Hi, yâall, figured it was time for a proper introduction post <3
Name - Tabi
Age - 26
Pronouns - Iâm open to suggestions lmao
Sign - Sagittarius
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masterlist - updated 06/25/25
All of my previous writing will be linked above. I do not plan to continue/finish any previous fics, specifically for COD. Iâm so sorry if that is disappointing to anyone. It was a hard decision, but ultimately the right one for me.
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summary: a week into your quiet shift from friendship to something deeper, you and spencer enjoy a quiet morning together before work
includes: part 28, domestic intimacy, soft physical affection, pregnancy (third trimester), light humor, mutual care, gentle teasing, first intentional kiss, vulnerability without conflict, tenderness, âfound homeâ feeling
Spencer's alarm startles you awake.
The sound is gentleâsome unobtrusive instrumental piece he swears improves cognitive transition from sleep to wakefulnessâbut it still slices through the quiet room.
You groan into the pillow.
Beside you, Spencer shifts immediately. Not startled. Just aware. His hand fumbles for his phone on the nightstand, silencing it before the second refrain.
The room settles again.
Youâre halfway back under when the mattress dips.
Warmth presses into your back.
An arm slides carefully around your waist, palm spreading over the curve of your stomach like it belongs there. His nose nudges into the space between your shoulder and neck.
He exhales, deep and content.
You blink awake a little more.
ââŠDid I forget to set my alarm?â you mumble, voice thick with sleep.
âNo,â he murmurs into your shoulder. You can feel his mouth move when he talks. âItâs not six-thirty yet.â
You squint at the faint light leaking through the curtains. âThen why are we conscious?â
You feel it before you see itâthe way his cheek shifts against you.
Heâs smiling.
âI set mine fifteen minutes early.â
You huff a soft laugh. âWhy?â
His thumb traces a slow, absent line along your side. Thereâs the smallest hesitation, like heâs debating whether this is ridiculous to admit.
âSo I could cuddle you,â he says finally, quieter now. âBefore we have to get up.â
The room is dim and warm, the world outside still gray and far away. His arm tightens almost imperceptibly, like heâs bracing for you to tease him.
You smile.
âThatâs disgustingly cute,â you murmur.
He makes a soft, offended noise into your shoulder. âIt was a strategic allocation of time.â
âOh, absolutely,â you agree. âVery tactical.â
His fingers spread over your stomach again, protective without thinking about it. His chin settles against your shoulder. He breathes you in like heâs memorizing something.
âYouâre warm,â he adds, like this is supporting evidence.
You shift closer on purpose, pressing back into him. âYouâre a menace.â
âI am not.â
âYou set an early alarm to cuddle.â
ââŠI donât see the issue.â
You laugh, low and sleepy, and slide your hand over his where it rests against you. His thumb hooks instinctively between your fingers.
Outside, somewhere down the street, a car door slams. The world is starting whether youâre ready or not.
Spencerâs phone screen lights up again in warning at 6:30.
You feel him press a small, absent kiss into your shoulder. Not performative. Not even fully awake.
You grab his arm as he starts to pull away.
âFive more minutes,â you whisper.
âFour.â
You squeeze his hand. âSpence.â
He exhales, conceding. âFive.â
Five minutes pass the way they always do when you actually want them.
Too fast. Slippery. Gone.
His third alarm is less forgiving.
Spencer groans this time, which feels like a small personal victory.
You roll onto your back as he pushes himself up on one elbow, hair rumpled beyond saving, eyes still soft with sleep. For a second he just looks at you, like heâs cataloguing something important.
Then reality crashes back in.
âWe have to leave in forty-three minutes,â he mutters.
âYouâre very romantic.â
He leans down and presses a quick kiss to your forehead before sitting up fully. âPunctuality reduces occupational stress.â
You throw a pillow at his back as he shuffles toward the bathroom.
The pillow hits him square between the shoulders. He barely flinches.
âNoted,â he says, voice muffled slightly as he disappears into the bathroom, like youâve just added something to a running list instead of assaulted him with bedding.
The door clicks shut. You stare at it for a second. Then you flop back against your mattress, staring up at the ceiling, heart doing that stupid, quiet, steady thing itâs been doing all week.
Seven days of this strange, gentle shift where nothing exploded and everything changed anyway.
Seven days of lingering touches that donât feel accidental anymore. Of him saying your name softer. Of you not pulling away. Of conversations that almost circle the word love again but donât need to land on it every time because itâs already there, settled between you like something known.
And now, this.
Morning light. His toothbrush in your bathroom. His alarm set early just to hold you.Â
You press your palm over your face, dragging it down slowly.
God.
The bathroom door opens. Steam curls out first, followed by Spencer, in a large tee shirt and his pajama pants. His hair is still a mess, his eyes still heavy-lidded.
You smile before you can stop yourself.
Itâs soft. Unthinking. The kind that just⊠happens.
He pauses when he catches itâmid-step, one hand still half-lifted like he forgot what he was about to do next. Thereâs a flicker of something in his expression. Surprise, maybe. Or the quiet satisfaction he doesnât always know how to hide.
âWhat?â he asks, automatically suspicious.
You shake your head, pushing yourself up onto your elbows. âNothing.â
His eyes narrow just slightly. âThat was not a nothing smile.â
You huff a quiet laugh. âYouâre profiling me before coffee. That feels unfair.â
âI donât need caffeine to observe patterns,â he says, but thereâs no bite to it. Just warmth. Familiarity.
You tilt your head, studying him for a second longer.
âOkay,â you admit finally, voice quieter. âYou just⊠look nice.â
âOh,â he says.
Thereâs the faintest shift in his posture, like he doesnât quite know where to put that. Compliments have always been⊠complicated terrain.
You watch the way his fingers flex once at his side. The way his gaze flicks away, then back to you.
âYou look nice too,â he adds after a second, like heâs returning something carefully borrowed.
You snort softly. âIâve been awake for maybe three minutes.â
âYes,â he says, completely serious. âBut you look⊠rested.â
You raise a brow. âThatâs the nicest possible way you couldâve said that.â
âItâs also accurate.â
You laugh again, shaking your head as you push the blankets back and swing your legs over the side of the bed. The floor is cool against your feet.
Spencer watches you for a secondâjust a secondâbefore he looks away, giving you that same careful space he always does, even now.
âYou should eat something before we leave,â he says. âI can cook something while you shower.â
You smile, soft and easy. Something that doesnât need thinking anymore.
âSure,â you say.
Simple. Normal. Like agreeing to breakfast isnât suddenly threaded through with something warmer.
You shift your weight forward, pushing yourself fully to your feet. The room tilts for half a secondâjust enough to remind you youâre still carrying more than just yourselfâbut it settles quickly.
You take a step toward the bathroom. Thenâ
His fingers catch your wrist. Gentle. Not enough to stop you so much as ask.
You pause, turning back to him. Spencer looks like he surprised himself.
Thereâs a flicker of uncertainty in his expression, like he didnât think far enough ahead to what happens after he reaches for youâlike this part, the what now, still feels new under his hands.
You tug him down. Itâs not hesitant or careful in the way everything else has been.
Itâs quiet, yesâbut sure. Certain in a way that feels like itâs been building for far longer than either of you have been willing to say out loud.
Your lips meet his.
For a split second, he freezesâlike his brain needs to catch up to whatâs happening. And then he melts, soft and immediate.
His hand lifts, hovering for the briefest moment at your waist before settling there, fingers curling just slightly into the fabric of your shirt like he needs to anchor himself.
He exhales against your mouth. And then he smiles. You feel it.
A small, almost disbelieving curve of his lips, right there against yours, like he canât quite help it.
It pulls a quiet warmth through your chest, something steady and bright.
You pull back slowly, just enough to breathe.Â
âWhy are you smiling?â you murmur.
His eyes flick between yours, like heâs searching for the most accurate answer instead of the safest one.
âThatâs the first time weâve kissed,â he says quietly.
ââŠWe've kissed before,â you point out.
âUndercover,â he corrects immediately. âThat was situational. Context-dependent. Notââ he hesitates, searching âânot representative of personal intent.â
You huff a soft laugh, your thumbs brushing lightly along his cheekbones. âSo this is your official data point?â
âYes,â he says, completely serious.
That pulls a smile out of you. You tilt your head slightly, studying him like heâs the one being examined now.
âAnd?â you ask, softer, teasing threading through it. âWas it everything you were waiting for?â
Thereâs no hesitation. No deflection. No overthinking.
âAnd more,â Spencer says, soft but certain.
Your breath catches, just for a second.
And then you smileâslow, soft, a little helpless around the edges.
âGood,â you whisper.
Your thumbs trace once more along his cheeks before your hands finally slide down, lingering for just a second at his jaw before you let them fall.
He watches you like youâve just rewritten something fundamental. Like heâs memorizing this version of youâthe one who kissed him first. The one who didnât overthink it. The one who stayed.
âYou should shower,â he says, voice quieter now, but still gently insistent. âWeâre losing time.â
You laugh, breath still a little light, and take a step back.
âThere he is,â you murmur. âI was wondering when youâd come back.â
âI never left,â he says.
And somehow, that doesnât feel like a joke.
You shake your head, smiling, and turn toward the bathroomâbut not before catching the way heâs still looking at you.
Soft. A little awed. Like heâs still standing in that moment.
includes: part 16, pregnancy and prenatal ultrasound, fluff basically, medical exam setting and procedures, discussion of fetal development and measurements, shared awe in a small room, involuntary hand-almost-holding
You tap your fingers against your knee, then stop and start again, counting in your head, willing your pulse to slow. Youâve been trying to make yourself normal, reminding yourself of logic, of schedules, of the fact that Spencer is calm beside youâso calm itâs infuriating.
He sits with perfect posture, hands folded neatly in his lap, eyes forward. His presence is measured, composedâeverything youâre not.
You decide to shift your focus, letting your pulse settle into something resembling a rhythm. You look around the waiting room.
A toddler is sitting across from you with his heavily pregnant mother, dropping a plastic giraffe on the floor with alarming determination, like heâs conducting durability tests for NASA. The toy bounces and rolls across the linoleum. The boy catches your eye and grins, waving enthusiastically. You smile back, and he beams, proud of his performance.
Spencerâs gaze flicks toward the commotion. He watches the boy quietly, lips twitching as though he wants to smile but is restraining himself with all the discipline of someone about to deliver a lecture. You notice the way his hand rests lightly on his own knee, fingers flexing slightlyâsubtle, careful, aware.
The boy drops the giraffe again, and this time, it bounces straight toward Spencerâs side. Reflexively, he reaches down, catches it, and hands it back to the toddler with a soft, almost embarrassed smile. The mother glances up, surprised and thankful.
You canât help the warmth that blooms in your chest, a soft, disarming tug. Spencer, the brilliant, infallible Spencer, interacting with a child as if itâs second nature, his movements gentle and precise. You glance down at your own belly, imagining that same carefulness when it belongs to your own little one.
You shift slightly in your chair, hand brushing the curve of your stomach even though itâs still barely noticeable, more a promise than a presence. Your fingers linger there, tracing imaginary outlines, imagining what it will feel like when thereâs something tangible to cradle. A small bump to hold, a tiny weight pressing gently against your palm, warm and insistently real.
The door beside the reception desk clicks open, and a nurse in soft blue scrubs steps out with a clipboard held against her chest. She calls your name gently.
Your breath stuttersâjust enough that you feel it. Spencer stands at the exact same moment you do, like youâre tethered. You donât look at him. You donât have to. Heâs there, already smoothing down the front of his sweater as if preparing for a dissertation.
The nurse smiles warmly. âCome on back. Weâll get you settled in.â
You follow her down a short hallway, the walls lined with pastel illustrations of smiling cartoon vegetables meant to look reassuring and instead looking vaguely haunted. Spencer walks beside you, hands behind his back, trying to appear casual and failing spectacularly.
Inside the small exam room, the lighting is soft, the table covered in crinkly white paper that immediately feels too loud. The nurse gestures for you to sit. Spencer hovers until she gives him a pointed look that clearly means thereâs a chair, genius, and he finally lowers himself into it.
âAll right,â she says, glancing through your chart. âBefore the doctor comes in, Iâm just going to go through some quick questions. Nothing unusual.â
You nod. Youâve done this before. The nerves shouldnât be this sharp, shouldnât scrape at the inside of your ribsâbut they do.
âAny bleeding or spotting since your last visit?â
âNo.â
âAny abdominal pain? Cramping?â
âJust normal stretching stuff, I think,â you say. âNothing sharp.â
âHeadaches? Dizziness?â
âSome fatigue. But thatâs normal too, right?â
The nurse smiles. âVery normal.â
Spencerâs hands shift slightly where they restâsubtle, but you see it. Heâs listening to every word, cataloguing symptoms, cross-referencing data mentally, probably building a probabilistic model of perinatal complications because that is who he is.
The nurse turns a page. âAnd thereâs a hospital report here from that incident at workâwhen you were held by the suspect?â
You nod. âHe grabbed me around the waist and lifted me. No abdominal impact, but we went to the ER afterward.â
âAnd they monitored you overnight, correct?â
âYes. Everything was fine.â
Spencer glances up at thatâjust a flick of his eyesâbut thereâs something softened at the edges now, something quietly relieved. You donât comment on it. You donât have to.
âAny pain since then?â the nurse asks. âBruising? Pressure? Back pain?â
âNo. Nothing out of the ordinary.â
She nods, writing quickly. âGood. Iâll note that everything stayed stable overnight. Thank you.â
The nurse closes the chart with a soft thwap, the sound strangely grounding. âAlright,â she says, her voice warm as chamomile. âLetâs get your vitals, and then weâll move on to the ultrasound.â
You nod and take a slow breathâyour first unforced one since you walked in.
Something in you settles, small and sure.
She starts with your blood pressure.
The cuff tightens around your arm in a familiar squeeze, and you let your shoulders ease downward, unclenching the places you didnât know were tense. Spencer watches the monitor with a strange devotion, as though your systolic pressure has the power to personally offend him.
âItâs perfect,â the nurse announces.
Spencerâs exhale is quiet enough that anyone else would miss it.
You donât.
The pulse-ox clip follows, cool against your fingertip. Then your weight, which she records without commentaryâbless herâand your temperature, which earns a bright âAll good.â
You feel⊠lighter. Like the room finally has oxygen in it.
The nurse scribbles a final note and smiles. âEverything looks healthy. The doctor will be happy.â
You look over at Spencer. He gives you a small nodâtight, controlled, but full of something warm and earnest. Approval. Relief. Something that tugs behind your ribs.
âIâll let the doctor know youâre ready,â the nurse says, stepping out and closing the door gently behind her.
Silence settles over the room, soft and unthreatening. The kind of quiet that feels shared instead of empty.
You sit back against the raised exam-table cushion, fingers smoothing the edge of the crinkly paper. Spencer doesnât seem to know what to do with his hands, so he folds them in his lap againâlike heâs been reset to factory settings.
âBetter?â he asks softly.
You blink at him. The question is simple, but the toneâgod, the toneâfeels like it has hands, like it settles gently against your shoulders.
âYes,â you say. âActually. Yeah. I think so.â
He nods, gaze flicking over you with a carefulness that is very much him. âGood.â
Thereâs something else in the air nowâstillness with a heartbeat. Not tension. Not nerves.
Expectation.
A faint knock interrupts it.
The door opens, and your OB steps inside with a practiced, reassuring smile.
âGood to see you both again,â she says. âEverythingâs in order here, I see.â
Spencer sits up a fraction straighter, which would be comical if it werenât so endearing.
âSo,â the doctor starts, wheeling over the ultrasound cart, âletâs take a look at how babyâs doing today.â
Your pulse skipsâonce, then steadies.
Not fear this time.
Anticipation.
You lie back, lifting your shirt just enough to expose your lower belly. The doctor snaps a paper drape over your waistband with professional efficiency.
Spencerâs chair scoots closerâquiet, subtle, but definitely on purpose.
You donât comment.
You donât have to.
The machine hums to life, low and soothing.
âGel might be a little cold,â the doctor warns, and the moment it touches your skin, you gasp, then laugh at yourself.
When you glance at Spencerâheâs already looking at the monitor. Eyes wide. Breath held. Hands still.
The wand touches your abdomen.
The picture flickers. Static. Shadows.
Thenâ
A shape. Small. Alive.
Your baby.
Your throat tightens. Not painfully. Just full.
âThere we are,â the doctor murmurs. âEverything looks right on track.â
She adjusts the probe with small, practiced movements, the gel cool and slick against your skin. The image sharpensâgrainy, yes, but unmistakably something. Someone.
âOkay,â she says gently, âright hereâthis little flicker? Thatâs the heartbeat.â
Spencer inhales like someone cracked open the universe. Not loud. Not dramatic. Just a soft, startled breath, the kind people take when theyâre standing in front of something sacred and didnât know they were about to be.
You look at the screen.
And there it is.
A pulseârapid and brightâfluttering like a tiny, determined wing.
Your chest squeezes, a slow bloom of warmth that makes your eyes sting.
âThatâs⊠fast,â you manage, because your voice is doing the opposite of cooperating.
The doctor smiles. âCompletely normal at this stage. Around 160 to 170 beats per minute is typical for about ten weeks.â
Spencer whispers, just barely audible, âOne-sixty-three point four.â
You blink at him. âYou can⊠count that?â
He flushes, clearing his throat. âI can estimate. The pattern is⊠rhythmic.â
The doctor triesâand failsânot to smile.
She moves the wand again, angling it slightly. âAnd right here,â she narrates, her tone warm and steady, âthis curved shape is the head. Very early development, of courseâbut you can see the beginnings of the cranial structure.â
You squint. âIt looks like a lima bean.â
Spencer leans in a fraction. âTechnically closer to aââ
âDonât say embryo edamame,â you warn.
His mouth snaps shut, but the twitch in his cheek betrays him.
The doctor laughs softly under her breath, then continues. âAnd this,â she says, tracing another area on the screen with her cursor, âis where the limb buds are forming. You wonât see full arms and legs yet, but development is right on schedule.â
You stare at the tiny nubs, the faint curve of possibility. Your baby. Your future shaped into pixels and sound waves.
The doctor shifts again. âThis is the crownârump length. Thatâs what Iâm measuring now.â She clicks the calipers on the screen, drawing a line from the top of the babyâs head to the lower curve of its body. âAbout 3.3 centimeters. Perfect for ten weeks, one day.â
Spencerâs breath catches againâsubtle but unmistakable. Heâs memorizing every number. You know him. You can practically feel him writing them on the insides of his ribs.
âAnd here,â the doctor adds, âthis dark area is the gestational sac. Nice and round. Healthy.â
You nod, even though youâre not sure youâre absorbing half of it. Your attention is splitâbetween the soft hum of the machine, the shape on the screen, the rhythm of your babyâs heartbeatâŠ
âŠand Spencer.
Spencer, who is staring at the monitor with an expression so open you barely recognize it. Awe, quiet and unguarded. Something like joy, but too delicate to name.
Youâve seen him look at rare books like this. Nobel lectures. Once, a nebula through a high-powered telescope.
But never a person.
Never your person.
The doctor continues speaking, calm and steady. âEverything looks excellent. Strong heartbeat, good growth, consistent development. No concerns at this time.â
The words land in your chest like a warm weight, anchoring you, lifting you, unraveling every knot of fear youâve been stitching into yourself since day one.
Relief floods you so suddenly you almost shiver.
Spencer finally looks at you.
Itâs briefâa flick of his eyes from the screen to your faceâbut the expression is unmistakable.
He is relieved too.
He is relieved for you.
âWould you like to hear the heartbeat rather than just see it?â the doctor asks.
Your breath stutters. You nod.
She presses a button.
And suddenly the room is filled with soundârapid, loud, echoing, impossibly alive.
Your babyâs heartbeat.
It fills every corner of the tiny exam room, a furious, steady gallop, stronger than anything so small should be.
Your eyes burn. Your throat closes. The world goes soft around the edges.
Spencerâs hand movesâjust slightlyâlike he wants to reach for you.
He doesnât.
But he thought about it.
âIâll print a few photos for you,â the doctor says gently, dimming the monitor. âLet me step out and get those for you.â
She wipes the gel from your abdomen with a soft towel. Then she stands, gathering her clipboard.
âYouâre both doing wonderfully,â she adds, warm and sure. âIâll be right back.â
The door closes behind her.
Silence settles againâfull this time, like the room is holding its breath right alongside you.
You lower your shirt slowly, fingers trembling just enough that you feel it.
Spencer is still staring at where the screen was, like the afterimage is burned there.
Thenâquietly, reverentlyâhe speaks.
âThat wasâŠâ He stops. Swallows. Tries again. âThat was them. That tiny little thing is our baby.â
so grace is probably alarming to most eridians at first because he's a lanky wet alien with too few limbs, yes--but what if he ends up being terrifying in a sort of divine way instead of a repulsive one?
like. a creature that perceives the intangible? a creature that walks with thin permeable membranes bared to the air, whose blood contains elixir that can destroy pathogens without heat? a creature that is impossibly fragile yet resilient? a creature that breathes potently flammable gas to survive? a creature that is loud all over and speaks in a strange and frightening monotone, who thought it would die for you? who gave up its home in the heavens for you without meeting you first, whose first words to your people were probably something along the lines of We saved your star. It's gonna be okay. Don't be afraid.
grace is such an interesting bundle of contradictions! he breathes an incredibly flammable gas because he lives at such a cold temperature the gas can't ignite except he burns it very slowly inside the delicate gauzy cage of his body. his meat is basically a delicate water-and-protein foam because he lives in a very tiny fraction of normal atmospheric pressure. his planet has almost no air, no atmosphere. they're so gauzy, so frail, living underneath a whisker-fine sky, that to get to space in a couple seconds by exploding towards it. they can't build a space elevator because all their materials are just various attempts to do anything whatsoever with shitty frozen metals and various hydrocarbon meshes. their spaceship is a tiny refrigerator, the most expensive thing they ever built, and controled by a impossibly complex calculation engine they knitted out of silicates. it contains all human knowledge, if it doesn't catch on fire.
they knew that space was there because they can perceive it directly. it's literally right overhead all the time for their entire evolution. they know the faces of thousands, millions of stars, as soon as they tip their faces up. eridani is a name from two thousand years ago. all their stars have been named and known and watched and sung about for longer than any individual human civilization. they have always known the eridian star was there.
summary: a perfectly executed undercover moment earns applause, congratulations, and a smooth exit into the night⊠proving once again that when a plan goes well, itâs usually right before it doesnât
includes: part 9, undercover proposal, public misdirection, physical closeness for cover, weapon (gun), totally for the cover kiss, pregnancy-adjacent endangerment, cliffhanger ending (sorry, I love them)
âWill you marry me?â
The words hit the room like a pin dropped in a cathedralâsoft, but impossibly loud.
You do your best to look shocked, to let the moment bloom across your face like a sunrise you never saw coming. Your eyes sting instantly, tears pricking with obedient urgency, and your breath catches in your throat like you rehearsed it in your sleep.
You gasp, a little too loud, a little too bright, and then launch yourself toward Spencer, all momentum and trembling joy. He rocks back under you, hands flailing for balance as you fling your arms around his neck. He steadies you instantly, hands slipping to your waist with a care that isnât romanticâitâs reflexive, protective, the kind that remembers youâre carrying more than just adrenaline tonight. It makes you let out a real, breathless laugh as you smile wide at him. The corners of his lips quirk in response.
âYes,â you breathe, letting your voice wobble, letting your whole body shake like emotion is pouring out of every seam.
He slips the ring onto your finger with careful precision, fingers warm and steady. And thenâbecause the scene demands it, because the role calls for one last flourishâyou lean in and kiss him.
The kiss is short, instinctive, a flicker of motion meant for the cover. Spencer responds softly, hesitating, then matching the impulse, and you feel a jolt thatâs more about timing and tension than romanceâbut itâs real enough to convince anyone watching.
Itâs nothing. Itâs everything. Itâs a split-second where performance and friendship blur at the edges.
Somewhere behind you, a crowd breaks into applause, chairs scraping, someone whooping like this is the best entertainment theyâve had all year. The sound blurs into the background, distant and bright, because all his attention is on youâand yours on the act youâre performing with him.
You pull apart just enough to breathe, forehead nearly brushing his. Heâs flushed, eyes bright, still catching up with the suddenness of the scene. You can feel the shift, the way the shared instinct of the moment lingers between you.
Morgan cracks through your earpiece, smug as ever:
âDamn, girl, what are you doinâ workinâ with us when you could be winning Oscars?â
It hits you like a tickle in the ribs.
You snort. Spencer lets out a startled laugh â the kind that escapes before he can hide it â breathless, shaky, too real for undercover work.
For a heartbeat, it feels like the world is only the two of you, laughing too close, still holding onto each other like you havenât told your bodies the performance is over.
Then Spencer lowers his voice, soft as a secret.
âWanna get out of here?â
Your nod comes without thought â instinctive, gravitational â and you slip your hand into his as you straighten up. The contact jolts through him again; you feel it in the way his fingers tense, then settle around yours like heâs afraid to hold too tight.
He leads you through the restaurant, past clinking glasses and curious smiles, his hand warm and sure at your back. Outside, the night air greets you cool and crisp, a clean breath after the storm you just staged.
The valet stand glows under a wash of honeyed light, the kind that makes everything look softer, almost nostalgicâlike a snapshot youâll remember long after it fades. Spencerâs hand stays in yours as you approach, steady but warm, the kind of touch that blurs the line between acting and instinct.
He clears his throatâquiet, measured.
âFor Reid. The Volvo Amazon,â he says, handing over the ticket. His voice sounds calmer than he looks. You can still see the pink high in his cheeks, the faint tremor where adrenaline hasnât quite worn off.
The valet nods and turns to fetch the keys. You can feel Spencer shift beside you, his thumb brushing against your palm. Whether itâs on purpose or a nervous tic, youâre not sureâbut you donât pull away. The contact anchors both of you, a tether after the dizzy brightness of applause and flashing camera phones inside.
The valet reappears, keys in hand. Then his gaze drops to your joined hands. To the ring.
His eyebrows shoot up. âWhoaâdid you guys just get engaged?â
You laughâhigh and breathy, delighted enough to sell the cover. âYeah,â you say, lifting your hand just enough for the ring to catch the light. âTonight, actually.â
Spencer glances at you, startled, then softens. âYeah⊠itâs been a special night.â
The valet beams, utterly charmed. âCongratulations! Seriously, thatâs awesome.â He gives a little nod toward the curb. âIâll pull her around.â
He jogs off, and the two of you are left in the amber quiet of the parking circle. For a moment, all you can hear is the hum of streetlights and the low murmur of city traffic. Then the deep purr of Spencerâs Volvo rounds the cornerâsleek lines and old-world charm catching the glow like itâs stepped out of another decade.
The valet steps out, hands Spencer the keys with a grin. âSheâs a beauty. You donât see many of these anymore.â
âThank you,â Spencer says, genuine pride threading through his voice. âI like to think sheâs timeless.â
The valet steps around the Volvo and pulls your door open with an easy flourish, the kind meant for newly engaged couples and old Hollywood films. You offer him a grateful smile, shift forwardâ
âand freeze.
Something firm nudges against your spine. Not a hand. Not an accident. Cold, metallic certainty settles there, followed by the soft, unmistakable click of a hammer pulled back.
The world narrows. Your breath stops. Your pulse spikes so hard you feel it in your tongue.
âSpencer,â you sayâquiet, thin, like youâre afraid to breathe the word too loudly.
He hears everything in that one syllable.
Spencer looks up from the driverâs side, meets your eyes across the car roof, and goes utterly still. Thereâs a flickerâfear, recognition, calculationâbefore he smooths it away like heâs afraid to let the wrong expression get you hurt.
The valetâs voice sheds its customer-service shine.
âGet in the car,â he orders Spencer. Calm in a way that makes your pulse spike.
Spencer obeys, sliding behind the wheel with careful, telegraphed movements. His hands stay visible. His jaw sets.
