules, of the fact that Spencer is calm beside youâso calm itâs infuriating.
He sits with perfect posture, hands folded neatly in his lap, eyes forward. His presence is measured, composedâeverything youâre not.
You decide to shift your focus, letting your pulse settle into something resembling a rhythm. You look around the waiting room.
A toddler is sitting across from you with his heavily pregnant mother, dropping a plastic giraffe on the floor with alarming determination, like heâs conducting durability tests for NASA. The toy bounces and rolls across the linoleum. The boy catches your eye and grins, waving enthusiastically. You smile back, and he beams, proud of his performance.
Spencerâs gaze flicks toward the commotion. He watches the boy quietly, lips twitching as though he wants to smile but is restraining himself with all the discipline of someone about to deliver a lecture. You notice the way his hand rests lightly on his own knee, fingers flexing slightlyâsubtle, careful, aware.
The boy drops the giraffe again, and this time, it bounces straight toward Spencerâs side. Reflexively, he reaches down, catches it, and hands it back to the toddler with a soft, almost embarrassed smile. The mother glances up, surprised and thankful.
You canât help the warmth that blooms in your chest, a soft, disarming tug. Spencer, the brilliant, infallible Spencer, interacting with a child as if itâs second nature, his movements gentle and precise. You glance down at your own belly, imagining that same carefulness when it belongs to your own little one.
You shift slightly in your chair, hand brushing the curve of your stomach even though itâs still barely noticeable, more a promise than a presence. Your fingers linger there, tracing imaginary outlines, imagining what it will feel like when thereâs something tangible to cradle. A small bump to hold, a tiny weight pressing gently against your palm, warm and insistently real.
The door beside the reception desk clicks open, and a nurse in soft blue scrubs steps out with a clipboard held against her chest. She calls your name gently.
Your breath stuttersâjust enough that you feel it. Spencer stands at the exact same moment you do, like youâre tethered. You donât look at him. You donât have to. Heâs there, already smoothing down the front of his sweater as if preparing for a dissertation.
The nurse smiles warmly. âCome on back. Weâll get you settled in.â
You follow her down a short hallway, the walls lined with pastel illustrations of smiling cartoon vegetables meant to look reassuring and instead looking vaguely haunted. Spencer walks beside you, hands behind his back, trying to appear casual and failing spectacularly.
Inside the small exam room, the lighting is soft, the table covered in crinkly white paper that immediately feels too loud. The nurse gestures for you to sit. Spencer hovers until she gives him a pointed look that clearly means thereâs a chair, genius, and he finally lowers himself into it.
âAll right,â she says, glancing through your chart. âBefore the doctor comes in, Iâm just going to go through some quick questions. Nothing unusual.â
You nod. Youâve done this before. The nerves shouldnât be this sharp, shouldnât scrape at the inside of your ribsâbut they do.
âAny bleeding or spotting since your last visit?â
âNo.â
âAny abdominal pain? Cramping?â
âJust normal stretching stuff, I think,â you say. âNothing sharp.â
âHeadaches? Dizziness?â
âSome fatigue. But thatâs normal too, right?â
The nurse smiles. âVery normal.â
Spencerâs hands shift slightly where they restâsubtle, but you see it. Heâs listening to every word, cataloguing symptoms, cross-referencing data mentally, probably building a probabilistic model of perinatal complications because that is who he is.
The nurse turns a page. âAnd thereâs a hospital report here from that incident at workâwhen you were held by the suspect?â
You nod. âHe grabbed me around the waist and lifted me. No abdominal impact, but we went to the ER afterward.â
âAnd they monitored you overnight, correct?â
âYes. Everything was fine.â
Spencer glances up at thatâjust a flick of his eyesâbut thereâs something softened at the edges now, something quietly relieved. You donât comment on it. You donât have to.
âAny pain since then?â the nurse asks. âBruising? Pressure? Back pain?â
âNo. Nothing out of the ordinary.â
She nods, writing quickly. âGood. Iâll note that everything stayed stable overnight. Thank you.â
The nurse closes the chart with a soft thwap, the sound strangely grounding. âAlright,â she says, her voice warm as chamomile. âLetâs get your vitals, and then weâll move on to the ultrasound.â
You nod and take a slow breathâyour first unforced one since you walked in.
Something in you settles, small and sure.
She starts with your blood pressure.
The cuff tightens around your arm in a familiar squeeze, and you let your shoulders ease downward, unclenching the places you didnât know were tense. Spencer watches the monitor with a strange devotion, as though your systolic pressure has the power to personally offend him.
âItâs perfect,â the nurse announces.
Spencerâs exhale is quiet enough that anyone else would miss it.
You donât.
The pulse-ox clip follows, cool against your fingertip. Then your weight, which she records without commentaryâbless herâand your temperature, which earns a bright âAll good.â
You feel⌠lighter. Like the room finally has oxygen in it.
The nurse scribbles a final note and smiles. âEverything looks healthy. The doctor will be happy.â
You look over at Spencer. He gives you a small nodâtight, controlled, but full of something warm and earnest. Approval. Relief. Something that tugs behind your ribs.
âIâll let the doctor know youâre ready,â the nurse says, stepping out and closing the door gently behind her.
Silence settles over the room, soft and unthreatening. The kind of quiet that feels shared instead of empty.
You sit back against the raised exam-table cushion, fingers smoothing the edge of the crinkly paper. Spencer doesnât seem to know what to do with his hands, so he folds them in his lap againâlike heâs been reset to factory settings.
âBetter?â he asks softly.
You blink at him. The question is simple, but the toneâgod, the toneâfeels like it has hands, like it settles gently against your shoulders.
âYes,â you say. âActually. Yeah. I think so.â
He nods, gaze flicking over you with a carefulness that is very much him. âGood.â
Thereâs something else in the air nowâstillness with a heartbeat. Not tension. Not nerves.
Expectation.
A faint knock interrupts it.
The door opens, and your OB steps inside with a practiced, reassuring smile.
âGood to see you both again,â she says. âEverythingâs in order here, I see.â
Spencer sits up a fraction straighter, which would be comical if it werenât so endearing.
âSo,â the doctor starts, wheeling over the ultrasound cart, âletâs take a look at how babyâs doing today.â
Your pulse skipsâonce, then steadies.
Not fear this time.
Anticipation.
You lie back, lifting your shirt just enough to expose your lower belly. The doctor snaps a paper drape over your waistband with professional efficiency.
Spencerâs chair scoots closerâquiet, subtle, but definitely on purpose.
You donât comment.
You donât have to.
The machine hums to life, low and soothing.
âGel might be a little cold,â the doctor warns, and the moment it touches your skin, you gasp, then laugh at yourself.
When you glance at Spencerâheâs already looking at the monitor. Eyes wide. Breath held. Hands still.
The wand touches your abdomen.
The picture flickers. Static. Shadows.
Thenâ
A shape. Small. Alive.
Your baby.
Your throat tightens. Not painfully. Just full.
âThere we are,â the doctor murmurs. âEverything looks right on track.â
She adjusts the probe with small, practiced movements, the gel cool and slick against your skin. The image sharpensâgrainy, yes, but unmistakably something. Someone.
âOkay,â she says gently, âright hereâthis little flicker? Thatâs the heartbeat.â
Spencer inhales like someone cracked open the universe. Not loud. Not dramatic. Just a soft, startled breath, the kind people take when theyâre standing in front of something sacred and didnât know they were about to be.
You look at the screen.
And there it is.
A pulseârapid and brightâfluttering like a tiny, determined wing.
Your chest squeezes, a slow bloom of warmth that makes your eyes sting.
âThatâs⌠fast,â you manage, because your voice is doing the opposite of cooperating.
The doctor smiles. âCompletely normal at this stage. Around 160 to 170 beats per minute is typical for about ten weeks.â
Spencer whispers, just barely audible, âOne-sixty-three point four.â
You blink at him. âYou can⌠count that?â
He flushes, clearing his throat. âI can estimate. The pattern is⌠rhythmic.â
The doctor triesâand failsânot to smile.
She moves the wand again, angling it slightly. âAnd right here,â she narrates, her tone warm and steady, âthis curved shape is the head. Very early development, of courseâbut you can see the beginnings of the cranial structure.â
You squint. âIt looks like a lima bean.â
Spencer leans in a fraction. âTechnically closer to aââ
âDonât say embryo edamame,â you warn.
His mouth snaps shut, but the twitch in his cheek betrays him.
The doctor laughs softly under her breath, then continues. âAnd this,â she says, tracing another area on the screen with her cursor, âis where the limb buds are forming. You wonât see full arms and legs yet, but development is right on schedule.â
You stare at the tiny nubs, the faint curve of possibility. Your baby. Your future shaped into pixels and sound waves.
The doctor shifts again. âThis is the crownârump length. Thatâs what Iâm measuring now.â She clicks the calipers on the screen, drawing a line from the top of the babyâs head to the lower curve of its body. âAbout 3.3 centimeters. Perfect for ten weeks, one day.â
Spencerâs breath catches againâsubtle but unmistakable. Heâs memorizing every number. You know him. You can practically feel him writing them on the insides of his ribs.
âAnd here,â the doctor adds, âthis dark area is the gestational sac. Nice and round. Healthy.â
You nod, even though youâre not sure youâre absorbing half of it. Your attention is splitâbetween the soft hum of the machine, the shape on the screen, the rhythm of your babyâs heartbeatâŚ
âŚand Spencer.
Spencer, who is staring at the monitor with an expression so open you barely recognize it. Awe, quiet and unguarded. Something like joy, but too delicate to name.
Youâve seen him look at rare books like this. Nobel lectures. Once, a nebula through a high-powered telescope.
But never a person.
Never your person.
The doctor continues speaking, calm and steady. âEverything looks excellent. Strong heartbeat, good growth, consistent development. No concerns at this time.â
The words land in your chest like a warm weight, anchoring you, lifting you, unraveling every knot of fear youâve been stitching into yourself since day one.
Relief floods you so suddenly you almost shiver.
Spencer finally looks at you.
Itâs briefâa flick of his eyes from the screen to your faceâbut the expression is unmistakable.
He is relieved too.
He is relieved for you.
âWould you like to hear the heartbeat rather than just see it?â the doctor asks.
Your breath stutters. You nod.
She presses a button.
And suddenly the room is filled with soundârapid, loud, echoing, impossibly alive.
Your babyâs heartbeat.
It fills every corner of the tiny exam room, a furious, steady gallop, stronger than anything so small should be.
Your eyes burn. Your throat closes. The world goes soft around the edges.
Spencerâs hand movesâjust slightlyâlike he wants to reach for you.
He doesnât.
But he thought about it.
âIâll print a few photos for you,â the doctor says gently, dimming the monitor. âLet me step out and get those for you.â
She wipes the gel from your abdomen with a soft towel. Then she stands, gathering her clipboard.
âYouâre both doing wonderfully,â she adds, warm and sure. âIâll be right back.â
The door closes behind her.
Silence settles againâfull this time, like the room is holding its breath right alongside you.
You lower your shirt slowly, fingers trembling just enough that you feel it.
Spencer is still staring at where the screen was, like the afterimage is burned there.
Thenâquietly, reverentlyâhe speaks.
âThat wasâŚâ He stops. Swallows. Tries again. âThat was them. That tiny little thing is our baby.â
so grace is probably alarming to most eridians at first because he's a lanky wet alien with too few limbs, yes--but what if he ends up being terrifying in a sort of divine way instead of a repulsive one?
like. a creature that perceives the intangible? a creature that walks with thin permeable membranes bared to the air, whose blood contains elixir that can destroy pathogens without heat? a creature that is impossibly fragile yet resilient? a creature that breathes potently flammable gas to survive? a creature that is loud all over and speaks in a strange and frightening monotone, who thought it would die for you? who gave up its home in the heavens for you without meeting you first, whose first words to your people were probably something along the lines of We saved your star. It's gonna be okay. Don't be afraid.
grace is such an interesting bundle of contradictions! he breathes an incredibly flammable gas because he lives at such a cold temperature the gas can't ignite except he burns it very slowly inside the delicate gauzy cage of his body. his meat is basically a delicate water-and-protein foam because he lives in a very tiny fraction of normal atmospheric pressure. his planet has almost no air, no atmosphere. they're so gauzy, so frail, living underneath a whisker-fine sky, that to get to space in a couple seconds by exploding towards it. they can't build a space elevator because all their materials are just various attempts to do anything whatsoever with shitty frozen metals and various hydrocarbon meshes. their spaceship is a tiny refrigerator, the most expensive thing they ever built, and controled by a impossibly complex calculation engine they knitted out of silicates. it contains all human knowledge, if it doesn't catch on fire.
they knew that space was there because they can perceive it directly. it's literally right overhead all the time for their entire evolution. they know the faces of thousands, millions of stars, as soon as they tip their faces up. eridani is a name from two thousand years ago. all their stars have been named and known and watched and sung about for longer than any individual human civilization. they have always known the eridian star was there.
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summary: a perfectly executed undercover moment earns applause, congratulations, and a smooth exit into the night⌠proving once again that when a plan goes well, itâs usually right before it doesnât
includes: part 9, undercover proposal, public misdirection, physical closeness for cover, weapon (gun), totally for the cover kiss, pregnancy-adjacent endangerment, cliffhanger ending (sorry, I love them)
âWill you marry me?â
The words hit the room like a pin dropped in a cathedralâsoft, but impossibly loud.
You do your best to look shocked, to let the moment bloom across your face like a sunrise you never saw coming. Your eyes sting instantly, tears pricking with obedient urgency, and your breath catches in your throat like you rehearsed it in your sleep.
You gasp, a little too loud, a little too bright, and then launch yourself toward Spencer, all momentum and trembling joy. He rocks back under you, hands flailing for balance as you fling your arms around his neck. He steadies you instantly, hands slipping to your waist with a care that isnât romanticâitâs reflexive, protective, the kind that remembers youâre carrying more than just adrenaline tonight. It makes you let out a real, breathless laugh as you smile wide at him. The corners of his lips quirk in response.
âYes,â you breathe, letting your voice wobble, letting your whole body shake like emotion is pouring out of every seam.
He slips the ring onto your finger with careful precision, fingers warm and steady. And thenâbecause the scene demands it, because the role calls for one last flourishâyou lean in and kiss him.
The kiss is short, instinctive, a flicker of motion meant for the cover. Spencer responds softly, hesitating, then matching the impulse, and you feel a jolt thatâs more about timing and tension than romanceâbut itâs real enough to convince anyone watching.
Itâs nothing. Itâs everything. Itâs a split-second where performance and friendship blur at the edges.
Somewhere behind you, a crowd breaks into applause, chairs scraping, someone whooping like this is the best entertainment theyâve had all year. The sound blurs into the background, distant and bright, because all his attention is on youâand yours on the act youâre performing with him.
You pull apart just enough to breathe, forehead nearly brushing his. Heâs flushed, eyes bright, still catching up with the suddenness of the scene. You can feel the shift, the way the shared instinct of the moment lingers between you.
Morgan cracks through your earpiece, smug as ever:
âDamn, girl, what are you doinâ workinâ with us when you could be winning Oscars?â
It hits you like a tickle in the ribs.
You snort. Spencer lets out a startled laugh â the kind that escapes before he can hide it â breathless, shaky, too real for undercover work.
For a heartbeat, it feels like the world is only the two of you, laughing too close, still holding onto each other like you havenât told your bodies the performance is over.
Then Spencer lowers his voice, soft as a secret.
âWanna get out of here?â
Your nod comes without thought â instinctive, gravitational â and you slip your hand into his as you straighten up. The contact jolts through him again; you feel it in the way his fingers tense, then settle around yours like heâs afraid to hold too tight.
He leads you through the restaurant, past clinking glasses and curious smiles, his hand warm and sure at your back. Outside, the night air greets you cool and crisp, a clean breath after the storm you just staged.
The valet stand glows under a wash of honeyed light, the kind that makes everything look softer, almost nostalgicâlike a snapshot youâll remember long after it fades. Spencerâs hand stays in yours as you approach, steady but warm, the kind of touch that blurs the line between acting and instinct.
He clears his throatâquiet, measured.
âFor Reid. The Volvo Amazon,â he says, handing over the ticket. His voice sounds calmer than he looks. You can still see the pink high in his cheeks, the faint tremor where adrenaline hasnât quite worn off.
The valet nods and turns to fetch the keys. You can feel Spencer shift beside you, his thumb brushing against your palm. Whether itâs on purpose or a nervous tic, youâre not sureâbut you donât pull away. The contact anchors both of you, a tether after the dizzy brightness of applause and flashing camera phones inside.
The valet reappears, keys in hand. Then his gaze drops to your joined hands. To the ring.
His eyebrows shoot up. âWhoaâdid you guys just get engaged?â
You laughâhigh and breathy, delighted enough to sell the cover. âYeah,â you say, lifting your hand just enough for the ring to catch the light. âTonight, actually.â
Spencer glances at you, startled, then softens. âYeah⌠itâs been a special night.â
The valet beams, utterly charmed. âCongratulations! Seriously, thatâs awesome.â He gives a little nod toward the curb. âIâll pull her around.â
He jogs off, and the two of you are left in the amber quiet of the parking circle. For a moment, all you can hear is the hum of streetlights and the low murmur of city traffic. Then the deep purr of Spencerâs Volvo rounds the cornerâsleek lines and old-world charm catching the glow like itâs stepped out of another decade.
The valet steps out, hands Spencer the keys with a grin. âSheâs a beauty. You donât see many of these anymore.â
âThank you,â Spencer says, genuine pride threading through his voice. âI like to think sheâs timeless.â
The valet steps around the Volvo and pulls your door open with an easy flourish, the kind meant for newly engaged couples and old Hollywood films. You offer him a grateful smile, shift forwardâ
âand freeze.
Something firm nudges against your spine. Not a hand. Not an accident. Cold, metallic certainty settles there, followed by the soft, unmistakable click of a hammer pulled back.
The world narrows. Your breath stops. Your pulse spikes so hard you feel it in your tongue.
âSpencer,â you sayâquiet, thin, like youâre afraid to breathe the word too loudly.
He hears everything in that one syllable.
Spencer looks up from the driverâs side, meets your eyes across the car roof, and goes utterly still. Thereâs a flickerâfear, recognition, calculationâbefore he smooths it away like heâs afraid to let the wrong expression get you hurt.
The valetâs voice sheds its customer-service shine.
âGet in the car,â he orders Spencer. Calm in a way that makes your pulse spike.
Spencer obeys, sliding behind the wheel with careful, telegraphed movements. His hands stay visible. His jaw sets.
Then the valet steps back, opens the rear door directly behind your seat, and you feel the muzzle nudge you againâcold, insistent.
âYour seat,â he says.
Your body follows the instruction before your mind can catch up. You sink into the passenger seat slowly, deliberately, every muscle trembling with the effort to stay controlled.
The valet climbs into the back seat behind you, shutting the door with a soft snick. The gun never leaves you. You see him in the mirror now, gun still aimed at youâsteady and unblinking, a presence you can feel in your bones.
Spencerâs eyes flick up to the rear-view tooâfast, frantic beneath the surface. Once to check on you, once to gauge the angle of the weapon, once more like he's memorizing the exact distance between danger and your heartbeat.
The unsub leans forward in the backseat, breath skimming your neck. He smiles, sharp and predatory.
âGo on,â he says, almost cheerful. âTake your new fiancĂŠe home.â
Spencer starts the car. The Volvo shivers awake beneath you. He pulls away from the curb, smooth, careful, like heâs afraid a sudden move will set the whole moment shattering.
Hotch breaks in again, timed like he sensed the moment slipping.
âStick to the plan, go to the safe house. Drive into the garage,â he says.
It's a 15 minute drive to the safe house, nestled past a quiet neighborhood, away from the city.
The unsub exhales happily behind you, like heâs been waiting all night for this.
âLittle place tucked away from the world,â he muses. âPerfect spot for newlyweds.â
Spencer turns onto the final street. The house appearsâa quiet silhouette with one porch light burning like a watchful eye.
Gravel crunches under the tires as Spencer pulls into the driveway. The garage door begins its slow, mechanical climb.