Then the valet steps back, opens the rear door directly behind your seat, and you feel the muzzle nudge you againâcold, insistent.
âYour seat,â he says.
Your body follows the instruction before your mind can catch up. You sink into the passenger seat slowly, deliberately, every muscle trembling with the effort to stay controlled.
The valet climbs into the back seat behind you, shutting the door with a soft snick. The gun never leaves you. You see him in the mirror now, gun still aimed at youâsteady and unblinking, a presence you can feel in your bones.
Spencerâs eyes flick up to the rear-view tooâfast, frantic beneath the surface. Once to check on you, once to gauge the angle of the weapon, once more like he's memorizing the exact distance between danger and your heartbeat.
The unsub leans forward in the backseat, breath skimming your neck. He smiles, sharp and predatory.
Spencer starts the car. The Volvo shivers awake beneath you. He pulls away from the curb, smooth, careful, like heâs afraid a sudden move will set the whole moment shattering.
Hotch breaks in again, timed like he sensed the moment slipping.
âStick to the plan, go to the safe house. Drive into the garage,â he says.
It's a 15 minute drive to the safe house, nestled past a quiet neighborhood, away from the city.
The unsub exhales happily behind you, like heâs been waiting all night for this.
âLittle place tucked away from the world,â he muses. âPerfect spot for newlyweds.â
Spencer turns onto the final street. The house appearsâa quiet silhouette with one porch light burning like a watchful eye.
Gravel crunches under the tires as Spencer pulls into the driveway. The garage door begins its slow, mechanical climb.
âNice,â the unsub murmurs. âPrivate. No neighbors watching.â
The Volvo rolls into the garageâs shadowed mouth.
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summary: you spend an evening at spencerâs apartmentâgarlic simmering, herbal tea triple-checked, and a suspiciously new soft blanket waiting for you. dinner melts into quiet domestic peace, and you drift off on his couch
includes: part 6, no use of y/n, fluff/domestic softness, shared secret (early pregnancy), quiet intimacy, cooking together, subtle caretaking, herbal-tea vigilance, comfort, post-dinner coziness, slow-burn feelings stirring, the first real sense of âhome.â
Spencerâs apartment smells like garlic simmering in olive oil and⊠home. That elusive, warm scent that seems to wrap itself around you, settles into your bones, and refuses to leave. Somehow, it feels like the room itself knows your secret.
You kick off your shoes by the door, stomach fluttering in the same small, insistent way it has all week.
A week since the test.
A week of hiding something enormous in the tiny, quiet confines of your chest.
No one else knows yet. Not Hotch, not Morgan, not JJ, and definitely not Penelopeâthough she would have been the first to notice anyway.
Just you. And him.
Spencer stands at the stove, sleeves rolled, hair tousled from running his hands through it one too many times. He stirs the pan methodically, a wooden spoon tapping against the side with a rhythm almost like a heartbeat.
He glances up, catching your eye. That sparkâso subtle youâd miss it if you werenât looking for itâflickers again. The same spark thatâs been there every time you catch him thinking baby, every time your mind wanders to the two of you quietly imagining this impossible, perfect thing.
âYou made it,â he says, voice tight with that mixture of relief and awe that only Spencer Reid can carry.
âTraffic tried to kill me,â you sigh dramatically, hanging your jacket on the hook he cleared earlier this weekâjust in case you wanted to keep one here now. âI narrowly escaped a literal death by minivan.â
His eyes flicker down to the hook and back to you, a faint twitch at the corner of his mouth. âYour near-demise has been duly noted. Iâll add it to the risk assessment spreadsheet for future reference.â
You laugh softly. âDo you⊠always make spreadsheets for every contingency?â
âI⊠sometimes,â he admits, cheeks pink. âItâs⊠comforting. And precise.â
âOf course. Comforting and precise,â you murmur, moving into the kitchen.
You watch as Spencer turns down the burner. âDinnerâs almost ready. You can sit, if you want. Orâuhâthereâs tea.â
âGreen tea?â you ask, arching a brow.
He winces. âHerbal. I checked the label twelve times.â
That warms you in a way nothing else today has.
You wander into his living room, lowering yourself onto his couchâworn at the edges, soft like something well-loved. A blanket youâve never seen before is folded neatly on the armrest. Thick, fluffy, sky-blue.
You brush your fingers along the edge. âNew blanket?â
âNo,â he says too fast. Then, quieter: âYes.â
He doesnât look at you when he adds, âYou said the old one was scratchy.â
Your throat goes a little tight.
You and Spencer settle into the ritual without words, the kind that only develops when two people exist in the same space long enough to know the unspoken patterns.
Dinner is simpleâpasta with the garlic simmer sauce heâs been fussing over all eveningâand impossibly comforting. The noodles are tender, the vegetables roasted to perfection. You twirl a forkful, letting the warm, garlicky aroma fill your senses, and the tension in your shoulders unwind.
âThis is⊠really good,â you murmur between bites, finally meeting his eyes.
He shrugs, a tiny, awkward movement. âItâs⊠reasonably edible. For me, anyway.â
âReasonably edible?â you tease, smiling. âIâd put it solidly in the delicious category.â
His cheeks tint pink, just a little. âWell⊠I⊠thank you.â
The quiet stretches comfortably between you. You notice the way the lamplight catches the highlights in his hair, how his fingers drape loosely over the table edge when he reaches for his water, the small smile that spreads across his lips each time you meet his eyes.
When the plates are cleared, you sink back into the couch, the sky-blue blanket draped over your legs. Spencer perches at the other end, a careful distance that feels just right. He pulls a book from the shelf, leans back in his seat, and starts reading.Â
After a while, your eyelids grow heavy, the warmth of dinner settling deep in your limbs. The sky-blue blanket is soft against your skin, softer still where itâs tucked around your ankles. The room hums with the gentle peace only Spencerâs apartment ever seems to findâa cocoon of lamplight, quiet breathing, and the faint, lingering smell of garlic.
You start drifting, half-lulled by the familiar cadence of Spencer turning pages.
Except⊠it stops.
You notice it in that feather-light space between waking and sleepâthe absence of sound, the silence shaped like a held breath. You blink slowly, vision hazy, and tilt your head just enough to look at him.
Spencer isnât reading anymore.
His book is open but forgotten, resting slack in his hands. His eyes are on you insteadâsoft, intent, drinking you in with an expression so gentle it makes something inside you ache.
He looks⊠awed. Like heâs caught between wanting to memorize you and being afraid to wake you.
Your voice comes out quiet, groggy. âYou okay?â
He startles, shoulders jerking the way they do when you catch him in a daydream. âOhâI wasnâtâ I mean, yes, Iâm fine. You just⊠looked comfortable.â
You huff a sleepy laugh, burrowing a little deeper into the blanket. âPretty sure youâre staring.â
His cheeks flush pink, unmistakable even in the warm lamplight. âI was⊠checking if you were asleep.â
âYouâre really bad at lying,â you murmur, letting your eyes drift halfway shut again.
He swallows, fingers tightening around the spine of his book. âI know.â
The quiet returns, deep and honey-thick.
You watch him from beneath your lashes, barely awake but not ready to lose this moment. The way he sits nowâhalf-turned toward you, elbow braced on the back of the couch, body angled in that instinctive way people do when theyâre drawn by something they wonât name.
Then he moves.
Slowly. Carefully. Like heâs approaching a wild animal he doesnât want to scare away.
He sets his book down on the coffee table. Then he shifts closerâjust an inch or twoâbut enough that you can feel the subtle warmth radiating from him.
âSpencer,â you whisper, eyes now fully closed, âyouâre hovering.â
âIâm not hovering,â he whispers back, flustered. âIâm⊠ensuring your comfort.â
You smile against the pillow. âThatâs hovering.â
Another silence. A softer one.
Then something brushes your shoulderâlight as a breath. You realize heâs lifting the blanket higher, tucking it gently around you, fussing with the edge until itâs snug.
His fingers hesitate when they reach the curve of your arm. They donât touch you, not reallyâbut they hover there, suspended in warmth and wanting.
You drift fully this time, slipping under the surface.
And in that drifting, you hear himâquiet, unguarded, thinking youâre long gone to sleep.
âIâm glad youâre here,â he murmurs. A confession to the dark. âMore than I know how to say.â
Your heartbeat stutters.
Fabric rustles. The couch shifts. He settles beside you, close enough that his knee brushes the cushion near your hip, close enough that his presence becomes a quiet shield around your sleep.
You exhale, sinking deeper, letting the sound of him breathing become your anchor.
And the last thing you register before sleep finally claims you is the way he whispers your nameâbarely a sound, barely a thoughtâlike heâs trying it out in the new shape your shared secret has carved into his world.
summary: youâve decided itâs time to have a babyâwith or without a partner. working at the bau hasnât exactly left room for candlelit dinners or whirlwind romances, so youâve started looking into a donor. simple. sensible. entirely under control⊠until spencer reid overhears you talking about it and, in true Spencer fashion, decides to make things complicated in the most endearing way possible.
includes: part 1, no use of y/n, mentions of fertility and sperm donation, discussion of family planning, medical talk (non-graphic), emotional vulnerability, romantic tension, awkward humor and secondhand embarrassment, garcia being a menace in the best way, spencer reid offering to be your donor (yes that happens), softness, mild language, serious emotional conversation about parenthood and choice
It isn't supposed to be a big conversation.
You just want to float the idea to Garciaâsay it out loud once, make it real enough to exorcise it from your brain. You arenât looking for a reaction, just a witness. Someone to hold the thought so it wonât hold you.
Garciaâs chair spins lazily as you hover in the doorway, arms crossed, rehearsing three different versions of how to start. She swivels toward you, eyes narrowing like sheâs about to diagnose a crime.
âOkay,â she says, dragging the word out. âYouâve got the face. The one that says youâre about to either cry or start a pyramid scheme. Possibly both. Whatâs up?â
You step in, close the door, and immediately regret both actions. âI need to talk. Like⊠actually talk.â
âOoh, serious voice.â She gestures to the chair beside her, still typing. âGo on, mortal.â
You perch on the edge of her desk, legs bouncing, voice barely steady. âI think Iâm gonna do it.â
She doesnât look up. âDo what? Donât be cryptic, thatâs my whole aesthetic.â
âThe donor thing.â You pause. âThe sperm donor.â
Garciaâs head snaps up so fast her ponytail smacks her shoulder. âIâm sorryâwhat?â
You wince. âYeah. Iâve been thinking about it. For a while.â
Her bright expression softens into something real. âYouâve been serious about this?â
You nod. âI donât want to keep waiting for someone who may or may not exist. The timing feels right. My lease renews soon, my savings look good, andââ You swallow. âI want this. I really do.â
Garcia leans forward, resting her chin on her hand. âYouâd be a wonderful mom.â
You smile, small but sincere. âThanks. Iâve been researching clinics. They have these wild donor filtersâyou can pick based on eye color, blood type, even favorite books.â
âOnly you would pick a donor based on their Goodreads account,â she says with a smirk.
âI have standards.â
âFavorite books?â
âYeah. You can literally pick someone because they also read Jane Eyre.â
Garcia smirks. âOnly you would make literary compatibility a genetic priority.â
You laugh. âI have standards.â
She points. âSo. Youâre serious. Like serious-serious.â
You nod. âThe clinic even has audio clips. You can hear them talk about their childhood pets and favorite philosophers. Itâs weirdly⊠humanizing.â
âWow. You're really doing this.â
You open your mouth to respondâ
âDoing what?â
You both jump a foot.
Spencer is standing halfway inside the doorway, manila folder clutched to his chest like a shield, brows pinched in confusion. His voice is casual, but his eyes are scanning the room like heâs clearly walked in on something not meant for him.
âHow long have you been standing there?â Garcia asks, her voice jumping up an octave.
Spencer glances between the two of you. âUh⊠long enough to hear something about audio clips and childhood pets? Are we profiling someone, orâŠ?â
âItâs fine,â you say quickly, before Garcia can make it weirder. âI was just talking about something personal.â
Spencer frowns slightly, clearly not convinced. âSomething⊠medical?â
âKind of,â you say, and thatâs your first mistake.
His brows pinch together. âWait, are you okay? Are you going to a clinic for something?â His voice softens, almost pleading. âBecause if youâre sick, there are specialists I can recommend. Thereâs a great neurologist in Georgetown who focuses on chronicââ
âSpencer!â you interrupt, holding up a hand. âIâm not sick.â
âOh.â He pauses, recalibrating. âOkay. Then⊠fertility?â
You blink. ââŠActually, yes.â
He nods, earnest and relieved. âGood. Okay. Thatâs good. I mean, not goodâbut manageable! You know, reproductive endocrinology has made enormous strides, and if youâre freezing your eggs, thatâs a very practical decision. Especially if youâre considering having children in the next five to ten years. Did you know fertility drops by almostââ
âSpencer,â you say, cutting him off again, though youâre smiling now. âIâm not freezing my eggs.â
âOh.â He looks lost. âThen what are youââ
Garcia jumps in before he can dig himself deeper. âOur girl here was just saying sheâs thinking about doing the donor thing.â
Spencerâs brow furrows. âDonor thing?â
âYeah,â you say. âLike⊠sperm donor.â
The words land, and you can see the moment his brain processes them. His eyes flick up to you, then back down, then up again like maybe he misheard and reality will reset if he gives it a second.
âOh,â he says finally. Then again, softer, like the syllable itself is fragile. âOh.â
The silence stretches. Garciaâs wide eyes bounce between you both like sheâs watching the best telenovela of her life.
Then, out of nowhereâ
âI could do it.â
You blink. âIâm sorry?â
Garcia gasps, hand flying to her mouth. âIâm sorry, WHAT?â
âI could be the donor,â Spencer says, entirely serious.
You and Garcia freeze.
She leans toward you, whispering behind her hand like he canât hear. âDid he justââ
âYes.â
ââsay he couldââ
âYes, Penelope.â
Garcia lets out a strangled squeak. âOh my god.â
You stare at him, eyes wide. âSpencer, what?!â
He looks slightly alarmed at your reaction. âI just meantâif youâre looking for a donor, Iâm qualified. Iâm healthy, I have no genetic disorders, my IQ is statistically above averageââ
âSpencer!â
Garcia is openly wheezing now, turning red from trying to contain her laughter. âHeâs pitching himself! This is a sales presentation!â
âIâm not pitchingââ Spencer starts, looking genuinely confused. âIâm just sayingâbiologically speakingââ
You groan, dragging your hands down your face. âOh my god, I canât believe this is happening.â
âIt makes perfect sense,â he continues earnestly. âYouâd know the donor personally, which eliminates risk factors, and the child would statistically inherit favorable cognitive traitsââ
You point toward the door. âWe are not doing this in front of Garcia.â
Garcia throws up her hands. âExcuse me! This is my office and my front-row seat to destiny!â
You grab Spencerâs sleeve and haul him into the hallway before she can get out another word.
Behind you, you hear her gleeful voice: âIf you two name the baby after me, I want godmother rights!â
You slam the office door shut as you leave, pull him into the nearest empty office, shut the door, and exhale hard enough to rattle the blinds.
âDo you see how thatâs a weird thing to offer?â
He blinks. âWhat part?â
âAll of it! Youâre my friend. Youâre my coworker. You canât justâjust casually volunteer to father my child like youâre offering to spot me at the gym.â
He looks at you, sincere to a fault. âI didnât mean it casually.â
You stop, thrown by the steadiness in his voice.
He fidgets, hands clasping and unclasping. âI meant it literally. I could be the donor. But alsoâŠâ His voice drops, softer now. âIâd want to be the dad.â
The air changes.
âI donât just want to help you start a family,â he says. âI want to be part of it. With you. If youâd want that.â
You blink at him, brain scrambling to keep up. âOh.â
âI know this isnât ideal timing. Or location. Or delivery.â
âYou think?â
He winces. âYeah. I panicked.â
You let out a disbelieving laugh. âThis is⊠wow. I came in here to tell Garcia I might buy sperm off the internet, and somehow we landed on you volunteering yours inââ you gesture around the small roomâ âa supply closet.â
âItâs actually not a supply closet,â he says automatically. âStrauss used it for interviews once. The acoustics areââ
You cut in with a raised brow. âSpencer.â
âRight. Sorry.â He ducks his head a little, lips pressing together in that way he does when his brain catches up to his mouth too late.
You sigh, the sound coming out somewhere between exasperation and disbelief. You lean back against the desk, the cool edge biting through your slacks, grounding you. âSo, youâd actually be okay with it? Likeâreally okay. Being a donor. Being involved.â
âI would,â he says immediately. No hesitation. His voice has that quiet steadiness that always sneaks up on you in interrogationsâthe kind that makes you believe him before you even decide to. âI wouldnât have offered if I wasnât sure.â
You study him for a beat. âBut⊠why?â
He shifts his weight, one shoulder lifting in a small, nervous shrug. âBecause I care about you.â His eyes flick up to meet yours, and itâs almost too muchâtoo open. âBecause youâre brilliant and kind and would make an incredible mom. And becauseââ he exhales, sheepish, ââstatistically, itâs safer and more cost-effective thanââ
âYou don't have to pitch yourself again.â
His mouth twitches. âAre you sure? I can make a whole presentation if you need.â
You let out a startled laugh, the tension cracking just enough to breathe. âThis is so weird.â
âI know,â he says softly, and thereâs no defense in it. Just honesty. âBut think about it. Youâd know the donor. Youâd know my medical history, my genetics. You wouldnât have to worry about some strangerâs file in a database. AndâŠâ He hesitates, then adds, âyou wouldnât be doing it alone.â
Your arms uncross slowly, as if the words have weight to them. âYouâre seriously okay with that level of involvement?â
He nods, firm now. âIf you wanted it, yes. I wouldnât justâcontribute genetic material and disappear.â His lips twitch like he knows how clinical that sounded. âIâd be there. School drop-offs. Homework. First words. All of it.â
You stare at him, trying to process the quiet conviction in his tone. Thereâs no flustered rambling now, no statistics to hide behindâjust Spencer, standing there and meaning every syllable.
Itâs a lot to take in. But weirdly? It doesnât feel wrong.
You press your lips together, pulse steadying as you find your footing. âIâm not saying yes.â
âI wouldnât expect you to.â His voice is softer now, careful, like heâs afraid to push.
You glance down at your hands, then back up at him. His fingers arenât fidgeting anymore. Theyâre still, relaxed at his sidesâa small miracle for someone who lives in motion.
âBut youâre makingâŠâ You huff out a quiet, disbelieving laugh. âAn unnervingly good case.â
A smile ghosts across his face. âI do read a lot.â
You roll your eyes, but it doesnât quite hide the way your chest warms. âI need to think about it.â
âOf course.â His tone is steady, but his eyes soften. âTake all the time you need. Really.â
Silence settles againâbut this time itâs different. Not heavy, not awkward. Just a kind of fragile calm, like both of you are standing on the edge of something you didnât mean to find.
You let out a long breath. âThis is probably going to be the strangest conversation I have all year.â
He tilts his head, a half-smile playing at his mouth. âWe work for the BAU. Thatâs a pretty high bar.â
You laughâa real one this timeâand watch him relax by degrees.
You turn toward the door, hand brushing the knob before you stop and glance back. âHey, Spencer?â
He looks up, attentive as always.
âI know it probably wasnât easy to say all that.â
His gaze holds yours, steady and unguarded. âIt wasnât.â
You nod once, a small smile tugging at your mouth. âWell⊠thanks for saying it anyway.â
summary: the team goes over what they know about the victims, forming a theory on the unsub's MO
includes: part 3, case fic, CM typical violence, investigation, suspect escape, profiling, interviews, bullying, suicide references, brief child SA mentions, corruption, murder, grief, supportive Spencer, reader self-doubt, cliffhanger
âWhat do we have on our victims? Let's go through everything again.â
Hotch stands at the head of the table, arms crossed, expression unreadable as he looks over the team.
The conference room settles immediately. Files open. Pens lift. The familiar rhythm of a profile being rebuilt from the ground up.
Beside you, Reid reaches for his file. His sleeve brushes your arm. It's barely anything. A passing touch. Accidental. Meaningless.
Your entire nervous system reacts like someone fired a starter pistol. You keep your eyes firmly on your notes. You are absolutely not a grown adult getting flustered because Spencer Reid's elbow exists.
Across the table, Morgan flips open his folder. "Victim one, Franklin Harris. Forty-four. Janitor.â
Hotch nods. "Victim two?"
"Jason Blake," JJ answers. "Forty-one. High school guidance counselor."
Prentiss picks up the thread. âVictim three was Leonard Gibson. Thirty-four. Accountant. Lived alone.
"And victims four and five were the married couple. Rachel and Steven Beckett. Thirty-eight and forty. Married eleven years, Rachel was a realtor, Steven worked at a local farm.â
âAny theories on why he chose them? Why he labeled them as liars?â Hotch asks.
JJ looks up. âI have a theory. When we interviewed the victims' families, one of the relatives from the Beckettâs mentioned an accident."
You straighten slightly. "What kind of accident?"
"Car crash." JJ glances down again. "It happened about four months ago."
"Fatal?" Rossi asks.
JJ nods. "One person died."
"Who was driving?" Reid asks.
"Steven."
"And he survived."
"Minor injuries." JJ taps her pen lightly against the page. "The family member said there were rumors afterward."
"What kind of rumors?" Hotch asks.
JJ exhales. "That he ran a stop sign."
Morgan frowns. "But officially?"
"The investigation ruled him not at fault.â
âOkay,â Prentiss says. âSo you think the unsub went after them for that?â
âItâs a good theory,â Morgan says.
âThe man who died, does he have any immediate family?â Hotch asks.
JJ nods. âHe left a wife and an adult son behind.â
âBring them in, I want them interviewed.â Hotch turns toward the board. "What about the others? Any similar incidents?"
Prentiss straightens slightly in her chair. "I've been digging into Jason Blake." She opens the folder and slides a page onto the table. "He worked as a guidance counselor at a local high school."
Morgan nods. "We already knew that."
"Yeah," Prentiss says. "What we didn't know was that there was a complaint filed against him about eighteen months ago."
Your attention sharpens immediately. "What kind of complaint?"
Prentiss exhales. "A student committed suicide. The parents claimed their son had been experiencing severe bullying for months."
JJ winces slightly.
"The family repeatedly contacted the school." Prentiss glances down at her notes. "Blake told them he investigated. Said there was no evidence of ongoing harassment."
A knot forms somewhere low in your stomach.
"And there was?" Reid asks.
Prentiss nods. "A lot of it."
The room falls silent again.
"He never investigated," JJ says quietly.
"The school eventually conducted an independent review after the student's death. Emails surfaced. Teacher reports surfaced. Statements from other students surfaced." Prentiss pauses. "Blake knew. He lied."
Across the room, Rossi slowly folds his arms. "The parents ever confront him?"
Prentiss nods. "Publicly."
"How publicly?"
"School board meetings. Local papers. Social media."
Morgan exhales through his nose. "So everybody knew."
"Pretty much.â
Hotch nods. âAlright. That gives us theories for why he was targeted. Prentiss and Rossi, talk to the parents who accused Jason Blake. Clear them and see if they had any supporters who may have been too supportive. What about Harris and Gibson? Any ideas on them?â
âNothing yet,â Kessler says. âBut Harris was an accountant, maybe he was scamming people?â
âItâs a possibility,â Hotch says. âCall Garcia, have her look into his records. In the meantime, I want Morgan and Kessler to go talk to Turner again. He knew about the unsubâs M.O., I want to know how.â
âHotch, with all due respect, it is a relatively small town. Couldnât he have just known from word-of-mouth?â you ask.
Hotch nods once. âHe could. But I want to make sure he doesnât know more than we think. While theyâre gone, I want you and Reid to take Gibson. Dig into his past as well, and see if you can find a theory for why he was targeted.â
âGot it,â Reid says.
Hotch gives one last nod. âLetâs move.â
An hour later, the precinct is hectic. Everyone is doing something. Garcia tracked down a handful of people from Harrisâs life to interview, ask if he ever hid anything serious. Morgan and Kessler are on their way to speak to Turner again. Prentiss and Rossi brought in the parents of the bullied student, as well as a few people Garcia found posting notable support.
And then thereâs Reid, sitting at the desk next to you, staring at files and notes from Harrisâs past. His brow is furrowed, his eyes trailing across the paper in front of him repeatedly, as if thereâs possibly any more information he could gain from it. He keeps bouncing his knee, then catching himself and stopping the motion, only for it to start again a few moments later.
Youâve been skimming Harrisâis life for any hints as to why the unsub chose him, but nothing has come up yet.
Suddenly, Reid pushes away from the desk and stands, his chair scraping across the floor. You look up at him, a brow raised in silent question.Â
âI need a break,â he says. âCoffee?â
You glance back down at the files, then back up at him. âYeah, I could use a break, too.â
So, the two of you walk together toward the break room.
It isnât much, just a table and two chairs, a beat up fridge, a microwave that looks like itâs from the 50s, and a coffee maker thatâs seen better days. You take a seat in one of the chairs, letting out a sigh as Reid starts the coffee.
âSo,â he starts, facing away from you, âI, uh, saw you got a job offer the other day.â
âOh, yeah, I was offered a research position at the lab I used to intern at,â you say.
The coffee maker spurts and drips loudly as the last bit of coffee fills the pot.Â
âWhat was the research?â he asks as he pours the steaming liquid into two paper coffee cups.Â
âBehavioral analysis,â you say, accepting one of the mugs from him.Â
âIs that how you got into the BAU?â
âSort of,â you say. He sits down in the empty chair across from you.
âDid you like it?â
âI loved it,â you admit. âResearch like that is what I joined university for.â
Reid nods. At first, you think that's the end of it.
He wraps both hands around his coffee cup, staring down into it as steam curls between his fingers. The silence stretches.
You take another sip of coffee. Reid doesn't. His brow remains faintly furrowed.
âYou'd be good at it,â he says finally.
âThe research job?â
He nods. âYou already think that way.â
You huff a quiet laugh. âThink what way?â
âPattern-oriented.â His gaze lifts briefly. âPatient.â
âThat's not usually the feedback I get.â
âIt's accurate.â
The certainty in his voice lands somewhere uncomfortable. Not because it's unwelcome. Because it's Reid. And Reid doesn't hand out compliments casually. Everything he says tends to arrive after being examined from six different angles first.
You glance down at your coffee. âThanks.â
He nods once. Then he goes quiet again. Long enough that you start wondering again if he's finished. He's not. You can see it happening. The way his fingers tighten slightly around the paper cup. The way his eyes drift away and back again. Like he's debating whether something is worth saying.
Finally:
âAre you going to take it?â
You blink. The question surprises you more than it should. âIââ
The word catches halfway out. You glance down into your coffee.
The answer should be simple. It isn't. Because the truth is, you don't know. Two days ago you would've said no immediately. Yesterday, maybe.Â
Now?
Now there's a folder sitting in your hotel room and a voice in the back of your head asking questions you'd been perfectly happy not asking before you got that letter.
You open your mouth again, but your phone rings. The sound cuts through the room so abruptly both of you flinch slightly.
You glance down automatically. Morgan.
Seeing his contact name makes you anxious instantly. Morgan shouldn't be calling. Not while he's interviewing Turner. Not unless something went wrong.
Across the table, Reid's brow furrows.
You answer. âHey, what'sââ
âWhere's Hotch?â
Morgan's voice is wrong. Too controlled. The kind of controlled that usually means something has already gone very, very bad. Your posture straightens instantly. Reid notices, raises a brow.
âWhat happened?â you ask.
âTurner's gone.â
âWhat the hell does you mean he's gone?â you ask.
Across from you, Reid is already standing. His chair scrapes loudly across the linoleum as he does.
Morgan exhales sharply through the phone. âHe got transferred back to county holding about an hour ago. Transport van stopped for gas. Driver went inside. Deputy stayed with the vehicle.â
Your stomach sinks.
âHe overpowered the deputy.â
âShit,â you mutter.Â
âHe got the cuffs off somehow,â Morgan continues. âWe're still trying to figure out how. Deputy's got a concussion and can't remember half of what happened.â
âWe need to get Garcia on surveillance footage. See if she can track where Turner is running to,â Reid says.