âNice,â the unsub murmurs. âPrivate. No neighbors watching.â
The Volvo rolls into the garageâs shadowed mouth.
summary: you spend an evening at spencerâs apartmentâgarlic simmering, herbal tea triple-checked, and a suspiciously new soft blanket waiting for you. dinner melts into quiet domestic peace, and you drift off on his couch
includes: part 6, no use of y/n, fluff/domestic softness, shared secret (early pregnancy), quiet intimacy, cooking together, subtle caretaking, herbal-tea vigilance, comfort, post-dinner coziness, slow-burn feelings stirring, the first real sense of âhome.â
Spencerâs apartment smells like garlic simmering in olive oil and⌠home. That elusive, warm scent that seems to wrap itself around you, settles into your bones, and refuses to leave. Somehow, it feels like the room itself knows your secret.
You kick off your shoes by the door, stomach fluttering in the same small, insistent way it has all week.
A week since the test.
A week of hiding something enormous in the tiny, quiet confines of your chest.
No one else knows yet. Not Hotch, not Morgan, not JJ, and definitely not Penelopeâthough she would have been the first to notice anyway.
Just you. And him.
Spencer stands at the stove, sleeves rolled, hair tousled from running his hands through it one too many times. He stirs the pan methodically, a wooden spoon tapping against the side with a rhythm almost like a heartbeat.
He glances up, catching your eye. That sparkâso subtle youâd miss it if you werenât looking for itâflickers again. The same spark thatâs been there every time you catch him thinking baby, every time your mind wanders to the two of you quietly imagining this impossible, perfect thing.
âYou made it,â he says, voice tight with that mixture of relief and awe that only Spencer Reid can carry.
âTraffic tried to kill me,â you sigh dramatically, hanging your jacket on the hook he cleared earlier this weekâjust in case you wanted to keep one here now. âI narrowly escaped a literal death by minivan.â
His eyes flicker down to the hook and back to you, a faint twitch at the corner of his mouth. âYour near-demise has been duly noted. Iâll add it to the risk assessment spreadsheet for future reference.â
You laugh softly. âDo you⌠always make spreadsheets for every contingency?â
âI⌠sometimes,â he admits, cheeks pink. âItâs⌠comforting. And precise.â
âOf course. Comforting and precise,â you murmur, moving into the kitchen.
You watch as Spencer turns down the burner. âDinnerâs almost ready. You can sit, if you want. Orâuhâthereâs tea.â
âGreen tea?â you ask, arching a brow.
He winces. âHerbal. I checked the label twelve times.â
That warms you in a way nothing else today has.
You wander into his living room, lowering yourself onto his couchâworn at the edges, soft like something well-loved. A blanket youâve never seen before is folded neatly on the armrest. Thick, fluffy, sky-blue.
You brush your fingers along the edge. âNew blanket?â
âNo,â he says too fast. Then, quieter: âYes.â
He doesnât look at you when he adds, âYou said the old one was scratchy.â
Your throat goes a little tight.
You and Spencer settle into the ritual without words, the kind that only develops when two people exist in the same space long enough to know the unspoken patterns.
Dinner is simpleâpasta with the garlic simmer sauce heâs been fussing over all eveningâand impossibly comforting. The noodles are tender, the vegetables roasted to perfection. You twirl a forkful, letting the warm, garlicky aroma fill your senses, and the tension in your shoulders unwind.
âThis is⌠really good,â you murmur between bites, finally meeting his eyes.
He shrugs, a tiny, awkward movement. âItâs⌠reasonably edible. For me, anyway.â
âReasonably edible?â you tease, smiling. âIâd put it solidly in the delicious category.â
His cheeks tint pink, just a little. âWell⌠I⌠thank you.â
The quiet stretches comfortably between you. You notice the way the lamplight catches the highlights in his hair, how his fingers drape loosely over the table edge when he reaches for his water, the small smile that spreads across his lips each time you meet his eyes.
When the plates are cleared, you sink back into the couch, the sky-blue blanket draped over your legs. Spencer perches at the other end, a careful distance that feels just right. He pulls a book from the shelf, leans back in his seat, and starts reading.Â
After a while, your eyelids grow heavy, the warmth of dinner settling deep in your limbs. The sky-blue blanket is soft against your skin, softer still where itâs tucked around your ankles. The room hums with the gentle peace only Spencerâs apartment ever seems to findâa cocoon of lamplight, quiet breathing, and the faint, lingering smell of garlic.
You start drifting, half-lulled by the familiar cadence of Spencer turning pages.
Except⌠it stops.
You notice it in that feather-light space between waking and sleepâthe absence of sound, the silence shaped like a held breath. You blink slowly, vision hazy, and tilt your head just enough to look at him.
Spencer isnât reading anymore.
His book is open but forgotten, resting slack in his hands. His eyes are on you insteadâsoft, intent, drinking you in with an expression so gentle it makes something inside you ache.
He looks⌠awed. Like heâs caught between wanting to memorize you and being afraid to wake you.
Your voice comes out quiet, groggy. âYou okay?â
He startles, shoulders jerking the way they do when you catch him in a daydream. âOhâI wasnâtâ I mean, yes, Iâm fine. You just⌠looked comfortable.â
You huff a sleepy laugh, burrowing a little deeper into the blanket. âPretty sure youâre staring.â
His cheeks flush pink, unmistakable even in the warm lamplight. âI was⌠checking if you were asleep.â
âYouâre really bad at lying,â you murmur, letting your eyes drift halfway shut again.
He swallows, fingers tightening around the spine of his book. âI know.â
The quiet returns, deep and honey-thick.
You watch him from beneath your lashes, barely awake but not ready to lose this moment. The way he sits nowâhalf-turned toward you, elbow braced on the back of the couch, body angled in that instinctive way people do when theyâre drawn by something they wonât name.
Then he moves.
Slowly. Carefully. Like heâs approaching a wild animal he doesnât want to scare away.
He sets his book down on the coffee table. Then he shifts closerâjust an inch or twoâbut enough that you can feel the subtle warmth radiating from him.
âSpencer,â you whisper, eyes now fully closed, âyouâre hovering.â
âIâm not hovering,â he whispers back, flustered. âIâm⌠ensuring your comfort.â
You smile against the pillow. âThatâs hovering.â
Another silence. A softer one.
Then something brushes your shoulderâlight as a breath. You realize heâs lifting the blanket higher, tucking it gently around you, fussing with the edge until itâs snug.
His fingers hesitate when they reach the curve of your arm. They donât touch you, not reallyâbut they hover there, suspended in warmth and wanting.
You drift fully this time, slipping under the surface.
And in that drifting, you hear himâquiet, unguarded, thinking youâre long gone to sleep.
âIâm glad youâre here,â he murmurs. A confession to the dark. âMore than I know how to say.â
Your heartbeat stutters.
Fabric rustles. The couch shifts. He settles beside you, close enough that his knee brushes the cushion near your hip, close enough that his presence becomes a quiet shield around your sleep.
You exhale, sinking deeper, letting the sound of him breathing become your anchor.
And the last thing you register before sleep finally claims you is the way he whispers your nameâbarely a sound, barely a thoughtâlike heâs trying it out in the new shape your shared secret has carved into his world.
summary: youâve decided itâs time to have a babyâwith or without a partner. working at the bau hasnât exactly left room for candlelit dinners or whirlwind romances, so youâve started looking into a donor. simple. sensible. entirely under control⌠until spencer reid overhears you talking about it and, in true Spencer fashion, decides to make things complicated in the most endearing way possible.
includes: part 1, no use of y/n, mentions of fertility and sperm donation, discussion of family planning, medical talk (non-graphic), emotional vulnerability, romantic tension, awkward humor and secondhand embarrassment, garcia being a menace in the best way, spencer reid offering to be your donor (yes that happens), softness, mild language, serious emotional conversation about parenthood and choice
It isn't supposed to be a big conversation.
You just want to float the idea to Garciaâsay it out loud once, make it real enough to exorcise it from your brain. You arenât looking for a reaction, just a witness. Someone to hold the thought so it wonât hold you.
Garciaâs chair spins lazily as you hover in the doorway, arms crossed, rehearsing three different versions of how to start. She swivels toward you, eyes narrowing like sheâs about to diagnose a crime.
âOkay,â she says, dragging the word out. âYouâve got the face. The one that says youâre about to either cry or start a pyramid scheme. Possibly both. Whatâs up?â
You step in, close the door, and immediately regret both actions. âI need to talk. Like⌠actually talk.â
âOoh, serious voice.â She gestures to the chair beside her, still typing. âGo on, mortal.â
You perch on the edge of her desk, legs bouncing, voice barely steady. âI think Iâm gonna do it.â
She doesnât look up. âDo what? Donât be cryptic, thatâs my whole aesthetic.â
âThe donor thing.â You pause. âThe sperm donor.â
Garciaâs head snaps up so fast her ponytail smacks her shoulder. âIâm sorryâwhat?â
You wince. âYeah. Iâve been thinking about it. For a while.â
Her bright expression softens into something real. âYouâve been serious about this?â
You nod. âI donât want to keep waiting for someone who may or may not exist. The timing feels right. My lease renews soon, my savings look good, andââ You swallow. âI want this. I really do.â
Garcia leans forward, resting her chin on her hand. âYouâd be a wonderful mom.â
You smile, small but sincere. âThanks. Iâve been researching clinics. They have these wild donor filtersâyou can pick based on eye color, blood type, even favorite books.â
âOnly you would pick a donor based on their Goodreads account,â she says with a smirk.
âI have standards.â
âFavorite books?â
âYeah. You can literally pick someone because they also read Jane Eyre.â
Garcia smirks. âOnly you would make literary compatibility a genetic priority.â
You laugh. âI have standards.â
She points. âSo. Youâre serious. Like serious-serious.â
You nod. âThe clinic even has audio clips. You can hear them talk about their childhood pets and favorite philosophers. Itâs weirdly⌠humanizing.â
âWow. You're really doing this.â
You open your mouth to respondâ
âDoing what?â
You both jump a foot.
Spencer is standing halfway inside the doorway, manila folder clutched to his chest like a shield, brows pinched in confusion. His voice is casual, but his eyes are scanning the room like heâs clearly walked in on something not meant for him.
âHow long have you been standing there?â Garcia asks, her voice jumping up an octave.
Spencer glances between the two of you. âUh⌠long enough to hear something about audio clips and childhood pets? Are we profiling someone, orâŚ?â
âItâs fine,â you say quickly, before Garcia can make it weirder. âI was just talking about something personal.â
Spencer frowns slightly, clearly not convinced. âSomething⌠medical?â
âKind of,â you say, and thatâs your first mistake.
His brows pinch together. âWait, are you okay? Are you going to a clinic for something?â His voice softens, almost pleading. âBecause if youâre sick, there are specialists I can recommend. Thereâs a great neurologist in Georgetown who focuses on chronicââ
âSpencer!â you interrupt, holding up a hand. âIâm not sick.â
âOh.â He pauses, recalibrating. âOkay. Then⌠fertility?â
You blink. ââŚActually, yes.â
He nods, earnest and relieved. âGood. Okay. Thatâs good. I mean, not goodâbut manageable! You know, reproductive endocrinology has made enormous strides, and if youâre freezing your eggs, thatâs a very practical decision. Especially if youâre considering having children in the next five to ten years. Did you know fertility drops by almostââ
âSpencer,â you say, cutting him off again, though youâre smiling now. âIâm not freezing my eggs.â
âOh.â He looks lost. âThen what are youââ
Garcia jumps in before he can dig himself deeper. âOur girl here was just saying sheâs thinking about doing the donor thing.â
Spencerâs brow furrows. âDonor thing?â
âYeah,â you say. âLike⌠sperm donor.â
The words land, and you can see the moment his brain processes them. His eyes flick up to you, then back down, then up again like maybe he misheard and reality will reset if he gives it a second.
âOh,â he says finally. Then again, softer, like the syllable itself is fragile. âOh.â
The silence stretches. Garciaâs wide eyes bounce between you both like sheâs watching the best telenovela of her life.
Then, out of nowhereâ
âI could do it.â
You blink. âIâm sorry?â
Garcia gasps, hand flying to her mouth. âIâm sorry, WHAT?â
âI could be the donor,â Spencer says, entirely serious.
You and Garcia freeze.
She leans toward you, whispering behind her hand like he canât hear. âDid he justââ
âYes.â
ââsay he couldââ
âYes, Penelope.â
Garcia lets out a strangled squeak. âOh my god.â
You stare at him, eyes wide. âSpencer, what?!â
He looks slightly alarmed at your reaction. âI just meantâif youâre looking for a donor, Iâm qualified. Iâm healthy, I have no genetic disorders, my IQ is statistically above averageââ
âSpencer!â
Garcia is openly wheezing now, turning red from trying to contain her laughter. âHeâs pitching himself! This is a sales presentation!â
âIâm not pitchingââ Spencer starts, looking genuinely confused. âIâm just sayingâbiologically speakingââ
You groan, dragging your hands down your face. âOh my god, I canât believe this is happening.â
âIt makes perfect sense,â he continues earnestly. âYouâd know the donor personally, which eliminates risk factors, and the child would statistically inherit favorable cognitive traitsââ
You point toward the door. âWe are not doing this in front of Garcia.â
Garcia throws up her hands. âExcuse me! This is my office and my front-row seat to destiny!â
You grab Spencerâs sleeve and haul him into the hallway before she can get out another word.
Behind you, you hear her gleeful voice: âIf you two name the baby after me, I want godmother rights!â
You slam the office door shut as you leave, pull him into the nearest empty office, shut the door, and exhale hard enough to rattle the blinds.
âDo you see how thatâs a weird thing to offer?â
He blinks. âWhat part?â
âAll of it! Youâre my friend. Youâre my coworker. You canât justâjust casually volunteer to father my child like youâre offering to spot me at the gym.â
He looks at you, sincere to a fault. âI didnât mean it casually.â
You stop, thrown by the steadiness in his voice.
He fidgets, hands clasping and unclasping. âI meant it literally. I could be the donor. But alsoâŚâ His voice drops, softer now. âIâd want to be the dad.â
The air changes.
âI donât just want to help you start a family,â he says. âI want to be part of it. With you. If youâd want that.â
You blink at him, brain scrambling to keep up. âOh.â
âI know this isnât ideal timing. Or location. Or delivery.â
âYou think?â
He winces. âYeah. I panicked.â
You let out a disbelieving laugh. âThis is⌠wow. I came in here to tell Garcia I might buy sperm off the internet, and somehow we landed on you volunteering yours inââ you gesture around the small roomâ âa supply closet.â
âItâs actually not a supply closet,â he says automatically. âStrauss used it for interviews once. The acoustics areââ
You cut in with a raised brow. âSpencer.â
âRight. Sorry.â He ducks his head a little, lips pressing together in that way he does when his brain catches up to his mouth too late.
You sigh, the sound coming out somewhere between exasperation and disbelief. You lean back against the desk, the cool edge biting through your slacks, grounding you. âSo, youâd actually be okay with it? Likeâreally okay. Being a donor. Being involved.â
âI would,â he says immediately. No hesitation. His voice has that quiet steadiness that always sneaks up on you in interrogationsâthe kind that makes you believe him before you even decide to. âI wouldnât have offered if I wasnât sure.â
You study him for a beat. âBut⌠why?â
He shifts his weight, one shoulder lifting in a small, nervous shrug. âBecause I care about you.â His eyes flick up to meet yours, and itâs almost too muchâtoo open. âBecause youâre brilliant and kind and would make an incredible mom. And becauseââ he exhales, sheepish, ââstatistically, itâs safer and more cost-effective thanââ
âYou don't have to pitch yourself again.â
His mouth twitches. âAre you sure? I can make a whole presentation if you need.â
You let out a startled laugh, the tension cracking just enough to breathe. âThis is so weird.â
âI know,â he says softly, and thereâs no defense in it. Just honesty. âBut think about it. Youâd know the donor. Youâd know my medical history, my genetics. You wouldnât have to worry about some strangerâs file in a database. AndâŚâ He hesitates, then adds, âyou wouldnât be doing it alone.â
Your arms uncross slowly, as if the words have weight to them. âYouâre seriously okay with that level of involvement?â
He nods, firm now. âIf you wanted it, yes. I wouldnât justâcontribute genetic material and disappear.â His lips twitch like he knows how clinical that sounded. âIâd be there. School drop-offs. Homework. First words. All of it.â
You stare at him, trying to process the quiet conviction in his tone. Thereâs no flustered rambling now, no statistics to hide behindâjust Spencer, standing there and meaning every syllable.
Itâs a lot to take in. But weirdly? It doesnât feel wrong.
You press your lips together, pulse steadying as you find your footing. âIâm not saying yes.â
âI wouldnât expect you to.â His voice is softer now, careful, like heâs afraid to push.
You glance down at your hands, then back up at him. His fingers arenât fidgeting anymore. Theyâre still, relaxed at his sidesâa small miracle for someone who lives in motion.
âBut youâre makingâŚâ You huff out a quiet, disbelieving laugh. âAn unnervingly good case.â
A smile ghosts across his face. âI do read a lot.â
You roll your eyes, but it doesnât quite hide the way your chest warms. âI need to think about it.â
âOf course.â His tone is steady, but his eyes soften. âTake all the time you need. Really.â
Silence settles againâbut this time itâs different. Not heavy, not awkward. Just a kind of fragile calm, like both of you are standing on the edge of something you didnât mean to find.
You let out a long breath. âThis is probably going to be the strangest conversation I have all year.â
He tilts his head, a half-smile playing at his mouth. âWe work for the BAU. Thatâs a pretty high bar.â
You laughâa real one this timeâand watch him relax by degrees.
You turn toward the door, hand brushing the knob before you stop and glance back. âHey, Spencer?â
He looks up, attentive as always.
âI know it probably wasnât easy to say all that.â
His gaze holds yours, steady and unguarded. âIt wasnât.â
You nod once, a small smile tugging at your mouth. âWell⌠thanks for saying it anyway.â
summary: the team goes over what they know about the victims, forming a theory on the unsub's MO
includes: part 3, case fic, CM typical violence, investigation, suspect escape, profiling, interviews, bullying, suicide references, brief child SA mentions, corruption, murder, grief, supportive Spencer, reader self-doubt, cliffhanger
âWhat do we have on our victims? Let's go through everything again.â
Hotch stands at the head of the table, arms crossed, expression unreadable as he looks over the team.
The conference room settles immediately. Files open. Pens lift. The familiar rhythm of a profile being rebuilt from the ground up.
Beside you, Reid reaches for his file. His sleeve brushes your arm. It's barely anything. A passing touch. Accidental. Meaningless.
Your entire nervous system reacts like someone fired a starter pistol. You keep your eyes firmly on your notes. You are absolutely not a grown adult getting flustered because Spencer Reid's elbow exists.
Across the table, Morgan flips open his folder. "Victim one, Franklin Harris. Forty-four. Janitor.â
Hotch nods. "Victim two?"
"Jason Blake," JJ answers. "Forty-one. High school guidance counselor."
Prentiss picks up the thread. âVictim three was Leonard Gibson. Thirty-four. Accountant. Lived alone.
"And victims four and five were the married couple. Rachel and Steven Beckett. Thirty-eight and forty. Married eleven years, Rachel was a realtor, Steven worked at a local farm.â
âAny theories on why he chose them? Why he labeled them as liars?â Hotch asks.
JJ looks up. âI have a theory. When we interviewed the victims' families, one of the relatives from the Beckettâs mentioned an accident."
You straighten slightly. "What kind of accident?"
"Car crash." JJ glances down again. "It happened about four months ago."
"Fatal?" Rossi asks.
JJ nods. "One person died."
"Who was driving?" Reid asks.
"Steven."
"And he survived."
"Minor injuries." JJ taps her pen lightly against the page. "The family member said there were rumors afterward."
"What kind of rumors?" Hotch asks.
JJ exhales. "That he ran a stop sign."
Morgan frowns. "But officially?"
"The investigation ruled him not at fault.â
âOkay,â Prentiss says. âSo you think the unsub went after them for that?â
âItâs a good theory,â Morgan says.