âKessler and I are working on getting the footage from the gas station. Iâll call Garcia next, but I couldnât get ahold of Hotch.â
âHe was talking to the chief, weâll let him know,â you say.
By the time everyone gathers again, the energy is different. Not quite frantic, but itâs getting there.
Hotch stands at the head of the table, one hand braced on the back of a chair as Garciaâs voice fills the room through the speakerphone.
âOkay, so our favorite contractor is officially making horrible life choices,â she says, the rapid clicking of her keyboard filtering in behind her words. âIâve got traffic cams, gas station footage, and one very grainy image that may just be a raccoon driving a pickup truck, but I am choosing optimism.â
Morgan pinches the bridge of his nose. âBabygirl.â
âRight. Serious. Sorry.â A few keys click. âTurner is definitely heading north. Confirmed by three separate traffic cams. Last visual was about forty minutes ago. He was driving a stolen 1994 Chevy Silverado, hasnât been found yet but I put out a BOLO.â
âAny idea of his destination?â Hotch asks.
âNothing solid yet, Iâm pulling financials, cell activity, family members, former associates, ex-girlfriends, gym memberships, suspicious Yelp reviews. The usual.â
âKeep us updated.â
âYou got it.â
Hotch turns toward the board. âAssume Turner is dangerous until located.â
âHe already killed one victim. And took out a deputy,â Prentiss says.
âAnd now heâs running,â JJ adds.
The room settles into a brief silence. You feel it before anyone says it. The doubt. The question sitting in the center of the table.
Kessler is the one who finally says it.Â
âIf Turner fled immediately after being taken into custody,â she says carefully, âwe need to consider the possibility that our original assessment was wrong.â
Nobody responds right away. Itâs not a disagreement, just caution.
âHe confessed to killing Lauren Powell,â Kessler continues.
âEventually,â Morgan says.
âAfter significant pressure.â
Your jaw tightens. âPressure doesnât create confessions.â
âNo,â Kessler agrees. âBut it can shape them.â
Reid shifts in his chair. âThe behavioral distinctions between Turner and the original unsub still stand.â
âThey do,â Kessler agrees again. Always agreeable. Always measured. Never quite pushing hard enough to sound confrontational. âBut behavioral distinctions arenât always reliable evidence.â
Your eyes drop briefly to the table. You know where this is going. You know it before she looks at you. Before anyone does.
âPart of the determination came from the interview.â
There it is. Not quite an accusation, but somehow worse. An invitation. A request. Explain yourself.
You clear your throat. âHe was lying about Lauren.â
âYes.â
âAnd telling the truth about the others.â
Kesslerâs expression remains neutral. âHow do you know?â
The question nearly makes you flinch. How do you know? You donât have a clean answer.
âI just⊠I know.â
Kessler waits. Patient. Reasonable. âCan you explain how?â
Your fingers tighten around your pen.Â
You arenât sure why her questioning feels like an attack. Theyâre reasonable questions. You havenât built trust with Kessler. She doesnât know how many times youâve been right about these things, how long you studied behavioral tells. But it doesnât feel simple.
âItâs different.â
Brilliant. Very convincing. You sound ridiculous.
âItâs justâŠâ You struggle for something concrete. âWhen people lie, thereâs usually tension behind it. Like theyâre steering away from something.â
Kessler nods. âAnd Turner?â
âHe lied about Lauren immediately.â You can hear yourself becoming less certain the longer she stares at you. âHe reacted before he thought.â
The memory replays itself. Turner shouting. Exploding. Panicking. Confessing. But now more thoughts slip in. Turner escaping. Running. Heading north.
âHe never lied about the others.â
Kessler studies you for a moment. âOr he was simply better prepared for those questions.â
You donât answer. Because you canât immediately dismiss her concern. Thatâs the problem. You canât prove any of this. You never could. You just know.
Except knowing sounds a lot less impressive when someone starts asking for receipts.
Kessler crosses her arms like sheâs decided thatâs enough. âI say we move forward with the theory that Turner lied.â
"The original unsub and Turner are different offenders."
This time the voice comes from beside you. Reid.
You glance up. His gaze is fixed on Kessler, calm and certain. "The crime scenes support that."
"They support the possibility."
"They support the probability."
Kessler tilts her head slightly.
Reid doesn't back down. "The carving patterns differ. Victim selection differs. Escalation differs.â
Kessler stays quiet for a minute. âAnd if it was his plan? To make us think Lauren Powell was different?â
âWhat's the difference between confessing to one murder versus five? If he wanted to throw us off, why would he confess at all?â Morgan asks.
âPressure,â Kessler says again, âMaybe he confessed because he knew he was caught, but he assumed one murder was better than five. Maybe it was his plan the entire time, and he was just trying to make Laurenâs murder look different to throw us off..â
Reid's expression doesn't change.
"If Turner wanted us to believe Lauren Powell was a separate offense," he says evenly, "then carving the same word into her body would have been the worst possible way to accomplish that.â
Kessler doesnât respond right away. She just looks at him, her brows slightly furrowed.
Reid continues. "He didn't create a new narrative. He borrowed an existing one."
Morgan nods once. "Exactly."
"The original unsub spent weeks establishing a ritual," Reid says. "Victim selection, post-mortem staging, geographic consistency. Turner copied the most visible element because it was the only part he understood."
Kessler leans back slightly in her chair. "That's an assumption."
"It's a conclusion supported by evidence."
Her gaze narrows just a fraction.
"The carving wasn't symmetrical," Reid says. "The depth varied. The placement differed. The scene organization differed. The victimology differed. The scene was outside of the established comfort zone. Every measurable component diverged from the established pattern."
You glance over at him. His voice remains calm. Almost detached. But there's a firmness underneath it now. It isnât irritation, itâs conviction.
"The behavioral assessment didn't originate from the confession," he continues. "The confession supported conclusions we had already reached."
A brief silence settles across the room.
Kessler studies him for a moment. Then she nods once. âFair enough."
But something about it doesn't feel finished.
You glance toward her. She's already studying the victimsâ photos again. Already moved on.
Except she hasn't. You can tell. Because she asked. And asked. And asked. Not because she wanted the answer. Because she wanted to see what happened when you didn't have one.
Your eyes drift to the photos pinned to the board.
LIAR.
The word stares back. For the first time since this case started, a quiet, ugly thought slips into your head.
What if Kesslerâs right? What if Turner isn't the only person you've ever been wrong about?
The room keeps talking around you. Routes. Search grids. Traffic cameras. Manhunts. But for a moment, all you can hear is your own uncertainty.
Hotch straightens from where he'd been leaning against the table. "Until evidence suggests otherwise, Turner remains responsible for Powell only."
And across the table, Reid glances at you once. Just once. A brief look, concerned and observant. Like he noticed exactly where your thoughts went. And doesn't particularly like it.
It takes another hour for Garcia to call. An hour of maps. An hour of traffic cameras. An hour of everyone pretending they aren't waiting for the phone to ring.
When it finally does, the entire room seems to shift toward it.
Garcia doesn't bother with a greeting. "I think I found him."
Every conversation stops.
Hotch reaches for the speaker. "Location?"
Keys clatter rapidly in the background. "Property about three hours north. Rural. Very rural. Like horror-movie-level trees. The land belongs to Turner's aunt, technically, but Turner helped renovate the cabin about four years ago after a storm damaged part of it."
A map appears on the screen. Dense forest. One access road. Nothing nearby.
Morgan leans forward. "Any activity?"
"Not confirmed," Garcia says. "No cameras out there, but the Silverado was picked up heading in that direction. After that? Radio silence."
"You think he's hiding there?" Prentiss asks.
"I think if I escaped police custody and wanted somewhere familiar, isolated, and free of witnesses, it'd be on my shortlist."
Hotch nods. "Local law enforcement?"
"Already notified."
"Good."
You study the map. The cabin sits alone in a sea of green. Hidden. Disconnected. A place someone could disappear.
"Could be coincidence," Kessler says.
Morgan looks at her. "You got a better idea?"
"No." Her gaze remains fixed on the map. "Just saying we shouldn't assume he's there until we confirm it."
Fair. Annoyingly fair.
Hotch is already moving. "Morgan, Prentiss, coordinate with local SWAT and clear the property."
Morgan nods once.
"JJ, I want you on a call to coordinate with Garcia. I want updates the second we get movement."
"Got it."
"Rossi, Kessler, finish interviews. Revisit everyone connected to the Beckett accident."
Neither of them argue. Then Hotch's gaze lands on you.
"You and Reid keep digging into Harris.â
You nod. "Got it."
Beside you, Reid is already gathering his files.
"Good," Hotch says. "Move.â
Once everyone leaves, the precinct feels quieter.Â
Not actually quieter. Phones still ring. Officers still move through the precinct carrying stacks of paper and lukewarm coffee. Someone drops a file near the front desk and swears under their breath. But everything feels muted, like listening through glass.
You settle back into your chair beside Reid, pulling Harris's file toward you.Â
Reid watches you for a second instead of working.
"You okay?" he asks after a moment.
You glance toward him. "What?â
Reid looks away first. Not because he's uncomfortable exactly. More like he's thinking. "You've been quieter."
You stare at him for a second.
âSince Kessler's questioning, I mean.â
You lean back slightly in your chair and force a laugh that doesn't quite sound convincing. "Wow. Profiling me now?"
"I wasn't profiling you,â he says. âJust observing.â
You shake your head. âWhat is profiling if not observing?â
The corner of his mouth twitches just slightly. Then his expression settles again. More serious this time.
"You know Kesslerâs wrong.â
Your smile fades. Your eyes move back to the file in front of you. âDo I?â
"Yes."
The certainty comes so quickly it makes you look back up. Reid is already watching you, his gaze steady. Like he thinks this shouldn't even be a question.
You pick at the corner of a page. "She wasn't completely wrong."
"No," he agrees.
That surprises you even more. You furrow your brow.
Reid tilts his head slightly. "You can't prove it."
You huff a laugh. "Thank you, Spencer. That's extremely reassuring."
"I'm not finished."
You fall quiet.
He glances briefly toward the victim board before continuing. "You can't prove it because what you do isn't a measurable process." His fingers tap lightly against the file. "It's pattern recognition."
"That's a fancy way of saying instinct."
"No." The answer comes immediately. "Instinct is unconscious. What you do is different."
âDifferent?â you ask flatly. âRight.â
He shifts slightly in his chair. "You notice behavioral inconsistencies. Micro-expressions. Speech patterns. Emotional responses. Then your brain processes them faster than you can consciously explain."
You stare at him. "You make it sound scientific."
"It is scientific." Again, no hesitation in his voice. No doubt laced through his words. Just something he believes with certainty. "You've been right every time I've seen you do it."
The room suddenly feels much smaller.Â
You glance away. "That's not true."
"It is.â
The immediate response makes you laugh despite yourself.
Reid frowns slightly. "I can think of at least three times you've noticed something everyone else missed in the last week.â
You shake your head. "That's different."
"Why?"
Because those times weren't important. Because those times didn't involve murder investigations. Because those times didn't involve people potentially going to prison. Becauseâ
You don't actually have a good answer.
Reid waits. When none comes, he continues. "You know what Morgan says when you're interviewing someone?"
You blink. "What?"
"He says the fastest way to figure out who's lying is to watch who you're looking at."
Your mouth falls open slightly. "He says that?"
"Frequently.â A pause. "Usually right before he bets on whether you're about to make somebody cry."
You let out another surprised huff of laughter. Reid's expression brightens for a moment before sobering again.
"Kessler doesn't know you." The words are simple. Matter-of-fact. "She's known you for less than a week. I've worked with you."
Your chest tightens unexpectedly.
Reid shrugs one shoulder. "She's evaluating a skill she hasn't observed long enough to understand."
You look down at your coffee-stained notes. "What if she's right, though?"
The question comes out quieter than you intended. Reid doesn't answer immediately. For a moment, all you hear is the distant buzz of the precinct.
"What if she isn't?"
You glance up. His expression is calm. Gentle, almost. "If I stopped trusting every conclusion I reached the first time someone questioned it, I wouldn't be able to do this job."
The words settle somewhere deep. Because he means them. Not as encouragement, as the truth.
"You know what I think?" he asks.
You raise an eyebrow. "Dangerous question."
"I think you're one of the most observant people I've ever met."
Your heart promptly forgets how to function. Reid, thankfully, appears completely unaware of the damage he's just caused.
He keeps talking. "I think you notice things most people overlook." Another page turns beneath his fingers. "I think you've helped solve multiple cases because of it." He glances up. "And I think you're letting one person's skepticism outweigh years of evidence."
You stare at him. He stares back. Completely serious. No embarrassment or hesitation. Just Spencer Reid stating a conclusion he believes is objectively true.
Your throat feels strangely tight. "That's a very nice thing to say."
"It's not a nice thing." He frowns slightly. "It's an accurate thing."
The answer is so perfectly Spencer that a laugh escapes before you can stop it.
Next to you, his shoulders loosen slightly. Like that was the goal all along. Not convincing you, just getting you to smile again.
"Okay," you say quietly.
Reid nods once, satisfied. "Okay."
A moment passes. Then he slides the Harris file away. âI want to see your notes.â
âMy notes?â
He nods. âYou were taking notes earlier. I noticed you write something about his records being sealed.â
You blink. "Oh. Yeah."
Reid waits as you flip back through your notebook, finding the scribbled note wedged between timelines and victim interviews.
"There was a sealed record from about twenty years ago," you say. "Nothing detailed. Just enough to show something existed."
Reid leans slightly closer. "What kind of record?"
You shrug. "No idea. Juvenile maybe. The system flagged it and then immediately locked me out."
His brow furrows. "And you didn't mention this?"
"I was going to ask Garcia to unseal it.â
Reid nods immediately. "Let's do that.â
You pull out your phone. Garcia answers on the second ring.
"Tell me somebody found a body because I am running out of ways to entertain myself."
"Good afternoon to you too."
"Hello, my beloved government employees,â she says dramatically. âNow, what wizardry do you need me to perform?â
You explain the sealed file.
There's a pause. Then rapid keyboard clattering. Then more keyboard clattering. Then what sounds suspiciously like additional recreational keyboard clattering.
"Huh."
You straighten. "Huh good or huh bad?"
"Huh interesting."
Reid immediately leans forward. "What did you find?"
"Well first, whoever sealed this thing really wanted it buried." More typing. "And second..."
Silence.
Your stomach drops. "Garcia?"
"Franklin Harris wasn't the one with the record."
You exchange a glance with Reid. "What?"
"The file is attached to his name now, but twenty-three years ago it belonged to somebody else."
You sit up straighter.
"What do you mean somebody else?" Reid asks.
"It was amended after a legal name change."
Next to you, Reid freezes. The way he always does when a piece suddenly clicks into a larger puzzle.
"Garcia," he says carefully, "whose name?"
"Franklin Harris was born Daniel Mercer."
You look at Reid. Reid looks at you.
Garcia continues. "And Daniel Mercer was involved in a juvenile court case connected to a sixteen-year-old girl named Emily Warren.â
"What kind of juvenile case?" you ask.
Garcia exhales. "The official record is incomplete. A lot of the original documentation is missing.â
"Missing?"
"Missing missing," Garcia says. "Not redacted. Not sealed. Gone."
Beside you, Reid straightens. "That's unusual."
"That's what I thought." A few more keys click. "The surviving court summary says Emily Warren was sixteen years old when she reported Daniel Mercer for sexual assault. She was pregnant.â
For a second neither of you speak.
"Mercer was the alleged father?" Reid asks.
"According to the complaint, yes."
You feel a knot forming in your stomach. "What happened?"
Garcia lets out a humorless laugh. "What happened is somebody had money."
You glance at Reid. His jaw tightens.
"The case never went to trial," Garcia says. "Emily recanted part of her statement three months later."
"Part of it?"
"Enough of it."
The answer lands heavily.
"Family?" Reid asks.
"Oh, definitely family." More typing. "I found property records, campaign donations, legal invoices. Daniel Mercer's father owned half the county twenty years ago."
"Hyperbole?" you ask.
"Nope." A pause. "Actually less hyperbole than I'd like." You hear rustling on Garcia's end. "His father retained three separate attorneys within six weeks of the accusation."
Three. For a juvenile case.
You exchange another glance with Reid.
"The Warrens moved less than a year later."
"Moved where?" you ask.
"Three states away."
"And the child?" Reid asks.
"Looks like a boy." You hear more typing. "Born seven months after the complaint."
You sit up straighter. "Name?"
âPaul Warren.â
You and Reid are already on your feet before Garcia finishes speaking.
"Send everything you have on Warren," Reid says.
"Already doing it," Garcia replies.
The line disconnects a second later.
The two of you are halfway down the bullpen before either of you says another word. Hotch is still in the conference room when you arrive. Rossi, JJ, and Prentiss are there too, sorting through interview notes while they wait for updates on Turner.
Hotch looks up immediately. Something in your expression must give it away. "What is it?"
You set the file down on the table. "We found a connection to Harris."
That gets everyone's attention.
Reid moves toward the board. "Franklin Harris wasn't originally Franklin Harris," he says. "He legally changed his name twenty-three years ago."
Prentiss straightens. "Why?"
"Because Franklin Harris was originally Daniel Mercer. And when Mercer was seventeen, a sixteen-year-old girl named Emily Warren accused him of sexual assault."
Rossi's expression hardens immediately.
"The case disappeared," Reid says. "Records missing. Witness statements incomplete. Family retained multiple attorneys. The victim recanted part of her statement."
"Mercer's father had money," you add.
Hotch's jaw tightens.
"And the girl?" JJ asks quietly.
"Moved away less than a year later."
You glance down at your notes. "She gave birth to a son, Paul Warren.â
"Paul Warren?" Rossi repeats.
The name lands differently coming from him. You look up. Rossi is already reaching for a file.
"Paul Warren was one of the interviews."
Prentiss frowns. "What interview?"
"The Blake interview." Rossi flips open the folder. "He was one of the people we brought in this morning."
A cold feeling settles low in your stomach. Rossi finds the page and slides it across the table.
"Paul Warren was close friends with Tyler Evans, the high school student Blake lied about.â
âIs he still here?â Hotch asks.
Rossi shakes his head. âNo, he left just before we found Turner's possible destination.â
Prentiss mutters a curse. âLet me guessâtall, dark hair, blue button up?â
Rossi raises a brow. âHow did you know?â
âHe was lingering before he left. Claimed he was lost,â Prentiss says. âBut now, I think he was waiting to hear Turner's location.â
âWe need to move,â Hotch says. âHe could be on his way there now.â
summary: as the BAU digs deeper into the liar murders, you notice a subtle difference in the latest victim. while kessler's growing rapport with reid continues to needle at insecurities you'd rather ignore, a tense interrogation reveals new information.
includes: part 2, CM typical violence, BAU team dynamics, slow burn, jealousy, reader-coded anxiety, profiling, interrogations, murder investigation, grief and bereavement
The shift from conference room to jet always feels wrong in a way you can never fully explain.Â
Like a sudden time skip before you understand the plot.
One second youâre under fluorescent lights with crime scene photos burned into the backs of your eyes, and the next youâre thirty thousand feet in the air with stale coffee and recycled oxygen humming through the cabin vents like none of it followed you onboard.
But it always does.
By the time you settle into your seat, the engines have already smoothed themselves into a steady vibration beneath your ribs. Files reopen. Pens resume their quiet scratching. Conversations pick back up mid-thought, seamless and strange, like the case never paused at allâit just changed rooms.
You tuck your bag beneath the seat with a practiced push of your foot and pull your tablet back out.
Across from you, Reid is already talking.
ââif the marking is post-mortem, then the act itself isnât about silencing the victim,â he says, fingers tapping lightly against the edge of the file as the thought organizes itself in real time. âItâs symbolic. Which means âliarâ probably isnât situational. Itâs categorical.â
Morgan leans back slightly in his seat. âSo not something they did. Something they are.â
âOr something he believes they are,â JJ adds.
Reid nods quickly. âRight. Exactly.â
Across the aisle, Kessler listens without interrupting.
Thereâs something unusually precise about the way she pays attention. Not passive. Not performative either. More like sheâs sorting through the room in layers, deciding what deserves to stay.
âHeâs not testing them,â she says after a moment. âHeâs confirming something he already decided before he met them.â
âSo the interaction beforehand is probably structured around validation,â he says. âHeâs not discovering deception. Heâs looking for proof of it.â
Something in your chest catches faintly on that. It's not wrong.
More like a sentence missing its last word.
You glance back down at the photos.
LIAR.
Centered. Symmetrical. Controlled.
Your mouth opens slightlyâ
âand the phone rings.
The sound cuts through the cabin so sharply everyone stills for half a second before Morgan grabs it. âTalk to me, babygirl.â
âWeâve got another one.â
The air changes instantly.
Hotch leans forward slightly from his seat. âLocation?â
âJust outside the original radius,â Garcia says. âAbout thirty miles out this time. Rural property. Local PD just called it in. Same markings.â
JJâs pen stills. âAny information on the victim?â
âFemale. Mid-thirties. Found inside the home. No signs of forced entry.â
Expansion of radius and shift in victim profile.
The geometry of the case rearranges itself immediately in your head, pieces shifting before you can consciously track them.
âSend us everything,â Hotch says.
âItâs already uploading.â
A soft chime cuts through the cabin a second later.
Morgan opens the file first.
The image loads.
It's a different house, different victim, but the same word.
LIAR.
Carved into skin in the same place as the others. But something catches at you immediately.
Your eyes narrow slightly as you scroll through the pictures. You stop when you come to a close-up of the carved word.
âHold on,â you say softly. âIt's different.â
Morgan glances up. âWhat?â
You lean forward a little, tapping lightly against your screen. âThe placementâs different.â
Reidâs gaze drops immediately to where youâre pointing.
âThe others were centered,â you say, thoughts gathering speed now that theyâve surfaced. âSymmetrical. Deliberate. Almost like the unsub actually measured before cutting. This one's off. More jagged, slightly crooked, a bit off centered.â
Morgan leans in slightly. âYou think he rushed this one?â
You shake your head immediately. âNo. Itâs still controlled.â Your brow furrows. âJust⊠closer. Maybe less intentional, more personal?"
The words feel wrong. Like they aren't quite close enough.
Kessler tilts her head slightly, eyes flicking to the image, then back to you.
âI donât think itâs less intentional,â she says, tone calm, measured.
You glance up.
Her expression stays composed. Certain in that quiet, polished way that somehow makes uncertainty feel embarrassing. âItâs actually more intentional.â
Reid nods as though he understands. You, meanwhile, raise a brow in confusion.
Kessler gestures lightly toward the image.
âI believe the placement suggests proximity, like you said,â she says to you âBut it's because it wasn't about her being found this time. This was just for the unsub. The act mattered more than the presentation this time.â
Reid studies the image again, eyes narrowing slightly.
And there it is again.
That quick alignment between them.
Easy. Immediate. Like stepping into rhythm without needing to search for it first.
âThat would also explain the depth variation,â he says, leaning forward slightly. âThe earlier incisions are consistent across all three victims. Same pressure. Same angle.â His gaze flicks lower. âThis one changes.â
Emily nods. âThe first stroke is deeper. The rest taper off slightly. That suggests emotional escalation during the act itself. He wasnât just marking herâhe was reacting.â
Morgan exhales through his nose. âSo something she said set him off.â
âOr didnât say,â JJ counters, leaning in. âIf heâs expecting a confession and doesnât get oneâŠâ
âSo weâre looking at a subject whose behavior is shifting from controlled presentation to emotionally driven action,â you say.
Prentiss nods once. âThatâs escalation.â
âAnd proximity,â Reid adds again, almost to himself. âHeâs getting closer during the interaction. Less detached.â
Kessler watches him as he speaks, something intent in her expression. Not surprise. Not quite approval either. Something more measured.
âWhich suggests the fantasy is destabilizing,â she says. âHeâs no longer satisfied with the symbolic act alone.â
Hotch gives a short, decisive nod, the kind that closes a door without slamming it.
âWeâll continue this on the ground,â he says, voice even, already shifting the team forward. âFor now, review what we have. I want initial impressions ready when we land.â
Thereâs a quiet shuffle of movement. Papers adjust. Screens dim slightly. The rhythm of the jet fills the spaces where conversation used to be.
Across from you, Reid drifts somewhere deeper into the case, gaze fixed just slightly past the screen like heâs reconstructing something invisible behind it. His fingers tap once against the file before stilling again.
You try to find the thread you had earlier.
The placement. The feeling of it. The sense that the word itself mattered differently here somehow.
But it keeps slipping sideways before you can fully grab it.
âYou were right to notice the variation.â
You look up from your tablet.
Kessler has leaned slightly closer across the aisle, voice pitched just low enough not to travel. Up close, her expression is composed, thoughtful in that precise, practiced way you're already expecting.
Composed.
Intentional.
Like every expression passes through inspection before being released into the world.
âMost people wouldâve dismissed that as inconsistency,â she continues, quiet, conversational. âBut itâs not. Itâs a meaningful deviation.â
Thereâs a small pause. Just enough space for the words to settle.
âYou seem good at that,â she adds. âCatching details without overcomplicating them. A lot of people in this field miss obvious things because theyâre too busy trying to sound intelligent.â
Your fingers curl slightly against the edge of your tablet.
Small. Subtle. Easy to miss if you werenât looking for it.
A fractional delay before the compliment lands. Not in her words. In her body. The way her shoulders settle a beat too late. The way her gaze holds just a fraction longer than it needs to, like sheâs making sure it takes.
Not exactly a lie. Just polished before release.
Like the truth got edited for audience appeal.
Your chest tightens faintly.
âOh,â you say softly. âThanks.â
You smile automatically.
It feels convincing.
Kessler nods once, satisfied, like the exchange has reached its natural conclusion. She leans back into her seat, attention already shifting forward again, back into the case like that moment never needed to linger.
You let your gaze drop back to your screen.
LIAR.
When you arrive at the precinct, the first thing you notice is the smell. Old coffee, dust, and whatever cleaner the janitor uses drift through the air.
Everything is a little too bright, a little too flat. The kind of place where voices carry even when people try to keep them contained.
Local officers move around with that particular blend of urgency and uncertainty that comes with handling a case with the BAU. Files shift hands. Someoneâs explaining something too fast near the front desk. A printer hums constantly like itâs part of the investigation.
Hotch speaks briefly with the lead detective, voice low, efficient. JJ and Prentiss peel off toward the bullpen area, already asking for timelines, victim background, anything that fills in the edges. Morganâs talking to uniforms by the door.
Kessler stands just slightly apart from it all, listening. Observing. Filing.
You hover for half a second, not quite sure where youâre meant to landâ
âInterview room two,â Hotchâs voice cuts cleanly through the noise.
You look up. Heâs already looking at you.
âThe husbandâs waiting,â he continues. âLance Powell.â A small nod toward the hallway. Direct. Decided. âTake Reid with you.â
Your stomach does a small, unhelpful flip.
âOkay,â you say, because thatâs the only answer that exists.
Beside you, Reid shifts slightly, like he was already half-moving before the instruction finished. His expression is focused, but thereâs something quieter under it. Attention, maybe. Or just proximity.
âRight,â he says, glancing toward the hallway. âYeah.â
You nod once and start walking.
The hallway narrows the world down to footsteps and breath.
The noise from the precinct dulls behind you, replaced by something more contained. Doors. Numbers. The faint echo of voices through walls that were never meant to keep things entirely private.
You reach room two. A simple grey door, wired window, and a metal handle thatâs cold to the touch when you turn it.
Lance Powell is already inside.
He looks like someone who hasnât fully caught up to whatâs happened yet.
Mid-forties, maybe. Early fifties. Hard to tell. Grief does thatâpulls years forward, collapses them inward. His hair is uncombed, shirt wrinkled like he slept in it or didnât sleep at all. Thereâs a shadow along his jaw that wasnât intentional.
A cup of coffee sits in front of him, untouched.