âThe man who died, does he have any immediate family?â Hotch asks.
JJ nods. âHe left a wife and an adult son behind.â
âBring them in, I want them interviewed.â Hotch turns toward the board. "What about the others? Any similar incidents?"
Prentiss straightens slightly in her chair. "I've been digging into Jason Blake." She opens the folder and slides a page onto the table. "He worked as a guidance counselor at a local high school."
Morgan nods. "We already knew that."
"Yeah," Prentiss says. "What we didn't know was that there was a complaint filed against him about eighteen months ago."
Your attention sharpens immediately. "What kind of complaint?"
Prentiss exhales. "A student committed suicide. The parents claimed their son had been experiencing severe bullying for months."
JJ winces slightly.
"The family repeatedly contacted the school." Prentiss glances down at her notes. "Blake told them he investigated. Said there was no evidence of ongoing harassment."
A knot forms somewhere low in your stomach.
"And there was?" Reid asks.
Prentiss nods. "A lot of it."
The room falls silent again.
"He never investigated," JJ says quietly.
"The school eventually conducted an independent review after the student's death. Emails surfaced. Teacher reports surfaced. Statements from other students surfaced." Prentiss pauses. "Blake knew. He lied."
Across the room, Rossi slowly folds his arms. "The parents ever confront him?"
Prentiss nods. "Publicly."
"How publicly?"
"School board meetings. Local papers. Social media."
Morgan exhales through his nose. "So everybody knew."
"Pretty much.â
Hotch nods. âAlright. That gives us theories for why he was targeted. Prentiss and Rossi, talk to the parents who accused Jason Blake. Clear them and see if they had any supporters who may have been too supportive. What about Harris and Gibson? Any ideas on them?â
âNothing yet,â Kessler says. âBut Harris was an accountant, maybe he was scamming people?â
âItâs a possibility,â Hotch says. âCall Garcia, have her look into his records. In the meantime, I want Morgan and Kessler to go talk to Turner again. He knew about the unsubâs M.O., I want to know how.â
âHotch, with all due respect, it is a relatively small town. Couldnât he have just known from word-of-mouth?â you ask.
Hotch nods once. âHe could. But I want to make sure he doesnât know more than we think. While theyâre gone, I want you and Reid to take Gibson. Dig into his past as well, and see if you can find a theory for why he was targeted.â
âGot it,â Reid says.
Hotch gives one last nod. âLetâs move.â
An hour later, the precinct is hectic. Everyone is doing something. Garcia tracked down a handful of people from Harrisâs life to interview, ask if he ever hid anything serious. Morgan and Kessler are on their way to speak to Turner again. Prentiss and Rossi brought in the parents of the bullied student, as well as a few people Garcia found posting notable support.
And then thereâs Reid, sitting at the desk next to you, staring at files and notes from Harrisâs past. His brow is furrowed, his eyes trailing across the paper in front of him repeatedly, as if thereâs possibly any more information he could gain from it. He keeps bouncing his knee, then catching himself and stopping the motion, only for it to start again a few moments later.
Youâve been skimming Harrisâis life for any hints as to why the unsub chose him, but nothing has come up yet.
Suddenly, Reid pushes away from the desk and stands, his chair scraping across the floor. You look up at him, a brow raised in silent question.Â
âI need a break,â he says. âCoffee?â
You glance back down at the files, then back up at him. âYeah, I could use a break, too.â
So, the two of you walk together toward the break room.
It isnât much, just a table and two chairs, a beat up fridge, a microwave that looks like itâs from the 50s, and a coffee maker thatâs seen better days. You take a seat in one of the chairs, letting out a sigh as Reid starts the coffee.
âSo,â he starts, facing away from you, âI, uh, saw you got a job offer the other day.â
âOh, yeah, I was offered a research position at the lab I used to intern at,â you say.
The coffee maker spurts and drips loudly as the last bit of coffee fills the pot.Â
âWhat was the research?â he asks as he pours the steaming liquid into two paper coffee cups.Â
âBehavioral analysis,â you say, accepting one of the mugs from him.Â
âIs that how you got into the BAU?â
âSort of,â you say. He sits down in the empty chair across from you.
âDid you like it?â
âI loved it,â you admit. âResearch like that is what I joined university for.â
Reid nods. At first, you think that's the end of it.
He wraps both hands around his coffee cup, staring down into it as steam curls between his fingers. The silence stretches.
You take another sip of coffee. Reid doesn't. His brow remains faintly furrowed.
âYou'd be good at it,â he says finally.
âThe research job?â
He nods. âYou already think that way.â
You huff a quiet laugh. âThink what way?â
âPattern-oriented.â His gaze lifts briefly. âPatient.â
âThat's not usually the feedback I get.â
âIt's accurate.â
The certainty in his voice lands somewhere uncomfortable. Not because it's unwelcome. Because it's Reid. And Reid doesn't hand out compliments casually. Everything he says tends to arrive after being examined from six different angles first.
You glance down at your coffee. âThanks.â
He nods once. Then he goes quiet again. Long enough that you start wondering again if he's finished. He's not. You can see it happening. The way his fingers tighten slightly around the paper cup. The way his eyes drift away and back again. Like he's debating whether something is worth saying.
Finally:
âAre you going to take it?â
You blink. The question surprises you more than it should. âIââ
The word catches halfway out. You glance down into your coffee.
The answer should be simple. It isn't. Because the truth is, you don't know. Two days ago you would've said no immediately. Yesterday, maybe.Â
Now?
Now there's a folder sitting in your hotel room and a voice in the back of your head asking questions you'd been perfectly happy not asking before you got that letter.
You open your mouth again, but your phone rings. The sound cuts through the room so abruptly both of you flinch slightly.
You glance down automatically. Morgan.
Seeing his contact name makes you anxious instantly. Morgan shouldn't be calling. Not while he's interviewing Turner. Not unless something went wrong.
Across the table, Reid's brow furrows.
You answer. âHey, what'sââ
âWhere's Hotch?â
Morgan's voice is wrong. Too controlled. The kind of controlled that usually means something has already gone very, very bad. Your posture straightens instantly. Reid notices, raises a brow.
âWhat happened?â you ask.
âTurner's gone.â
âWhat the hell does you mean he's gone?â you ask.
Across from you, Reid is already standing. His chair scrapes loudly across the linoleum as he does.
Morgan exhales sharply through the phone. âHe got transferred back to county holding about an hour ago. Transport van stopped for gas. Driver went inside. Deputy stayed with the vehicle.â
Your stomach sinks.
âHe overpowered the deputy.â
âShit,â you mutter.Â
âHe got the cuffs off somehow,â Morgan continues. âWe're still trying to figure out how. Deputy's got a concussion and can't remember half of what happened.â
âWe need to get Garcia on surveillance footage. See if she can track where Turner is running to,â Reid says.
âKessler and I are working on getting the footage from the gas station. Iâll call Garcia next, but I couldnât get ahold of Hotch.â
âHe was talking to the chief, weâll let him know,â you say.
By the time everyone gathers again, the energy is different. Not quite frantic, but itâs getting there.
Hotch stands at the head of the table, one hand braced on the back of a chair as Garciaâs voice fills the room through the speakerphone.
âOkay, so our favorite contractor is officially making horrible life choices,â she says, the rapid clicking of her keyboard filtering in behind her words. âIâve got traffic cams, gas station footage, and one very grainy image that may just be a raccoon driving a pickup truck, but I am choosing optimism.â
Morgan pinches the bridge of his nose. âBabygirl.â
âRight. Serious. Sorry.â A few keys click. âTurner is definitely heading north. Confirmed by three separate traffic cams. Last visual was about forty minutes ago. He was driving a stolen 1994 Chevy Silverado, hasnât been found yet but I put out a BOLO.â
âAny idea of his destination?â Hotch asks.
âNothing solid yet, Iâm pulling financials, cell activity, family members, former associates, ex-girlfriends, gym memberships, suspicious Yelp reviews. The usual.â
âKeep us updated.â
âYou got it.â
Hotch turns toward the board. âAssume Turner is dangerous until located.â
âHe already killed one victim. And took out a deputy,â Prentiss says.
âAnd now heâs running,â JJ adds.
The room settles into a brief silence. You feel it before anyone says it. The doubt. The question sitting in the center of the table.
Kessler is the one who finally says it.Â
âIf Turner fled immediately after being taken into custody,â she says carefully, âwe need to consider the possibility that our original assessment was wrong.â
Nobody responds right away. Itâs not a disagreement, just caution.
âHe confessed to killing Lauren Powell,â Kessler continues.
âEventually,â Morgan says.
âAfter significant pressure.â
Your jaw tightens. âPressure doesnât create confessions.â
âNo,â Kessler agrees. âBut it can shape them.â
Reid shifts in his chair. âThe behavioral distinctions between Turner and the original unsub still stand.â
âThey do,â Kessler agrees again. Always agreeable. Always measured. Never quite pushing hard enough to sound confrontational. âBut behavioral distinctions arenât always reliable evidence.â
Your eyes drop briefly to the table. You know where this is going. You know it before she looks at you. Before anyone does.
âPart of the determination came from the interview.â
There it is. Not quite an accusation, but somehow worse. An invitation. A request. Explain yourself.
You clear your throat. âHe was lying about Lauren.â
âYes.â
âAnd telling the truth about the others.â
Kesslerâs expression remains neutral. âHow do you know?â
The question nearly makes you flinch. How do you know? You donât have a clean answer.
âI just⌠I know.â
Kessler waits. Patient. Reasonable. âCan you explain how?â
Your fingers tighten around your pen.Â
You arenât sure why her questioning feels like an attack. Theyâre reasonable questions. You havenât built trust with Kessler. She doesnât know how many times youâve been right about these things, how long you studied behavioral tells. But it doesnât feel simple.
âItâs different.â
Brilliant. Very convincing. You sound ridiculous.
âItâs justâŚâ You struggle for something concrete. âWhen people lie, thereâs usually tension behind it. Like theyâre steering away from something.â
Kessler nods. âAnd Turner?â
âHe lied about Lauren immediately.â You can hear yourself becoming less certain the longer she stares at you. âHe reacted before he thought.â
The memory replays itself. Turner shouting. Exploding. Panicking. Confessing. But now more thoughts slip in. Turner escaping. Running. Heading north.
âHe never lied about the others.â
Kessler studies you for a moment. âOr he was simply better prepared for those questions.â
You donât answer. Because you canât immediately dismiss her concern. Thatâs the problem. You canât prove any of this. You never could. You just know.
Except knowing sounds a lot less impressive when someone starts asking for receipts.
Kessler crosses her arms like sheâs decided thatâs enough. âI say we move forward with the theory that Turner lied.â
"The original unsub and Turner are different offenders."
This time the voice comes from beside you. Reid.
You glance up. His gaze is fixed on Kessler, calm and certain. "The crime scenes support that."
"They support the possibility."
"They support the probability."
Kessler tilts her head slightly.
Reid doesn't back down. "The carving patterns differ. Victim selection differs. Escalation differs.â
Kessler stays quiet for a minute. âAnd if it was his plan? To make us think Lauren Powell was different?â
âWhat's the difference between confessing to one murder versus five? If he wanted to throw us off, why would he confess at all?â Morgan asks.
âPressure,â Kessler says again, âMaybe he confessed because he knew he was caught, but he assumed one murder was better than five. Maybe it was his plan the entire time, and he was just trying to make Laurenâs murder look different to throw us off..â
Reid's expression doesn't change.
"If Turner wanted us to believe Lauren Powell was a separate offense," he says evenly, "then carving the same word into her body would have been the worst possible way to accomplish that.â
Kessler doesnât respond right away. She just looks at him, her brows slightly furrowed.
Reid continues. "He didn't create a new narrative. He borrowed an existing one."
Morgan nods once. "Exactly."
"The original unsub spent weeks establishing a ritual," Reid says. "Victim selection, post-mortem staging, geographic consistency. Turner copied the most visible element because it was the only part he understood."
Kessler leans back slightly in her chair. "That's an assumption."
"It's a conclusion supported by evidence."
Her gaze narrows just a fraction.
"The carving wasn't symmetrical," Reid says. "The depth varied. The placement differed. The scene organization differed. The victimology differed. The scene was outside of the established comfort zone. Every measurable component diverged from the established pattern."
You glance over at him. His voice remains calm. Almost detached. But there's a firmness underneath it now. It isnât irritation, itâs conviction.
"The behavioral assessment didn't originate from the confession," he continues. "The confession supported conclusions we had already reached."
A brief silence settles across the room.
Kessler studies him for a moment. Then she nods once. âFair enough."
But something about it doesn't feel finished.
You glance toward her. She's already studying the victimsâ photos again. Already moved on.
Except she hasn't. You can tell. Because she asked. And asked. And asked. Not because she wanted the answer. Because she wanted to see what happened when you didn't have one.
Your eyes drift to the photos pinned to the board.
LIAR.
The word stares back. For the first time since this case started, a quiet, ugly thought slips into your head.
What if Kesslerâs right? What if Turner isn't the only person you've ever been wrong about?
The room keeps talking around you. Routes. Search grids. Traffic cameras. Manhunts. But for a moment, all you can hear is your own uncertainty.
Hotch straightens from where he'd been leaning against the table. "Until evidence suggests otherwise, Turner remains responsible for Powell only."
And across the table, Reid glances at you once. Just once. A brief look, concerned and observant. Like he noticed exactly where your thoughts went. And doesn't particularly like it.
It takes another hour for Garcia to call. An hour of maps. An hour of traffic cameras. An hour of everyone pretending they aren't waiting for the phone to ring.
When it finally does, the entire room seems to shift toward it.
Garcia doesn't bother with a greeting. "I think I found him."
Every conversation stops.
Hotch reaches for the speaker. "Location?"
Keys clatter rapidly in the background. "Property about three hours north. Rural. Very rural. Like horror-movie-level trees. The land belongs to Turner's aunt, technically, but Turner helped renovate the cabin about four years ago after a storm damaged part of it."
A map appears on the screen. Dense forest. One access road. Nothing nearby.
Morgan leans forward. "Any activity?"
"Not confirmed," Garcia says. "No cameras out there, but the Silverado was picked up heading in that direction. After that? Radio silence."
"You think he's hiding there?" Prentiss asks.
"I think if I escaped police custody and wanted somewhere familiar, isolated, and free of witnesses, it'd be on my shortlist."
Hotch nods. "Local law enforcement?"
"Already notified."
"Good."
You study the map. The cabin sits alone in a sea of green. Hidden. Disconnected. A place someone could disappear.
"Could be coincidence," Kessler says.
Morgan looks at her. "You got a better idea?"
"No." Her gaze remains fixed on the map. "Just saying we shouldn't assume he's there until we confirm it."
Fair. Annoyingly fair.
Hotch is already moving. "Morgan, Prentiss, coordinate with local SWAT and clear the property."
Morgan nods once.
"JJ, I want you on a call to coordinate with Garcia. I want updates the second we get movement."
"Got it."
"Rossi, Kessler, finish interviews. Revisit everyone connected to the Beckett accident."
Neither of them argue. Then Hotch's gaze lands on you.
"You and Reid keep digging into Harris.â
You nod. "Got it."
Beside you, Reid is already gathering his files.
"Good," Hotch says. "Move.â
Once everyone leaves, the precinct feels quieter.Â
Not actually quieter. Phones still ring. Officers still move through the precinct carrying stacks of paper and lukewarm coffee. Someone drops a file near the front desk and swears under their breath. But everything feels muted, like listening through glass.
You settle back into your chair beside Reid, pulling Harris's file toward you.Â
Reid watches you for a second instead of working.
"You okay?" he asks after a moment.
You glance toward him. "What?â
Reid looks away first. Not because he's uncomfortable exactly. More like he's thinking. "You've been quieter."
You stare at him for a second.
âSince Kessler's questioning, I mean.â
You lean back slightly in your chair and force a laugh that doesn't quite sound convincing. "Wow. Profiling me now?"
"I wasn't profiling you,â he says. âJust observing.â
You shake your head. âWhat is profiling if not observing?â
The corner of his mouth twitches just slightly. Then his expression settles again. More serious this time.
"You know Kesslerâs wrong.â
Your smile fades. Your eyes move back to the file in front of you. âDo I?â
"Yes."
The certainty comes so quickly it makes you look back up. Reid is already watching you, his gaze steady. Like he thinks this shouldn't even be a question.
You pick at the corner of a page. "She wasn't completely wrong."
"No," he agrees.
That surprises you even more. You furrow your brow.
Reid tilts his head slightly. "You can't prove it."
You huff a laugh. "Thank you, Spencer. That's extremely reassuring."
"I'm not finished."
You fall quiet.
He glances briefly toward the victim board before continuing. "You can't prove it because what you do isn't a measurable process." His fingers tap lightly against the file. "It's pattern recognition."
"That's a fancy way of saying instinct."
"No." The answer comes immediately. "Instinct is unconscious. What you do is different."
âDifferent?â you ask flatly. âRight.â
He shifts slightly in his chair. "You notice behavioral inconsistencies. Micro-expressions. Speech patterns. Emotional responses. Then your brain processes them faster than you can consciously explain."
You stare at him. "You make it sound scientific."
"It is scientific." Again, no hesitation in his voice. No doubt laced through his words. Just something he believes with certainty. "You've been right every time I've seen you do it."
The room suddenly feels much smaller.Â
You glance away. "That's not true."
"It is.â
The immediate response makes you laugh despite yourself.
Reid frowns slightly. "I can think of at least three times you've noticed something everyone else missed in the last week.â
You shake your head. "That's different."
"Why?"
Because those times weren't important. Because those times didn't involve murder investigations. Because those times didn't involve people potentially going to prison. Becauseâ
You don't actually have a good answer.
Reid waits. When none comes, he continues. "You know what Morgan says when you're interviewing someone?"
You blink. "What?"
"He says the fastest way to figure out who's lying is to watch who you're looking at."
Your mouth falls open slightly. "He says that?"
"Frequently.â A pause. "Usually right before he bets on whether you're about to make somebody cry."
You let out another surprised huff of laughter. Reid's expression brightens for a moment before sobering again.
"Kessler doesn't know you." The words are simple. Matter-of-fact. "She's known you for less than a week. I've worked with you."
Your chest tightens unexpectedly.
Reid shrugs one shoulder. "She's evaluating a skill she hasn't observed long enough to understand."
You look down at your coffee-stained notes. "What if she's right, though?"
The question comes out quieter than you intended. Reid doesn't answer immediately. For a moment, all you hear is the distant buzz of the precinct.
"What if she isn't?"
You glance up. His expression is calm. Gentle, almost. "If I stopped trusting every conclusion I reached the first time someone questioned it, I wouldn't be able to do this job."
The words settle somewhere deep. Because he means them. Not as encouragement, as the truth.
"You know what I think?" he asks.
You raise an eyebrow. "Dangerous question."
"I think you're one of the most observant people I've ever met."
Your heart promptly forgets how to function. Reid, thankfully, appears completely unaware of the damage he's just caused.
He keeps talking. "I think you notice things most people overlook." Another page turns beneath his fingers. "I think you've helped solve multiple cases because of it." He glances up. "And I think you're letting one person's skepticism outweigh years of evidence."
You stare at him. He stares back. Completely serious. No embarrassment or hesitation. Just Spencer Reid stating a conclusion he believes is objectively true.
Your throat feels strangely tight. "That's a very nice thing to say."
"It's not a nice thing." He frowns slightly. "It's an accurate thing."
The answer is so perfectly Spencer that a laugh escapes before you can stop it.
Next to you, his shoulders loosen slightly. Like that was the goal all along. Not convincing you, just getting you to smile again.
"Okay," you say quietly.
Reid nods once, satisfied. "Okay."
A moment passes. Then he slides the Harris file away. âI want to see your notes.â
âMy notes?â
He nods. âYou were taking notes earlier. I noticed you write something about his records being sealed.â
You blink. "Oh. Yeah."
Reid waits as you flip back through your notebook, finding the scribbled note wedged between timelines and victim interviews.
"There was a sealed record from about twenty years ago," you say. "Nothing detailed. Just enough to show something existed."
Reid leans slightly closer. "What kind of record?"
You shrug. "No idea. Juvenile maybe. The system flagged it and then immediately locked me out."
His brow furrows. "And you didn't mention this?"
"I was going to ask Garcia to unseal it.â
Reid nods immediately. "Let's do that.â
You pull out your phone. Garcia answers on the second ring.
"Tell me somebody found a body because I am running out of ways to entertain myself."
"Good afternoon to you too."
"Hello, my beloved government employees,â she says dramatically. âNow, what wizardry do you need me to perform?â
You explain the sealed file.
There's a pause. Then rapid keyboard clattering. Then more keyboard clattering. Then what sounds suspiciously like additional recreational keyboard clattering.
"Huh."
You straighten. "Huh good or huh bad?"
"Huh interesting."
Reid immediately leans forward. "What did you find?"
"Well first, whoever sealed this thing really wanted it buried." More typing. "And second..."
Silence.
Your stomach drops. "Garcia?"
"Franklin Harris wasn't the one with the record."
You exchange a glance with Reid. "What?"
"The file is attached to his name now, but twenty-three years ago it belonged to somebody else."
You sit up straighter.
"What do you mean somebody else?" Reid asks.
"It was amended after a legal name change."
Next to you, Reid freezes. The way he always does when a piece suddenly clicks into a larger puzzle.
"Garcia," he says carefully, "whose name?"
"Franklin Harris was born Daniel Mercer."
You look at Reid. Reid looks at you.
Garcia continues. "And Daniel Mercer was involved in a juvenile court case connected to a sixteen-year-old girl named Emily Warren.â
"What kind of juvenile case?" you ask.
Garcia exhales. "The official record is incomplete. A lot of the original documentation is missing.â
"Missing?"
"Missing missing," Garcia says. "Not redacted. Not sealed. Gone."
Beside you, Reid straightens. "That's unusual."
"That's what I thought." A few more keys click. "The surviving court summary says Emily Warren was sixteen years old when she reported Daniel Mercer for sexual assault. She was pregnant.â
For a second neither of you speak.
"Mercer was the alleged father?" Reid asks.
"According to the complaint, yes."
You feel a knot forming in your stomach. "What happened?"
Garcia lets out a humorless laugh. "What happened is somebody had money."
You glance at Reid. His jaw tightens.
"The case never went to trial," Garcia says. "Emily recanted part of her statement three months later."
"Part of it?"
"Enough of it."
The answer lands heavily.
"Family?" Reid asks.
"Oh, definitely family." More typing. "I found property records, campaign donations, legal invoices. Daniel Mercer's father owned half the county twenty years ago."
"Hyperbole?" you ask.
"Nope." A pause. "Actually less hyperbole than I'd like." You hear rustling on Garcia's end. "His father retained three separate attorneys within six weeks of the accusation."
Three. For a juvenile case.
You exchange another glance with Reid.
"The Warrens moved less than a year later."
"Moved where?" you ask.
"Three states away."
"And the child?" Reid asks.
"Looks like a boy." You hear more typing. "Born seven months after the complaint."
You sit up straighter. "Name?"
âPaul Warren.â
You and Reid are already on your feet before Garcia finishes speaking.
"Send everything you have on Warren," Reid says.
"Already doing it," Garcia replies.
The line disconnects a second later.
The two of you are halfway down the bullpen before either of you says another word. Hotch is still in the conference room when you arrive. Rossi, JJ, and Prentiss are there too, sorting through interview notes while they wait for updates on Turner.
Hotch looks up immediately. Something in your expression must give it away. "What is it?"
You set the file down on the table. "We found a connection to Harris."
That gets everyone's attention.
Reid moves toward the board. "Franklin Harris wasn't originally Franklin Harris," he says. "He legally changed his name twenty-three years ago."
Prentiss straightens. "Why?"
"Because Franklin Harris was originally Daniel Mercer. And when Mercer was seventeen, a sixteen-year-old girl named Emily Warren accused him of sexual assault."
Rossi's expression hardens immediately.
"The case disappeared," Reid says. "Records missing. Witness statements incomplete. Family retained multiple attorneys. The victim recanted part of her statement."
"Mercer's father had money," you add.
Hotch's jaw tightens.
"And the girl?" JJ asks quietly.
"Moved away less than a year later."
You glance down at your notes. "She gave birth to a son, Paul Warren.â
"Paul Warren?" Rossi repeats.
The name lands differently coming from him. You look up. Rossi is already reaching for a file.
"Paul Warren was one of the interviews."
Prentiss frowns. "What interview?"
"The Blake interview." Rossi flips open the folder. "He was one of the people we brought in this morning."
A cold feeling settles low in your stomach. Rossi finds the page and slides it across the table.
"Paul Warren was close friends with Tyler Evans, the high school student Blake lied about.â
âIs he still here?â Hotch asks.
Rossi shakes his head. âNo, he left just before we found Turner's possible destination.â
Prentiss mutters a curse. âLet me guessâtall, dark hair, blue button up?â
Rossi raises a brow. âHow did you know?â
âHe was lingering before he left. Claimed he was lost,â Prentiss says. âBut now, I think he was waiting to hear Turner's location.â
âWe need to move,â Hotch says. âHe could be on his way there now.â
summary: as the BAU digs deeper into the liar murders, you notice a subtle difference in the latest victim. while kessler's growing rapport with reid continues to needle at insecurities you'd rather ignore, a tense interrogation reveals new information.
includes: part 2, CM typical violence, BAU team dynamics, slow burn, jealousy, reader-coded anxiety, profiling, interrogations, murder investigation, grief and bereavement
The shift from conference room to jet always feels wrong in a way you can never fully explain.Â
Like a sudden time skip before you understand the plot.
One second youâre under fluorescent lights with crime scene photos burned into the backs of your eyes, and the next youâre thirty thousand feet in the air with stale coffee and recycled oxygen humming through the cabin vents like none of it followed you onboard.
But it always does.
By the time you settle into your seat, the engines have already smoothed themselves into a steady vibration beneath your ribs. Files reopen. Pens resume their quiet scratching. Conversations pick back up mid-thought, seamless and strange, like the case never paused at allâit just changed rooms.
You tuck your bag beneath the seat with a practiced push of your foot and pull your tablet back out.
Across from you, Reid is already talking.
ââif the marking is post-mortem, then the act itself isnât about silencing the victim,â he says, fingers tapping lightly against the edge of the file as the thought organizes itself in real time. âItâs symbolic. Which means âliarâ probably isnât situational. Itâs categorical.â
Morgan leans back slightly in his seat. âSo not something they did. Something they are.â
âOr something he believes they are,â JJ adds.
Reid nods quickly. âRight. Exactly.â
Across the aisle, Kessler listens without interrupting.
Thereâs something unusually precise about the way she pays attention. Not passive. Not performative either. More like sheâs sorting through the room in layers, deciding what deserves to stay.
âHeâs not testing them,â she says after a moment. âHeâs confirming something he already decided before he met them.â
âSo the interaction beforehand is probably structured around validation,â he says. âHeâs not discovering deception. Heâs looking for proof of it.â
Something in your chest catches faintly on that. It's not wrong.
More like a sentence missing its last word.
You glance back down at the photos.
LIAR.
Centered. Symmetrical. Controlled.
Your mouth opens slightlyâ
âand the phone rings.
The sound cuts through the cabin so sharply everyone stills for half a second before Morgan grabs it. âTalk to me, babygirl.â
âWeâve got another one.â
The air changes instantly.
Hotch leans forward slightly from his seat. âLocation?â
âJust outside the original radius,â Garcia says. âAbout thirty miles out this time. Rural property. Local PD just called it in. Same markings.â
JJâs pen stills. âAny information on the victim?â
âFemale. Mid-thirties. Found inside the home. No signs of forced entry.â
Expansion of radius and shift in victim profile.
The geometry of the case rearranges itself immediately in your head, pieces shifting before you can consciously track them.
âSend us everything,â Hotch says.
âItâs already uploading.â
A soft chime cuts through the cabin a second later.
Morgan opens the file first.
The image loads.
It's a different house, different victim, but the same word.
LIAR.
Carved into skin in the same place as the others. But something catches at you immediately.
Your eyes narrow slightly as you scroll through the pictures. You stop when you come to a close-up of the carved word.
âHold on,â you say softly. âIt's different.â
Morgan glances up. âWhat?â
You lean forward a little, tapping lightly against your screen. âThe placementâs different.â
Reidâs gaze drops immediately to where youâre pointing.
âThe others were centered,â you say, thoughts gathering speed now that theyâve surfaced. âSymmetrical. Deliberate. Almost like the unsub actually measured before cutting. This one's off. More jagged, slightly crooked, a bit off centered.â
Morgan leans in slightly. âYou think he rushed this one?â
You shake your head immediately. âNo. Itâs still controlled.â Your brow furrows. âJust⌠closer. Maybe less intentional, more personal?"
The words feel wrong. Like they aren't quite close enough.
Kessler tilts her head slightly, eyes flicking to the image, then back to you.
âI donât think itâs less intentional,â she says, tone calm, measured.
You glance up.
Her expression stays composed. Certain in that quiet, polished way that somehow makes uncertainty feel embarrassing. âItâs actually more intentional.â
Reid nods as though he understands. You, meanwhile, raise a brow in confusion.
Kessler gestures lightly toward the image.
âI believe the placement suggests proximity, like you said,â she says to you âBut it's because it wasn't about her being found this time. This was just for the unsub. The act mattered more than the presentation this time.â
Reid studies the image again, eyes narrowing slightly.
And there it is again.
That quick alignment between them.
Easy. Immediate. Like stepping into rhythm without needing to search for it first.
âThat would also explain the depth variation,â he says, leaning forward slightly. âThe earlier incisions are consistent across all three victims. Same pressure. Same angle.â His gaze flicks lower. âThis one changes.â
Emily nods. âThe first stroke is deeper. The rest taper off slightly. That suggests emotional escalation during the act itself. He wasnât just marking herâhe was reacting.â
Morgan exhales through his nose. âSo something she said set him off.â
âOr didnât say,â JJ counters, leaning in. âIf heâs expecting a confession and doesnât get oneâŚâ
âSo weâre looking at a subject whose behavior is shifting from controlled presentation to emotionally driven action,â you say.
Prentiss nods once. âThatâs escalation.â
âAnd proximity,â Reid adds again, almost to himself. âHeâs getting closer during the interaction. Less detached.â
Kessler watches him as he speaks, something intent in her expression. Not surprise. Not quite approval either. Something more measured.
âWhich suggests the fantasy is destabilizing,â she says. âHeâs no longer satisfied with the symbolic act alone.â
Hotch gives a short, decisive nod, the kind that closes a door without slamming it.
âWeâll continue this on the ground,â he says, voice even, already shifting the team forward. âFor now, review what we have. I want initial impressions ready when we land.â
Thereâs a quiet shuffle of movement. Papers adjust. Screens dim slightly. The rhythm of the jet fills the spaces where conversation used to be.
Across from you, Reid drifts somewhere deeper into the case, gaze fixed just slightly past the screen like heâs reconstructing something invisible behind it. His fingers tap once against the file before stilling again.
You try to find the thread you had earlier.
The placement. The feeling of it. The sense that the word itself mattered differently here somehow.
But it keeps slipping sideways before you can fully grab it.
âYou were right to notice the variation.â
You look up from your tablet.
Kessler has leaned slightly closer across the aisle, voice pitched just low enough not to travel. Up close, her expression is composed, thoughtful in that precise, practiced way you're already expecting.
Composed.
Intentional.
Like every expression passes through inspection before being released into the world.
âMost people wouldâve dismissed that as inconsistency,â she continues, quiet, conversational. âBut itâs not. Itâs a meaningful deviation.â
Thereâs a small pause. Just enough space for the words to settle.
âYou seem good at that,â she adds. âCatching details without overcomplicating them. A lot of people in this field miss obvious things because theyâre too busy trying to sound intelligent.â
Your fingers curl slightly against the edge of your tablet.
Small. Subtle. Easy to miss if you werenât looking for it.
A fractional delay before the compliment lands. Not in her words. In her body. The way her shoulders settle a beat too late. The way her gaze holds just a fraction longer than it needs to, like sheâs making sure it takes.
Not exactly a lie. Just polished before release.
Like the truth got edited for audience appeal.
Your chest tightens faintly.
âOh,â you say softly. âThanks.â
You smile automatically.
It feels convincing.
Kessler nods once, satisfied, like the exchange has reached its natural conclusion. She leans back into her seat, attention already shifting forward again, back into the case like that moment never needed to linger.
You let your gaze drop back to your screen.
LIAR.
When you arrive at the precinct, the first thing you notice is the smell. Old coffee, dust, and whatever cleaner the janitor uses drift through the air.
Everything is a little too bright, a little too flat. The kind of place where voices carry even when people try to keep them contained.
Local officers move around with that particular blend of urgency and uncertainty that comes with handling a case with the BAU. Files shift hands. Someoneâs explaining something too fast near the front desk. A printer hums constantly like itâs part of the investigation.
Hotch speaks briefly with the lead detective, voice low, efficient. JJ and Prentiss peel off toward the bullpen area, already asking for timelines, victim background, anything that fills in the edges. Morganâs talking to uniforms by the door.
Kessler stands just slightly apart from it all, listening. Observing. Filing.
You hover for half a second, not quite sure where youâre meant to landâ
âInterview room two,â Hotchâs voice cuts cleanly through the noise.
You look up. Heâs already looking at you.
âThe husbandâs waiting,â he continues. âLance Powell.â A small nod toward the hallway. Direct. Decided. âTake Reid with you.â
Your stomach does a small, unhelpful flip.
âOkay,â you say, because thatâs the only answer that exists.
Beside you, Reid shifts slightly, like he was already half-moving before the instruction finished. His expression is focused, but thereâs something quieter under it. Attention, maybe. Or just proximity.
âRight,â he says, glancing toward the hallway. âYeah.â
You nod once and start walking.
The hallway narrows the world down to footsteps and breath.
The noise from the precinct dulls behind you, replaced by something more contained. Doors. Numbers. The faint echo of voices through walls that were never meant to keep things entirely private.
You reach room two. A simple grey door, wired window, and a metal handle thatâs cold to the touch when you turn it.
Lance Powell is already inside.
He looks like someone who hasnât fully caught up to whatâs happened yet.
Mid-forties, maybe. Early fifties. Hard to tell. Grief does thatâpulls years forward, collapses them inward. His hair is uncombed, shirt wrinkled like he slept in it or didnât sleep at all. Thereâs a shadow along his jaw that wasnât intentional.
A cup of coffee sits in front of him, untouched.
His hands are wrapped loosely around it anyway, like he needs something to anchor them.
He looks up when you enter. Hope flickers first, then confusion. Then something heavier settles in behind it when he realizes youâre not whoever he was waiting for.
You step in anyway, keeping your movements slow, deliberate. Not cautiousâjust⌠respectful of the space heâs in.
âMr. Powell?â you say, voice soft but steady.
He nods, once. Quick. âYeah. Yeah, thatâsâyeah.â
His voice is rough. Like it hasnât been used properly in a while.
You pull out the chair across from him, sitting down without scraping it too loudly against the floor. Reid takes the seat slightly to your right, not crowding, not distant either. A quiet presence. A second set of eyes.
âIâm with the Behavioral Analysis Unit,â you continue. âWeâre here to help figure out what happened.â
His grip tightens just slightly on the coffee cup.
âOkay,â he says. âOkay. Good. Good, thatâsââ He nods again, faster this time. âThey said youâd beââ He stops. Swallows. âThey said youâd be good at this.â
You nod once, like thatâs something you can accept without questioning right now.
âWeâre going to ask you a few questions,â you say gently. âJust to understand the timeline. Anything you can tell us helps.â
âYeah. Yeah, of course.â He leans forward slightly, like heâs ready to give you everything at once. âWhatever you need.â
âCan you walk me through yesterday?â you ask. âFrom the morning, if you can.â
He exhales, long, shaky. His gaze drops to the table, like the answers might be written there if he looks hard enough.
âIâI left early,â he starts. âAround six. Iâve got a job out near the highway, so Iââ He gestures vaguely. âIâm usually gone before Laurenâs even up.â
His thumb drags absently along the rim of the coffee cup.
âShe was asleep when I left,â he continues. âOrâI think she was. Bedroom door was closed.â
âAnd when did you come back?â you ask.
âUhâlate,â Lance says. âLater than usual. Traffic was bad, and Iââ He shakes his head slightly. âI stopped for gas. Picked up dinner. Justânormal stuff.â
You nod slowly, letting him know youâre still listening, even as he stops to take a shaky breath.
âI got home around⌠eight-thirty? Nine, maybe.â He winces slightly, like the exact number is just out of reach. âSomewhere in there.â
You tilt your head just slightly, not breaking eye contact. âWhat happened when you got home?â
He inhales another shaking breath.
The grief is real. Immediate. It cracks through Mr. Powell before he can shove it back down. Tears start to form along his lower lash line, and he looks away like he doesnât want you to see.
âIââ His voice stumbles. âI knew something was wrong. The doorââ He gestures vaguely again. âIt was unlocked. Lauren wouldnâtâshe always locks it.â
His eyes shine, unfocused, pulled somewhere else entirely.
âI called out. She didnât answer. And then Iââ He swallows hard. âI found her.â
Reidâs gaze flicks briefly toward you, not questioning. Just checking. Aligning. You nod slightly, then look back to Mr. Powell.Â
âMr. Powell⌠can you think of any reason someone would want to hurt Lauren?"
He shakes his head immediately. Too quickly for it to be anything but a defense for his wife.
âNo,â he says. âNo, nothing like that. Sheâshe was good. She wasâeveryone liked her. She didnât⌠have enemies. She didnâtâshe wasnâtââ He cuts himself off, jaw tightening. âNo. No reason.â
The word no lands too fast. Not just quick. Preloaded. Like they were waiting at the front of his mouth before you even finished asking.
Your gaze doesnât leave his face.
Thereâs grief there. Real, sharp, still bleeding at the edges. You donât question that part.
But itâs layered over something else.
His shoulders pulled just slightly inward. Not collapsing⌠bracing. His grip tightening around the cup, not for comfort, but for control. His eyes flicking down a fraction too soon, like theyâre dodging something rather than searching for it.
Heâs not just remembering. Heâs managing.
You let a beat stretch. Not long enough to pressure. Just long enough to let the silence ask its own question.
âI understand,â you say gently.
He nods immediately, relief flickering across his face like he thinks youâre letting it go.
âI do,â you continue, voice still soft, still even. âYou want to protect her.â
The relief stutters. His eyes lift back to yours.
âIâm notââ he starts.
You tilt your head, the smallest movement. âYouâre trying to make sure sheâs remembered the right way,â you say. âThat the worst thing that ever happened to her doesnât become the only thing people see.â
His throat works. Swallows.
âThat makes sense,â you add quietly. âAnyone would want that.â
His grip loosens around the cup. Just slightly.
The truth always does that. It takes the tension out of the lie, even if it doesnât replace it yet.
âButâŚâ you say, and this time the word is careful. âIf we donât know what actually mattered in her lifeâwhat complicated things existed, what real things existedââ your fingers rest lightly against the table, grounding the words there instead of letting them float, ââthen weâre working with a version of her that doesnât exist.â
He looks at you like he wants to argue. Like he wants to say no again. But it doesnât come out this time.
âMr. Powell,â you say, quieter now, âwho was she arguing with?â
âIâshe wasnâtââ Lance tries again, but itâs weaker now. Less structure. The edges of it are already fraying.
You donât let him build it back up.
âYou paused,â you say gently. âWhen you said she didnât have enemies.â
He freezes.
âYou were going to say something else,â you continue. âAnd then you stopped.â
His jaw tightens.
âI didnâtââ
âYou did,â you say, still soft. Still calm. âAnd itâs okay that you did.â
His eyes drop to the table again. This time, they stay there.