His hands are wrapped loosely around it anyway, like he needs something to anchor them.
He looks up when you enter. Hope flickers first, then confusion. Then something heavier settles in behind it when he realizes youâre not whoever he was waiting for.
You step in anyway, keeping your movements slow, deliberate. Not cautiousâjust⊠respectful of the space heâs in.
âMr. Powell?â you say, voice soft but steady.
He nods, once. Quick. âYeah. Yeah, thatâsâyeah.â
His voice is rough. Like it hasnât been used properly in a while.
You pull out the chair across from him, sitting down without scraping it too loudly against the floor. Reid takes the seat slightly to your right, not crowding, not distant either. A quiet presence. A second set of eyes.
âIâm with the Behavioral Analysis Unit,â you continue. âWeâre here to help figure out what happened.â
His grip tightens just slightly on the coffee cup.
âOkay,â he says. âOkay. Good. Good, thatâsââ He nods again, faster this time. âThey said youâd beââ He stops. Swallows. âThey said youâd be good at this.â
You nod once, like thatâs something you can accept without questioning right now.
âWeâre going to ask you a few questions,â you say gently. âJust to understand the timeline. Anything you can tell us helps.â
âYeah. Yeah, of course.â He leans forward slightly, like heâs ready to give you everything at once. âWhatever you need.â
âCan you walk me through yesterday?â you ask. âFrom the morning, if you can.â
He exhales, long, shaky. His gaze drops to the table, like the answers might be written there if he looks hard enough.
âIâI left early,â he starts. âAround six. Iâve got a job out near the highway, so Iââ He gestures vaguely. âIâm usually gone before Laurenâs even up.â
His thumb drags absently along the rim of the coffee cup.
âShe was asleep when I left,â he continues. âOrâI think she was. Bedroom door was closed.â
âAnd when did you come back?â you ask.
âUhâlate,â Lance says. âLater than usual. Traffic was bad, and Iââ He shakes his head slightly. âI stopped for gas. Picked up dinner. Justânormal stuff.â
You nod slowly, letting him know youâre still listening, even as he stops to take a shaky breath.
âI got home around⊠eight-thirty? Nine, maybe.â He winces slightly, like the exact number is just out of reach. âSomewhere in there.â
You tilt your head just slightly, not breaking eye contact. âWhat happened when you got home?â
He inhales another shaking breath.
The grief is real. Immediate. It cracks through Mr. Powell before he can shove it back down. Tears start to form along his lower lash line, and he looks away like he doesnât want you to see.
âIââ His voice stumbles. âI knew something was wrong. The doorââ He gestures vaguely again. âIt was unlocked. Lauren wouldnâtâshe always locks it.â
His eyes shine, unfocused, pulled somewhere else entirely.
âI called out. She didnât answer. And then Iââ He swallows hard. âI found her.â
Reidâs gaze flicks briefly toward you, not questioning. Just checking. Aligning. You nod slightly, then look back to Mr. Powell.Â
âMr. Powell⊠can you think of any reason someone would want to hurt Lauren?"
He shakes his head immediately. Too quickly for it to be anything but a defense for his wife.
âNo,â he says. âNo, nothing like that. Sheâshe was good. She wasâeveryone liked her. She didnât⊠have enemies. She didnâtâshe wasnâtââ He cuts himself off, jaw tightening. âNo. No reason.â
The word no lands too fast. Not just quick. Preloaded. Like they were waiting at the front of his mouth before you even finished asking.
Your gaze doesnât leave his face.
Thereâs grief there. Real, sharp, still bleeding at the edges. You donât question that part.
But itâs layered over something else.
His shoulders pulled just slightly inward. Not collapsing⊠bracing. His grip tightening around the cup, not for comfort, but for control. His eyes flicking down a fraction too soon, like theyâre dodging something rather than searching for it.
Heâs not just remembering. Heâs managing.
You let a beat stretch. Not long enough to pressure. Just long enough to let the silence ask its own question.
âI understand,â you say gently.
He nods immediately, relief flickering across his face like he thinks youâre letting it go.
âI do,â you continue, voice still soft, still even. âYou want to protect her.â
The relief stutters. His eyes lift back to yours.
âIâm notââ he starts.
You tilt your head, the smallest movement. âYouâre trying to make sure sheâs remembered the right way,â you say. âThat the worst thing that ever happened to her doesnât become the only thing people see.â
His throat works. Swallows.
âThat makes sense,â you add quietly. âAnyone would want that.â
His grip loosens around the cup. Just slightly.
The truth always does that. It takes the tension out of the lie, even if it doesnât replace it yet.
âButâŠâ you say, and this time the word is careful. âIf we donât know what actually mattered in her lifeâwhat complicated things existed, what real things existedââ your fingers rest lightly against the table, grounding the words there instead of letting them float, ââthen weâre working with a version of her that doesnât exist.â
He looks at you like he wants to argue. Like he wants to say no again. But it doesnât come out this time.
âMr. Powell,â you say, quieter now, âwho was she arguing with?â
âIâshe wasnâtââ Lance tries again, but itâs weaker now. Less structure. The edges of it are already fraying.
You donât let him build it back up.
âYou paused,â you say gently. âWhen you said she didnât have enemies.â
He freezes.
âYou were going to say something else,â you continue. âAnd then you stopped.â
His jaw tightens.
âI didnâtââ
âYou did,â you say, still soft. Still calm. âAnd itâs okay that you did.â
His eyes drop to the table again. This time, they stay there.
âSheââ he starts, then stops. Shakes his head. âIt wasnâtââ He exhales, sharp, frustrated. At himself. At you. At the situation. All of it tangled together.Â
âIt wasnât like that,â he says finally, like heâs trying to convince the room more than you. âShe justâŠâ His thumb drags along the edge of the cup again, over and over, like heâs trying to wear the feeling down. âShe talked. A lot.â
You nod once. Small. Neutral. Encouraging without pushing. âAbout what?â
He huffs a humorless breath.
âEverything,â he says. âWork. Friends. People she knew. People she didnât know.â His mouth twists slightly. âStuff she shouldnât have known.â
Reidâs gaze sharpens just a fraction. âWhat kind of stuff?â
Lance glances at him, then back to you. Like youâre the one heâs answering to.
âPersonal things,â he says. âSecrets. Gossip. Whatever you want to call it.â His grip tightens again. âSheâd hear something and justârun with it.â
âRun with it how?â you ask.
âLike it was true,â he says, a little sharper now. Defensive again, but not hiding this time. âDidnât matter where it came from. Didnât matter if it made sense. If she thought it fit, sheâd repeat it. She was a gossip for sure.â
âDId she ever get called out for it?â you ask.
A short, bitter laugh escapes him. âYeah. Yeah, a few times.â
âBy who?â
âNeighbors. Coworkers. One of her friends stopped talking to her over it.â He shakes his head. âSaid she was twisting things. Making people look bad.â
Reid leans forward slightly. âDid Lauren believe what she was saying? Or did she know it wasnât true?â
Lance hesitates. That hesitation is heavier than anything heâs said so far.
âI thinkâŠâ he starts slowly, frowning like the answer doesnât sit cleanly anywhere, âI think she believed it once she said it.â
âDid she confront people with it?â you ask, voice softer now.
Lance nods, once. âSometimes.â
âHow did that usually go?â
âBad,â he says immediately. âPeople didnât like being told things about themselves that werenâtââ He stops. Corrects himself. ââthat werenât right.â
âDid anyone ever get angry enough to threaten her?â you ask, voice still even, still patient. âOr scare her?â
Lance shifts in his chair, shoulders pulling in just a fraction.
âPeople got mad,â he says. âYeah. Of course they did. Butââ He shakes his head quickly. âNot like that. Notâthis.â
âShe ever mention someone specific?â you ask, softer now. âSomeone who didnât let it go?â
Lance exhales, long and thin, like heâs trying to flatten the question out before it can take shape.
âThere wasââ he starts, then stops.
âMr. Powell,â you say gently, âwhatever you rememberâeven if it feels smallâit matters.â
His jaw shifts, working against itself.
âThere was a guy,â he admits finally, quieter now. âA few weeks back.â
Reid leans forward slightly. You feel it more than you see it, the shift in his attention sharpening like a lens clicking into focus.
âWhat happened?â Reid asks.
Lance glances at him, then back to you again.
âShe said something about him,â he says. âI donât even remember what it was. Something about his business, I think. That he wasâcheating people, or cutting corners, orââ He shakes his head. âIt didnât make sense to me. But she was convinced.â
âAnd he confronted her?â you ask.
Lance nods. âYeah. Came by the house. I wasnât there, but she told me about it after.â His mouth tightens. âSaid he got real worked up. Told her to stop talking about him. That she didnât know what she was saying.â
Your fingers tap once, lightly, against the table. âDid she stop?â
A humorless huff. âNo,â he says. âShe said if it wasnât true, he wouldnât be so mad about it.â
Reidâs gaze flicks briefly toward you again.
âDo you remember his name?â
Lance hesitates. Then nods, slow.
âCaleb,â he says. âCaleb Turner. I think. Runs some kind of contracting business out by the highway.â
âDid anything else happen after that?â you ask. âAny more contact?â
Lance shakes his head. âNot that I know of.â
Not that I know of.
You let that sit where it is.
âOkay,â you say gently. âThat helps. It really does.â
Relief flickers again, softer this time. Less certain. Like he doesnât fully trust it, but wants to.
Reid shifts beside you. âWe may have a few more questions later,â he says, tone calm, measured. âBut this gives us a place to start.â
Lance nods quickly. âYeah. Yeah, of course. Whatever you need.â
You stand slowly, giving him space to stay where he is, to not have to follow you out of this moment any faster than he already is.
âThank you,â you say, and you mean it.
He nods again, eyes already drifting somewhere else. Back to her. To the house. To the version of the day that still makes sense.
You and Reid step out into the hallway.
The next morning arrives gray. Not storming or cinematic. Dull around the edges, the sky washed into the color of old printer paper as the precinct slowly wakes around it.
Youâre standing near the coffee machine when Hotch steps out of an office with a file already in hand.
âTurnerâs here,â he says.
Morgan straightens immediately from where heâd been leaning against the counter. âLawyer up yet?â
âNot yet,â Hotch replies. âLocal PD picked him up early this morning on probable cause related to harassment complaints and brought him in for questioning.â
Not enough to hold him long.
The implication hangs there anyway.
Hotchâs gaze shifts to you. âYou did well yesterday with Powell. You and Morgan can take lead.â
You nod once. âOkay.â
Morgan pushes off the counter beside you, rolling one shoulder loose. âCâmon, Santa. Letâs go ruin somebodyâs morning.â
You huff a faint laugh despite yourself, already reaching for the file Hotch offers.
The name stares up at you from the front page.
Caleb Turner.
Forty-two. Owner of Turner Contracting Services. Two prior complaints for aggressive conduct. No charges. No violent offenses.
âHeâs defensive,â he says. âReactive. But not impulsive. Donât corner him too fast.â
You nod again, fingers tightening slightly around the edge of the file. âGot it.â
The interrogation room sits at the end of the hall. Same heavy door. Same wired-glass window and metal handle. Same stale recycled air leaking faintly into the corridor.
Morgan reaches the handle first, then pauses and glances back at you. âYou good?â
Thereâs always a moment before interrogations. A strange little stillness. Breath held. Like standing barefoot at the edge of dark water and preparing to jump in. You never know what could be below the surface, but youâre ready to find it.
âYeah,â you say after a second. âIâm good.â
Morgan studies your face briefly like heâs checking the structural integrity of the answer. Apparently satisfied enough, he nods once and opens the door.
Caleb Turner looks up immediately.
Mid-forties. Broad shoulders gone stiff with tension. Heavy workmanâs hands folded too tightly on the table. Thereâs irritation in him already, simmering close to the surface like a pot left unattended.
His gaze hits Morgan first, then slides to you. THereâs a look on his face youâve seen before.
Dismissal. The quick recalculation people do when they decide youâre softer than they expected. Easier.
Morgan takes the seat across from him with easy confidence, sprawling just enough to fill the space without seeming aggressive.
You sit beside him, quieter.
Caleb watches you both carefully. âThis some kind of good-cop-bad-cop thing?â
Morgan snorts. âMan, we havenât even started talking yet.â
âI already told the other cops what happened.â
âGood news,â Morgan says. âYou get to tell it again.â
Caleb leans back in his chair, jaw tightening. âI didnât kill anybody.â
Morganâs gaze flicks toward you briefly, questioning. Checking the read before he pushes.
You look at Caleb for one long second.
The irritation is real. The anger too. It sits close to the surface of him like heat rolling off asphalt.
But underneath it? No fear or unease.
You shake your head once, small. Not yet.
Morgan leans back a fraction in his chair, easy as anything, like this is just another conversation and not a room specifically designed to make people sweat.
You set the file down on the table and open it carefully. Paper shifts beneath your fingers.
Caleb watches the movement with the kind of rigid attention people get when theyâre trying not to look nervous.
âYou own Turner Contracting Services,â you say, glancing down briefly. âBeen operating about eleven years.â
âThirteen,â Caleb corrects automatically.
You nod once. âOkay. Thirteen.â
The correction settles something in him. Tiny. Instinctive. People like being accurate about themselves.
âYou mostly take commercial jobs?â you ask.
âCommercial, residential, whatever pays.â His tone is clipped, defensive around the edges.
You hum softly like youâre just fitting pieces together. âYou grew up here?â
Calebâs brow furrows slightly. âYeah.â
âFamily still around?â
Morgan glances sideways at you for half a second. Not confusion. Curiosity. Heâs waiting to see where you go with this, how you plan on getting Turner to open up.
Caleb shifts in his chair. âMy brotherâs in Daytona.â
You nod again, flipping one page in the file though you already know whatâs on it.
âThatâs a decent drive.â
âWhat does this have to do with anything?â
You look up then, meeting his eyes properly for the first time since sitting down.
It always changes the room a little when you do that. Makes people a bit uneasy, tense.
âWeâre trying to get a sense of who you are,â you say simply.
Caleb scoffs softly, leaning back again. âYou already got a sense. Otherwise I wouldnât be sitting in here.â
Morgan watches him over steepled fingers. âYou threatened Lauren Powell.â
âI told her to stop talking about me.â
âYou showed up at her house.â
âBecause she was spreading bullshit.â
The words come fast. Hot. Practiced, but not rehearsed. Visited, like he's snapped that line in his mind a thousand times.
You glance down at the file again. âShe accused you of cheating clients,â you say. âCutting corners on jobs.â
âI donât.â
Immediate. Sharp. His jaw tightens so hard you can see the muscle jump.
âShe said you used cheap materials and pocketed the difference,â you continue evenly. âThat your permits werenât legitimate.â
âThey are legitimate!â
He nearly shouts it.
The sound cracks through the room hard enough to rattle the thin layer of calm youâd been building.
There.
The heat underneath the anger finally shows its shape.
Your gaze stays on Calebâs face. The flush climbing too fast up his neck. The split-second delay before outrage turned performative. The way his eyes cut sideways first, not at Morgan, but at you.
Checking. Measuring whether you bought it.
You didnât.
"You're lying."
The chair screeches violently backward as he lurches to his feet. The cuffed arm yanks hard against the restraint with a brutal metallic crack.
âYou donât know what the fuck youâre talking about.â
His finger points straight at you. Accusatory. Shaking with adrenaline.
Morgan stands immediately.
âSit the fuck down,â he snaps.
Caleb flinches instinctively, but he doesnât sit.
His breathingâs gone uneven now, chest rising too fast beneath his work jacket.
âYou think you can just look at me and decide that?â he demands, voice louder now, fraying at the edges. âYou people walk in here acting like you already know everything.â
Morgan steps forward once. Not enough to threaten. Enough to take control back. âI said sit down.â
Calebâs eyes flash toward him, jaw clenched so tight it looks painful.
For a second, you genuinely think he might keep pushing.
Then the cuff tugs again when he shifts, reminding him exactly where he is. The fight drains out of his posture in ugly pieces. He drops back into the chair hard enough to make the table jump.
Silence crashes in after him. Heavy breathing. Metal creaking faintly.
Morgan stays standing another second, watching Caleb carefully before lowering himself back into his seat.
âYouâre real interested in proving she was wrong,â he says evenly.
Caleb scoffs, but thereâs no confidence in it now. Just heat. âBecause she was.â
âYou sure about that?â Morgan asks.
âYes.â
You hold his gaze for a second longer.
Then you open the file.
âThese are your permit records,â you say calmly.
Calebâs posture shifts almost imperceptibly.
Tiny, but there.
You slide the copies across the table.
He doesnât touch them. Doesnât need to. He already knows what they are.
âWe contacted the county office this morning,â you continue. âThe permit numbers attached to three of your recent commercial jobs donât exist.â
Silence.
âTwo others belong to entirely different properties.â
Calebâs jaw tightens.
âYou forged them,â Morgan says flatly.
âI didnât forge shit.â
You watch him carefully.
The angerâs still there, but something heavier has started bleeding through underneath it. Something frightened. Something exhausted. The kind of fear people carry when theyâve spent too long balancing their entire life on one unstable thing.
"So, she was spreading your secrets." You tilt your head slightly. âIs that why you killed Lauren?â
Calebâs head jerks up so fast it almost looks painful. âI didnât kill anybody.â
The words come hard this time. Immediate. Too immediate. Spit out before the thought fully forms.
âThat was a lie the first time,â you say quietly. âAnd itâs still a lie now.â
Something in him jolts.
Not physically. Internally. Like the sentence hit someplace softer than anger expected.
âYou donât get to do that,â he snaps suddenly, leaning forward against the restraint with a sharp metallic rattle. âYou donât get to just say people are lying because you feel like it.â
âIâm not saying it because I feel like it.â
âOh, really?â he shoots back. âThen what, huh?â
His laugh comes out ugly. Sharp around the edges.
âYou psychic or something?â
Morgan stays silent beside you. You donât answer either. And somehow that makes Caleb more agitated, not less.
His knee starts bouncing beneath the table. Fast. Violent little bursts of motion he doesnât seem aware of.
âYou people are unbelievable,â he mutters, dragging a hand down his face. âWhole damn unit walks in acting like God; all-fucking-knowing.â
âNo,â you say softly. âJust me.â
Morganâs mouth twitches once beside you before flattening again.
Caleb stares at you, searching. Trying to decide if youâre joking.
âYou think you'reâwhat?â he says slowly, disbelief curling around the words, âa human lie detector?â
You shrug one shoulder slightly. âBasically.â
âThatâs bullshit.â
âItâs usually more useful than fun.â
He scoffs hard enough to puff air through his nose, but thereâs something unstable underneath it now. You can see it settling into him piece by piece.
Replaying. Every answer. Every hesitation. Every time you looked at him too long.
âYou canât know that,â he says, but thereâs less force behind it now. âYou canât just look at somebody and know.â
âNo,â you agree calmly. âNot everything.â
His eyes narrow.
âBut I know when people are lying.â
Caleb shifts back in his chair, but thereâs nowhere useful to go. His gaze flicks briefly toward Morgan like maybe heâll interrupt this, shut it down, call it ridiculous.
Morgan just watches him evenly. âThey're hell of a poker player, too,â he says casually.
Caleb looks back at you longer this time. And you watch the exact moment uncertainty starts eating through his certainty.
Because innocent people react differently. They get angry. Defensive. Confused. But eventually, somewhere underneath all of it, thereâs solid ground.
Caleb doesnât have any. Just a bottomless hole heâs dug himself deeper and deeper into
âYouâre screwing with me,â he says finally, but quieter now. Less conviction. âThis is some interrogation tactic.â
You shake your head once. âNo.â
His jaw flexes.
âYou killed Lauren Powell,â you say. "And we know why. Why did you kill the others?"
âI didnât do that,â he says quickly, leaning forward as much as the cuffs allow. The metal snaps lightly against the table. âI didnât kill anyone else. I didnâtâthere werenât any others.â
"But you killed Lauren," you say. Not really a question, but a confirmation.
âI didnât mean to!"
The hallway outside the interrogation rooms is too bright again. Always too bright after something like that. Like now that the shadows have been revealed, the lights feel they need to work harder.
Morgan walks a step ahead of you, already loosening the tension in his shoulders as he heads toward the conference room.
The rest of the team is already there when you arrive.Â
âCaleb Turner admitted to going to Lauren Powellâs home yesterday evening,â Morgan starts.
A few heads lift slightly.
âHe says it was to confront her about accusations sheâd been making,â you continue. "It escalated, and he strangled her."
Morganâs voice carries the rest of it, steady as a closing door.
âHe says he didnât plan it,â he adds. âIt escalated fast. Argument, physical struggle, loss of control.â
The room doesnât react all at once. It never does.
It lands in layers.
JJâs hand stills over her notepad. Prentissâs eyes sharpen, already moving ahead of the words. Hotch doesnât move at all, but something in his expression tightens by a fraction, like a lock clicking shut.
âAfterward,â you continue, âhe panicked.â
You shift slightly in your chair, feeling the weight of the case settle into its next shape.
âHe staged the scene,â Morgan says. âCarved the word. Tried to make it look consistent with the others.â
âHe knew we were already looking at the earlier cases. He was trying to redirect the narrative. Make her look like another victim in a series instead of his temper getting the best of him.â
Prentiss exhales through her nose. âSo he escalates once, realizes what heâs done, then tries to blend it into something bigger than him.â
âExactly,â Morgan says.
Kesslerâs gaze stays on the file a moment longer than anyone elseâs. Then she leans forward slightly.
âJust to clarify,â she says, tone even, almost conversational, âhow do we know he didnât kill the others as well?â
A few eyes flick toward her.
Not in challenge. More like recalibration.
Morgan answers first, easy and immediate. âBecause he said he didnât.â
Kessler tilts her head a fraction. âAnd we believe him?â
Reid leans forward slightly, fingertips brushing the edge of the file.
âThe original offender demonstrates ritual stabilization,â he explains. âConsistent post-mortem staging, controlled timing, organized victim selection, geographic discipline.â His gaze flicks briefly toward the crime scene photos. âTurner doesnât.â
âHeâs reactive,â Morgan adds.
âDisorganized under emotional pressure,â Reid agrees. âHe escalated during confrontation, panicked afterward, and imitated an existing pattern poorly.â
Kesslerâs gaze narrows slightly. Thinking. âYouâre basing that distinction partially on the interrogation.â
âPartially,â Reid says immediately. "We already know the crime scenes were different. 'Liar' wasn't symmetrical."
âAnd partially on them,â Morgan adds again, jerking his chin lightly in your direction.
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summary: after a toxic ex stirs old insecurities, spencer shows up, protective and insistent, proving that you deserve better
includes: no use of y/n, smut (MDNI), coworkers/friends-to-lovers, insecure reader, bar/alcohol, ex jealousy/freakout, protective spencer, implied (scarcely mentioned) age-gap, reader has a small panic/anxiety attack, sarcasm as a defense mechanism, slow burn/teasing, oral (f receiving), unprotected sex (pull-out), fingering, praise/dirty talk, mutual release, post-sex aftercare, intimacy, age gap/daddy kink undertones, bedroom setting, clumsy fumbling, lingering touches, sweat and heavy breathing, consent-focused
this is the longest one shot I've posted. usually I try to edit them down, because I don't want people to have to pause and try and come back later and remember where they were. but for this one I just kept writing, and I decided to leave it long as hell because why delete all that work? lol
based on this request
The room is too warm.
Sheets tangled low around your legs, twisted into something that feels more like restraint than comfort. The air smells faintly of himâsoap and something sharper beneath it, something youâve never quite been able to name but have always associated with this: these visits, these nights, this version of yourself.
Heâs beside you, chest rising and falling, breath still uneven. Spent. Satisfied.
And youâ
Youâre not.
The difference sits heavy in the space between you, unspoken but obvious. Your body still caught somewhere in the middle of something that never quite reached its end. A tension with nowhere to go. A quiet, unfinished feeling youâve learned not to look at too closely.
James shifts beside you with a quiet exhale, like the moment has already left him.
Thereâs no lingering touch, no absentminded brush of his hand against your skinânothing that suggests heâs still here with you in any way that matters.
He stretches. Itâs casual. Unbothered. Like this is routine. Like you are routine.
The mattress dips as he sits up, running a hand through his hair before swinging his legs over the side of the bed. The air moves with him, cool against your skin where the sheets have slipped too low.
âIâve got an early day tomorrow,â he says, voice rough but detached, already halfway somewhere else.
You donât answer. You donât need to. Because then he glances toward the door. Just for a second. And thatâs all it takes.
The rest of it settles into place like it always doesâquiet, practiced, familiar in the worst way. He doesnât tell you to leave. He never has. He doesnât have to.
You know the pattern. You know your place in it.
You sit up slowly, the sheets dragging against your legs as if reluctant to let you goâor maybe thatâs just you projecting something human onto something that isnât. Wouldnât be the first time tonight.
James stands, already reaching for his clothes. Thereâs no urgency in it, no embarrassment. Just efficiency. Like heâs completing a task.
Like you were one.
Your chest tightensânot sharp enough to hurt, just enough to remind you itâs there. That something is.
You gather your things from where theyâve been discarded, movements quieter than they need to be. Careful. Always careful. Like if you take up too much space, the illusion might break completely.
Like if you donât, maybe it wonât.
A soft buzz breaks the silence. Not loud. Not intrusive. Just enough to fracture what little stillness is left.
Jamesâs phone lights up on the nightstand.
You donât mean to look. You really donât.
But your eyes are already there, dragged by something instinctive, something tired and aching and quietly bracing for impact.
The screen glows in the dim light.
You donât read the message. It's the wallpaper that gets your attention.
The girl in the picture is pretty. Effortlessly so. Long blonde hair spilling over her shoulders, bright blue eyes caught mid-laugh. Thereâs a softness to her expression, something open and certain. Happy.
James' arm is wrapped around her waist, pulled in closeâfamiliar in a way that makes your stomach drop.
Heâs kissing her cheek. And sheâs smiling. Holding up her hand. A ring catching the light.
Your eyes close.
Fuck.
Itâs quiet in your head for a second. Completely, unnaturally quiet. Like everything just⊠stops. No thoughts. No rationalizing. No soft excuses youâve been feeding yourself for monthsâyears, maybe.Â
Just that image. Burned in.
You inhale slowly, but it catches halfway in your chest. Stutters. Doesnât quite settle.
Of course.
Of course thereâs someone else.
Of course thereâs always been someone else.
Behind you, James exhales like nothingâs changed. Like the room hasnât just tilted on its axis. Like you arenât standing there, half-dressed and suddenly very aware of how little space you actually take up in his world.
He reaches for the phone. The screen goes dark. Just like that. Gone.
âYou good?â he asks, glancing at you briefly as he pulls his shirt over his head.
Casual. Offhand. Like heâs asking if you remembered your keys.
Your throat tightens. You nod anyway. Because of course you do. Because thatâs the part you know how to play.
âYeah,â you say, and it comes out softer than you mean it to. Thinner.
He hums, distracted already, fingers moving over his phone now that itâs in his hand. Typing something out. Quick. Easy. Unbothered.
You wonder if itâs her.
You donât ask. You wonât ask.
That would imply something youâve never been allowed to be.
You finish gathering your things, movements slower nowânot hesitant, just⊠heavier. Like each small action carries more weight than it should.
Like something has shifted, even if nothing outwardly has.
Your shoes. Your bag. Your jacket. You pause for half a second longer than necessary, fingers brushing over the fabric before you pull it on.
Waiting.
For what, youâre not entirely sure.
For him to say something, maybe. To stop you. To explain. To choose.
But nothing comes. It never does.
James doesnât look up right away.
His attention stays on his phone, thumb moving in short, practiced motions. Whatever conversation heâs stepped back into seems to take priority over the one he hasnât even bothered to finish with you.
Then, like he remembers youâre still thereâ
âIâm slammed this week,â he says, almost as an afterthought. His tone is easy, unaffected. âMeetings. Late nights. The usual.â
You nod once. Of course.
He glances up briefly, just enough to check that youâre listening. Not long enough to actually see you.