âSheââ he starts, then stops. Shakes his head. âIt wasnâtââ He exhales, sharp, frustrated. At himself. At you. At the situation. All of it tangled together.Â
âIt wasnât like that,â he says finally, like heâs trying to convince the room more than you. âShe justâŚâ His thumb drags along the edge of the cup again, over and over, like heâs trying to wear the feeling down. âShe talked. A lot.â
You nod once. Small. Neutral. Encouraging without pushing. âAbout what?â
He huffs a humorless breath.
âEverything,â he says. âWork. Friends. People she knew. People she didnât know.â His mouth twists slightly. âStuff she shouldnât have known.â
Reidâs gaze sharpens just a fraction. âWhat kind of stuff?â
Lance glances at him, then back to you. Like youâre the one heâs answering to.
âPersonal things,â he says. âSecrets. Gossip. Whatever you want to call it.â His grip tightens again. âSheâd hear something and justârun with it.â
âRun with it how?â you ask.
âLike it was true,â he says, a little sharper now. Defensive again, but not hiding this time. âDidnât matter where it came from. Didnât matter if it made sense. If she thought it fit, sheâd repeat it. She was a gossip for sure.â
âDId she ever get called out for it?â you ask.
A short, bitter laugh escapes him. âYeah. Yeah, a few times.â
âBy who?â
âNeighbors. Coworkers. One of her friends stopped talking to her over it.â He shakes his head. âSaid she was twisting things. Making people look bad.â
Reid leans forward slightly. âDid Lauren believe what she was saying? Or did she know it wasnât true?â
Lance hesitates. That hesitation is heavier than anything heâs said so far.
âI thinkâŚâ he starts slowly, frowning like the answer doesnât sit cleanly anywhere, âI think she believed it once she said it.â
âDid she confront people with it?â you ask, voice softer now.
Lance nods, once. âSometimes.â
âHow did that usually go?â
âBad,â he says immediately. âPeople didnât like being told things about themselves that werenâtââ He stops. Corrects himself. ââthat werenât right.â
âDid anyone ever get angry enough to threaten her?â you ask, voice still even, still patient. âOr scare her?â
Lance shifts in his chair, shoulders pulling in just a fraction.
âPeople got mad,â he says. âYeah. Of course they did. Butââ He shakes his head quickly. âNot like that. Notâthis.â
âShe ever mention someone specific?â you ask, softer now. âSomeone who didnât let it go?â
Lance exhales, long and thin, like heâs trying to flatten the question out before it can take shape.
âThere wasââ he starts, then stops.
âMr. Powell,â you say gently, âwhatever you rememberâeven if it feels smallâit matters.â
His jaw shifts, working against itself.
âThere was a guy,â he admits finally, quieter now. âA few weeks back.â
Reid leans forward slightly. You feel it more than you see it, the shift in his attention sharpening like a lens clicking into focus.
âWhat happened?â Reid asks.
Lance glances at him, then back to you again.
âShe said something about him,â he says. âI donât even remember what it was. Something about his business, I think. That he wasâcheating people, or cutting corners, orââ He shakes his head. âIt didnât make sense to me. But she was convinced.â
âAnd he confronted her?â you ask.
Lance nods. âYeah. Came by the house. I wasnât there, but she told me about it after.â His mouth tightens. âSaid he got real worked up. Told her to stop talking about him. That she didnât know what she was saying.â
Your fingers tap once, lightly, against the table. âDid she stop?â
A humorless huff. âNo,â he says. âShe said if it wasnât true, he wouldnât be so mad about it.â
Reidâs gaze flicks briefly toward you again.
âDo you remember his name?â
Lance hesitates. Then nods, slow.
âCaleb,â he says. âCaleb Turner. I think. Runs some kind of contracting business out by the highway.â
âDid anything else happen after that?â you ask. âAny more contact?â
Lance shakes his head. âNot that I know of.â
Not that I know of.
You let that sit where it is.
âOkay,â you say gently. âThat helps. It really does.â
Relief flickers again, softer this time. Less certain. Like he doesnât fully trust it, but wants to.
Reid shifts beside you. âWe may have a few more questions later,â he says, tone calm, measured. âBut this gives us a place to start.â
Lance nods quickly. âYeah. Yeah, of course. Whatever you need.â
You stand slowly, giving him space to stay where he is, to not have to follow you out of this moment any faster than he already is.
âThank you,â you say, and you mean it.
He nods again, eyes already drifting somewhere else. Back to her. To the house. To the version of the day that still makes sense.
You and Reid step out into the hallway.
The next morning arrives gray. Not storming or cinematic. Dull around the edges, the sky washed into the color of old printer paper as the precinct slowly wakes around it.
Youâre standing near the coffee machine when Hotch steps out of an office with a file already in hand.
âTurnerâs here,â he says.
Morgan straightens immediately from where heâd been leaning against the counter. âLawyer up yet?â
âNot yet,â Hotch replies. âLocal PD picked him up early this morning on probable cause related to harassment complaints and brought him in for questioning.â
Not enough to hold him long.
The implication hangs there anyway.
Hotchâs gaze shifts to you. âYou did well yesterday with Powell. You and Morgan can take lead.â
You nod once. âOkay.â
Morgan pushes off the counter beside you, rolling one shoulder loose. âCâmon, Santa. Letâs go ruin somebodyâs morning.â
You huff a faint laugh despite yourself, already reaching for the file Hotch offers.
The name stares up at you from the front page.
Caleb Turner.
Forty-two. Owner of Turner Contracting Services. Two prior complaints for aggressive conduct. No charges. No violent offenses.
âHeâs defensive,â he says. âReactive. But not impulsive. Donât corner him too fast.â
You nod again, fingers tightening slightly around the edge of the file. âGot it.â
The interrogation room sits at the end of the hall. Same heavy door. Same wired-glass window and metal handle. Same stale recycled air leaking faintly into the corridor.
Morgan reaches the handle first, then pauses and glances back at you. âYou good?â
Thereâs always a moment before interrogations. A strange little stillness. Breath held. Like standing barefoot at the edge of dark water and preparing to jump in. You never know what could be below the surface, but youâre ready to find it.
âYeah,â you say after a second. âIâm good.â
Morgan studies your face briefly like heâs checking the structural integrity of the answer. Apparently satisfied enough, he nods once and opens the door.
Caleb Turner looks up immediately.
Mid-forties. Broad shoulders gone stiff with tension. Heavy workmanâs hands folded too tightly on the table. Thereâs irritation in him already, simmering close to the surface like a pot left unattended.
His gaze hits Morgan first, then slides to you. THereâs a look on his face youâve seen before.
Dismissal. The quick recalculation people do when they decide youâre softer than they expected. Easier.
Morgan takes the seat across from him with easy confidence, sprawling just enough to fill the space without seeming aggressive.
You sit beside him, quieter.
Caleb watches you both carefully. âThis some kind of good-cop-bad-cop thing?â
Morgan snorts. âMan, we havenât even started talking yet.â
âI already told the other cops what happened.â
âGood news,â Morgan says. âYou get to tell it again.â
Caleb leans back in his chair, jaw tightening. âI didnât kill anybody.â
Morganâs gaze flicks toward you briefly, questioning. Checking the read before he pushes.
You look at Caleb for one long second.
The irritation is real. The anger too. It sits close to the surface of him like heat rolling off asphalt.
But underneath it? No fear or unease.
You shake your head once, small. Not yet.
Morgan leans back a fraction in his chair, easy as anything, like this is just another conversation and not a room specifically designed to make people sweat.
You set the file down on the table and open it carefully. Paper shifts beneath your fingers.
Caleb watches the movement with the kind of rigid attention people get when theyâre trying not to look nervous.
âYou own Turner Contracting Services,â you say, glancing down briefly. âBeen operating about eleven years.â
âThirteen,â Caleb corrects automatically.
You nod once. âOkay. Thirteen.â
The correction settles something in him. Tiny. Instinctive. People like being accurate about themselves.
âYou mostly take commercial jobs?â you ask.
âCommercial, residential, whatever pays.â His tone is clipped, defensive around the edges.
You hum softly like youâre just fitting pieces together. âYou grew up here?â
Calebâs brow furrows slightly. âYeah.â
âFamily still around?â
Morgan glances sideways at you for half a second. Not confusion. Curiosity. Heâs waiting to see where you go with this, how you plan on getting Turner to open up.
Caleb shifts in his chair. âMy brotherâs in Daytona.â
You nod again, flipping one page in the file though you already know whatâs on it.
âThatâs a decent drive.â
âWhat does this have to do with anything?â
You look up then, meeting his eyes properly for the first time since sitting down.
It always changes the room a little when you do that. Makes people a bit uneasy, tense.
âWeâre trying to get a sense of who you are,â you say simply.
Caleb scoffs softly, leaning back again. âYou already got a sense. Otherwise I wouldnât be sitting in here.â
Morgan watches him over steepled fingers. âYou threatened Lauren Powell.â
âI told her to stop talking about me.â
âYou showed up at her house.â
âBecause she was spreading bullshit.â
The words come fast. Hot. Practiced, but not rehearsed. Visited, like he's snapped that line in his mind a thousand times.
You glance down at the file again. âShe accused you of cheating clients,â you say. âCutting corners on jobs.â
âI donât.â
Immediate. Sharp. His jaw tightens so hard you can see the muscle jump.
âShe said you used cheap materials and pocketed the difference,â you continue evenly. âThat your permits werenât legitimate.â
âThey are legitimate!â
He nearly shouts it.
The sound cracks through the room hard enough to rattle the thin layer of calm youâd been building.
There.
The heat underneath the anger finally shows its shape.
Your gaze stays on Calebâs face. The flush climbing too fast up his neck. The split-second delay before outrage turned performative. The way his eyes cut sideways first, not at Morgan, but at you.
Checking. Measuring whether you bought it.
You didnât.
"You're lying."
The chair screeches violently backward as he lurches to his feet. The cuffed arm yanks hard against the restraint with a brutal metallic crack.
âYou donât know what the fuck youâre talking about.â
His finger points straight at you. Accusatory. Shaking with adrenaline.
Morgan stands immediately.
âSit the fuck down,â he snaps.
Caleb flinches instinctively, but he doesnât sit.
His breathingâs gone uneven now, chest rising too fast beneath his work jacket.
âYou think you can just look at me and decide that?â he demands, voice louder now, fraying at the edges. âYou people walk in here acting like you already know everything.â
Morgan steps forward once. Not enough to threaten. Enough to take control back. âI said sit down.â
Calebâs eyes flash toward him, jaw clenched so tight it looks painful.
For a second, you genuinely think he might keep pushing.
Then the cuff tugs again when he shifts, reminding him exactly where he is. The fight drains out of his posture in ugly pieces. He drops back into the chair hard enough to make the table jump.
Silence crashes in after him. Heavy breathing. Metal creaking faintly.
Morgan stays standing another second, watching Caleb carefully before lowering himself back into his seat.
âYouâre real interested in proving she was wrong,â he says evenly.
Caleb scoffs, but thereâs no confidence in it now. Just heat. âBecause she was.â
âYou sure about that?â Morgan asks.
âYes.â
You hold his gaze for a second longer.
Then you open the file.
âThese are your permit records,â you say calmly.
Calebâs posture shifts almost imperceptibly.
Tiny, but there.
You slide the copies across the table.
He doesnât touch them. Doesnât need to. He already knows what they are.
âWe contacted the county office this morning,â you continue. âThe permit numbers attached to three of your recent commercial jobs donât exist.â
Silence.
âTwo others belong to entirely different properties.â
Calebâs jaw tightens.
âYou forged them,â Morgan says flatly.
âI didnât forge shit.â
You watch him carefully.
The angerâs still there, but something heavier has started bleeding through underneath it. Something frightened. Something exhausted. The kind of fear people carry when theyâve spent too long balancing their entire life on one unstable thing.
"So, she was spreading your secrets." You tilt your head slightly. âIs that why you killed Lauren?â
Calebâs head jerks up so fast it almost looks painful. âI didnât kill anybody.â
The words come hard this time. Immediate. Too immediate. Spit out before the thought fully forms.
âThat was a lie the first time,â you say quietly. âAnd itâs still a lie now.â
Something in him jolts.
Not physically. Internally. Like the sentence hit someplace softer than anger expected.
âYou donât get to do that,â he snaps suddenly, leaning forward against the restraint with a sharp metallic rattle. âYou donât get to just say people are lying because you feel like it.â
âIâm not saying it because I feel like it.â
âOh, really?â he shoots back. âThen what, huh?â
His laugh comes out ugly. Sharp around the edges.
âYou psychic or something?â
Morgan stays silent beside you. You donât answer either. And somehow that makes Caleb more agitated, not less.
His knee starts bouncing beneath the table. Fast. Violent little bursts of motion he doesnât seem aware of.
âYou people are unbelievable,â he mutters, dragging a hand down his face. âWhole damn unit walks in acting like God; all-fucking-knowing.â
âNo,â you say softly. âJust me.â
Morganâs mouth twitches once beside you before flattening again.
Caleb stares at you, searching. Trying to decide if youâre joking.
âYou think you'reâwhat?â he says slowly, disbelief curling around the words, âa human lie detector?â
You shrug one shoulder slightly. âBasically.â
âThatâs bullshit.â
âItâs usually more useful than fun.â
He scoffs hard enough to puff air through his nose, but thereâs something unstable underneath it now. You can see it settling into him piece by piece.
Replaying. Every answer. Every hesitation. Every time you looked at him too long.
âYou canât know that,â he says, but thereâs less force behind it now. âYou canât just look at somebody and know.â
âNo,â you agree calmly. âNot everything.â
His eyes narrow.
âBut I know when people are lying.â
Caleb shifts back in his chair, but thereâs nowhere useful to go. His gaze flicks briefly toward Morgan like maybe heâll interrupt this, shut it down, call it ridiculous.
Morgan just watches him evenly. âThey're hell of a poker player, too,â he says casually.
Caleb looks back at you longer this time. And you watch the exact moment uncertainty starts eating through his certainty.
Because innocent people react differently. They get angry. Defensive. Confused. But eventually, somewhere underneath all of it, thereâs solid ground.
Caleb doesnât have any. Just a bottomless hole heâs dug himself deeper and deeper into
âYouâre screwing with me,â he says finally, but quieter now. Less conviction. âThis is some interrogation tactic.â
You shake your head once. âNo.â
His jaw flexes.
âYou killed Lauren Powell,â you say. "And we know why. Why did you kill the others?"
âI didnât do that,â he says quickly, leaning forward as much as the cuffs allow. The metal snaps lightly against the table. âI didnât kill anyone else. I didnâtâthere werenât any others.â
"But you killed Lauren," you say. Not really a question, but a confirmation.
âI didnât mean to!"
The hallway outside the interrogation rooms is too bright again. Always too bright after something like that. Like now that the shadows have been revealed, the lights feel they need to work harder.
Morgan walks a step ahead of you, already loosening the tension in his shoulders as he heads toward the conference room.
The rest of the team is already there when you arrive.Â
âCaleb Turner admitted to going to Lauren Powellâs home yesterday evening,â Morgan starts.
A few heads lift slightly.
âHe says it was to confront her about accusations sheâd been making,â you continue. "It escalated, and he strangled her."
Morganâs voice carries the rest of it, steady as a closing door.
âHe says he didnât plan it,â he adds. âIt escalated fast. Argument, physical struggle, loss of control.â
The room doesnât react all at once. It never does.
It lands in layers.
JJâs hand stills over her notepad. Prentissâs eyes sharpen, already moving ahead of the words. Hotch doesnât move at all, but something in his expression tightens by a fraction, like a lock clicking shut.
âAfterward,â you continue, âhe panicked.â
You shift slightly in your chair, feeling the weight of the case settle into its next shape.
âHe staged the scene,â Morgan says. âCarved the word. Tried to make it look consistent with the others.â
âHe knew we were already looking at the earlier cases. He was trying to redirect the narrative. Make her look like another victim in a series instead of his temper getting the best of him.â
Prentiss exhales through her nose. âSo he escalates once, realizes what heâs done, then tries to blend it into something bigger than him.â
âExactly,â Morgan says.
Kesslerâs gaze stays on the file a moment longer than anyone elseâs. Then she leans forward slightly.
âJust to clarify,â she says, tone even, almost conversational, âhow do we know he didnât kill the others as well?â
A few eyes flick toward her.
Not in challenge. More like recalibration.
Morgan answers first, easy and immediate. âBecause he said he didnât.â
Kessler tilts her head a fraction. âAnd we believe him?â
Reid leans forward slightly, fingertips brushing the edge of the file.
âThe original offender demonstrates ritual stabilization,â he explains. âConsistent post-mortem staging, controlled timing, organized victim selection, geographic discipline.â His gaze flicks briefly toward the crime scene photos. âTurner doesnât.â
âHeâs reactive,â Morgan adds.
âDisorganized under emotional pressure,â Reid agrees. âHe escalated during confrontation, panicked afterward, and imitated an existing pattern poorly.â
Kesslerâs gaze narrows slightly. Thinking. âYouâre basing that distinction partially on the interrogation.â
âPartially,â Reid says immediately. "We already know the crime scenes were different. 'Liar' wasn't symmetrical."
âAnd partially on them,â Morgan adds again, jerking his chin lightly in your direction.
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summary: after a toxic ex stirs old insecurities, spencer shows up, protective and insistent, proving that you deserve better
includes: no use of y/n, smut (MDNI), coworkers/friends-to-lovers, insecure reader, bar/alcohol, ex jealousy/freakout, protective spencer, implied (scarcely mentioned) age-gap, reader has a small panic/anxiety attack, sarcasm as a defense mechanism, slow burn/teasing, oral (f receiving), unprotected sex (pull-out), fingering, praise/dirty talk, mutual release, post-sex aftercare, intimacy, age gap/daddy kink undertones, bedroom setting, clumsy fumbling, lingering touches, sweat and heavy breathing, consent-focused
this is the longest one shot I've posted. usually I try to edit them down, because I don't want people to have to pause and try and come back later and remember where they were. but for this one I just kept writing, and I decided to leave it long as hell because why delete all that work? lol
based on this request
The room is too warm.
Sheets tangled low around your legs, twisted into something that feels more like restraint than comfort. The air smells faintly of himâsoap and something sharper beneath it, something youâve never quite been able to name but have always associated with this: these visits, these nights, this version of yourself.
Heâs beside you, chest rising and falling, breath still uneven. Spent. Satisfied.
And youâ
Youâre not.
The difference sits heavy in the space between you, unspoken but obvious. Your body still caught somewhere in the middle of something that never quite reached its end. A tension with nowhere to go. A quiet, unfinished feeling youâve learned not to look at too closely.
James shifts beside you with a quiet exhale, like the moment has already left him.
Thereâs no lingering touch, no absentminded brush of his hand against your skinânothing that suggests heâs still here with you in any way that matters.
He stretches. Itâs casual. Unbothered. Like this is routine. Like you are routine.
The mattress dips as he sits up, running a hand through his hair before swinging his legs over the side of the bed. The air moves with him, cool against your skin where the sheets have slipped too low.
âIâve got an early day tomorrow,â he says, voice rough but detached, already halfway somewhere else.
You donât answer. You donât need to. Because then he glances toward the door. Just for a second. And thatâs all it takes.
The rest of it settles into place like it always doesâquiet, practiced, familiar in the worst way. He doesnât tell you to leave. He never has. He doesnât have to.
You know the pattern. You know your place in it.
You sit up slowly, the sheets dragging against your legs as if reluctant to let you goâor maybe thatâs just you projecting something human onto something that isnât. Wouldnât be the first time tonight.
James stands, already reaching for his clothes. Thereâs no urgency in it, no embarrassment. Just efficiency. Like heâs completing a task.
Like you were one.
Your chest tightensânot sharp enough to hurt, just enough to remind you itâs there. That something is.
You gather your things from where theyâve been discarded, movements quieter than they need to be. Careful. Always careful. Like if you take up too much space, the illusion might break completely.
Like if you donât, maybe it wonât.
A soft buzz breaks the silence. Not loud. Not intrusive. Just enough to fracture what little stillness is left.
Jamesâs phone lights up on the nightstand.
You donât mean to look. You really donât.