âI head out Saturday,â he adds, tugging his watch onto his wrist. Adjusting it with a small, precise movement. âBut Fridayâs open.â
Thereâs a beat.
Then, like itâs already decidedâlike it always isâ
âEight work for you? Just come here.â
Not do you want to. Not are you free. Not even your name.
Just an expectation. A slot in his schedule. A space youâre meant to fill.
You nod again. Because thatâs what you do.
âYeah,â you say, quieter this time. It barely lands in the room.
He hums in acknowledgment, already moving on. Conversation over. Box checked.
You stand there for a second longer than necessary, like your body hasnât quite caught up to the fact that thereâs nothing left to wait for.
There never is.
So you leave.
The hallway outside is cooler.
It hits your skin in a way that feels sharper than it should, like youâve stepped out of something thicker than air. Something that clung.
The door clicks shut behind you with a soft, final sound.
And thatâs it.
No footsteps following. No voice calling you back.
Just quiet.
Friday comes anyway.
It always does.
But it feels different this timeânot in any loud, dramatic way. Nothing that announces itself. Just a subtle misalignment. Like something inside you shifted a fraction to the left and never quite settled back.
You go through the motions of your day. Work. Conversations. Background noise. The steady rhythm of everything thatâs supposed to feel normal.
The cursor blinks.
Steady. Patient. Indifferent.
You havenât typed inâwhat, minutes? Longer than that. The document on your screen sits untouched, words from earlier staring back at you like they belong to someone else. Like they were written by a version of you that knew what it was doing. A version that wasnât⊠this.
Whatever this is.
The office has shifted around you without you noticing. The low hum of conversation has thinned out, chairs scraping less frequently, the rhythm of people packing up settling into something quieter. End of day.
Your fingers rest lightly against the keyboard, unmoving. Your eyes fixed somewhere just past the screen, unfocused. The kind of staring that isnât really seeing anything at all.
Eight oâclock.
The thought drifts through, uninvited. Lands heavier than it should.
Just come here.
Your jaw tightensâbarely, but enough that you feel it. A slot in his schedule. A space. Something to fill.
âAre you coming?â
The voice cuts clean through the fog. You jolt.
Itâs small, but sharpâyour shoulders tensing, breath catching just enough to betray how far gone youâd been. Your head turns too quickly, like your body is scrambling to catch up.
Reid is standing a few feet away from your desk.
Thereâs a flicker of something in his expressionânot quite concern, not quite surprise. More like confirmation. Like heâd suspected you werenât really there long before he said anything.
His bag hangs loosely from one shoulder, one hand hooked around the strap. He tilts his head slightly, studying you in that way he doesâtoo observant, too precise. Itâs never invasive, exactly.
Just⊠thorough.
âThe teamâs going out,â he says after a moment, voice gentle but clear enough to anchor you back into the room. âLuke found a place a few blocks over. Apparently they haveââ he hesitates, searching for the phrasing, ââstatistically above-average reviews for their bourbon selection.â
A beat. His gaze doesnât leave your face.
âWeâre heading there now.â
Thereâs a pauseânot empty, not accidental. Intentional. He gives you space to respond, but not enough to disappear into.
âAre you coming?â
The question lands softer than it should. Or maybe youâre just more aware of it.
You open your mouthââUmââbut it doesnât go anywhere. Your eyes drop instead, almost instinctively, to your phone where it sits on your desk.
Dark screen. Still.
He doesnât comment on it, but something shifts behind his eyesâsome quiet recalibration, pieces sliding into place. Heâs good at patterns. Better at people than he likes to admit.
Heâs seen this before. Not the specifics. Not the details. But the shape of it. Waiting. Hesitation. Obligation dressed up as choice.
You look back up.
He hasnât moved. Hasnât filled the silence. Just stands there, steady, patient in a way that doesnât feel like pressureâbut doesnât let you hide either.
âYeah,â you say finally. âSure.â
The bar is louder than the office.
Not overwhelmingly so, but enough that it fills the empty spaces in your head with something externalâmusic threading through conversation, glasses clinking, laughter rising and falling in uneven bursts. Warm light spills across polished wood and crowded tables, the air carrying the sharp, sweet burn of alcohol.
Your phone glows dimly in your hand.
Thread open. Messages stacked one on top of the other, a timeline of something that always felt like more when you were in it than it ever looks like now.
Short texts. Late-night logistics. Half-finished conversations that never needed finishing because they always ended the same way.
You scroll.
Your thumb hesitates over one from a few weeks agoâYou up?âand something in your chest tightens, small and familiar. Predictable.
Itâs just after eight.
You glance at the time again like it might change if you look at it differently.
No new message.
No are you on the way, no where are you, no irritation at your absence. Nothing to acknowledge that you didnât show. Nothing to suggest he cares that you didn't.
Your teeth catch the edge of your thumb before you realize youâre doing it.
Across the table, laughter breaksâLuke saying something you donât quite catch, JJ swatting his arm, Rossi shaking his head with that low, amused huff. Itâs easy, natural. Effortless in a way that feels⊠distant.
A glass taps down in front of you.
You blink, pulled back just enough to look up as Emily slides a shot onto the table with a small, decisive nod.
The glass catches the lightâamber, sharp. You stare at it for a second like youâre deciding whether youâre allowed to have it.
Then you pick it up.
Everyone cheers.
Itâs loud, overlappingâLukeâs easy grin, JJâs bright laugh, Garcia already halfway to a dramatic âbottoms up!â before the rest of the table catches up. Even Rossi lifts his glass with a quiet sort of approval, something softer tucked beneath it.
Spencer raises his glass of water too.
His fingers curl loosely around it, the motion a fraction delayedâlike heâs watching first, cataloging, before participating.
His gaze flicks briefly toward you, quick enough that no one else would notice. Long enough that he registers the way your grip on the shot glass is just a little too tight.
Then you drink.
It burns. Sharp and immediate, a clean line of heat down your throat that should anchor you, should pull you fully into the moment. For a second, it almost doesâyour eyes squeezing shut, your breath catching on the exhale.
But it doesnât last.
It never does.
Soon, the group begins to scatter.
JJ and Garcia vanish first, drawn toward the dance floor like itâs a magnet, laughter trailing behind themâbright, unrestrained, a kind of joy that feels almost dissonant after the quiet heaviness of the week.
Emily and Tara drift toward the bar, conversation already picking up mid-thought, something low and conspiratorial threading between them.
Luke and Rossi stay, leaning in over the tableâvoices dropping into that familiar rhythm of debate, something about whiskey aging processes and whether it actually makes a measurable difference.
And just like that, the space shifts.
Your shoulders drop before you even realize youâve been holding them tense.
The noise of the bar swells and dips around you, laughter rising somewhere to your left, the low hum of conversation weaving in and out beneath itâbut it all feels⊠distant. Like youâre listening through a wall. Like youâre not entirely in the room so much as adjacent to it.
Your phone buzzes.
Itâs subtle, barely noticeable over the musicâbut you feel it. Your gaze drops immediately, like itâs been waiting for the excuse.
James.
Your thumb hovers for half a second before you tap the screen. The message is a picture. You donât open it. You donât need to.
You already know what it isâhis version of an invitation. A summons, really. A wordless where are you? wrapped in something thatâs never actually been about you.
You turn the phone face down against the table, like that somehow dulls the weight of it. Like it isnât still sitting there, waiting. Expecting.
Your fingers curl loosely around the edge of the table instead.
You could leave.
The thought slips in quietly, familiar as a well-worn path.
You could make an excuseâsay youâre tired, say you forgot something, say anything at all. No one here would question it. Theyâd nod, tell you to text when you get home, maybe tease you lightly about being the first to bail. And then youâd go.
Back to the hotel. Back to him. Back to something predictable. Easy.
Your teeth catch your thumb again before you can stop yourself.
You donât belong here.
The thought settles in, heavy and certain.
You grip the edge of the table, knuckles whitening, and for the first time tonight you notice how small the space feels around you. Everyone else is laughing, moving, drifting through their easy rhythms like they belong here. And you⊠youâre just a shadow at the edge of it, fresh out of the academy, six months in, surrounded by people whoâve been this team for a decade. Youâve been trying to fit. Trying to catch up. Trying not to be noticeable.
Youâre just a shadow at the edge, watching everyone else move like they belong here.
âHey⊠you okay?â
Your chest tightens, breath stuttering. You snap your head up, startled, and your eyes catch Reidâs. Heâs standing there, calm, patient, his gaze scanning you like he always does.
âIâm fine,â you say, softer than you mean to.
He tilts his head, suspicion flickering in his eyes. You know he sees through you, and the thought makes your stomach twist. You need movement, something to anchor yourself. âIâm getting another drink,â you tell him. âAnyone want anything?â
Rossi shakes his head without looking. âNo thanks, kid.â
You nod, forcing yourself to push away from the table. The chair scrapes the floor, the sound louder than it should feel, echoing in the hollow space of your chest. Step by step, you move toward the bar, each one deliberate, grounding yourself in the smallest act of choice youâve taken all night.
The hum of conversation and clinking glasses feels distant, muffled by the tension crawling up your spine. You take a breath, shallow, careful, like the air itself might betray you.
A quiet shift to your left makes you glance over. Reidâs there. Close enough that the warmth of his presence nudges your awareness, but not so close that it feels like intrusion. His hands rest lightly on the bar, posture relaxed, shoulders squared. Calm. Steady. The way he always is.
âI thought you didnât drink,â you say, voice half curiosity, half challenge, like it matters.
He shrugs. âI donât.â
You just nod, not because it surprises youâbecause it doesnâtâbut because you need the distraction. Something to ground yourself in the ordinary. You catch the bartenderâs eye, raising a hand.
âVodka cranberry,â you say, forcing your voice steady. âDouble.â
The words feel heavier than usual, like the alcohol isnât just going into the glassâitâs for you, to hold on to, to push the buzzing of your chest down just a little. You watch the bartender pour, the ruby-red liquid spilling over ice, the glass catching the warm bar lights.
Reid doesnât comment. Doesnât question. Just leans there beside you, quiet, presence solid and patient. You can feel him cataloging, observing, and itâs both comforting and infuriating. His gaze isnât demanding, not interrogatingâitâs just⊠aware.
You shift slightly, curling your fingers around the glass when it lands in front of you. Cold against your palms, weight real and grounding. You lift it to your lips, sip carefully, and let the burn of it anchor you to the moment.
You glance at Reid over the rim of your glass, letting the drink settle on your tongue for a beat before you speak. The words are sharp with a thread of sarcasm, more shield than truth.
âDid you⊠just follow me here to watch me drink?â
Reid blinks, the faintest hint of a smile tugging at the corners of his mouth. Itâs subtle, quiet, like heâs trying not to let the joke slip fully free, but it lands anyway. The kind of smile that reaches only his eyes and leaves the rest of him calm, unreadable.
âNo,â he says, voice low, even, measured. But the smile lingers, a small curve of humor in the steady precision of him. âIâI thought you looked like something was bothering you.â
You donât know why his words sting a little. Itâs not exactly the concern you wanted, but itâs the first thread of recognition youâve had all evening that someoneâsomeone who actually seesâmight notice you.
You set the glass down, careful, deliberate. Eyes meeting his, something in your expression half-asked, half-daring.
âYou⊠you didnât have to,â you mutter, voice low, and maybe itâs a statement. Maybe itâs a question. Maybe itâs both.
He tilts his head, that same patient tilt, as if weighing what to say, how much to share.
âI know,â he admits softly. âBut Iââ He pauses, eyes scanning you again, lingering on the tension youâve carried in your posture, the way you brace yourself in space. âI just wanted to make sure you were⊠okay.â
You stare at him for a second. Normally, youâd nod, mumble, âYeah, fine,â and push him away with a wall built out of routine, out of habit, out of every self-preserving instinct youâve honed. But now⊠now something else is threading through you, quiet but insistent.
You let your mouth open before your brain can catch up. âMy boyfâThis guy I was seeing⊠It turns out he's engaged.â
âAnd of course heâhe doesnât care,â you blurt, voice catching on the last word. âI mean, not like itâs supposed to matter to me, right? We had this sort of unspoken agreement that this thing wasn't serious. But I was thinking about how if it was unspoken, was it really an agreement?â
Your hands gesture helplessly, tapping, twisting, grasping for purchase in the air. You hate how much of this is spilling out. You hate how much of this is just you, raw and unfiltered.
âAnd the worst part is that I couldnât even⊠I couldnât even hate him properly â you continue. âJames has always been like this, I've always known what this was. It's my own fault, really. I started thinking it was something more than what I deserve.â
Reid frowns. Opens his mouth, something on the tip of his tongue, but the words never leave his mouth.
They don't get the chance.
âWhat the hell?â
Your head snaps around. Heart stutters. There he is. Standing too close to the bar, shirt untucked, hair combed back, angry eyes locked on you.
âJames?â
âYouââ he starts, then cuts himself, eyes narrowing, voice low but tight. âYou blew me off⊠for him?â His gaze flicks toward Reid, and you feel your chest tighten at the way he says it, the edge in his tone: himâlike the word itself is a judgment.
You open your mouth, but your voice barely rises above a whisper. âIâJames, itâs notââ
âNot what?â he yells, teeth clenched. âNot what? Youâre supposed to care about me! I waited. I actually waited for you tonight!â His chest heaves.
You feel heat rush to your face, your chest tightening. Words stick in your throat. You try again, voice weak, small. âI didnât mean toââ
âOf course you didnât,â he spits, waving a hand at you, eyes blazing. âYou never do. You just⊠just take. Always taking. And now youâre here, with some⊠some old nerd?â
You canât stop it. The word nerd bouncing off Jamesâ teeth makes you snort before you even realize it. Small, sharp, ridiculous.
His eyes flick toward you, narrowing. âWhatâwhatâs so funny?â
You tilt your head, letting the corner of your mouth twitch. âYou. You actually said that. Nerd. Thatâs⊠kind of sad, actually.â
The laugh dies quickly in your throat when you notice how fast his expression hardens. His jaw clenches. Fingers curl, like heâs balancing between self-control and something darker.
His voice drops, low and dangerous. âYouâyou think this is funny?â
You glare, something snapping in your chest thatâs been coiled too long. The last weeks, the tension, the weight of always being small in his world, the image of her burning itself into your mind.
Jamesâ nostrils flare, the heat in his face rising. âThatâs none of your business!â he hisses, stepping forward, closing the distance, chest nearly brushing yours. His hand lifts, threateningâlike he thinks he can push you back with sheer weight.
You donât even flinch. Not because youâre braveâthereâs no room for fear, no time for hesitationâbut because Reid is already there.
In one fluid motion, Spencerâs hand clamps around Jamesâ wrist, yanking it behind his back. His other hand presses firmly to Jamesâ shoulder, and suddenly the ex is face-down against the bar, pinned with a precision that leaves no room for argument.
âDonât touch her,â he says, voice low, each word clipped and deliberateâthe same tone heâd use when taking a violent suspect into custody.
James struggles, shoving lightly at first, trying to regain some semblance of control. âHeyâwhat the hell, man?ââ
Then a flicker of rage crosses his face. His eyes narrow, jaw tightening, as he shoves and strains against Spencer with increasing force.
âDo you know who youâre dealing with? You have no ideaânoââ Jamesâs face reddens, frustration mounting. âGetâoffâme! You littleâ!â
âLet him go, Reid,â you say. âIt's not worth it.â
Reidâs grip doesnât vanish all at once. It loosens in increments, controlled and deliberate. Like he doesnât trust the space yet. Like he doesnât trust him.
You can see itâtension coiled in Reidâs arm, the restraint it takes to let go at all. And then James wrenches himself free.
Itâs messy and abrupt, a sharp pull that breaks whatever control Reid had just barely eased into. James stumbles a half-step forward before he catches himself, chest heaving, shoulders tight with anger that has nowhere left to go but outward.
He turns to you. And for a second, you see it. Not affection, nor regret. Itâs not even the hallow imitation of either heâs always fed you
Itâs pride, bruised and ugly.
âYou know what?â he snaps, âIâm done.â
The words land harder than they should. Theyâre expected, sure, but theyâre still his. Theyâre supposed to mean something, theyâre supposed to matter. Youâd feared hearing those words from him for months.
âIâm done waiting around for you,â he continues, running a hand through his hair in frustration. âDone dealing with your bullshit, yourâyour games.â He laughs, but thereâs no humor in it. âYou want to throw yourself atâwhat, coworkers now? Fine. Have fun with that.â
Your throat tightens. You should feel something. You do feel something. Just not what you expected. You feel the sting youâd expectâthe tinge of hurt. But beneath that, beneath the instinctive urge to apologize, smooth it over, shrink yourself into something easier to handleâ
You feel relief.
James exhales sharply through his nose, shaking his head. âWhatever,â he mutters. âYouâre not even worth it. This is pathetic.â
He turns sharply, shoulder clipping someone as he shoves his way through the crowd, muttering under his breath, anger radiating off him in waves that part people before he makes it to them.
Itâs only then, in the space he leaves behind, that you realize just how many people were watching.Â
The noise of the bar doesnât stop, but it shifts. Warps around you. Conversations falter at the edges, eyes linger a second to long before pretending they werenât looking at all.
Thereâs a circle. Not a full one, not obvious, but enough. Enough to make your stomach drop. Enough to draw your eye to the woman standing just a few feet away, brows drawn slightly together and a frown on her lips.Â
Prentiss shifts forward when you make eye contact, and suddenly your chest caves in on itself.
She saw.
Every word, every crack in your voice. Your fingers curl in on themselves, nails biting into your palms.Â
You want to disappear.
The thought hits hard and immediate. If you could just step back, just slip out, just vanish into the crowd and out the doorâ
You wouldn't have to see the way theyâre looking at you. You wouldnât have to feel it. The shame curling low in your stomach and sharp in your chest, worse than anything James said.
Your throat tightens, breath catching too high in your chest. You shouldnât have come. You shouldnât be here. You donât belong here.
You take a small step back, then another. Your vision tunnels slightly, the edges of the room blurring as your focus narrows to one thing: out. You just need to get out.
âHey, what haââ
âI, uhâI just need some air,â you blurt, the words tripping over each other. You donât wait for a response.Â
You turn too quickly, nearly bumping into someone as you push past, murmuring a half-formed apology. The door is right there. You donât think, you just move. Push.
The cool air hits you all at once. It cuts through the heat clinging to your skin. You inhale hard, too fast, like your lungs forgot how to do it properly and are scrambling to catch up. Cold air floods in. Again. And again.
Your hands come up instinctively, bracing against your ribs like you can physically hold yourself together.
Itâs quieter out hereâthe traffic is slow, the music is muffled. Less noise, less pressure.Â
You bend slightly at the waist, dragging in another breath, slower this time. Trying to make it stick. Trying to make it work.
Your breathing evens out first, but your heart doesnât get the memo as quickly.Â
It keeps racing, thudding hard and uneven. You take another deep breath and lean back against the brick wall, the rough texture pressing through your clothes. Solid. Grounding, in a way.
Your knees give out before you really decide to sit.
You slide down slowly, controlled at first and then not, until youâre on the sidewalk, the cold seeping through the fabric of your pants. It bites, but you donât move. Your head tips back against the wall. Eyes close.
For a second, you wish you were a smoker.
The thought is absurd. But right now⊠right now feels like it would make sense. Something to do with your hands. Something to focus on.
The door creaks open behind you. Footsteps follow, measured and unrushed.
Thereâs a small, stubborn part of you that hopes that if you stay still enough, whoever it is might just leave. Give you a second longer to exist in the quiet, nothing expected of you.
The footsteps stop anyway, just to your left.
You crack one eye open, lashes sticking slightly where theyâd pressed too tight together. Your vision takes a second to focus, the streetlight catching on something glassy, redâyour drink.
You open your other eye, gaze tracking up to the person holding it out to you. Reid.Â
Heâs standing in front of you, one hand holding out your vodka cran, the other tucked loosely into his pocket. His poster is relaxed, but thereâs something careful to itâlike heâs making a conscious effort not to crowd you, not to overwhelm you.
His eyes flick over your face quickly, taking in more than youâd like him to. The slight flush still lingering on your cheeks, the uneven way your breath settles, the way your fingers curl loosely against your knees like youâre not entirely sure what to do with them.
Your gaze drops back to the glass in his hand.
âYouââ your voice comes out a little rough, like you havenât used it in a while. You clear your throat. âIâm pretty sure youâre not supposed to leave the building with alcohol.â
âWhat are they going to do, arrest me?â he winces slightly, like he regrets his own joke before heâs even fully said the words.
âWell, then I guess youâre a repeat offender now, huh?â The words leave your mouth before your brain can veto them. You wince, exactly the way Reid just did.
âIâm sorry, I didnâtââ
But Reid just lets out a quiet, low laugh. Sudden and surprised, like he wasnât expecting you to say something like that. âDonât be sorry. I joked first.â
You let out a breath you didnât realize youâd been holding and reach for the glass. Your fingers brush his as you take it, the warmth seeping through your skin. âThanks,â you murmur.
He doesnât speak, just tilts his head and slides down onto the curb beside you. You stiffen immediately. âDonât,â you whisper, a little sharp. âYouâre⊠youâre wearing a suit.â
He glances down at the neatly pressed fabric, then back at you, corners of his mouth twitching in that faint, crooked smile that somehow disarms all argument. âI can,â he says simply. And then, like itâs the most natural thing in the world, he does.
Reid shifts slightly, leaning back on his hands. âAre you⊠okay?â His voice is careful, gentle, like heâs handling something fragile.
You glance down at your knees, still gripping the glass a little too tightly. âIâm⊠embarrassed,â you mutter. Your throat tightens. âMy boss⊠just saw me get berated by some guy in a bar.â The words taste bitter on your tongue. You imagine her eyes on you, all judgment and concern, and you want to crawl into yourself, disappear.
Reid lets out a quiet laugh, soft but impossible to ignore. âShe actually saw me pin him to the table,â he says, voice teasing, but still calm, controlled. âArguably, thatâs a worse situation.â
A laugh escapes you, small, shaky, but genuine. You shake your head, a little of the tension leaving your shoulders. âYeah⊠okay. Iâll give you that. Definitely worse.â
He tilts his head, gaze curious, unreadable. âPrentiss doesnât care that it happened. She just wanted to know if youâre okay.â
You swallow, letting the words settle. Somehow, knowing that sheâs not judging, not holding it over your head, makes the heat of humiliation fade a little. âI⊠I think I am,â you admit softly, letting your fingers relax around the glass. âThanks⊠for defending me.â
âAny time,â he says. âYou donât deserve to be treated that way. Not by him. Not by anyone.â
Your breath hitches a little. The words settle in your chest, heavy and warm, threading through the lingering embarrassment. You glance up at him, half-expecting teasing, half-expecting judgmentâbut thereâs none. Just⊠that steady presence that makes it feel like the world outside this curb has stopped.
âYou deserve better,â he adds, more softly this time. âNot just protection from him, but someone who actually respects your time, your space, your⊠everything.â
"You really think that?" you ask, your voice barely above a whisper. The skepticism is instinctive, a reflex you've built up over years of being told you're too much, or not enough.
He doesn't flinch. He doesn't look away. "I know it.â
You take a sip of your drink to hide the way your mouth wants to twist, letting the vodka burn sharp and distracting on the way down. You stare out at the streetlights, watching the traffic pass, needing to look at anything but him.
"Well," you say, letting your head loll back against the brick to look at him, your voice dipping into that familiar, jagged sarcasm you wear like armor. "Let me know when you find someone who does that, will you?â
Reid doesnât laugh. He doesnât even smile. He just looks at you, eyes soft but intent, reading past the deflection like itâs written in a language heâs fluent in. The traffic rushes by, filling the silence between you, but he doesnât look away.
"I know someone whoâs willing to try," he says.
The air between you seems to still, the rush of traffic fading into a dull, distant roar. Your grip on the glass tightens automatically, a knee-jerk defense against something that feels dangerously like hope. You search his face for the punchline, the awkward hesitation that tells you heâs just being nice, but there isnât any. Just that steady, calm regard, like heâs stating a fact as simple as gravity.
Itâs terrifying. Itâs the most genuine offer youâve had in years, and it comes from the person you least expected to dissect the messy, jagged parts of you and still want to stick around. You force a short, skeptical breath of a laugh, trying to shove the moment back into the box labeled ' impossible' before it can crack you open. "You," you start, your voice rougher than you intended, "you realize I'm a disaster, right? That'sâthatâs what tonight was. Thatâs what I am."
Reid just shifts slightly, turning his body toward you so his knees bump yours, a deliberate, grounding point of contact. "I don't think you're a disaster," he says softly. "I think youâre a person whoâs been treated like an option for too long by someone who didn't know what he had." He glances down at the drink in your hand, then back up, eyes catching the streetlight with a quiet intensity. "I know the statistics on recovery. I know it takes time to unlearn that kind of treatment. But I'm good at waiting. And I'm very patient.â
You nearly choke on your next swallow, the burn of the vodka suddenly nothing compared to the heat rushing up your neck. You pull away, shifting so youâre not pressed quite so close to his side, putting a fraction of distance between you on the concrete.
"Wow," you breathe out, shaking your head as you stare at the traffic passing on the street. "You really... you actually just cited statistics at me to try and get me to sleep with you." You turn back to him, arching a brow, letting your lip curl just enough to be sharp. "That isâthat is impressively unsexy, Reid. I mean, truly.â
The words barely have time to hang in the cool night air before the regret hits you. Itâs instant and sickening, washing away the cheap defense of sarcasm and leaving behind the raw ache underneath. You watch his face, expecting him to bristle, to get up, to mutter some logical comeback and leave you there on the curb to finish your drink in solitary humiliation.
But he doesn't flinch. He doesn't look away. He just looks at you.
He holds your gaze with that same steady, infuriating patience. He saw the twitch in your hand, the way you spiraled, and instead of calling you out on the cruelty, he just waited. Like he knows you're already punishing yourself enough for the both of you.
"I didn't mean that," you blurt out, the words rushing together in a desperate attempt to take it back. You set the glass down on the pavement beside you, your hands suddenly feeling useless and trembling. "I'm sorry. That wasâthat was mean. I was just... deflecting."
"I know," Reid says softly. The forgiveness is immediate, absolute, and devoid of the hesitation youâre used to receiving. âBut I mean it. I know itâll take time. I know it wonât be easy to believe. But I want to be the one who proves that you deserve more. Who actually gives it to you.â
You bite the inside of your cheek, words catching in your throat. Your voice is quieter now, softer. âAnd if I⊠if I push back? Or yell? Orââ
âYou will,â he says, eyes locking on yours. âI know you will. And thatâs okay. Iâll wait. Iâll listen. Iâll⊠handle it.â His gaze doesnât falter, doesnât waver. Itâs steady. Enough to make the rest of the night, the bar, James, and everything else fade just a little.
Your laugh is small, shaky, like a bird testing the air for flight. âYouâre⊠insane.â
âMaybe,â he admits, corners of his mouth twitching in that crooked, infuriating smile. âOr maybe I just think youâre worth it.â
You lift your gaze, meeting his steady eyes again. Thereâs a pull thereâsomething magnetic, something dangerous in the way he looks at youâbut itâs not reckless. Not threatening. Safe. The kind of safety that makes your chest ache with longing youâve barely let yourself feel.
You shift slightly, closer, more instinct than conscious thought, just enough to brush against the warmth of him. Your hand hovers near his arm, and before you know it, itâs resting lightly against his sleeve. You almost pull it away, reminding yourself of restraint, of boundariesâbut the warmth of him there, steady, grounding, feels⊠essential.
Reidâs gaze follows your movement, patient but intent. He tilts his head, a faint, knowing smile tugging at the corner of his lips. âYou donât have to be careful with me,â he murmurs, voice low, a rasp that makes the air shiver around it.
His hand shifts subtly, brushing against yours, fingers threading just slightly, testing.