But your eyes are already there, dragged by something instinctive, something tired and aching and quietly bracing for impact.
The screen glows in the dim light.
You donât read the message. It's the wallpaper that gets your attention.
The girl in the picture is pretty. Effortlessly so. Long blonde hair spilling over her shoulders, bright blue eyes caught mid-laugh. Thereâs a softness to her expression, something open and certain. Happy.
James' arm is wrapped around her waist, pulled in closeâfamiliar in a way that makes your stomach drop.
Heâs kissing her cheek. And sheâs smiling. Holding up her hand. A ring catching the light.
Your eyes close.
Fuck.
Itâs quiet in your head for a second. Completely, unnaturally quiet. Like everything just⌠stops. No thoughts. No rationalizing. No soft excuses youâve been feeding yourself for monthsâyears, maybe.Â
Just that image. Burned in.
You inhale slowly, but it catches halfway in your chest. Stutters. Doesnât quite settle.
Of course.
Of course thereâs someone else.
Of course thereâs always been someone else.
Behind you, James exhales like nothingâs changed. Like the room hasnât just tilted on its axis. Like you arenât standing there, half-dressed and suddenly very aware of how little space you actually take up in his world.
He reaches for the phone. The screen goes dark. Just like that. Gone.
âYou good?â he asks, glancing at you briefly as he pulls his shirt over his head.
Casual. Offhand. Like heâs asking if you remembered your keys.
Your throat tightens. You nod anyway. Because of course you do. Because thatâs the part you know how to play.
âYeah,â you say, and it comes out softer than you mean it to. Thinner.
He hums, distracted already, fingers moving over his phone now that itâs in his hand. Typing something out. Quick. Easy. Unbothered.
You wonder if itâs her.
You donât ask. You wonât ask.
That would imply something youâve never been allowed to be.
You finish gathering your things, movements slower nowânot hesitant, just⌠heavier. Like each small action carries more weight than it should.
Like something has shifted, even if nothing outwardly has.
Your shoes. Your bag. Your jacket. You pause for half a second longer than necessary, fingers brushing over the fabric before you pull it on.
Waiting.
For what, youâre not entirely sure.
For him to say something, maybe. To stop you. To explain. To choose.
But nothing comes. It never does.
James doesnât look up right away.
His attention stays on his phone, thumb moving in short, practiced motions. Whatever conversation heâs stepped back into seems to take priority over the one he hasnât even bothered to finish with you.
Then, like he remembers youâre still thereâ
âIâm slammed this week,â he says, almost as an afterthought. His tone is easy, unaffected. âMeetings. Late nights. The usual.â
You nod once. Of course.
He glances up briefly, just enough to check that youâre listening. Not long enough to actually see you.
âI head out Saturday,â he adds, tugging his watch onto his wrist. Adjusting it with a small, precise movement. âBut Fridayâs open.â
Thereâs a beat.
Then, like itâs already decidedâlike it always isâ
âEight work for you? Just come here.â
Not do you want to. Not are you free. Not even your name.
Just an expectation. A slot in his schedule. A space youâre meant to fill.
You nod again. Because thatâs what you do.
âYeah,â you say, quieter this time. It barely lands in the room.
He hums in acknowledgment, already moving on. Conversation over. Box checked.
You stand there for a second longer than necessary, like your body hasnât quite caught up to the fact that thereâs nothing left to wait for.
There never is.
So you leave.
The hallway outside is cooler.
It hits your skin in a way that feels sharper than it should, like youâve stepped out of something thicker than air. Something that clung.
The door clicks shut behind you with a soft, final sound.
And thatâs it.
No footsteps following. No voice calling you back.
Just quiet.
Friday comes anyway.
It always does.
But it feels different this timeânot in any loud, dramatic way. Nothing that announces itself. Just a subtle misalignment. Like something inside you shifted a fraction to the left and never quite settled back.
You go through the motions of your day. Work. Conversations. Background noise. The steady rhythm of everything thatâs supposed to feel normal.
The cursor blinks.
Steady. Patient. Indifferent.
You havenât typed inâwhat, minutes? Longer than that. The document on your screen sits untouched, words from earlier staring back at you like they belong to someone else. Like they were written by a version of you that knew what it was doing. A version that wasnât⌠this.
Whatever this is.
The office has shifted around you without you noticing. The low hum of conversation has thinned out, chairs scraping less frequently, the rhythm of people packing up settling into something quieter. End of day.
Your fingers rest lightly against the keyboard, unmoving. Your eyes fixed somewhere just past the screen, unfocused. The kind of staring that isnât really seeing anything at all.
Eight oâclock.
The thought drifts through, uninvited. Lands heavier than it should.
Just come here.
Your jaw tightensâbarely, but enough that you feel it. A slot in his schedule. A space. Something to fill.
âAre you coming?â
The voice cuts clean through the fog. You jolt.
Itâs small, but sharpâyour shoulders tensing, breath catching just enough to betray how far gone youâd been. Your head turns too quickly, like your body is scrambling to catch up.
Reid is standing a few feet away from your desk.
Thereâs a flicker of something in his expressionânot quite concern, not quite surprise. More like confirmation. Like heâd suspected you werenât really there long before he said anything.
His bag hangs loosely from one shoulder, one hand hooked around the strap. He tilts his head slightly, studying you in that way he doesâtoo observant, too precise. Itâs never invasive, exactly.
Just⌠thorough.
âThe teamâs going out,â he says after a moment, voice gentle but clear enough to anchor you back into the room. âLuke found a place a few blocks over. Apparently they haveââ he hesitates, searching for the phrasing, ââstatistically above-average reviews for their bourbon selection.â
A beat. His gaze doesnât leave your face.
âWeâre heading there now.â
Thereâs a pauseânot empty, not accidental. Intentional. He gives you space to respond, but not enough to disappear into.
âAre you coming?â
The question lands softer than it should. Or maybe youâre just more aware of it.
You open your mouthââUmââbut it doesnât go anywhere. Your eyes drop instead, almost instinctively, to your phone where it sits on your desk.
Dark screen. Still.
He doesnât comment on it, but something shifts behind his eyesâsome quiet recalibration, pieces sliding into place. Heâs good at patterns. Better at people than he likes to admit.
Heâs seen this before. Not the specifics. Not the details. But the shape of it. Waiting. Hesitation. Obligation dressed up as choice.
You look back up.
He hasnât moved. Hasnât filled the silence. Just stands there, steady, patient in a way that doesnât feel like pressureâbut doesnât let you hide either.
âYeah,â you say finally. âSure.â
The bar is louder than the office.
Not overwhelmingly so, but enough that it fills the empty spaces in your head with something externalâmusic threading through conversation, glasses clinking, laughter rising and falling in uneven bursts. Warm light spills across polished wood and crowded tables, the air carrying the sharp, sweet burn of alcohol.
Your phone glows dimly in your hand.
Thread open. Messages stacked one on top of the other, a timeline of something that always felt like more when you were in it than it ever looks like now.
Short texts. Late-night logistics. Half-finished conversations that never needed finishing because they always ended the same way.
You scroll.
Your thumb hesitates over one from a few weeks agoâYou up?âand something in your chest tightens, small and familiar. Predictable.
Itâs just after eight.
You glance at the time again like it might change if you look at it differently.
No new message.
No are you on the way, no where are you, no irritation at your absence. Nothing to acknowledge that you didnât show. Nothing to suggest he cares that you didn't.
Your teeth catch the edge of your thumb before you realize youâre doing it.
Across the table, laughter breaksâLuke saying something you donât quite catch, JJ swatting his arm, Rossi shaking his head with that low, amused huff. Itâs easy, natural. Effortless in a way that feels⌠distant.
A glass taps down in front of you.
You blink, pulled back just enough to look up as Emily slides a shot onto the table with a small, decisive nod.
The glass catches the lightâamber, sharp. You stare at it for a second like youâre deciding whether youâre allowed to have it.
Then you pick it up.
Everyone cheers.
Itâs loud, overlappingâLukeâs easy grin, JJâs bright laugh, Garcia already halfway to a dramatic âbottoms up!â before the rest of the table catches up. Even Rossi lifts his glass with a quiet sort of approval, something softer tucked beneath it.
Spencer raises his glass of water too.
His fingers curl loosely around it, the motion a fraction delayedâlike heâs watching first, cataloging, before participating.
His gaze flicks briefly toward you, quick enough that no one else would notice. Long enough that he registers the way your grip on the shot glass is just a little too tight.
Then you drink.
It burns. Sharp and immediate, a clean line of heat down your throat that should anchor you, should pull you fully into the moment. For a second, it almost doesâyour eyes squeezing shut, your breath catching on the exhale.
But it doesnât last.
It never does.
Soon, the group begins to scatter.
JJ and Garcia vanish first, drawn toward the dance floor like itâs a magnet, laughter trailing behind themâbright, unrestrained, a kind of joy that feels almost dissonant after the quiet heaviness of the week.
Emily and Tara drift toward the bar, conversation already picking up mid-thought, something low and conspiratorial threading between them.
Luke and Rossi stay, leaning in over the tableâvoices dropping into that familiar rhythm of debate, something about whiskey aging processes and whether it actually makes a measurable difference.
And just like that, the space shifts.
Your shoulders drop before you even realize youâve been holding them tense.
The noise of the bar swells and dips around you, laughter rising somewhere to your left, the low hum of conversation weaving in and out beneath itâbut it all feels⌠distant. Like youâre listening through a wall. Like youâre not entirely in the room so much as adjacent to it.
Your phone buzzes.
Itâs subtle, barely noticeable over the musicâbut you feel it. Your gaze drops immediately, like itâs been waiting for the excuse.
James.
Your thumb hovers for half a second before you tap the screen. The message is a picture. You donât open it. You donât need to.
You already know what it isâhis version of an invitation. A summons, really. A wordless where are you? wrapped in something thatâs never actually been about you.
You turn the phone face down against the table, like that somehow dulls the weight of it. Like it isnât still sitting there, waiting. Expecting.
Your fingers curl loosely around the edge of the table instead.
You could leave.
The thought slips in quietly, familiar as a well-worn path.
You could make an excuseâsay youâre tired, say you forgot something, say anything at all. No one here would question it. Theyâd nod, tell you to text when you get home, maybe tease you lightly about being the first to bail. And then youâd go.
Back to the hotel. Back to him. Back to something predictable. Easy.
Your teeth catch your thumb again before you can stop yourself.
You donât belong here.
The thought settles in, heavy and certain.
You grip the edge of the table, knuckles whitening, and for the first time tonight you notice how small the space feels around you. Everyone else is laughing, moving, drifting through their easy rhythms like they belong here. And you⌠youâre just a shadow at the edge of it, fresh out of the academy, six months in, surrounded by people whoâve been this team for a decade. Youâve been trying to fit. Trying to catch up. Trying not to be noticeable.
Youâre just a shadow at the edge, watching everyone else move like they belong here.
âHey⌠you okay?â
Your chest tightens, breath stuttering. You snap your head up, startled, and your eyes catch Reidâs. Heâs standing there, calm, patient, his gaze scanning you like he always does.
âIâm fine,â you say, softer than you mean to.
He tilts his head, suspicion flickering in his eyes. You know he sees through you, and the thought makes your stomach twist. You need movement, something to anchor yourself. âIâm getting another drink,â you tell him. âAnyone want anything?â
Rossi shakes his head without looking. âNo thanks, kid.â
You nod, forcing yourself to push away from the table. The chair scrapes the floor, the sound louder than it should feel, echoing in the hollow space of your chest. Step by step, you move toward the bar, each one deliberate, grounding yourself in the smallest act of choice youâve taken all night.
The hum of conversation and clinking glasses feels distant, muffled by the tension crawling up your spine. You take a breath, shallow, careful, like the air itself might betray you.
A quiet shift to your left makes you glance over. Reidâs there. Close enough that the warmth of his presence nudges your awareness, but not so close that it feels like intrusion. His hands rest lightly on the bar, posture relaxed, shoulders squared. Calm. Steady. The way he always is.
âI thought you didnât drink,â you say, voice half curiosity, half challenge, like it matters.
He shrugs. âI donât.â
You just nod, not because it surprises youâbecause it doesnâtâbut because you need the distraction. Something to ground yourself in the ordinary. You catch the bartenderâs eye, raising a hand.
âVodka cranberry,â you say, forcing your voice steady. âDouble.â
The words feel heavier than usual, like the alcohol isnât just going into the glassâitâs for you, to hold on to, to push the buzzing of your chest down just a little. You watch the bartender pour, the ruby-red liquid spilling over ice, the glass catching the warm bar lights.
Reid doesnât comment. Doesnât question. Just leans there beside you, quiet, presence solid and patient. You can feel him cataloging, observing, and itâs both comforting and infuriating. His gaze isnât demanding, not interrogatingâitâs just⌠aware.
You shift slightly, curling your fingers around the glass when it lands in front of you. Cold against your palms, weight real and grounding. You lift it to your lips, sip carefully, and let the burn of it anchor you to the moment.
You glance at Reid over the rim of your glass, letting the drink settle on your tongue for a beat before you speak. The words are sharp with a thread of sarcasm, more shield than truth.
âDid you⌠just follow me here to watch me drink?â
Reid blinks, the faintest hint of a smile tugging at the corners of his mouth. Itâs subtle, quiet, like heâs trying not to let the joke slip fully free, but it lands anyway. The kind of smile that reaches only his eyes and leaves the rest of him calm, unreadable.
âNo,â he says, voice low, even, measured. But the smile lingers, a small curve of humor in the steady precision of him. âIâI thought you looked like something was bothering you.â
You donât know why his words sting a little. Itâs not exactly the concern you wanted, but itâs the first thread of recognition youâve had all evening that someoneâsomeone who actually seesâmight notice you.
You set the glass down, careful, deliberate. Eyes meeting his, something in your expression half-asked, half-daring.
âYou⌠you didnât have to,â you mutter, voice low, and maybe itâs a statement. Maybe itâs a question. Maybe itâs both.
He tilts his head, that same patient tilt, as if weighing what to say, how much to share.
âI know,â he admits softly. âBut Iââ He pauses, eyes scanning you again, lingering on the tension youâve carried in your posture, the way you brace yourself in space. âI just wanted to make sure you were⌠okay.â
You stare at him for a second. Normally, youâd nod, mumble, âYeah, fine,â and push him away with a wall built out of routine, out of habit, out of every self-preserving instinct youâve honed. But now⌠now something else is threading through you, quiet but insistent.
You let your mouth open before your brain can catch up. âMy boyfâThis guy I was seeing⌠It turns out he's engaged.â
âAnd of course heâhe doesnât care,â you blurt, voice catching on the last word. âI mean, not like itâs supposed to matter to me, right? We had this sort of unspoken agreement that this thing wasn't serious. But I was thinking about how if it was unspoken, was it really an agreement?â
Your hands gesture helplessly, tapping, twisting, grasping for purchase in the air. You hate how much of this is spilling out. You hate how much of this is just you, raw and unfiltered.
âAnd the worst part is that I couldnât even⌠I couldnât even hate him properly â you continue. âJames has always been like this, I've always known what this was. It's my own fault, really. I started thinking it was something more than what I deserve.â
Reid frowns. Opens his mouth, something on the tip of his tongue, but the words never leave his mouth.
They don't get the chance.
âWhat the hell?â
Your head snaps around. Heart stutters. There he is. Standing too close to the bar, shirt untucked, hair combed back, angry eyes locked on you.
âJames?â
âYouââ he starts, then cuts himself, eyes narrowing, voice low but tight. âYou blew me off⌠for him?â His gaze flicks toward Reid, and you feel your chest tighten at the way he says it, the edge in his tone: himâlike the word itself is a judgment.
You open your mouth, but your voice barely rises above a whisper. âIâJames, itâs notââ
âNot what?â he yells, teeth clenched. âNot what? Youâre supposed to care about me! I waited. I actually waited for you tonight!â His chest heaves.
You feel heat rush to your face, your chest tightening. Words stick in your throat. You try again, voice weak, small. âI didnât mean toââ
âOf course you didnât,â he spits, waving a hand at you, eyes blazing. âYou never do. You just⌠just take. Always taking. And now youâre here, with some⌠some old nerd?â
You canât stop it. The word nerd bouncing off Jamesâ teeth makes you snort before you even realize it. Small, sharp, ridiculous.
His eyes flick toward you, narrowing. âWhatâwhatâs so funny?â
You tilt your head, letting the corner of your mouth twitch. âYou. You actually said that. Nerd. Thatâs⌠kind of sad, actually.â
The laugh dies quickly in your throat when you notice how fast his expression hardens. His jaw clenches. Fingers curl, like heâs balancing between self-control and something darker.
His voice drops, low and dangerous. âYouâyou think this is funny?â
You glare, something snapping in your chest thatâs been coiled too long. The last weeks, the tension, the weight of always being small in his world, the image of her burning itself into your mind.
âNo, actually, it's not funny,â you spit, voice sharper than you intend. âBecause unlike you, some of us actually care about other people. You know, like, your fiancĂŠe. Or does that not matter in your little world?â
Jamesâ nostrils flare, the heat in his face rising. âThatâs none of your business!â he hisses, stepping forward, closing the distance, chest nearly brushing yours. His hand lifts, threateningâlike he thinks he can push you back with sheer weight.
You donât even flinch. Not because youâre braveâthereâs no room for fear, no time for hesitationâbut because Reid is already there.
In one fluid motion, Spencerâs hand clamps around Jamesâ wrist, yanking it behind his back. His other hand presses firmly to Jamesâ shoulder, and suddenly the ex is face-down against the bar, pinned with a precision that leaves no room for argument.
âDonât touch her,â he says, voice low, each word clipped and deliberateâthe same tone heâd use when taking a violent suspect into custody.
James struggles, shoving lightly at first, trying to regain some semblance of control. âHeyâwhat the hell, man?ââ
Then a flicker of rage crosses his face. His eyes narrow, jaw tightening, as he shoves and strains against Spencer with increasing force.
âDo you know who youâre dealing with? You have no ideaânoââ Jamesâs face reddens, frustration mounting. âGetâoffâme! You littleâ!â
âLet him go, Reid,â you say. âIt's not worth it.â
Reidâs grip doesnât vanish all at once. It loosens in increments, controlled and deliberate. Like he doesnât trust the space yet. Like he doesnât trust him.
You can see itâtension coiled in Reidâs arm, the restraint it takes to let go at all. And then James wrenches himself free.
Itâs messy and abrupt, a sharp pull that breaks whatever control Reid had just barely eased into. James stumbles a half-step forward before he catches himself, chest heaving, shoulders tight with anger that has nowhere left to go but outward.
He turns to you. And for a second, you see it. Not affection, nor regret. Itâs not even the hallow imitation of either heâs always fed you
Itâs pride, bruised and ugly.
âYou know what?â he snaps, âIâm done.â
The words land harder than they should. Theyâre expected, sure, but theyâre still his. Theyâre supposed to mean something, theyâre supposed to matter. Youâd feared hearing those words from him for months.
âIâm done waiting around for you,â he continues, running a hand through his hair in frustration. âDone dealing with your bullshit, yourâyour games.â He laughs, but thereâs no humor in it. âYou want to throw yourself atâwhat, coworkers now? Fine. Have fun with that.â
Your throat tightens. You should feel something. You do feel something. Just not what you expected. You feel the sting youâd expectâthe tinge of hurt. But beneath that, beneath the instinctive urge to apologize, smooth it over, shrink yourself into something easier to handleâ
You feel relief.
James exhales sharply through his nose, shaking his head. âWhatever,â he mutters. âYouâre not even worth it. This is pathetic.â
He turns sharply, shoulder clipping someone as he shoves his way through the crowd, muttering under his breath, anger radiating off him in waves that part people before he makes it to them.
Itâs only then, in the space he leaves behind, that you realize just how many people were watching.Â
The noise of the bar doesnât stop, but it shifts. Warps around you. Conversations falter at the edges, eyes linger a second to long before pretending they werenât looking at all.
Thereâs a circle. Not a full one, not obvious, but enough. Enough to make your stomach drop. Enough to draw your eye to the woman standing just a few feet away, brows drawn slightly together and a frown on her lips.Â
Prentiss shifts forward when you make eye contact, and suddenly your chest caves in on itself.