âDo youâŠ?â Your voice trembles, small and unsure, carrying the question you canât quite form. âDo you⊠want this?â
âI want whatever you want,â he says simply. âI want you. But only if you want me too.â
Thatâs enough to tip the fragile line youâve been teetering on. Impulsively, hesitantly, you reach up, tracing the edge of his jaw with your fingertips, memorizing the planes of his face, the way his skin is warm beneath your touch. He leans slightly into the gesture, breath hitching just enough to tell you he notices, that he feels it.
The world narrows. Just you. Just him. The faint buzz of the city, the distant headlights, the cold concrete pressing against your legsâthey all fall away until thereâs nothing but the hum of possibility between you.
Your lips hover near his, and you freeze, heart hammering. Youâre not sure if you want thisâif you want him, or just the safety, the closeness, the heat of someone who sees you and still wants you. But the thought of pulling back, of losing this chance, makes your chest ache.
He tilts his head, brushing a strand of hair from your face, thumb lingering against your cheek. âYou can stop,â he murmurs. âOr you can try.â
Something in you unravelsâthe careful walls, the sarcasm, the self-protective reflexes. You close the last fraction of distance, lips brushing his. Soft. Gentle. A spark, a question, a yes whispered in the language of a kiss.
Reid doesnât hesitate. He meets it, tilting his head to deepen the contact, hand moving to cradle your face, the other brushing along your arm. Safe. Warm. Patient, but insistent enough to let you know he wants this too.
His hand is warm where it cups your face. Steady. Intentional. Not demandingânever thatâbut there, present, like heâs giving you something solid to hold onto while everything else inside you threatens to tilt.
You expect it to feel overwhelming. It doesnât. It feels⊠quiet.
Your lips move against his again, a little more certain this time, testing the shape of it, the reality of it. And he followsâcarefully, like heâs reading you even now, adjusting in real time to every shift in your breath, every slight change in pressure. Thereâs no rush. No taking. Just⊠meeting you there.
Your fingers curl slightly where they rest against his jaw, and you feel the way his breath catchesânot dramatically, not exaggerated, just enough to tell you it matters. That you matter.
It does something dangerous to your chest.
You lean in a fraction more, and this time the kiss deepensâstill soft, still controlled, but warmer now. Real. His thumb brushes lightly along your cheek, a slow, grounding motion, like heâs reminding you that youâre here. That this is happening. That you can stop at any point and heâll let you.
And somehow, that makes you not want to stop at all.
Your other hand shifts, sliding from his sleeve to his wrist, then upâhesitant at first, then more certainâuntil your fingers rest against the side of his neck. His skin is warm. Steady. You can feel his pulse there, quickening just slightly under your touch.
You like that.
The realization hits you quietly, but it lingers.
Reid exhales softly against your lips, and thereâs something different in it nowâsomething a little less restrained, a little more felt.Â
âHeyâŠâ you murmur, pulling back just enough to meet his eyes. Your voice is soft, a little breathless. âWalk me home?â
He blinks, just the faintest flicker of surprise crossing his features before it smooths into that steady, calm look you know so well. âOf course,â he says, the words low, sure, certain.
You stand, brushing the chill off your pants, and he falls into step beside you without hesitation. The city night feels quieter now, the hum of traffic and distant sirens softened by the rhythm of your walking. Your hand brushes his at first accidentally, then deliberately, and he doesnât pull awayâdoesnât need to. The warmth seeps through your nerves, that quiet shock that says youâre alive, that youâre wanted.
There's that look in his eyes again: steady, observant, but carrying a promise that heâll meet you where you are. That heâll wait, if necessary, but that he wants this, too.
Your chest tightens. The city lights stretch shadows across the sidewalk, painting him in sharp angles and soft curves. You wonder how itâs possible for someone to feel so steady and so incendiary at once.
When you reach your building, the air seems thicker, heavier with unsaid words and barely restrained energy. The lobby is empty, quiet, the distant hum of the city muffled behind the glass doors. You pause, hand brushing against the wall for something to hold on to, grounding yourself.
âYou can⊠come up,â you murmur before your brain has time to talk you out of it. The words are uneven, hesitant, carrying all your insecurities. âIf you want.â
He tilts his head, watching you carefully, reading every microexpression like he always does. âI do,â he says softly. And he follows you inside without hesitation.
Youâve done this before. Let someone follow you upstairs. Let it mean something it wasnât supposed to.
This feels different.
The hallway stretches a little longer than usual, your footsteps echoing softly against the floor. You donât look back, but you can feel him there. Half a step behind you. Like heâs giving you the space to stop. To turn around. To change your mind.
The key slips once in your grip before you manage to steady it, the metal clicking against the lock louder than it should be. Your pulse jumps with it. You push the door open and step inside, the familiar quiet of your apartment settling around you like something held too tightly.
For a second, you just stand there. Then, he steps in after you. The door closes with a soft click.
âYou can stillââ he starts, voice low, careful.
But you close the distance before he can finish.
Your hands find him firstâfisting lightly in the front of his shirt, pulling him in like youâre afraid he might disappear if you donât anchor him there. His breath catches, just barely, and then your lips are on his again. Itâs different this time. Less careful. Less questioning.
Thereâs urgency in it nowâsomething thatâs been building, coiling tight all night finally snapping loose. You press closer, rising onto your toes, and he meets you immediately, hands coming up to steady your waist, your backâeverywhere all at once, like heâs trying to keep up without overwhelming you.
You tug at him, guiding, half-walking, half-pulling him down the short hallway toward your room. He follows without resistance, but thereâs a shift in himâsomething grounding, something deliberate beneath the heat.
The bedroom door bumps open. You barely register it before youâre turning back to him, hands already moving again, lips finding his jaw, his neckâanything you can reach. Itâs a little messy, a little rushed, your breath uneven as it tangles with his.
And thenâHis hands catch yours.
âHeyââ he murmurs, voice low, breath warm where it brushes your cheek. âHey⊠itâs okay.â
You blink, the moment stuttering. Your chest rises and falls too fast, your pulse still racing ahead of you, like you havenât quite caught up to your own body yet.
âI justââ you start, but the words donât land. Youâre not even sure what you were going to say.
He doesnât make you finish. âI know,â he says softly.
His thumbs brush lightly over your wrists where heâs still holding them, grounding, steady. Not restrainingâjust there.
âWe can slow down,â he adds. âWe donât have to rush anything.â
The certainty in his voice disarms you in a way youâre not prepared for.
Your shoulders drop a fraction. Your breath stutters, then steadies, just a little.
ââŠokay,â you whisper.
The word feels fragile. New. But he treats it like something solid.
Reidâs hands loosen, giving you the space to pull away if you wantâbut when you donât, when you stay right there in front of him, he lets his fingers slide more gently along your arms instead. Up. Slow. Intentional.
Like heâs learning you. Like he wants to.
His hands find the edge of your shirt, fingertips brushing the fabric where it clings to your skin. He pauses, lifting his gaze to yours, as if asking permission without a word. You nod, breath trembling.
His lips brush along your collarbone, soft and feather-light, following a trail only he seems to know exists. One hand slides up your side, fingertips pressing gently against your ribs, mapping the curve beneath the thin fabric. The warmth of him, the deliberate patience, makes your knees weaken.
âDo you⊠want me to?â His voice is low, rougher than usual, carrying that quiet certainty youâve come to rely on.
âYes,â you whisper. âYes, please.â
His fingers curl into the hem of your shirt, and then itâs goneâlifted slowly, deliberately, like heâs giving you time to change your mind even as it slides over your head.
He leans back in immediately, lips brushing yours, but your hands are fidgety, unsure, tangling in his shirt, pulling too hard, then too soft. Your fingers move to your pants, fumbling the button, and a tiny groan escapes youâhalf frustration, half embarrassment.
Reid chuckles against your lips, warm and low, the sound vibrating through you. Itâs soft, not mocking, just amused, and somehow it makes you grin despite yourself. You canât help itâa little laugh escapes between kisses, breathless and uneven.
You take a shaky breath and try again, dragging the fabric down with more determination, though youâre still clumsy, tugging at them too fast before pausing, then yanking them the rest of the way. They pool around your ankles, and you step free, kicking them asideâslightly off balance, but he catches you with a hand on your hip.
You tug him closer, heat building between you, and your hands find his, pressing them to the small of your back for a moment before slipping, guiding his fingers along the slope of your sides.
Your pulse hammers in your ears, and you can feel him stiffen slightly under your touch, a shiver running through him as you lead his hands upward to the clasp of your bra. The soft click of the hooks under your fingertips sends a jolt straight through your chest.
He pushes the straps off your shoulders, the soft fabric falling to the floor.Â
The air feels cooler against your skin immediately. Sharper. Youâre suddenly, acutely aware of itâof yourself.
Of him.Â
You donât give yourself time to think about it. Donât let the hesitation creep in. Your hands are already reaching for him again, pulling him forward, chasing the warmth you just hadâ
Your breath catches, confusion flickering across your face as you look up at him.
âIââ you start, but the words falter when you see the way heâs looking at you.
Not rushed. Not hungry in that careless, consuming way youâre used to. Focused. Intent.
âI want to look at you,â he says quietly.
It lands heavier than anything else heâs said tonight.
Heat rushes up your neck instantly, blooming across your cheeks, your chest tightening as your instinct is to turn away, to fold in on yourself, to hide. You almost laugh it offâalmost deflect, make a joke, cover the sudden vulnerability clawing up your throat.
But his hands are still there, resting lightly at your waist.
His gaze doesnât waver. Doesnât flick away to give you an out. But itâs not trapping, either. Itâs patient. Open.
Like heâs asking. Like it matters.
Your fingers twitch at your sides before you force them to still. You draw in a slow breath that doesnât quite steady you but helps enough. And then you nod.
Reidâs eyes move over you thenânot in a way that feels like heâs taking something, not like heâs cataloging flaws or comparing or measuring. Itâs slow. Careful. Like heâs trying to understand something heâs been given permission to see.
His thumb brushes lightly along your side, a small, absent motion that somehow keeps you grounded while his gaze lingers.
âYouâreââ he starts, then stops, like heâs recalibrating, searching for the right word and discarding the wrong ones before they ever reach you.
His jaw shifts slightly.
ââyouâre incredible,â he settles on, voice quieter now, like itâs something meant just for you.
Your heart skips a beat.
It shouldnât hit as hard as it does. Itâs a simple word. Easy. Overused.
But not like this. Not from him.
You swallow, gaze dropping for a second before you force yourself to look back at him, even as the heat in your cheeks refuses to fade.
Something shifts in your chest, a sudden, impatient flare that has nothing to do with words and everything to do with heat, want, the ache of waiting too long. You pull him toward you. Harder than planned. A startled breath escapes him, warm against your neck, and the sound alone makes your pulse spike again.
He stumbles slightlyâboth of you caught in the sudden motionâbut instinctively, he catches himself. His hands land on either side of you, bracing against the bed, his chest hovering just above yours. You can feel the warmth radiating from him, the subtle tension in his arms, the deliberate strength thatâs always been there but now feels dangerously immediate.
Your hands roam down his chest, fingers catching on each button as you work them open. The fabric parts beneath your touch, revealing warm skin, the steady rise and fall of his breathing just a little less even than before.
Your hands drag down his chest, fingertips tracing the subtle lines of muscle beneath warm skin, feeling the way his breath shifts under your touchâjust a little deeper now, just a little less controlled.
Then back up.
Over his shoulders, pushing the fabric down his arms, your palms following the movement like you donât want to lose contact for even a second. The shirt catches at his elbows before he shrugs it off completely, letting it fall somewhere behind him without looking.
Your palms trace the warmth of his chest one last time before they drift lower, brushing the waistband of his pants. A rush of heat floods your chest, anticipation curling in your stomach. You inch your hands forward, imagining the weight and warmth beneath the fabric.
He stops you with a gentle but firm grip on your wrists.
âThis⊠isnât about me,â he murmurs, voice low, rough with something deeper. âItâs about you. I want to make you feel good first.â
You swallow, heat pooling between your thighs at the deliberate weight of his words. Your hands drop, and for a moment, you let yourself just be held, just feel him.
Then his hands are movingâsliding along your ribs, over your hips, brushing over the swell of your breasts, ghosting over your nipples.
Your chest lifts instinctively under the pressure, the featherlight friction making your pulse stutter.
He leans back just slightly, eyes locking onto yours, searching, reading every flicker of reaction. âTell me if itâs too much,â he murmurs, but the way he holds your gaze is unwaveringâcommanding but gentle. âOr not enough. I want to know.â
You arch, pressing into him without thinking, letting the heat of anticipation spill into something more tangible. âNot⊠not enough,â you whisper, voice low, trembling with want.
A small, satisfied sound escapes himâalmost a growl, almost a purrâand his hands move with careful precision, cupping you fully now, thumbs brushing circles over your nipples, slow, deliberate, eliciting shivers that roll down your spine. You bite back a moan, but it escapes anyway, breathless, catching in the quiet of your bedroom.
His hands slide lower along your hips again, brushing teasingly over the swell of your thighs.Â
âMay I?â he murmurs, voice low, husky, as his fingers brush the waistband of your underwear. You nod, barely able to speak, breath hitching in uneven gasps.
He hooks his thumbs under the edges, letting his gaze lift to yours. No hurry, or shame. Just that commanding, attentive certainty that makes your knees weak.
He slides them down your legs, inch by careful inch, letting the fabric brush your skin, teasing, slow, patient, until he can discard them with the rest of your clothes. His hands drift back up your legs, tracing the curve of your inner thighs, stopping just shy of the place thatâs already slick with need. You gasp, hips tilting instinctively toward him, heart hammering.
Finally, he lowers himself, his lips brushing the sensitive skin of your inner thighs, feather-light at first, tracing circles that leave sparks behind.
The sensation travels inward, unhurried and deliberate, nothing like the frantic, selfish encounters youâre used to. When his mouth finally reaches where you need him most, the shock of it steals the breath from your lungs. It isn't rushed or performative; itâs attentive, his tongue moving with a focused precision that feels almost academic. One hand rests firmly on your hip, anchoring you to the mattress, a grounding tether as he begins to unravel you, lick by slow, devastating lick.
Your free hand finds its way into his hair, fingers tangling in the soft waves to hold him close, your hips lifting off the bed in a silent, desperate plea. He hums against you, a low, vibrating sound of approval that only sends fresh waves of pleasure rolling through your nerves, encouraging you to let go. Every flick of his tongue is a question he already knows the answer to, reading the tremor in your thighs and the broken cadence of your breath like data points on a graph, adjusting the pressure and speed until the only thing you know is the heat of his mouth and the rapidly tightening coil in your belly.
The pressure builds to a breaking point, overwhelming and sharp, and when you fall over the edge, you do so with a cry that you try to stifle against your own arm, a lifetime of conditioning making you shy away from being too loud, too much. But Spencer doesn't let you hide; he carries you through it, slowing his movements to draw out every last aftershock until youâre a trembling, boneless mess against the sheets.
He doesnât pull away immediately. Instead, his lips start a slow, deliberate ascent from your inner thigh, pressing open-mouthed kisses against the sensitive skin. Itâs a reverence in motion, a silent worship that has your eyes fluttering closed.
The scrape of his teeth against the curve of your hip draws a sharp, hitching gasp from you, your hips bucking involuntarily. He just smiles against your skinâa dark, knowing thingâand soothes the sting with his tongue, his hands continuing their slow, grounding glide up your sides. Heâs taking his time, mapping the topography of your body like he has all night, like he has a lifetime.
His mouth finds the dip of your navel, lingering there, his breath hot against your stomach. Your muscles jump and flutter under his attention, your breath coming in short, shallow bursts as the heat coils tighter, low and demanding. The sensations are overwhelmingâevery nerve ending feels raw, exposed, and terrifyingly alive.
He moves higher, tracing the line of your ribs with a devotion that feels almost holy. Your breath stutters, catching in your throat as the ghost of his breath feathers over your racing heart, the steady thump-thump-thump betraying just how undone you are. He presses a lingering kiss right over that frantic beat, as if trying to soothe the ache there with his own rhythm, his hands sliding up to bracket your waist, thumbs stroking the sensitive skin of your sides in a slow, hypnotic pattern.
He nips gently at the soft skin where your neck meets your shoulder, and your head falls back against the pillow, exposing more of yourself to him in a gesture of surrender that feels foreign yet terrifyingly right. You can feel the tension in his arms where they cage you in, the tremor of restraint running through him as he takes his time, leaving a trail of fire in his wake that burns away the lingering memory of every cold, careless touch before him.
Finally, his face hovers above yours, blocking out the dim light of the room until heâs the only thing you can see. His lips are red and swollen, his breathing ragged as it mingles with yours in the scant space between you. He doesnât kiss you immediately; he pauses, searching your eyes with that piercing, analytical gaze that sees too much, stripping away every last defense. Then he lowers his mouth to yours, slow and deliberate, and the taste on his tongue is youâsalt and musk and a sharp, intoxicating proof of exactly how much he wants you.
He breaks the kiss just enough to rest his forehead against yours, his breath still coming in ragged, syncopated bursts. The air between your bodies feels charged, electric with the lingering static of what just happened and the mounting pressure of whatâs coming next. His eyes search yours, dark and intent, stripping away any last defenses you might have thought you had.
"Tell me what you want," he murmurs, the words low and rough, vibrating against your lips. His hand drifts down, thumb tracing the curve of your jaw, tilting your chin up so you can't look away, can't hide from the weight of the question. "I need to hear you say it."
Your pulse hammers against your ribs, a frantic, uneven rhythm that matches the ache settling deep in your bones. Thereâs no room for hesitation here, no space for the deflective sarcasm or the practiced diffidence you usually hide behind. Not with him. Not like this. You force yourself to meet his gaze, to let the want show plainly on your face, raw and unvarnished.
"I want you to fuck me, Spencer. Please."
The words leave your lips in a rush, jagged and desperate, stripping away the last of your composure. You expect him to hesitate, to offer you another slow, sweet reassurance, but instead, his control snaps. A low, ragged sound tears from his throatâhalf-groan, half-growlâand his mouth crashes into yours, searing and demanding, swallowing the gasp that rises in your throat. Thereâs no patience left in him now, only a starving intensity that matches your own, his hands gripping your hips like heâs afraid you might vanish if he lets go.
He shifts above you, his weight pressing you into the mattress in a way that feels grounding rather than trapping. You can feel the hard, deliberate line of him against your thigh, the heat radiating through his clothes, a stark reminder of how much heâs been holding back. He makes quick work of his belt, the metal buckle clinking softly in the quiet room, followed by the hurried slide of fabric. Every movement is precise, efficient, but his hands are trembling just slightly, betraying the depth of his own need. When he finally settles back between your legs, skin against skin, the sensation is overwhelmingâa perfect, frictional fit that makes your hips lift instinctively, seeking more.
He pauses for a second, tilting his head slightly as his hand drifts from your hips to brush along your lower stomach. âDo you⊠want me to use a condom?â His voice is low, careful, giving you the space to answer.
You let out a sharp curse, half-laugh, half-frustration. âI⊠I donât have any. James alwaysâI donât have any.â The words stumble out, messy, just like your racing heart.
He opens his mouth, as if to say something, but you cut him off with a hurried shake of your head. âJust⊠pull out,â you murmur, voice a little breathless.
He blinks. âWhat?â
âPlease,â you say quickly, looking up at him, heat in your cheeks, pulse hammering. âIâif youâre okay with it.â
Thereâs a brief pauseâa beat of hesitationâbut you can feel it more than see it, that careful weighing of trust, of boundaries, of desire. Then his hands settle on your hips again, steady, grounding, as his lips brush yours in a soft, lingering kiss.
âOkay,â he murmurs, voice low and certain.
He pushes forward with a torturous slowness, letting you feel every inch as he stretches you, filling you so completely it steals the air from your lungs. Itâs intenseâa heavy, burning pressure that borders on too muchâbut itâs anchored by the way heâs watching you, his jaw tight with restraint, his focus entirely on the micro-expressions crossing your face. Heâs waiting for you to adjust, treating your body with the same reverence he treats your mind, giving you time to catch up to the reality of him.
Your breath hitches, a sharp, uneven sound, and instinct overrides everything else. You surge up, crashing your lips against his, needing the distraction, needing the connection. Your hands clutch at his shoulders, nails digging into the skin as you pull him closer, deeper, and your legs wrap around his waist, locking him in.
The movement changes everything. It breaks the careful control he was holding onto by a thread. He groans low into your mouth, a sound you feel vibrate through your chest, and his hips snap forward the rest of the way, burying himself to the hilt. The sudden depth drags a cry from your throat, which he swallows instantly, his kiss turning hungrier, more demanding. He doesn't withdraw; he stays there, deep and pulsing inside you, letting you feel the weight of him, the sheer reality of being this close, before he finally begins to moveâno longer slow, but deep and rolling, matching the desperate rhythm of your heart.
A sharp cry tears from your throat as he sets a rhythm that obliterates your ability to think, each stroke hitting deep and precise, dragging a desperate sound from your lungs that you canât hold back. Your body reacts instinctively, legs tightening around his waist, arms locking around his shoulders to anchor yourself as the intensity builds, threatening to pull you under. Itâs overwhelming in the best way, a tide rising higher and higher with every thrust.
"I've got you," he breathes, the words ragged against your mouth, punctuated by the sharp, uneven cadence of his breath. "You're incredibleâgod, look at you."
He doesn't stop moving, doesn't let up, his hips snapping into yours with a focused, driving rhythm that feels relentless and careful all at once. But even in the middle of it, he finds the air to speak, his voice a low, rough hum that vibrates against your lips.
"So good," he murmurs, his forehead pressing tight against yours, the words ghosting over your mouth in between the relentless, deep thrusts that make your vision blur. "You feel so good, taking me like this. You have no idea." His voice cracks on a groan, the restraint finally splintering as he buries himself impossibly deeper, grounding you with the weight of his body and the raw honesty in his tone. "Youâre perfect. Absolutely perfect."
Your fingernails dig into the sweat-slicked planes of his shoulders, holding on for dear life as the coil in your belly winds tighter, threatening to snap. Every praise feels like a brand, searing away the old, jagged memories of being too much or not enough, replacing them with the undeniable reality of how much he wants you right now. "Spencer," you gasp, his name sounding broken on your tongue, and he captures the sound with a searing kiss, swallowing your cries like they're something precious.
"I know, I know," he soothes, though his hips are losing their rhythm, becoming erratic, urgent. He shifts slightly, changing the angle just enough to make you see stars, his hand sliding down to grip your hip, holding you steady for the force of his thrusts. "Let go for me. I've got you, always." He presses his lips to your temple, your cheek, the corner of your mouth, worshiping every inch of skin he can reach. "Come on, baby. I want to feel you."
Your body arches off the mattress, seeking more of him, more of this grounding, overwhelming connection, and when the release crashes over you, it blinds out everything else. Itâs a blinding whiteout of sensation, your entire world narrowing down to the feel of him inside you, the weight of his body pressing yours into the mattress, and the sound of your own cry echoing in the quiet room. You clamp around him, your inner muscles fluttering and gripping as the pleasure rips through you, leaving you trembling and gasping in his arms, your fingers still digging desperately into his shoulders.
The way you tighten around him tears a ragged groan from his throat, his control finally shattering completely. He buries his face in the crook of your neck, his breathing turning harsh and uneven against your sweat-dampened skin. "That's it," he chokes out, the words strained and low, vibrating against your collarbone. "You're beautifulâso beautiful like this." He chases his own high then, his movements becoming jagged and desperate, thrusting deeper, harder, his grip on your hip almost bruising as he lets himself go.
You can feel the tension in every muscle of his back, the way his movements are becoming less calculated, more desperate, driven by pure instinct. Heâs right there with you, hovering on that precipice, and for a second, you think heâs going to let go completely.
But then his rhythm stutters. He gasps sharply against your skin, and with a herculean effort that seems to cost him everything, he tears himself away.
The sudden loss of contact leaves you feeling empty, cold for a fleeting second, but he doesn't go far.
He moves his hand, but before his fingers can close around himself, your hand is there, brushing his aside.
He lets out a shattered gasp, his eyes flying open to find yours, dark and wide with surprise. The heat of him is heavy in your palm, slick and desperate, and you don't hesitate. You wrap your fingers around him, stroking firmly from base to tip, taking over the rhythm he had denied himself.
"Godâ" The word breaks apart on a groan, his head falling back, exposing the long, pale line of his throat. His jaw goes slack, his lips parting on a silent exhale that turns into a low, guttural sound of pure surrender. Heâs powerless to stop it, the tension in his body snapping like a wire drawn too tight.
The pleasure overtakes him in a rush, and with a guttural moan that sounds almost like relief, he spills hot and wet across your stomach. You don't stop; your grip stays firm and sure, thumb brushing over the sensitive head as you stroke him through every pulse, intent on wringing every last bit of pleasure from him. He shudders violently above you, his whole body bowing under the intensity, his hands fisting in the sheets on either side of your head to keep from crushing you as he rides out the aftershocks.
As the tremors finally begin to subside, the frantic energy leaves him, replaced by a heavy, bone-deep exhaustion. His arms give out, and he lowers himself carefully, mostly collapsing onto you but catching his weight on his elbows to keep from smearing the mess between you any further. He buries his face in the crook of your neck, his breath coming in ragged, cooling gusts against your overheated skin, his heart hammering a frantic rhythm against your ribs that gradually begins to slow.
You let your hand release him, fingers drifting instead to the hair at the nape of his neck, combing through the damp strands in a slow, soothing cadence. The room is quiet now, save for the shared sound of your breathing, the air thick with the scent of sex and sweat.
He presses a lazy, open-mouthed kiss to your shoulder, then another to the curve of your jaw, seemingly unwilling to break the connection just yet, content to simply exist in the warm, heavy aftermath of it all.
But eventually, he shifts, pressing one last lingering, soft kiss to your forehead, and pushes himself up. The mattress dips and lifts as he climbs out, the cool air of the room rushing in to fill the space he left behind.
You watch him, your body still thrumming, muscles heavy and liquid, but your mind instinctively bracing for the shift.
This is the part where the silence gets awkward. This is the part where he finds his shirt on the floor, pulls it on, and mutters something about an early morning or a meeting.
But he doesnât even glance at his clothes. He turns, padding silently toward the bathroom in his bare feet, disappearing into the slice of light spilling from the open door.
The water runs for a momentâthe sound jarringly domestic in the quiet apartmentâbefore cutting off.
You blink, staring up at the ceiling, your heart rate settling into something resembling normalcy even as your brain struggles to catalog this deviation from the script. Youâre still bracing for the sound of a zipper, for the click of a belt buckle, but instead, you hear the soft tread of his return.
Spencer comes back into the dim light of the bedroom, a damp washcloth in his hand. He isnât dressing. He isnât rushing. He sits on the edge of the mattress, the dip in the springs shifting you slightly toward him, and reaches out with a gentle hesitance, waiting for a flinch that doesnât come.
When he touches the warm cloth to your stomach, the heat is shockingânot painful, but incredibly grounding, chasing away the chill of the drying air and the sudden, hollow fear that you were just a convenience.
He wipes the skin with meticulous care, his eyes focused on the task as if itâs a delicate procedure requiring his full attention. Thereâs nothing perfunctory about it; he cleans you up with the same steady reverence he explored you with, drying your skin with the corner of the cloth before tossing it onto the nightstand.
He leans in then, pressing a kiss to your shoulder, your collarbone, your lipsâsoft, unhurried thingsâand then he simply pulls the quilt up over you, his hand lingering on the sheet as he looks down at you, making it clear that for tonight, at least, he isn't going anywhere.
The silence stretches, comfortable but fragile, and suddenly the vulnerability of the moment feels heavier than the pleasure did. You feel a ridiculous lump forming in your throat, a shy, terrifying question sitting on the tip of your tongue. Itâs just asking him to stay, but it feels like asking for everything.
"Will you..." You start, then stop to clear your throat, your voice barely above a whisper. "Will you lay with me?"
Spencer doesnât hesitate. He doesnât look for an excuse or a clock. He just turns those soft, serious eyes on you, his expression softening into something so open it makes your chest ache.