She saw.
Every word, every crack in your voice. Your fingers curl in on themselves, nails biting into your palms.Â
You want to disappear.
The thought hits hard and immediate. If you could just step back, just slip out, just vanish into the crowd and out the doorâ
You wouldn't have to see the way theyâre looking at you. You wouldnât have to feel it. The shame curling low in your stomach and sharp in your chest, worse than anything James said.
Your throat tightens, breath catching too high in your chest. You shouldnât have come. You shouldnât be here. You donât belong here.
You take a small step back, then another. Your vision tunnels slightly, the edges of the room blurring as your focus narrows to one thing: out. You just need to get out.
âHey, what haââ
âI, uhâI just need some air,â you blurt, the words tripping over each other. You donât wait for a response.Â
You turn too quickly, nearly bumping into someone as you push past, murmuring a half-formed apology. The door is right there. You donât think, you just move. Push.
The cool air hits you all at once. It cuts through the heat clinging to your skin. You inhale hard, too fast, like your lungs forgot how to do it properly and are scrambling to catch up. Cold air floods in. Again. And again.
Your hands come up instinctively, bracing against your ribs like you can physically hold yourself together.
Itâs quieter out hereâthe traffic is slow, the music is muffled. Less noise, less pressure.Â
You bend slightly at the waist, dragging in another breath, slower this time. Trying to make it stick. Trying to make it work.
Your breathing evens out first, but your heart doesnât get the memo as quickly.Â
It keeps racing, thudding hard and uneven. You take another deep breath and lean back against the brick wall, the rough texture pressing through your clothes. Solid. Grounding, in a way.
Your knees give out before you really decide to sit.
You slide down slowly, controlled at first and then not, until youâre on the sidewalk, the cold seeping through the fabric of your pants. It bites, but you donât move. Your head tips back against the wall. Eyes close.
For a second, you wish you were a smoker.
The thought is absurd. But right now⌠right now feels like it would make sense. Something to do with your hands. Something to focus on.
The door creaks open behind you. Footsteps follow, measured and unrushed.
Thereâs a small, stubborn part of you that hopes that if you stay still enough, whoever it is might just leave. Give you a second longer to exist in the quiet, nothing expected of you.
The footsteps stop anyway, just to your left.
You crack one eye open, lashes sticking slightly where theyâd pressed too tight together. Your vision takes a second to focus, the streetlight catching on something glassy, redâyour drink.
You open your other eye, gaze tracking up to the person holding it out to you. Reid.Â
Heâs standing in front of you, one hand holding out your vodka cran, the other tucked loosely into his pocket. His poster is relaxed, but thereâs something careful to itâlike heâs making a conscious effort not to crowd you, not to overwhelm you.
His eyes flick over your face quickly, taking in more than youâd like him to. The slight flush still lingering on your cheeks, the uneven way your breath settles, the way your fingers curl loosely against your knees like youâre not entirely sure what to do with them.
Your gaze drops back to the glass in his hand.
âYouââ your voice comes out a little rough, like you havenât used it in a while. You clear your throat. âIâm pretty sure youâre not supposed to leave the building with alcohol.â
âWhat are they going to do, arrest me?â he winces slightly, like he regrets his own joke before heâs even fully said the words.
âWell, then I guess youâre a repeat offender now, huh?â The words leave your mouth before your brain can veto them. You wince, exactly the way Reid just did.
âIâm sorry, I didnâtââ
But Reid just lets out a quiet, low laugh. Sudden and surprised, like he wasnât expecting you to say something like that. âDonât be sorry. I joked first.â
You let out a breath you didnât realize youâd been holding and reach for the glass. Your fingers brush his as you take it, the warmth seeping through your skin. âThanks,â you murmur.
He doesnât speak, just tilts his head and slides down onto the curb beside you. You stiffen immediately. âDonât,â you whisper, a little sharp. âYouâre⌠youâre wearing a suit.â
He glances down at the neatly pressed fabric, then back at you, corners of his mouth twitching in that faint, crooked smile that somehow disarms all argument. âI can,â he says simply. And then, like itâs the most natural thing in the world, he does.
Reid shifts slightly, leaning back on his hands. âAre you⌠okay?â His voice is careful, gentle, like heâs handling something fragile.
You glance down at your knees, still gripping the glass a little too tightly. âIâm⌠embarrassed,â you mutter. Your throat tightens. âMy boss⌠just saw me get berated by some guy in a bar.â The words taste bitter on your tongue. You imagine her eyes on you, all judgment and concern, and you want to crawl into yourself, disappear.
Reid lets out a quiet laugh, soft but impossible to ignore. âShe actually saw me pin him to the table,â he says, voice teasing, but still calm, controlled. âArguably, thatâs a worse situation.â
A laugh escapes you, small, shaky, but genuine. You shake your head, a little of the tension leaving your shoulders. âYeah⌠okay. Iâll give you that. Definitely worse.â
He tilts his head, gaze curious, unreadable. âPrentiss doesnât care that it happened. She just wanted to know if youâre okay.â
You swallow, letting the words settle. Somehow, knowing that sheâs not judging, not holding it over your head, makes the heat of humiliation fade a little. âI⌠I think I am,â you admit softly, letting your fingers relax around the glass. âThanks⌠for defending me.â
âAny time,â he says. âYou donât deserve to be treated that way. Not by him. Not by anyone.â
Your breath hitches a little. The words settle in your chest, heavy and warm, threading through the lingering embarrassment. You glance up at him, half-expecting teasing, half-expecting judgmentâbut thereâs none. Just⌠that steady presence that makes it feel like the world outside this curb has stopped.
âYou deserve better,â he adds, more softly this time. âNot just protection from him, but someone who actually respects your time, your space, your⌠everything.â
"You really think that?" you ask, your voice barely above a whisper. The skepticism is instinctive, a reflex you've built up over years of being told you're too much, or not enough.
He doesn't flinch. He doesn't look away. "I know it.â
You take a sip of your drink to hide the way your mouth wants to twist, letting the vodka burn sharp and distracting on the way down. You stare out at the streetlights, watching the traffic pass, needing to look at anything but him.
"Well," you say, letting your head loll back against the brick to look at him, your voice dipping into that familiar, jagged sarcasm you wear like armor. "Let me know when you find someone who does that, will you?â
Reid doesnât laugh. He doesnât even smile. He just looks at you, eyes soft but intent, reading past the deflection like itâs written in a language heâs fluent in. The traffic rushes by, filling the silence between you, but he doesnât look away.
"I know someone whoâs willing to try," he says.
The air between you seems to still, the rush of traffic fading into a dull, distant roar. Your grip on the glass tightens automatically, a knee-jerk defense against something that feels dangerously like hope. You search his face for the punchline, the awkward hesitation that tells you heâs just being nice, but there isnât any. Just that steady, calm regard, like heâs stating a fact as simple as gravity.
Itâs terrifying. Itâs the most genuine offer youâve had in years, and it comes from the person you least expected to dissect the messy, jagged parts of you and still want to stick around. You force a short, skeptical breath of a laugh, trying to shove the moment back into the box labeled ' impossible' before it can crack you open. "You," you start, your voice rougher than you intended, "you realize I'm a disaster, right? That'sâthatâs what tonight was. Thatâs what I am."
Reid just shifts slightly, turning his body toward you so his knees bump yours, a deliberate, grounding point of contact. "I don't think you're a disaster," he says softly. "I think youâre a person whoâs been treated like an option for too long by someone who didn't know what he had." He glances down at the drink in your hand, then back up, eyes catching the streetlight with a quiet intensity. "I know the statistics on recovery. I know it takes time to unlearn that kind of treatment. But I'm good at waiting. And I'm very patient.â
You nearly choke on your next swallow, the burn of the vodka suddenly nothing compared to the heat rushing up your neck. You pull away, shifting so youâre not pressed quite so close to his side, putting a fraction of distance between you on the concrete.
"Wow," you breathe out, shaking your head as you stare at the traffic passing on the street. "You really... you actually just cited statistics at me to try and get me to sleep with you." You turn back to him, arching a brow, letting your lip curl just enough to be sharp. "That isâthat is impressively unsexy, Reid. I mean, truly.â
The words barely have time to hang in the cool night air before the regret hits you. Itâs instant and sickening, washing away the cheap defense of sarcasm and leaving behind the raw ache underneath. You watch his face, expecting him to bristle, to get up, to mutter some logical comeback and leave you there on the curb to finish your drink in solitary humiliation.
But he doesn't flinch. He doesn't look away. He just looks at you.
He holds your gaze with that same steady, infuriating patience. He saw the twitch in your hand, the way you spiraled, and instead of calling you out on the cruelty, he just waited. Like he knows you're already punishing yourself enough for the both of you.
"I didn't mean that," you blurt out, the words rushing together in a desperate attempt to take it back. You set the glass down on the pavement beside you, your hands suddenly feeling useless and trembling. "I'm sorry. That wasâthat was mean. I was just... deflecting."
"I know," Reid says softly. The forgiveness is immediate, absolute, and devoid of the hesitation youâre used to receiving. âBut I mean it. I know itâll take time. I know it wonât be easy to believe. But I want to be the one who proves that you deserve more. Who actually gives it to you.â
You bite the inside of your cheek, words catching in your throat. Your voice is quieter now, softer. âAnd if I⌠if I push back? Or yell? Orââ
âYou will,â he says, eyes locking on yours. âI know you will. And thatâs okay. Iâll wait. Iâll listen. Iâll⌠handle it.â His gaze doesnât falter, doesnât waver. Itâs steady. Enough to make the rest of the night, the bar, James, and everything else fade just a little.
Your laugh is small, shaky, like a bird testing the air for flight. âYouâre⌠insane.â
âMaybe,â he admits, corners of his mouth twitching in that crooked, infuriating smile. âOr maybe I just think youâre worth it.â
You lift your gaze, meeting his steady eyes again. Thereâs a pull thereâsomething magnetic, something dangerous in the way he looks at youâbut itâs not reckless. Not threatening. Safe. The kind of safety that makes your chest ache with longing youâve barely let yourself feel.
You shift slightly, closer, more instinct than conscious thought, just enough to brush against the warmth of him. Your hand hovers near his arm, and before you know it, itâs resting lightly against his sleeve. You almost pull it away, reminding yourself of restraint, of boundariesâbut the warmth of him there, steady, grounding, feels⌠essential.
Reidâs gaze follows your movement, patient but intent. He tilts his head, a faint, knowing smile tugging at the corner of his lips. âYou donât have to be careful with me,â he murmurs, voice low, a rasp that makes the air shiver around it.
His hand shifts subtly, brushing against yours, fingers threading just slightly, testing.
âDo youâŚ?â Your voice trembles, small and unsure, carrying the question you canât quite form. âDo you⌠want this?â
âI want whatever you want,â he says simply. âI want you. But only if you want me too.â
Thatâs enough to tip the fragile line youâve been teetering on. Impulsively, hesitantly, you reach up, tracing the edge of his jaw with your fingertips, memorizing the planes of his face, the way his skin is warm beneath your touch. He leans slightly into the gesture, breath hitching just enough to tell you he notices, that he feels it.
The world narrows. Just you. Just him. The faint buzz of the city, the distant headlights, the cold concrete pressing against your legsâthey all fall away until thereâs nothing but the hum of possibility between you.
Your lips hover near his, and you freeze, heart hammering. Youâre not sure if you want thisâif you want him, or just the safety, the closeness, the heat of someone who sees you and still wants you. But the thought of pulling back, of losing this chance, makes your chest ache.
He tilts his head, brushing a strand of hair from your face, thumb lingering against your cheek. âYou can stop,â he murmurs. âOr you can try.â
Something in you unravelsâthe careful walls, the sarcasm, the self-protective reflexes. You close the last fraction of distance, lips brushing his. Soft. Gentle. A spark, a question, a yes whispered in the language of a kiss.
Reid doesnât hesitate. He meets it, tilting his head to deepen the contact, hand moving to cradle your face, the other brushing along your arm. Safe. Warm. Patient, but insistent enough to let you know he wants this too.
His hand is warm where it cups your face. Steady. Intentional. Not demandingânever thatâbut there, present, like heâs giving you something solid to hold onto while everything else inside you threatens to tilt.
You expect it to feel overwhelming. It doesnât. It feels⌠quiet.
Your lips move against his again, a little more certain this time, testing the shape of it, the reality of it. And he followsâcarefully, like heâs reading you even now, adjusting in real time to every shift in your breath, every slight change in pressure. Thereâs no rush. No taking. Just⌠meeting you there.
Your fingers curl slightly where they rest against his jaw, and you feel the way his breath catchesânot dramatically, not exaggerated, just enough to tell you it matters. That you matter.
It does something dangerous to your chest.
You lean in a fraction more, and this time the kiss deepensâstill soft, still controlled, but warmer now. Real. His thumb brushes lightly along your cheek, a slow, grounding motion, like heâs reminding you that youâre here. That this is happening. That you can stop at any point and heâll let you.
And somehow, that makes you not want to stop at all.
Your other hand shifts, sliding from his sleeve to his wrist, then upâhesitant at first, then more certainâuntil your fingers rest against the side of his neck. His skin is warm. Steady. You can feel his pulse there, quickening just slightly under your touch.
You like that.
The realization hits you quietly, but it lingers.
Reid exhales softly against your lips, and thereâs something different in it nowâsomething a little less restrained, a little more felt.Â
âHeyâŚâ you murmur, pulling back just enough to meet his eyes. Your voice is soft, a little breathless. âWalk me home?â
He blinks, just the faintest flicker of surprise crossing his features before it smooths into that steady, calm look you know so well. âOf course,â he says, the words low, sure, certain.
You stand, brushing the chill off your pants, and he falls into step beside you without hesitation. The city night feels quieter now, the hum of traffic and distant sirens softened by the rhythm of your walking. Your hand brushes his at first accidentally, then deliberately, and he doesnât pull awayâdoesnât need to. The warmth seeps through your nerves, that quiet shock that says youâre alive, that youâre wanted.
There's that look in his eyes again: steady, observant, but carrying a promise that heâll meet you where you are. That heâll wait, if necessary, but that he wants this, too.
Your chest tightens. The city lights stretch shadows across the sidewalk, painting him in sharp angles and soft curves. You wonder how itâs possible for someone to feel so steady and so incendiary at once.
When you reach your building, the air seems thicker, heavier with unsaid words and barely restrained energy. The lobby is empty, quiet, the distant hum of the city muffled behind the glass doors. You pause, hand brushing against the wall for something to hold on to, grounding yourself.
âYou can⌠come up,â you murmur before your brain has time to talk you out of it. The words are uneven, hesitant, carrying all your insecurities. âIf you want.â
He tilts his head, watching you carefully, reading every microexpression like he always does. âI do,â he says softly. And he follows you inside without hesitation.
Youâve done this before. Let someone follow you upstairs. Let it mean something it wasnât supposed to.
This feels different.
The hallway stretches a little longer than usual, your footsteps echoing softly against the floor. You donât look back, but you can feel him there. Half a step behind you. Like heâs giving you the space to stop. To turn around. To change your mind.
The key slips once in your grip before you manage to steady it, the metal clicking against the lock louder than it should be. Your pulse jumps with it. You push the door open and step inside, the familiar quiet of your apartment settling around you like something held too tightly.
For a second, you just stand there. Then, he steps in after you. The door closes with a soft click.
âYou can stillââ he starts, voice low, careful.
But you close the distance before he can finish.
Your hands find him firstâfisting lightly in the front of his shirt, pulling him in like youâre afraid he might disappear if you donât anchor him there. His breath catches, just barely, and then your lips are on his again. Itâs different this time. Less careful. Less questioning.
Thereâs urgency in it nowâsomething thatâs been building, coiling tight all night finally snapping loose. You press closer, rising onto your toes, and he meets you immediately, hands coming up to steady your waist, your backâeverywhere all at once, like heâs trying to keep up without overwhelming you.
You tug at him, guiding, half-walking, half-pulling him down the short hallway toward your room. He follows without resistance, but thereâs a shift in himâsomething grounding, something deliberate beneath the heat.
The bedroom door bumps open. You barely register it before youâre turning back to him, hands already moving again, lips finding his jaw, his neckâanything you can reach. Itâs a little messy, a little rushed, your breath uneven as it tangles with his.
And thenâHis hands catch yours.
âHeyââ he murmurs, voice low, breath warm where it brushes your cheek. âHey⌠itâs okay.â
You blink, the moment stuttering. Your chest rises and falls too fast, your pulse still racing ahead of you, like you havenât quite caught up to your own body yet.
âI justââ you start, but the words donât land. Youâre not even sure what you were going to say.
He doesnât make you finish. âI know,â he says softly.
His thumbs brush lightly over your wrists where heâs still holding them, grounding, steady. Not restrainingâjust there.
âWe can slow down,â he adds. âWe donât have to rush anything.â
The certainty in his voice disarms you in a way youâre not prepared for.
Your shoulders drop a fraction. Your breath stutters, then steadies, just a little.
ââŚokay,â you whisper.
The word feels fragile. New. But he treats it like something solid.
Reidâs hands loosen, giving you the space to pull away if you wantâbut when you donât, when you stay right there in front of him, he lets his fingers slide more gently along your arms instead. Up. Slow. Intentional.
Like heâs learning you. Like he wants to.
His hands find the edge of your shirt, fingertips brushing the fabric where it clings to your skin. He pauses, lifting his gaze to yours, as if asking permission without a word. You nod, breath trembling.
His lips brush along your collarbone, soft and feather-light, following a trail only he seems to know exists. One hand slides up your side, fingertips pressing gently against your ribs, mapping the curve beneath the thin fabric. The warmth of him, the deliberate patience, makes your knees weaken.
âDo you⌠want me to?â His voice is low, rougher than usual, carrying that quiet certainty youâve come to rely on.
âYes,â you whisper. âYes, please.â
His fingers curl into the hem of your shirt, and then itâs goneâlifted slowly, deliberately, like heâs giving you time to change your mind even as it slides over your head.
He leans back in immediately, lips brushing yours, but your hands are fidgety, unsure, tangling in his shirt, pulling too hard, then too soft. Your fingers move to your pants, fumbling the button, and a tiny groan escapes youâhalf frustration, half embarrassment.
Reid chuckles against your lips, warm and low, the sound vibrating through you. Itâs soft, not mocking, just amused, and somehow it makes you grin despite yourself. You canât help itâa little laugh escapes between kisses, breathless and uneven.
You take a shaky breath and try again, dragging the fabric down with more determination, though youâre still clumsy, tugging at them too fast before pausing, then yanking them the rest of the way. They pool around your ankles, and you step free, kicking them asideâslightly off balance, but he catches you with a hand on your hip.
You tug him closer, heat building between you, and your hands find his, pressing them to the small of your back for a moment before slipping, guiding his fingers along the slope of your sides.
Your pulse hammers in your ears, and you can feel him stiffen slightly under your touch, a shiver running through him as you lead his hands upward to the clasp of your bra. The soft click of the hooks under your fingertips sends a jolt straight through your chest.
He pushes the straps off your shoulders, the soft fabric falling to the floor.Â
The air feels cooler against your skin immediately. Sharper. Youâre suddenly, acutely aware of itâof yourself.
Of him.Â
You donât give yourself time to think about it. Donât let the hesitation creep in. Your hands are already reaching for him again, pulling him forward, chasing the warmth you just hadâ
Your breath catches, confusion flickering across your face as you look up at him.
âIââ you start, but the words falter when you see the way heâs looking at you.
Not rushed. Not hungry in that careless, consuming way youâre used to. Focused. Intent.
âI want to look at you,â he says quietly.
It lands heavier than anything else heâs said tonight.
Heat rushes up your neck instantly, blooming across your cheeks, your chest tightening as your instinct is to turn away, to fold in on yourself, to hide. You almost laugh it offâalmost deflect, make a joke, cover the sudden vulnerability clawing up your throat.
But his hands are still there, resting lightly at your waist.
His gaze doesnât waver. Doesnât flick away to give you an out. But itâs not trapping, either. Itâs patient. Open.
Like heâs asking. Like it matters.
Your fingers twitch at your sides before you force them to still. You draw in a slow breath that doesnât quite steady you but helps enough. And then you nod.
Reidâs eyes move over you thenânot in a way that feels like heâs taking something, not like heâs cataloging flaws or comparing or measuring. Itâs slow. Careful. Like heâs trying to understand something heâs been given permission to see.
His thumb brushes lightly along your side, a small, absent motion that somehow keeps you grounded while his gaze lingers.
âYouâreââ he starts, then stops, like heâs recalibrating, searching for the right word and discarding the wrong ones before they ever reach you.
His jaw shifts slightly.
ââyouâre incredible,â he settles on, voice quieter now, like itâs something meant just for you.
Your heart skips a beat.
It shouldnât hit as hard as it does. Itâs a simple word. Easy. Overused.
But not like this. Not from him.
You swallow, gaze dropping for a second before you force yourself to look back at him, even as the heat in your cheeks refuses to fade.
Something shifts in your chest, a sudden, impatient flare that has nothing to do with words and everything to do with heat, want, the ache of waiting too long. You pull him toward you. Harder than planned. A startled breath escapes him, warm against your neck, and the sound alone makes your pulse spike again.
He stumbles slightlyâboth of you caught in the sudden motionâbut instinctively, he catches himself. His hands land on either side of you, bracing against the bed, his chest hovering just above yours. You can feel the warmth radiating from him, the subtle tension in his arms, the deliberate strength thatâs always been there but now feels dangerously immediate.
Your hands roam down his chest, fingers catching on each button as you work them open. The fabric parts beneath your touch, revealing warm skin, the steady rise and fall of his breathing just a little less even than before.
Your hands drag down his chest, fingertips tracing the subtle lines of muscle beneath warm skin, feeling the way his breath shifts under your touchâjust a little deeper now, just a little less controlled.
Then back up.
Over his shoulders, pushing the fabric down his arms, your palms following the movement like you donât want to lose contact for even a second. The shirt catches at his elbows before he shrugs it off completely, letting it fall somewhere behind him without looking.
Your palms trace the warmth of his chest one last time before they drift lower, brushing the waistband of his pants. A rush of heat floods your chest, anticipation curling in your stomach. You inch your hands forward, imagining the weight and warmth beneath the fabric.
He stops you with a gentle but firm grip on your wrists.
âThis⌠isnât about me,â he murmurs, voice low, rough with something deeper. âItâs about you. I want to make you feel good first.â
You swallow, heat pooling between your thighs at the deliberate weight of his words. Your hands drop, and for a moment, you let yourself just be held, just feel him.
Then his hands are movingâsliding along your ribs, over your hips, brushing over the swell of your breasts, ghosting over your nipples.
Your chest lifts instinctively under the pressure, the featherlight friction making your pulse stutter.
He leans back just slightly, eyes locking onto yours, searching, reading every flicker of reaction. âTell me if itâs too much,â he murmurs, but the way he holds your gaze is unwaveringâcommanding but gentle. âOr not enough. I want to know.â
You arch, pressing into him without thinking, letting the heat of anticipation spill into something more tangible. âNot⌠not enough,â you whisper, voice low, trembling with want.
A small, satisfied sound escapes himâalmost a growl, almost a purrâand his hands move with careful precision, cupping you fully now, thumbs brushing circles over your nipples, slow, deliberate, eliciting shivers that roll down your spine. You bite back a moan, but it escapes anyway, breathless, catching in the quiet of your bedroom.
His hands slide lower along your hips again, brushing teasingly over the swell of your thighs.Â
âMay I?â he murmurs, voice low, husky, as his fingers brush the waistband of your underwear. You nod, barely able to speak, breath hitching in uneven gasps.
He hooks his thumbs under the edges, letting his gaze lift to yours. No hurry, or shame. Just that commanding, attentive certainty that makes your knees weak.
He slides them down your legs, inch by careful inch, letting the fabric brush your skin, teasing, slow, patient, until he can discard them with the rest of your clothes. His hands drift back up your legs, tracing the curve of your inner thighs, stopping just shy of the place thatâs already slick with need. You gasp, hips tilting instinctively toward him, heart hammering.
Finally, he lowers himself, his lips brushing the sensitive skin of your inner thighs, feather-light at first, tracing circles that leave sparks behind.
The sensation travels inward, unhurried and deliberate, nothing like the frantic, selfish encounters youâre used to. When his mouth finally reaches where you need him most, the shock of it steals the breath from your lungs. It isn't rushed or performative; itâs attentive, his tongue moving with a focused precision that feels almost academic. One hand rests firmly on your hip, anchoring you to the mattress, a grounding tether as he begins to unravel you, lick by slow, devastating lick.
Your free hand finds its way into his hair, fingers tangling in the soft waves to hold him close, your hips lifting off the bed in a silent, desperate plea. He hums against you, a low, vibrating sound of approval that only sends fresh waves of pleasure rolling through your nerves, encouraging you to let go. Every flick of his tongue is a question he already knows the answer to, reading the tremor in your thighs and the broken cadence of your breath like data points on a graph, adjusting the pressure and speed until the only thing you know is the heat of his mouth and the rapidly tightening coil in your belly.
The pressure builds to a breaking point, overwhelming and sharp, and when you fall over the edge, you do so with a cry that you try to stifle against your own arm, a lifetime of conditioning making you shy away from being too loud, too much. But Spencer doesn't let you hide; he carries you through it, slowing his movements to draw out every last aftershock until youâre a trembling, boneless mess against the sheets.
He doesnât pull away immediately. Instead, his lips start a slow, deliberate ascent from your inner thigh, pressing open-mouthed kisses against the sensitive skin. Itâs a reverence in motion, a silent worship that has your eyes fluttering closed.
The scrape of his teeth against the curve of your hip draws a sharp, hitching gasp from you, your hips bucking involuntarily. He just smiles against your skinâa dark, knowing thingâand soothes the sting with his tongue, his hands continuing their slow, grounding glide up your sides. Heâs taking his time, mapping the topography of your body like he has all night, like he has a lifetime.
His mouth finds the dip of your navel, lingering there, his breath hot against your stomach. Your muscles jump and flutter under his attention, your breath coming in short, shallow bursts as the heat coils tighter, low and demanding. The sensations are overwhelmingâevery nerve ending feels raw, exposed, and terrifyingly alive.
He moves higher, tracing the line of your ribs with a devotion that feels almost holy. Your breath stutters, catching in your throat as the ghost of his breath feathers over your racing heart, the steady thump-thump-thump betraying just how undone you are. He presses a lingering kiss right over that frantic beat, as if trying to soothe the ache there with his own rhythm, his hands sliding up to bracket your waist, thumbs stroking the sensitive skin of your sides in a slow, hypnotic pattern.
He nips gently at the soft skin where your neck meets your shoulder, and your head falls back against the pillow, exposing more of yourself to him in a gesture of surrender that feels foreign yet terrifyingly right. You can feel the tension in his arms where they cage you in, the tremor of restraint running through him as he takes his time, leaving a trail of fire in his wake that burns away the lingering memory of every cold, careless touch before him.
Finally, his face hovers above yours, blocking out the dim light of the room until heâs the only thing you can see. His lips are red and swollen, his breathing ragged as it mingles with yours in the scant space between you. He doesnât kiss you immediately; he pauses, searching your eyes with that piercing, analytical gaze that sees too much, stripping away every last defense. Then he lowers his mouth to yours, slow and deliberate, and the taste on his tongue is youâsalt and musk and a sharp, intoxicating proof of exactly how much he wants you.
He breaks the kiss just enough to rest his forehead against yours, his breath still coming in ragged, syncopated bursts. The air between your bodies feels charged, electric with the lingering static of what just happened and the mounting pressure of whatâs coming next. His eyes search yours, dark and intent, stripping away any last defenses you might have thought you had.
"Tell me what you want," he murmurs, the words low and rough, vibrating against your lips. His hand drifts down, thumb tracing the curve of your jaw, tilting your chin up so you can't look away, can't hide from the weight of the question. "I need to hear you say it."
Your pulse hammers against your ribs, a frantic, uneven rhythm that matches the ache settling deep in your bones. Thereâs no room for hesitation here, no space for the deflective sarcasm or the practiced diffidence you usually hide behind. Not with him. Not like this. You force yourself to meet his gaze, to let the want show plainly on your face, raw and unvarnished.
"I want you to fuck me, Spencer. Please."
The words leave your lips in a rush, jagged and desperate, stripping away the last of your composure. You expect him to hesitate, to offer you another slow, sweet reassurance, but instead, his control snaps. A low, ragged sound tears from his throatâhalf-groan, half-growlâand his mouth crashes into yours, searing and demanding, swallowing the gasp that rises in your throat. Thereâs no patience left in him now, only a starving intensity that matches your own, his hands gripping your hips like heâs afraid you might vanish if he lets go.
He shifts above you, his weight pressing you into the mattress in a way that feels grounding rather than trapping. You can feel the hard, deliberate line of him against your thigh, the heat radiating through his clothes, a stark reminder of how much heâs been holding back. He makes quick work of his belt, the metal buckle clinking softly in the quiet room, followed by the hurried slide of fabric. Every movement is precise, efficient, but his hands are trembling just slightly, betraying the depth of his own need. When he finally settles back between your legs, skin against skin, the sensation is overwhelmingâa perfect, frictional fit that makes your hips lift instinctively, seeking more.
He pauses for a second, tilting his head slightly as his hand drifts from your hips to brush along your lower stomach. âDo you⌠want me to use a condom?â His voice is low, careful, giving you the space to answer.
You let out a sharp curse, half-laugh, half-frustration. âI⌠I donât have any. James alwaysâI donât have any.â The words stumble out, messy, just like your racing heart.
He opens his mouth, as if to say something, but you cut him off with a hurried shake of your head. âJust⌠pull out,â you murmur, voice a little breathless.
He blinks. âWhat?â
âPlease,â you say quickly, looking up at him, heat in your cheeks, pulse hammering. âIâif youâre okay with it.â
Thereâs a brief pauseâa beat of hesitationâbut you can feel it more than see it, that careful weighing of trust, of boundaries, of desire. Then his hands settle on your hips again, steady, grounding, as his lips brush yours in a soft, lingering kiss.
âOkay,â he murmurs, voice low and certain.
He pushes forward with a torturous slowness, letting you feel every inch as he stretches you, filling you so completely it steals the air from your lungs. Itâs intenseâa heavy, burning pressure that borders on too muchâbut itâs anchored by the way heâs watching you, his jaw tight with restraint, his focus entirely on the micro-expressions crossing your face. Heâs waiting for you to adjust, treating your body with the same reverence he treats your mind, giving you time to catch up to the reality of him.
Your breath hitches, a sharp, uneven sound, and instinct overrides everything else. You surge up, crashing your lips against his, needing the distraction, needing the connection. Your hands clutch at his shoulders, nails digging into the skin as you pull him closer, deeper, and your legs wrap around his waist, locking him in.
The movement changes everything. It breaks the careful control he was holding onto by a thread. He groans low into your mouth, a sound you feel vibrate through your chest, and his hips snap forward the rest of the way, burying himself to the hilt. The sudden depth drags a cry from your throat, which he swallows instantly, his kiss turning hungrier, more demanding. He doesn't withdraw; he stays there, deep and pulsing inside you, letting you feel the weight of him, the sheer reality of being this close, before he finally begins to moveâno longer slow, but deep and rolling, matching the desperate rhythm of your heart.
A sharp cry tears from your throat as he sets a rhythm that obliterates your ability to think, each stroke hitting deep and precise, dragging a desperate sound from your lungs that you canât hold back. Your body reacts instinctively, legs tightening around his waist, arms locking around his shoulders to anchor yourself as the intensity builds, threatening to pull you under. Itâs overwhelming in the best way, a tide rising higher and higher with every thrust.
"I've got you," he breathes, the words ragged against your mouth, punctuated by the sharp, uneven cadence of his breath. "You're incredibleâgod, look at you."
He doesn't stop moving, doesn't let up, his hips snapping into yours with a focused, driving rhythm that feels relentless and careful all at once. But even in the middle of it, he finds the air to speak, his voice a low, rough hum that vibrates against your lips.
"So good," he murmurs, his forehead pressing tight against yours, the words ghosting over your mouth in between the relentless, deep thrusts that make your vision blur. "You feel so good, taking me like this. You have no idea." His voice cracks on a groan, the restraint finally splintering as he buries himself impossibly deeper, grounding you with the weight of his body and the raw honesty in his tone. "Youâre perfect. Absolutely perfect."
Your fingernails dig into the sweat-slicked planes of his shoulders, holding on for dear life as the coil in your belly winds tighter, threatening to snap. Every praise feels like a brand, searing away the old, jagged memories of being too much or not enough, replacing them with the undeniable reality of how much he wants you right now. "Spencer," you gasp, his name sounding broken on your tongue, and he captures the sound with a searing kiss, swallowing your cries like they're something precious.
"I know, I know," he soothes, though his hips are losing their rhythm, becoming erratic, urgent. He shifts slightly, changing the angle just enough to make you see stars, his hand sliding down to grip your hip, holding you steady for the force of his thrusts. "Let go for me. I've got you, always." He presses his lips to your temple, your cheek, the corner of your mouth, worshiping every inch of skin he can reach. "Come on, baby. I want to feel you."
Your body arches off the mattress, seeking more of him, more of this grounding, overwhelming connection, and when the release crashes over you, it blinds out everything else. Itâs a blinding whiteout of sensation, your entire world narrowing down to the feel of him inside you, the weight of his body pressing yours into the mattress, and the sound of your own cry echoing in the quiet room. You clamp around him, your inner muscles fluttering and gripping as the pleasure rips through you, leaving you trembling and gasping in his arms, your fingers still digging desperately into his shoulders.
The way you tighten around him tears a ragged groan from his throat, his control finally shattering completely. He buries his face in the crook of your neck, his breathing turning harsh and uneven against your sweat-dampened skin. "That's it," he chokes out, the words strained and low, vibrating against your collarbone. "You're beautifulâso beautiful like this." He chases his own high then, his movements becoming jagged and desperate, thrusting deeper, harder, his grip on your hip almost bruising as he lets himself go.
You can feel the tension in every muscle of his back, the way his movements are becoming less calculated, more desperate, driven by pure instinct. Heâs right there with you, hovering on that precipice, and for a second, you think heâs going to let go completely.
But then his rhythm stutters. He gasps sharply against your skin, and with a herculean effort that seems to cost him everything, he tears himself away.
The sudden loss of contact leaves you feeling empty, cold for a fleeting second, but he doesn't go far.
He moves his hand, but before his fingers can close around himself, your hand is there, brushing his aside.
He lets out a shattered gasp, his eyes flying open to find yours, dark and wide with surprise. The heat of him is heavy in your palm, slick and desperate, and you don't hesitate. You wrap your fingers around him, stroking firmly from base to tip, taking over the rhythm he had denied himself.
"Godâ" The word breaks apart on a groan, his head falling back, exposing the long, pale line of his throat. His jaw goes slack, his lips parting on a silent exhale that turns into a low, guttural sound of pure surrender. Heâs powerless to stop it, the tension in his body snapping like a wire drawn too tight.
The pleasure overtakes him in a rush, and with a guttural moan that sounds almost like relief, he spills hot and wet across your stomach. You don't stop; your grip stays firm and sure, thumb brushing over the sensitive head as you stroke him through every pulse, intent on wringing every last bit of pleasure from him. He shudders violently above you, his whole body bowing under the intensity, his hands fisting in the sheets on either side of your head to keep from crushing you as he rides out the aftershocks.
As the tremors finally begin to subside, the frantic energy leaves him, replaced by a heavy, bone-deep exhaustion. His arms give out, and he lowers himself carefully, mostly collapsing onto you but catching his weight on his elbows to keep from smearing the mess between you any further. He buries his face in the crook of your neck, his breath coming in ragged, cooling gusts against your overheated skin, his heart hammering a frantic rhythm against your ribs that gradually begins to slow.
You let your hand release him, fingers drifting instead to the hair at the nape of his neck, combing through the damp strands in a slow, soothing cadence. The room is quiet now, save for the shared sound of your breathing, the air thick with the scent of sex and sweat.
He presses a lazy, open-mouthed kiss to your shoulder, then another to the curve of your jaw, seemingly unwilling to break the connection just yet, content to simply exist in the warm, heavy aftermath of it all.
But eventually, he shifts, pressing one last lingering, soft kiss to your forehead, and pushes himself up. The mattress dips and lifts as he climbs out, the cool air of the room rushing in to fill the space he left behind.
You watch him, your body still thrumming, muscles heavy and liquid, but your mind instinctively bracing for the shift.
This is the part where the silence gets awkward. This is the part where he finds his shirt on the floor, pulls it on, and mutters something about an early morning or a meeting.
But he doesnât even glance at his clothes. He turns, padding silently toward the bathroom in his bare feet, disappearing into the slice of light spilling from the open door.
The water runs for a momentâthe sound jarringly domestic in the quiet apartmentâbefore cutting off.
You blink, staring up at the ceiling, your heart rate settling into something resembling normalcy even as your brain struggles to catalog this deviation from the script. Youâre still bracing for the sound of a zipper, for the click of a belt buckle, but instead, you hear the soft tread of his return.
Spencer comes back into the dim light of the bedroom, a damp washcloth in his hand. He isnât dressing. He isnât rushing. He sits on the edge of the mattress, the dip in the springs shifting you slightly toward him, and reaches out with a gentle hesitance, waiting for a flinch that doesnât come.
When he touches the warm cloth to your stomach, the heat is shockingânot painful, but incredibly grounding, chasing away the chill of the drying air and the sudden, hollow fear that you were just a convenience.
He wipes the skin with meticulous care, his eyes focused on the task as if itâs a delicate procedure requiring his full attention. Thereâs nothing perfunctory about it; he cleans you up with the same steady reverence he explored you with, drying your skin with the corner of the cloth before tossing it onto the nightstand.
He leans in then, pressing a kiss to your shoulder, your collarbone, your lipsâsoft, unhurried thingsâand then he simply pulls the quilt up over you, his hand lingering on the sheet as he looks down at you, making it clear that for tonight, at least, he isn't going anywhere.
The silence stretches, comfortable but fragile, and suddenly the vulnerability of the moment feels heavier than the pleasure did. You feel a ridiculous lump forming in your throat, a shy, terrifying question sitting on the tip of your tongue. Itâs just asking him to stay, but it feels like asking for everything.
"Will you..." You start, then stop to clear your throat, your voice barely above a whisper. "Will you lay with me?"
Spencer doesnât hesitate. He doesnât look for an excuse or a clock. He just turns those soft, serious eyes on you, his expression softening into something so open it makes your chest ache.
"Of course," he answers immediately, as if it were the only logical conclusion, the only option worth considering. He shifts, sliding under the quilt with an easy grace, and the mattress dips under his weight as he settles in behind you. Thereâs no fumbling for space, no awkward negotiation of limbs; he fits against you like he was always meant to be there, his chest pressing flush against your back. The heat of him is immediate and grounding, seeping through your skin and chasing away the last of the lingering chill.
He reaches out, gathering you up with a gentle, insistent tug, pulling you back until you are completely cocooned in his embrace. One arm slides beneath your pillow, cradling your head, while the other drapes over your waist, his hand splaying wide across your stomach to hold you close. You can feel the steady, rhythmic thrum of his heartbeat against your spine, a slow, hypnotic cadence that anchors you in the present moment and makes it impossible to spiral into your usual doubts.Â
You let your body relax into his, melting against the solid length of him, and for the first time in a long time, your mind goes quiet. The insecurities, the voice that whispers that youâre too much or not enough, the habitual shrinking you do to make room for othersâit all fades into the background, silenced by the undeniable reality of him holding you.
Spencer presses a soft, lingering kiss to the back of your neck, his lips brushing the sensitive skin there with a reverence that feels like a seal, a promise that you don't have to be anything but exactly who you are right here. Safe, wanted, and held.