"Of course," he answers immediately, as if it were the only logical conclusion, the only option worth considering. He shifts, sliding under the quilt with an easy grace, and the mattress dips under his weight as he settles in behind you. Thereâs no fumbling for space, no awkward negotiation of limbs; he fits against you like he was always meant to be there, his chest pressing flush against your back. The heat of him is immediate and grounding, seeping through your skin and chasing away the last of the lingering chill.
He reaches out, gathering you up with a gentle, insistent tug, pulling you back until you are completely cocooned in his embrace. One arm slides beneath your pillow, cradling your head, while the other drapes over your waist, his hand splaying wide across your stomach to hold you close. You can feel the steady, rhythmic thrum of his heartbeat against your spine, a slow, hypnotic cadence that anchors you in the present moment and makes it impossible to spiral into your usual doubts.Â
You let your body relax into his, melting against the solid length of him, and for the first time in a long time, your mind goes quiet. The insecurities, the voice that whispers that youâre too much or not enough, the habitual shrinking you do to make room for othersâit all fades into the background, silenced by the undeniable reality of him holding you.
Spencer presses a soft, lingering kiss to the back of your neck, his lips brushing the sensitive skin there with a reverence that feels like a seal, a promise that you don't have to be anything but exactly who you are right here. Safe, wanted, and held.
cw: smut, blowjob, under the desk, f!reader, facef*cking, public sex, office sex, the usual <3
mdni
wc:1k
âThink sheâs busy. Try her cell?â Simon releases a shaky breath as he speaks, his fist tightening around your hair, jeans bunched around his ankles. He glares down at you, obediently knelt between his legs underneath his desk. The space fits you wholly, allowing you to hide completely while still giving his legs the space to jerk and jolt as you work his soul from his thick cock.
Your lips are swollen and red from the friction, spit dribbling down your chin, throat dilating whilst he buried himself deeper into your mouth. Tears pooled behind your waterline as you try to stifle the lewd sound of your gurgles and gags; a degenerate symphony of indecency only you and Simon had the nerve to produce at work.
âDamnit. Iâll try her again.â You hear Price sigh through the phone, his voice growing increasingly irritated. You look up at Simon, whoâs now shaking his head at you, his eyes dark and unfocused.
âYou do that, sir.â He replied flatly.
You giggle quietly, pushing your tongue against his frenulum. He jerks forward, the muscles in his thighs firming under your grip, his breath catching loudly in his throat.
âYou alright, Simon?â You hear Priceâs suspicion growing by the second. Simon keeps the phone to his ear, his knuckles going white with how hard he was gripping the poor thing. He looks at you directly, eyes stuck to yours as you bob your head up and down his thick length.
âYeahâŠâm okay. Somethinâ I ate. Not sittinâ right.â He lets out a quiet, shaky breath, bearing his weight on the back of his chair and spreading his thighs. He releases your hair, raising his hand to his mouth, cupping it around his face as you continue.
âYou sure youâre alright, Lt?â Priceâs voice lowered on the other end. You donât let up.
His length grew harder with every stroke of your lips, his leg bouncing restlessly, his eyes squeezing shut as you worked your mouth over the ridges and curvatures of the throbbing shaft. He glares at you from behind his trembling hand, a look that usually meant one thing and one thing only; Dead meat.
His eyes travel down your face, taking in the sight before him. You, perched on your knees, freshly manicured nails digging into the meat of his thighs, taking every inch of his thick, burdensome cock the only way it was ever intended; Sloppy, sleazy, and unable to render whether or not you could breathe properly.
He clears his throat before speaking again. ââM fine, Price. Stomachâs in shambles.â
âRight then.â He takes a beat before continuing. âIf you lay eyes on my secretary, send her straight to my office, understood?â
âYes, sir.â Simon answers, his eyes never leaving your face as he clicks the phone off.
The man was like a father to him, and yet here he was, defiling his poor secretaryâs soft, sweet mouth like he owned the damned thing. He knew it was wrong. You knew it was wrong. But you took his length so well within your hot mouth, your wet, experienced tongue extracting the last bits of self-respect from his reserves.
âYouâre gonna get us in trouble, trouble.â You smirk at the nickname, your tongue now slowed to a gentle swirl around the puffed, pulsing tip. It touches your uvula, causing your throat to contract and tighten around him. With a simple thrust of his hips, he pushes himself deeper into your mouth, his thickness stretching your throat with every inch heâs able to fit inside.
You watched as his thighs shook ever so slightly, his hand now cupped around your cheek. He studies you intently, gaze traveling down your face, hair, shirtâanything he could get his eyes and hands on.
He takes your head in both hands, and steadies both feet on the ground. You brace yourself on his knees before he stands, now towering over you with complete and utter control over your mouth. He bends his knees, accommodating the height difference between you before he begins to plunge himself deeper.
Simon starts with slow strokes, a salacious, foul groan emitting from his lips as he works his way deeper into your throat. He quickens his pace, satisfied with how much of himself he could shove inside your mouth without suffocating you to death. And still, just only half of him.
He pulls your hair back into a pathetic excuse for a ponytail, using his free hand to gently tuck unruly strands away from your face. An affectionate contrast to the aggravated, frantic ruts from his hips. You raise your arm, taking his balls within the palm of your hand. You give them a gentle squeeze, kneading them as he uses your mouth to his content.
âFuckââm close, sweetheart.â He grits. You respond by craning your neck, meeting his thrusts halfway. He falls over the edge, his orgasm thrumming against the walls of your throat. His knees shudder slightly, bending as though he struggled to hold himself in one piece. You feel hot ropes of his seed splash against your throat, his voice releasing a stream of deep grunts and whines into the silent air of his office. He stares down at you, watching intensely whilst he pulls you from his length. Your hair sat messily around your head, saliva coating your chin, and eyes glazed with pure carnal satisfaction.
Simonâs chest heaves sluggishly, his eyes stuck on the sight of you. You notice the appearance of his crowâs feet, a smile creeping to his eyes from under the balaclava.
â±àŒșàŒïžàŒ»â°
You clutch the files to your chest, inconspicuously slipping out of Simonâs office with him in tow. He grabs your wrist before you could walk away, lowering himself to say something in your ear.
âFuck you later, loveâ He grits, a sleazy smack on your ass ringing through the quiet hallway. Heat flushes between your thighs, spreading to your face and ears. You turn to walk away, bottom lip clamped between your teeth as you make your way to the stairwell.
He watches you disappear into the flights of stairs, turning to walk the opposite way. He freezes.
Price, leaned casually against the doorway of his office, arms crossed tightly against his chest. His lunch threatened to exhibit itself on the carpeted hallway floor as he met eyes with the Captain.
âStill got the shits, mate?â At that point in time, he really did.
The Odyssey but retold as a low-stakes modern adventure of one guy out with his girlfriend leaving the bar with his buddies to do just one (1) simple thing real quick, it'll take like 15 minutes tops, he'll be right back, but then some bullshit happens and the trip keeps getting more complicated as more bullshit keeps happening while he just tries to get back to the bar because he promised his girlfriend that he'd get back and he knows that she's still there because she told him she'd wait there.
And by the time he finally gets back it's almost 3 am and the bar is about to close while she's sitting there stone cold sober, surrounded by 5 drunk guys unsuccessfully trying to convince her to give up on waiting for him and go home with one of them instead. And the guy shows up to proceed to beat the shit out of them before explaining himself to her like hey sorry bullshit kept happening, my phone fell into a storm drain and my wallet got stolen when I was trying to find someone who'd borrow me a phone so I could call and
His girlfriend had been fending off the 5 drunk guys for most of the evening by explaining that even if she was going to ditch her boyfriend, she can't possibly leave without finishing her beer, which she is keeping perpetually full via careful sleight of hand where she's just pouring it back and forth into and out of the pitcher.
However the drunk guys are also drinking, and eventually she can't afford to buy another pitcher for the table so she can't keep up the ever-full beer glass trick. At this point she has to resort to setting up the pool trick shot that she's never seen anyone but her boyfriend pull off, and says she'll leave with whoever manages the shot first.
That buys her another hour or so and then, finally, her boyfriend makes it back. He looks like shit, hair down and just a mess, he's wearing an entirely different jacket that he got from an alley, and barely recognizableâespecially to 5 guys who've been drunk for hours now. He lurks for a minute, finds out what's going on, and proceeds to pull off the trick shot first try. Throws the jacket off, fixes his hair with a hair tie his girlfriend lends him, finally looks like himself again, and THEN beats the shit out of them with the pool cue.
Pairing: Aaron Hotchner x Reader
Summary: Aaron helps you find your way back through a dissociative episode.
Tags: complex ptsd symptoms, dissociation, reader dissociates, gentle grounding, trauma-informed!aaron hotchner, soft!aaron hotchner, single dad hotch, jack hotchner is the sweetest child alive, comfort through presence, slow return to reality, nonverbal comfort, aaron is your anchor, hurt/comfort, no use of y/n, emotionally intimate, quiet fic, healing in the small moments, reader is loved as they are
Word Count: 2.9k words
You don't realize you've dissociated until Aaron is kneeling in front of you, his hands resting gently on your thighs, thumbs brushing tiny circles into the fabric of your sweatpants. It's subtle at firstâa shift in temperature, maybe, or the weight of his presence like the return of gravity. You feel heavy. Disoriented. As if you've been underwater too long and the surface is suddenly too bright, too loud, too real. The edges of the room are blurred, colors too saturated, like a dream that won't quite let go. The walls feel too close, like they're pressing in on you, silent and breathless. Your ears ring faintly, a tinny hum overlaying his voice. The lights seem too harsh, too unnatural, shadows curling at the corners of your vision like smoke. But thenâ
"Come back to me, sweetheart," he says, voice low and steady, like the slow roll of thunder over still water. "Just you and me, okay?"
There's no panic in his voice. No sharpness. No demands. He knows. You can tell by the way he speaks to youânot like someone trying to pull you out, but like someone already halfway in, waiting for you in the dark. He doesn't chase your attention; he opens the door and waits for you to find your way back through it. Every syllable he speaks is weighted with patience, thick with love. He's not trying to fix you. He's holding space.
You blink. Or maybe you don't. You're not sure if your body has moved at all, but the warmth of his hands is unmistakable. Steady. Real. Anchoring. Each pass of his thumbs sends a ripple through your numbness, tiny waves pushing back against the fog that clouds your mind. Your chest aches. Your throat feels too tight. You're still floating somewhere in that hollow place behind your ribs, curled in on yourself without realizing it. Your muscles are locked, like you've turned to stone from the inside out. Your jaw clenches, your fingers twitch. Time bends around you.
The silence around you hums, low and vibrating in your teeth. The world feels just out of reach, like a soap bubble you're afraid to touch. Aaron's presence is the one thing that cuts through itânot sharply, but like the slow burn of a candle in a pitch-black room. A pulse of light in endless twilight. His steadiness is almost surrealâunshaken, unwavering.
You want to speak but the words are caught somewhere deep, tangled in memory and muscle. They don't come when you call for them. But he doesn't ask for them. He never does. His silence is not emptyâit's filled with understanding, with acceptance. It doesn't demand or expect. It waits. He waits. And in that waiting, he gives you the most precious thing: space to return on your own terms.
Instead, he leans forward and presses a kiss to the back of your right hand. Then your left. Slow, careful kisses like prayers, like promises whispered against skin. You barely register the feeling, but something inside you shudders with the touch. It stirs you, a faint rustling beneath the surface of your dissociation, a soul calling out through waterlogged thoughts. Every kiss is a breadcrumb on the trail back to yourself.
"You're safe," he murmurs between kisses. "I've got you. You're here."
He stays crouched in front of you, patient and unwavering. The minutes stretch, elastic and strange, until time stops making sense. You could've been gone five seconds or five hours. But Aaron doesn't flinch. His presence remains like a lighthouse beam sweeping through the mistâconstant, unwavering. If the house burned down around you, he'd still be here, whispering your name into the smoke.
He shifts his weight slightly, bringing himself closer without encroaching. His knees brush yours gently, a solid point of contact, a reassurance that he's here. That you're not alone in this. The warmth of that touch bleeds into your skin like dye into water.
You feel your fingers twitch, just slightly. Enough that he notices, and the corners of his mouth lift in a smile so soft it hurts to look at. But he doesn't comment on it, doesn't flood the moment with meaning. He just keeps going. Thumb circling. Lips pressing. Words threading their way into the cracks. His gaze flickers to your face every so often, watching not with urgency, but with reverence.
"That's it," he says, softer than before. "No rush. Take your time."
His voice is the only thing that makes sense in this strange, muffled world. It wraps around you like a blanket, rich and familiar, heavy with devotion. He shifts to sit more comfortably on the floor, one knee bent, the other folded beneath him. His fingers slide up slightly, resting now just above your knees. Not pushing, not holding. Just present. Like a heartbeat. Like a vow.
You start to notice the little thingsâhis cologne, warm and woodsy, mingling with the subtle scent of laundry detergent on your clothes. The gentle creak of the floor beneath him. The softness in his eyes, so completely open, holding you without pressure. You hear his breathing, slow and measured, and find yourself unconsciously mirroring it. Inhale. Exhale. Again.
Your breathing starts to change. Less shallow. Still shaky, but fuller somehow. You can feel the rhythm of it now, the way your chest rises and falls, how the air tastes as it slips past your lips. Like cinnamon and warmth. Like home. You begin to count each breath, grounding yourself with every inhale, every exhale. His presence becomes a guidepost, a place to tether your drifting self. You press your feet more firmly against the floor. The room tilts back into place.
He presses another kiss to your knuckles, then leans in just enough to rest his forehead against your hands. His eyes are closed, lashes brushing your skin, and you feel the hum of his breath as he exhales slowly. His fingers splay slightly, cradling your legs with infinite gentleness. You feel the weight of his trust in that touch.
"I love you," he says, so quietly it almost gets lost in the hush of the room. "Every part of you. Even the ones that go away sometimes."
The words strike something deep. Like a match lit in the center of your chest, flickering against the cold. Your heart stutters. Something in you stretches, startled by the sudden presence of warmth. A tremor runs through you, too small to name but impossible to ignore. It feels like your body is thawing, sensation returning in painful bursts. Like blood rushing back into a limb that had gone numb.
You feel the tears before you understand they're yoursâhot, silent, slipping down your cheeks in slow, steady streams. He doesn't wipe them away. He lets them fall. Lets you feel. You haven't moved much, but you're shifting inside, inching back toward yourself. The gravity of your own body starts to return, limbs heavy, chest aching. Your spine begins to straighten, your hands relax.
Your fingertips curl toward him, involuntary and slow, like flowers unfurling to sunlight. Your hands, once limp in his, begin to hold back. You feel the texture of his skin under your palms, the warmth of him. He's real. He's here. The clarity of that realization takes your breath away.
His breath catches, just a little, and he opens his eyes. His smile is immediate, soft and bright, and something behind it shatters gentlyârelief, maybe. Or gratitude. Or both. He shifts slightly, moving one hand to brush hair from your forehead, careful not to startle. He tucks it behind your ear with a tenderness that cracks something open in you.
"Hi," he says, eyes shining. This time it reaches all the way to the edges of his face, softening the hard lines with something tender and wide open. Like he's never seen anything more beautiful than you coming back to him.
You blink again. And this time, it sticks. The room comes into focus. The fog starts to lift, peeling back slowly like morning light through curtains. The walls stop pressing in. The ringing in your ears fades. The floor steadies beneath you.
You see him. Really see him.
Aaron.
Kneeling in front of you, eyes warm and steady. His hands never left you. His voice never stopped. He was your tether. Your light. Your proof that the world outside the fog is still there. The person who doesn't just witness your painâhe honors it. He stays.
"There you are," he breathes, voice low and full of something holy. He kisses your forehead, slow and sure, lingering just a second longer than he needs to. The warmth of it anchors you. You close your eyes, lean into it, allow yourself to melt just a little.
The door creaks open just a little, soft and slow. Barely a sound, but Aaron turns his head, already knowing who it is. Jack's voice follows a moment later, small and curious.
"Daddy?"
Aaron lifts his head from where he's still close to you, one hand resting protectively on your thigh. He doesn't shift too far away. His voice stays low, careful not to rupture the quiet you've all been holding together like breath in a cupped hand.
"Come in, buddy. Just be gentle, okay?"
Jack pads into the room on socked feet, clutching a coloring book under one arm and a handful of crayons in the other. His hair is a little mussed from his nap, cheeks still flushed with leftover warmth. There's a sleepiness still clinging to his movements, a looseness in his limbs as he surveys the room. He pauses only once to glance between the two of you, assessing the softness in Aaron's eyes, the watery calm in yours. He doesn't ask questions, doesn't seem confused. He just knows, in the instinctual way that children do when something is sacred and fragile. Without a word, he climbs up onto the couch beside you.
"You need quiet time?" he asks. His voice is solemn, careful, as if he's mimicking the way Aaron speaks when things are tender. It's soft enough to not startle, just loud enough to be heard. He's watching you with big, curious eyes, trying to help in the only way he knows how.
You nod slowly, your head still heavy, a little floaty around the edges. The dissociation hasn't fully left your systemâthere's still a hum in your bones, like your body is tuned to a different frequencyâbut Jack's presence feels like a gentle weight. Something grounding. Something warm and true. You don't need to pretend with him. You don't need to hide.
He leans against your side without hesitation, warm and solid and familiar. His small frame presses into yours, and his head fits just under your arm like he was always meant to be there. His body radiates comfort like a heated blanket, settling your nerves without trying. It isn't about words. It's just presence. The quiet of him is a gift.
"I can be quiet," he promises. And then, almost as if remembering it from a dream, he hums. Soft, tuneless, something only half-formed, a song made of comfort instead of melody. It vibrates gently against your side. It's not perfect, but it's real. It's so real. Each note is a soft thread weaving you back into the fabric of the moment. He hums like he's holding space for you, like it's the only job he has in the world.
Aaron shifts beside you, careful not to disturb the quiet bubble now forming around the three of you. He presses a kiss to your cheek, lips warm and lingering. His arm slides around your waist, pulling you close until your side is flush against his. He's solid at your back, grounding and ever-present, the calm center of this slowly rebuilding universe.
His hand comes to rest flat over your sternum, fingers splayed gently like he's holding your heart in place. You feel the warmth of his palm, the weight of itâprotective, sure. The steady pressure steadies you. He's not holding you down, just holding you here, reminding you gently that you exist.
He doesn't speak. Doesn't need to.
His hand stays there, a silent promise. A weight you can lean into without falling. Every now and then, his thumb rubs slow, barely-there circles over your chest, syncing to the beat of your breathing. Like he's reminding you: You're here. You're real. You're not alone. Not now, not ever. His other hand squeezes your waist with quiet affection, grounding you further.
Jack hums, flipping open his coloring book and picking a page at random. He chooses a crayon, violet, and begins coloring a dragon with heavy strokes, tongue poking out from the corner of his mouth in concentration. But his shoulder never leaves yours. His humming never stops. His presence is a kind of balm, something pure and gentle in a world that often feels sharp. You glance down and see the page slowly come to life with color, and something inside you begins to uncoil.
You tilt your head slightly, letting it rest against the top of Jack's hair. He doesn't flinch. He just hums a little louder, shifting to make more space for you as though he's always known how to do this. His small fingers move with purpose across the page, scribbling in wide, confident arcs. He shows no fear, no hesitation. Just a quiet kind of devotion that knits itself into your ribs.
The room settles.
You do, too.
Aaron's other hand slips up your spine, not in search of attention but to ground you further. He traces a slow line between your shoulder blades, like he's reminding your body of itself. Like he's helping you remember how to be in it. Each stroke eases another piece of tension. He moves like he knows every part of you, even the parts that forget how to breathe sometimes.
Your breathing slows again. The panic has fully ebbed now, leaving only exhaustion in its wake. You're tired in a way that doesn't have language. Tired in your bones, in your skin, in the worn-out places no one ever sees. But you're not scared anymore. Not frozen. Not gone. You're still here. In pieces, maybe, but present. And loved.
Aaron rests his chin on your shoulder, his breath brushing your temple. His nose nuzzles gently into your hair, as if the closeness can say what words cannot. And in a voice so low it nearly disappears into the soft hum of the room, he whispers:
"You don't have to be okay yet. We've got you."
And he means it. You feel it in every point of contactâhis arm around your waist, his hand on your heart, Jack's quiet humming pressed against your ribs. The rhythm of it becomes its own sort of lullaby. The three of you are tucked into a moment that doesn't need to be anything other than what it is.
Your hand moves without thinking, sliding across your lap to rest on top of Aaron's. You lace your fingers together, anchor yourself there. You're still tired. Still fragile. But in this moment, there is no pressure to be anything more than exactly as you are. Aaron gives your hand a gentle squeeze in return, his thumb brushing over your knuckles with infinite care.
You glance down at Jack's page. The dragon is half-colored, wings a bright, clumsy purple. He hums a little tune and says, without looking up, "Do you want to help me color?"
Your throat tightens, emotion swelling high and sudden. You nod, too full for words, and reach for a crayonâa soft blue. Jack smiles.
He shifts the book between you, makes space on his lap. Your arms move slowly, but you fill in a corner of the sky behind the dragon, and for a moment, that's all there is. The three of you, the warmth of connection, the comfort of simplicity. Jack leans a little closer, nudging his shoulder against yours like a punctuation mark.
Aaron watches you both quietly, his hand never leaving your chest, his body still curled protectively against yours. You can feel him watching the coloring page too, like it's the most sacred thing in the world. And maybe it is. Maybe this is the whole point. Not healing all at once, but building something beautiful in the in-between.
You glance up from the page, just for a second. Aaron's gaze meets yours, and there's so much in itâso much patience, so much quiet understanding. He gives you the smallest nod, like he knows what it means to simply survive a moment like this. Like he's proud of you for doing it. For staying. For returning.
Jack shifts again, holding out another crayon. "You can color the dragon's eyes," he says, as if bestowing a great honor. His tone is serious, like he's trusting you with something important.
You take the crayon from his hand. It's green. Bright. Alive. You color slowly, carefully, and Jack hums his approval. Aaron's thumb brushes across your ribs again, the gesture so instinctive it feels like part of your own breath now.
Time stretches and slows, no longer sharp and fragmented, but smooth and warm. The kind of time that feels like being wrapped in a quilt. Jack's humming shifts to quiet singing, a half-remembered lullaby from a movie he must've seen a hundred times.
Outside, the wind brushed softly against the stone walls before disappearing into the darkness. The fire has burned low, filling the home with a gentle orange glow that dances across the furs spread throughout the room.
Everything is peaceful.
Until a small cry breaks the silence. It starts quietly.
A soft whimper. Then another.
Within moments, it grows louder. Your son has woken. Kwei opens his eyes immediately.
Years of hunting have taught him to wake at the smallest sound. Before becoming a father, that instinct meant danger.
Now⊠It meant a hungry baby.
He turns his head. You are still asleep beside him, curled under the heavy furs, your face is half hidden against the pillow, your breathing slow and wonderfully deep.
He watches you for a moment. Dark circles still rest underneath your eyes. Your body is healing, but not as quickly as either of you hoped.
Pregnancy had been difficult, the birth had been harder. Some days you smile and laugh as though nothing happened, but other days, he finds you asleep sitting upright because you tried so hard to stay awake with the baby that your body simply stopped listening. He hates those days. Not because you complain.
Because you never do, you always apologise instead.
âIâm sorry,â you tell him whenever he catches you struggling. âIâll be alright.â
He wishes you would stop saying that. Because you do not need to apologise for bringing his son into the world. Another cry comes from the small cradle beside the fire.
Kwei glances back toward you.
You do not stir, not even a little.
He has learned the difference. Usually, even before the baby begins crying properly, you wake immediately.
Tonight⊠Nothing.
You are completely exhausted. His chest tightens. He slips carefully from the nest, making sure not to disturb you as he crosses the room.
The crying grows louder.
âI know.â His voice is low. Calm. âI hear you.â
The tiny bundle kicks impatiently underneath the blankets. Two bright eyes blink up at him, Kwei cannot help the small movement of his mandibles.
His son always looks so serious. Even while crying.
âYou have your motherâs lungs,â he mutters quietly. The baby answers by crying louder. âI understand.â
He bends down carefully, one enormous hand sliding under the tiny body with a gentleness that still surprises him.
Months have passed, and he is no longer afraid of holding his son.
The first time, he had barely breathed, convinced he might somehow break him. Now the movements come naturally.
Strong arms. Gentle hands.
The baby settles against his chest, wrapped securely in one arm while Kwei reaches for the bottle you prepared before falling asleep.
âI know what you want.â The crying continues. âSo impatient.â
He sits near the fire before offering the bottle. Immediately, the crying stops and Kwei lets out the quietest breath.
âThere.â
The tiny hands wrap clumsily around the bottle, more interested in drinking than holding it.
For several moments, the only sound is the crackling fire. Kwei studies the small face before him.
Months old.
Growing, already stronger than he was when he first came home.
âYou frightened us.â The words leave him quietly. âSo small.â
His thumb brushes carefully across the babyâs soft skin.
âYour mother carried you through every season.â
His eyes drift toward the nest.
You have not moved. Still finally resting.
âI watched her become tired.â His voice grows softer. âI watched her smile anyway.â
The baby blinks sleepily, drinking without understanding a single word.
âShe was sick in the mornings and sometimes at night. Sometimes all day. She said she was fine.â He huffs quietly. âShe lied.â
The baby makes a tiny noise around the bottle.
âI know.â Kwei smiles to himself. âI told her the same.â
His gaze returns to you. Even asleep, you look tired. There are moments when he still remembers seeing you after the birth.
Pale. Shaking.
Barely able to keep your eyes open. Yet the first thing you askedâŠ
âIs he alright?â
Not whether you were alright. Whether your son was.
Kwei has never forgotten it. He doubts he ever will.
âYou have her heart.â He looks back down at the baby. âKind.â
His thumb brushes gently across the babyâs tiny hand.
âYou will learn from her. You will learn patience. You will need it.â
The baby finishes eating, blinking slowly as sleep begins pulling him away once more. Kwei lifts him carefully onto his shoulder. Large fingers begin rubbing slow circles across the babyâs back. The tiny body gives a quiet burp.
âThere.â
He cannot help the quiet chuckle that follows.
âA mighty hunter.â Another tiny yawn. âSo fierce.â
The babyâs eyes flutter closed. Within minutes, he is asleep again.
Kwei remains where he is.
Holding him, while watching the fire and watching you.
His home.
Years ago, he believed strength was measured by trophies hanging from walls. By scars. By victories.
NowâŠ
Strength looks different. It looks like a woman who gave everything she had to bring new life into the world. It looks like a tiny child sleeping peacefully against his chest. It looks like choosing to stay awake so the person you love can finally rest.
He stands up slowly, walking back toward the cradle, he lays his son back onto the soft furs, adjusting the blanket until only his small face remains visible.
The baby sighs. Kwei watches him for another moment before returning to the nest. You are exactly where he left you.
One hand tucked under your cheek, hair falling across your face, he kneels beside you. Carefully brushing a few loose strands behind your ear. You make the smallest sound.
But you do not wake up. You only lean instinctively toward his touch. He slips back under the furs, wrapping one arm carefully around your sleeping body.
You move closer immediately, almost unconsciously, pressing against his warmth with a quiet sigh that sounds more content than anything he has heard all day. Still asleep, you whisper something he almost misses.
ââŠthank youâŠâ
His eyes widen slightly. You never opened your eyes. You never woke up. Yet somehow⊠you knew.
He lowers his head, pressing the gentlest kiss against your forehead.
âSo stubborn,â he murmurs. His hand rest over yours. âYou carried him. TonightâŠâ His eyes close. âI will carry both of you.â
Your son sleeps peacefully. You sleep even deeper.
And Kwei stays awake for just a little while longer, listening to the steady breathing of the two people who have become the greatest purpose of his life.
Only when he is certain that both of you are resting peacefully does he finally allow himself to close his eyes, knowing that, for one night at least, you have been given the gift of uninterrupted sleep.
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summary: you've spent years convincing the bau that your love life is chaotic, casual, and completely detachedâwhile quietly dying every time aaron hotchner looks at you. but when your dating profile attracts the wrong kind of attention and your unit chief is forced to look a little closer, it turns out there are very few things more dangerous than being profiled by the man you're hopelessly in love with.
notes: i've been a little conflicted about posting lately, but... it's my birthday, and i want aaron hotchnerâso here you go! i've been working on this for a while and had a very very smart friend help me with the "profiling" parts (especially reid) so i hope y'all enjoy! i also really wanted to actually write the smut, but this fic hit the block limit so hard and fast it actually hurt. as always, please please let me know what you think!
warnings: swearing / cursing, blushing, italics, reader wears a skirt (and heels), reader has a cat, implied age gap, best friend!reid, some pretentious ranting, horny thoughts, likely incorrect behavioural and psychoanalytical information, likely incorrect technical information (sorry garcia), canon-typical themes (homicide, etc. referred to off page), stalker / stalking behaviour, ambiguous use of "online dating" (because i tried to keep it vaguely around s6/s7 era), kind of rushed ending? and... fade to black / implied sex (iâm so sorry) 18+ only still, mdni.
word count: 19001
MONDAY 9:25AM
Working for the FBI means having secrets is difficult. Working with the BAU makes it downright impossible.
Not because your colleagues are nosyâno, theyâre just⊠perceptive. Which means if you want to keep something to yourself, you need to know how to manipulate their perception. Even if it doesnât work on all of themâyou glance at Reid, already seated at the round table with his nose buried in a bookâat least it works on most of them.
At least, it works on Aaron Hotchner.
Your boss. Your unit chief. The man who absolutely cannot find out about your big, fat, massively inconvenient, deeply inappropriate crush on him.
Reid glances up from his book as you drop into the seat beside him. âYouâre wearing a skirt.â
You cross your legs and lean back. âExcellent observation, Reid.â
âItâs impractical,â he says simply. âEspecially with heels. Your centre of gravity shifts forward by almost fifteen degrees, which shortens your stride length and reduces balance recovery time. Youâre significantly more likely to trip while running.â
You roll your eyes. âGood thing Iâm not planning on fleeing the scene of a crime today.â
âIgnore boy genius, baby girl,â Morgan says as he steps into the room, heading straight for the espresso machine. âYou look good.â
You flash him a grin. âSee? Somebody appreciates me.â
Reid hums as he glances back down at his book. âInteresting how your clothing choices become statistically less practical in direct correlation to Hotchâs proximity.â
Your stomach flips. âSpence.â
He lifts one shoulder. âWhat? Heâs not listening.â
You glance back at Morgan, whose eyes are glued to his phone, brow furrowed just slightly as he waits for the whirring coffee machine to fill his cup.
âThatâs not the point, Spencer,â you mutter, turning back to him. âYou need toââ
The conference room door swings open again and Hotch walks inâfiles tucked under one arm, the rest of the team trailing behind him.
âMorning,â he says, dropping the files on the table. âHope everyone had a good weekend.â
Morgan snorts. âWhat weekend?â
âYeah,â Prentiss mutters, dropping into the seat beside Reid. âI was here until five on Saturday finishing geographical profiles.â
âThatâs because you alphabetise your paperwork,â you point out.
She gives you a look. âI enjoy being proficient.â
âWell,â you say lightly, leaning back in your chair âsome of us managed to finish our paperwork on Friday and still have a very enjoyable weekend.â
Garcia gasps dramatically as she falls into the last empty chair, coffee in hand. âOoh, look at you. Was there a man involved?â
You shrug one shoulder, biting back a smile. âIâm choosing to plead the fifth.â
Morgan points across the table. âThat means yes.â
âOr,â Reid says without looking up from his book, âit means she enjoys making people speculate.â
âAw, Spence,â you tease. âDonât sound so bitter.â
He finally looks up from his book and fixes you with a look so flat it borders on threateningâbecause he knows what youâre doing. Itâs what you always do. Itâs how you manipulate their perception. How you keep your secret.
You perform.
You scroll through dating profiles, talk about men, brag about your weekends without ever being too specific. You flirt with almost everyone on the teamâReid more than the rest, because heâs your scapegoat... and your best friend.
Heâs the only one who can see through the charade. Not because heâs emotionally perceptive, but because he did the math. He noticed the pattern. He realised very quickly that every time Hotch walks into a room or says your name, you react in a way that can only mean one thing:
Hotch is the secret youâre trying so hard to hide.
Because if you give a team of profilers an easy explanationâharmless flirting with a messy dating life and a weakness for attentionâthey wonât notice the way your entire body betrays you whenever your infuriatingly gorgeous boss gets too close.
Hotch clears his throat. âWell, lucky for all of you, itâs a quiet week.â
Reid shuts his book and sets it on the table.
âNo active cases as of this morning,â Hotch continues. âWhich means weâll be catching up on consults, court reports, and the mountain of paperwork everyoneâs apparently been neglecting.â
His eyes meet yours for the briefest second, and your pulse skitters.
âIâm bored already,â Morgan sighs, leaning back in his chair.
Hotch ignores him. âWeâve got two local consult requests from Fairfax County and a follow-up review from the Richardson case. Dave, Iâll need your notes finalised by this afternoon.â
Rossi nods once. âYouâll have them.â
âGarcia,â Hotch continues, âthe Milwaukee office wants that digital forensic review by Wednesday.â
Garcia gasps softly, pressing a hand to her chest. âBut I already colour-coded my entire week. That review wasnât supposed to be due for another fortnight.â
Morgan blinks. âYou colour-code your schedule?â
âObviously,â Garcia says. âHow else would I maintain my sparkling personality under crushing institutional pressure?â
Reid straightens. âTechnically, organising information activates the same reward pathways asââ
âDonât,â Prentiss says immediately.
Reid frowns slightly. âI was just going to say gambling.â
You snort softly before you can stop yourself, covering it quickly with your hand. Reid shoots you a look. Prentiss just shakes her head. And when your eyes finally flick back to the front of the room, Hotch is already watching you.
Not the team. You.
Your stomach twists.
That signature Hotchner scowl should not be as hot as it is. It shouldnât make you cross your legs a little tighter or make your heart race the way it does. You should be used to that scowl by now. Youâre on the receiving end of it often enoughâwhenever you crack a poorly timed joke or flirt a little too hard with Morgan.
Yet somehow, you still feel like you canât breathe until his gaze finally shifts.
âMoving on,â he says evenly, âJJ will forward the consult details after the meeting.â
He spends the next thirty minutes briefing the team on consults and court appearances while you do your best to stay focusedâbut itâs hard. Itâs hard because every time you look at him, your gaze drops to his mouth and your mind fills with all sorts of filthy ideas. Then he starts moving his hands as he explains something and you canât help but wonder what they might feel like wrapped around your waist, your thighs, your throat.
His voice is a low rumble at the back of your mind, warm and firm, but you have no idea what heâs actually saying. All you can do is think about how that voice might sound, wrecked and rough, telling you how pretty you look when youâ
âThe briefing ended three minutes ago,â Reid says.
You blink hard. âWhat?â
He closes his notebook with a sigh. âThe meetingâs over. You can stop internally monologuing now.â
You frown. âIâm notââ
He gives you a look.
âUgh,â you groan. âYouâre so annoying.â
You push up from your chair and walk out of the conference room without waiting for him, but youâre not surprised that heâs right behind you by the time you reach the bullpen. You drop down at your desk with another indignant huff, watching Reid do the same from the corner of your eye.
Everyone else is already settled at their desksâkeyboards clicking, pens scribblingâand thereâs a fresh stack of files next to your computer with a sticky note on top that reads: Fairfax files. Prioritize pages 12â18. â Hotch.
You want to laugh at the little sign-off, as if anyone else would have put these files on your desk. Your fingers trace over the note once before you peel it off and stick it to the bottom corner of your computer screen.
Reid snorts. âYou know most people throw those away, right?â
You glance sideways at him. âI donât want to forget the page numbers.â
He hums. âSure.â
âYou know,â you say, turning your chair to properly face him, âyouâre being particularly judgemental today. Whatâs your problem?â
He stares at you for a moment, then glances back at the sticky note still attached to your monitor.
âIâm experiencing prolonged second-hand embarrassment,â he says plainly. âAnd repeated exposure tends to increase irritability.â
You roll your eyes. âYeah, wellâyouâre increasing my irritability.â
âExactly,â he says, already turning back to his computer.
You glare at the side of his head for a long moment, searching for a comebackâbut your mind is completely blank. So with another irritated sigh, you turn back to your own screen, scoot your chair into the desk a little harder than necessary, and settle in for whatâs shaping up to be a very boring Monday.
The next two hours pass by in a blur of interview transcripts, witness statements, and crime scene photos. The Fairfax County PD files detail the death of a woman in her late thirties who accidentally overdosed in her Reston home early last week. No prior history of substance abuse, financial instability, or high-risk behaviourâuntil forty-eight hours before her death.
In just two days, she withdrew a large amount of money, missed work without explanation, visited several bars sheâd never been to before, and bought herself thousands of dollarsâ worth of expensive jewellery and lingerie.
To anyone else, it might look like some sort of breakdownâan impulsive spiral that led to the kind of recklessness you canât come back from. But to you, the behaviour feels too... artificial. As if someone is trying to construct the narrative of a troubled womanâchecking all the right boxes to give investigators an easy explanation for a tragic overdose.
Only there isnât enough concrete evidence to support your instinct. No stalker. No ex. No clear unsub who could have orchestrated this kind of ruse to cover what might actually be homicide.
You sigh. âReid.â
âHm?â
âTell me if Iâm overthinking this.â
Reid pushes back from his desk and scoots across the narrow stretch of carpet between your workstations. He doesnât stop until his chair bumps the side of your desk, causing your pen cup to topple over and spill across the files youâve got carefully laid out.
âOops,â he says absently, pushing the pens aside.
You roll your eyes and start gathering them while he scans the files.
âThe behavioural shift feels manufactured,â you say, dropping the pens back into their cup. âBut thereâs enough legitimate stressors here that I canât tell if Iâm forcing a pattern because itâs too clean.â
Reid examines the highlighted timeline for another few seconds.
âYouâre focusing too much on the existence of the stressors,â he says. âStress explains escalation. It doesnât explain inconsistency.â
You frown slightly.
âShe suddenly becomes impulsive socially, financially, and sexually, but her organisational habits never change.â He taps the timeline. âShe still pays bills early. Still meal preps. Still attends a dentist appointment two days before her death. Real behavioural deterioration isnât usually selective.â
Your brows lift. âSo, Iâm right?â
Reid nods, leaning back in his chair. âYouâre right.â
âWhatâs she right about?â
You nearly jump at the sound of Hotchâs voiceâlow and even, a little rough around the edges in that way that always makes your stomach tighten.
âShe thinks the behavioural shift is staged,â Reid says. âAnd I agree.â
He scoots back slightly as Hotch leans in, one hand braced on the back of your chair while the other pulls the file closer so he can read it properly. His tie falls forward, brushing lightly against your thighâand suddenly, you canât breathe.
Heâs close. Way too close. You can feel the heat of his breath on your skin. Smell the bitterness of coffee beneath his cologne. Hear the quiet creak of leather from his belt as he leans in further.
âItâs too compartmentalised,â Reid says, his voice more distant than it was just a second ago. âReal behavioural spirals usually bleed into every aspect of a personâs routine. Sleep disruption, missed payments, changes in grooming habits, social withdrawalâsomething.â
Hotch lifts his hand off the desk and presses his thumb to the tip of his tongueâthen flips the page.
Your pulse jumps so hard it almost hurts. Heat crawls up the back of your neck. Your whole body feels too hot, your clothes suddenly too tight, the bullpen too smallâbut you canât move. Not with Hotchâs hand still on the back of your chair.
âBut this is curated,â Reid goes on, tapping the timeline with the end of his pen. âThe impulsive behaviour escalates while the foundational routines stay completely intact, which suggests intentional narrative construction.â
Hotch turns his head just slightly, dark eyes finding yours. âYou caught that?â
You clear your throat. âI just... thought the escalation pattern felt off.â
âHer behavioural analysis is spot on, actually,â Reid says. âI canât find a flaw in it.â
Hotch hums quietly as his eyes move back over the file.
âGood girl,â he says absently.
Your entire nervous system short-circuits.
âKeep it up,â he adds, smoothing his tie as he straightens.
You donât say anything as he turns and walks away. You couldnât even if you wanted to.
Reid just sits there, hands folded in his lap as he watches Hotch disappear into his office before slowly turning back toward you.
âYou know,â he says thoughtfully, âthe age-gap preference is actually more interesting than the authority fixation.â
You finally blink. âWhat?â
âBecause the authority thing makes perfect sense. High-pressure careers tend to reinforce attraction to competence, decisiveness, emotional restraintâespecially in workplace environments where leadership qualities become psychologically linked with safety and stability over long periods of exposure.â
You frown. âWhat are youââ
âBut the older man preference is statistically more complicated because you donât actually display the attachment markers usually associated with paternal absence or instability.â
Your eyes go wide. âSpencerââ
âYou have a healthy relationship with your father, no documented authority issues, and relatively secure interpersonal attachment patterns, which suggests the preference is less psychologically compensatory and more rooted in behavioural reinforcement.â
âReid.â
âFor example,â he goes on, ignoring you completely, âyou spent your formative professional years surrounded almost exclusively by older men in positions of intellectual and behavioural authority. Gideon, Rossi, Hotchâwhich likely created a reinforcement pattern where emotional competence became unconsciously associated with attraction, arousal, and sexual interest.â
You freeze. âReid, I swear toââ
âYou donât react this strongly to older men generally,â he continues. âYou react strongly to Hotch because heâs emotionally controlled, professionally authoritative, intellectually intimidating, andââ
He pauses, tilting his head.
âVery obviously your type.â
You glance frantically around the bullpen, scanning the desks for the rest of your team.
Morgan has his headphones on, completely focused on whatever report heâs typing. JJâs desk is empty, as usualâsheâs probably with Garcia. And Prentiss is only halfway back from the kitchen, still stirring her fresh cup of coffee.
Your gaze cuts back to Reid. âYou are so lucky no one heard that, Spencer.â
He shrugs. âWouldnât matter if they did.â
Your brows pull together. âWhatâs that mean?â
âYouâre good at redirecting attention,â he says, slowly pushing his chair back toward his desk. âYouâre less good at hiding physiological responses.â
Your hand flies up to your cheek, palm pressing flat against the burning skin.
âWhatever,â you mutter. âItâs warm in here.â
Reid glances around the bullpen. âItâs sixty-eight degrees.â
âI hate you.â
âNo you donât.â
You shoot him one last glare before turning back toward your computer, aggressively waking up the monitor with your mouse.
You stay chained to your desk for the next few hours, finishing up the victimology report for the Fairfax files before taking them to Rossi for final review. Then you head out with JJ to grab a late lunch from the deli down the street, and when you get back, thereâs a brand-new stack of files on your deskâonly this time, with a tall takeaway cup of coffee set on top.
âHotch got dragged into some last-minute Section Chief meeting across town,â Morgan says, pushing his headphones down. âSaid he needs those cross-referenced before tomorrow morning.â
âGreat,â you mutter, dropping into your chair.
Morgan chuckles softly as he pulls his headphones back up, turning back to his own pile of reports.
You grab the coffee from the top of the files and find a sticky note stuck beneath itâwritten quickly but still in his unmistakable handwriting: I owe you one. â Hotch.
Your stomach flips.
God. Thatâs pathetic.
You peel the note off and drop it into the top drawer of your desk, not wanting another psychoanalytic lecture from Reid if he were to spot that note stuck to your monitor.
The rest of the day passes the way every other caseless Monday afternoon does. JJâs the first to head outânot long after fiveâtaking advantage of the slow week to spend a little extra time with Henry. Rossi leaves about an hour later, announcing to the bullpen that heâs got a date with a bottle of wine and reruns of his favourite medical drama. Morgan manages to clear the files on his desk before seven, finally putting his headphones away before bidding the rest of the team farewell.
Prentiss and Reid linger until nearly nine, and only when the motion sensor lights blink out does Prentiss finally glance up, realising how late it is. She gathers her things and nudges Reid, whoâs been firmly stuck in hyperfocus mode despite the rest of the world quietly slowing down around him.
âYou coming?â he asks, adjusting the strap of his satchel.
You look up slowly, your brain buffering as it untangles itself from the files spread across your desk.
âNot yet,â you reply, blinking tiredly. âHotch needs these by morning.â
Reid tilts his head. âWant me to wait?â
You wave a hand. âNah, go ahead. Iâll get security to walk me to my car.â
âAlright,â he says, already turning away. âJust remember that positive reinforcement loses effectiveness when the subject becomes emotionally dependent on it.â
You glare at his back. âIâm reporting you to HR.â
âYouâd have to explain the context,â he calls over his shoulder.
You roll your eyes as you turn back to the last file on your desk, taking a deep breath and flipping it open.
With the bullpen almost completely silent and the promise of sleep so close you can taste it, you manage to get through it in record time. You even give it a quick second pass to make sure you didnât miss anything glaringly obvious in your tired stateâbut youâre used to working through sleep deprivation, and by ten p.m., you finally start packing up.
You organise the files back into a neat pile, then open the top drawer of your desk for Hotchâs note. You stick it to the top file and grab a pen, scribbling just below the words he wrote: Dangerous thing to promise me.
And, just as he did, you sign off with your name.
Then you gather the whole stack in your arms and cross the bullpen toward his office. Unlocked, as usual. You nudge the door open with your foot, warm lamplight casting an orange glow over the quiet space. It smells faintly like coffee and his cologneâenough to make your heart start racing the second you step inside.
You set the files neatly on his desk, trying not to linger on the quiet traces of him scattered throughout the room.
Thereâs still half a mug of cold coffee abandoned beside some paperwork, and the cashmere sweater heâd been wearing beneath his jacket this morning is draped haphazardly over the back of his chair. Quiet evidence of just how suddenly heâd been called away.
It makes you feel a little better knowing you really have helped him out.
You adjust the files until theyâre perfectly straight, then take the sweater from the back of his chair and fold it neatly before setting it on the chest of drawers beside his desk. You hesitate for just a second before grabbing the mug of cold coffee and heading out of his office, straight for the break room. You empty it, wash it, dry it, then return to his office, placing it back on his desk exactly where you found it. Then you switch the lamp off on your way out, pulling the door most of the way shut behind youâthe way itâd been before you stepped inside.
It doesnât take long for you to gather your things, head down to security, and badge out. One of the guards escorts you to the parking garage, waiting until youâre safely inside your car with the engine running before he takes the elevator back up.
Once home, you quickly feed the yowling Leiaâyour cat, whoâs very unimpressed by your late arrivalâtake a quick shower, change into your comfiest, threadbare sleep shirt, then crawl into bed with your laptop balanced on your knees. You know you should just try to get some sleep, but youâve been ignoring a few personal messages and emails for a couple days now, and you know that if you donât get to them soon, youâll start to feel guilty.
You open your emails, reply to a couple, then pull up a new browser tab and type in the login address for the dating site Garcia set you up for. Not that you couldnât have set up your own profile if youâd really wanted to.
Noâthis profile is just the unintentional byproduct of your ongoing attempt to redirect attention.
One slow Thursday evening in the bullpen, while youâd been loudly complaining about how impossible it was to meet men with a job like yours, Morgan had the brilliant idea of making you a dating profile. Garcia immediately lit up at the idea, pulling the site up on her computer while Reid launched into a rambling statistical analysis about the probability of finding genuine compatibility online.
Hotch hadnât contributed to the conversation, but youâd known he was listening.
That had been the whole point. You always perform a little harder when Hotch can hear.
The site finally loads and you type in your credentials, waiting a few seconds for your profile to pop up.
Twelve notifications.
You click on the âmessagesâ tab and start scrolling. There are a few old conversations that fizzled out and youâve long since decided not to reply to. There are a couple of messages from people you never intend on starting a conversation with. Then there are two new messagesâones youâd seen pop up on your phone but couldnât be bothered to engage with over the weekend.
After all, youâre not actually looking to date anyone.
But one of the messages catches your eye.
DCRunner00: You seem like the kind of person whoâs either very funny or very mean. Iâm willing to risk it.
You snort, then type out a reply.
You: Unfortunately for you, those traits arenât mutually exclusive.
Just as you hit enter, Leia leaps up onto the bed.
âHey, sassy girl,â you coo, moving your laptop to reach for her.
Your fingers graze her soft coat, and she gives you an incredibly disapproving look.
You roll your eyes. âAlright. Sorry for loving you.â
You settle back against the pillows as she makes her way to the other side of the bed, curling up as far as she can possibly get from you.
Ping! Ping! Two more messages pop up.
DCRunner00: Thatâs probably the best possible answer you couldâve given.
DCRunner00: So whatâs your worst personality trait? I feel like thatâs more interesting than hobbies.
That answer comes a little too easily.
You: Workaholic. You?
DCRunner00: I get bored easily.
DCRunner00: Which usually means I either start running or annoying people for entertainment.
You: Sounds like a public safety issue.
DCRunner00: Depends who you ask.
DCRunner00: You should probably get some sleep, Workaholic. Itâs late.
You glance over at Leia as she rolls onto her side, stretching her front legs, and only then do you realise you were actually smiling at your screen.
You shake your head, typing quickly.
You: Yeah, I should.
You: Night, Running Man.
Then you shut your laptop before he can send another message.
TUESDAY 9:50AM
âMorgan, youâre with me at district court this afternoon,â Hotch says, closing the file in front of him. âThe defence attorneyâs pushing back on the Richardson testimony, so weâll need to review our timeline before the hearing.â
Heâs wearing a grey suit today.
You can never think straight when heâs wearing a grey suit.
Morgan sighs dramatically. âNothing says excitement like four hours in a courthouse basement.â
Hotch ignores him completely.
âJJ, I want the media requests filtered through Straussâs office before lunch. Reid, finish the geographic overlays from the Fairfax case and send them to Rossi when youâre done.â
He glances once around the table.
âIf anything urgent comes in, youâll be notified. Otherwise, continue using this downtime to catch up on reports.â
Then he gathers the files into a neat stack and stands, turning toward the door.
The rest of the room starts moving slowly. Morgan mutters something to JJ about the court hearing, Prentiss turns to Reid, asking something about a case you donât quite catch, and Garcia is already explaining something on her laptop to Rossi, whoâs watching the screen with quiet concentration.
Which leaves you to shamelessly stare at your bossâ ass as he walks out of the room.
âYou should probably blink.â
Your head snaps toward Reid, frown already forming. âIâll blink when I want to blink.â
He presses his lips together to keep from laughing, and you know heâs fighting the urge to launch into some deeply unwanted psychoanalysis of your behaviourâbut thankfully, the rest of the team is still too close for him to risk it.
Eventually, everyone starts filing out of the conference room and back into the bullpen. You end up being the last to leave, behind Reid and Garcia who are chatting animatedly about some new phone app theyâre both obsessed with.
Youâre just about to pass Hotchâs office door whenâyou hear your name.
You turn your head, and he gestures for you to come in.
Reid glances briefly over his shoulder, an irritatingly knowing look on his face as you turn and step into Hotchâs office.
You clear your throat, stopping a few feet from the desk. âSir?â
âHow late were you here last night?â he asks.
You lift a shoulder. âAbout ten.â
His jaw shifts as he leans back in his chair. âThatâs late.â
âMorgan said you needed them done by the morning.â
âI didnât mean first thing,â he says, smoothing the end of his tie. âYou couldâve finished the rest before lunch.â
You blink. âOh.â
His gaze holds yours for a second too long.
âYou donât need to stay late to impress me.â
Your eyes widen slightly before you force out a small, awkward laugh. âOhâuhâgood to know.â
He glances briefly at the navy-blue cashmere sweater still folded neatly on the chest of drawers.
âStill,â he says, lower this time. âI appreciated it. The files, and⊠everything else.â
Your breath catches softly in your throat.
âAnytime, sir,â you manage.
He nods once, then drops his gaze back to the paperwork on his desk.
You donât need any more of a dismissal than that, so you turn quickly and step out, pulling the door shut behind you. He prefers it closed, even if he wonât admit it because he doesnât want the team to think heâs shutting them out. Heâs just more comfortable in privateâit helps him focus.
By the time you get back to your desk, everyone else is already settled and working quietly. Not even Reid glances up or offers a teasing remark.
You drop into your chair and wriggle your mouse, grabbing your phone while you wait for the screen to wake up.
Two new messages from DCRunner00.
DCRunner00: Running Man?
DCRunner00: Great book. Slightly concerning nickname, though.
You canât help yourself, so you type out a quick reply.
You: Better than âWorkaholicâ.
You: You read Stephen King?
âHey, you busy?â
You glance over at Reid. âArenât we all?â
He tilts his head. âYouâre on your phone.â
âI could be working.â
âAre you?â
âNo.â
âGood,â he says, shuffling the files on his desk. âHotch wants us to prep the full geographic and timeline package for the Fairfax files in case it turns into an active investigation.â
You sigh, already pushing back from your desk. âAnd by âusâ you mean...?â
âI could use your help.â
âFine,â you mutter, setting your phone down.
He scoots over as you roll your chair toward his desk, settling in beside him. The files are all laid out, including your victimology report with Rossiâs few annotations. There are crime scene reports, autopsy summaries, witness statements, geographic overlays, and mapsâeverything needed to justify escalating the case into a full BAU investigation.
âWhere do you want to start?â
âIâm trying to rebuild the geographic timeline digitally,â he says, âbut half the field reports were logged out of sequence and now the movement patterns donât align.â
You nod. âOkay, walk me through where it stops making sense.â
Three hours later, you feel like your eyeballs are bleeding. Youâve read the same witness statement at least twenty times now, but with every pass it only makes less sense. How could Annabelle Hutton possibly be placed in two different counties less than forty minutes apart?
âItâs physically impossible,â you mutter, rubbing your eyes.
âWell, depending on traffic conditions, inaccurate timestamp reporting, and the reliability of eyewitness memory retention, there are at least four scenarios where the timeline could still technically work.â
You sigh, leaning back in your chair and staring up at the ceiling. âIf you know so much, then why canât you figure this out?â
He still doesnât turn away from his screen. âI will. Eventually.â
You groan softly, dragging both hands down your face just as a familiar voice cuts through the quiet bullpen.
âNo, listen to me carefully.â
Both you and Reid glance up automatically.
Hotch is walking slowly past the desks with his phone pressed to his ear, expression calm but impossibly stern in a way that immediately makes heat crawl beneath your skin.
âYou donât need to explain the problem again,â he says evenly. âYou need to tell me how youâre fixing it.â
He pauses briefly beside Reidâs desk, listening.
âThen prioritise the transfer first,â he says. âIf the paperwork isnât filed before opposing counsel reviews discovery, the timeline becomes vulnerable and the entire testimony gets picked apart.â
He rests a hand on the partition between the desks, gaze fixed somewhere distant as he listens to the person on the other end.
âNo,â he says after a moment, voice lower now. âIâm not asking you to stay late. Iâm telling you this needs to be finished tonight.â
Your stomach flips.
This absolutely should not be as hot as it is.
âGood,â he says calmly into the phone, straightening again. âCall me when itâs done.â
Then he keeps walking, cutting through the bullpen before turning sharply toward his office.
You stare after him, the thought slipping out before you can stop it. âDo you think he talks you through it?â
âProbably,â Reid says, turning back to his screen. âHigh-control personalities usually prefer maintaining verbal direction in intimate situations because it reinforces predictability and compliance dynamics.â
You go still. You hadnât actually expected an answer.
âSomeone like Hotch would probably place a pretty high psychological value on responsiveness,â Reid continues. âThe immediate compliance aspect reinforces authority, which means verbal direction would likely become part of the overall intimacy dynamic rather than just communication.â
Your face heats.
âEspecially because heâs not impulsive enough to rely on unpredictability. Heâd want constant awareness of how the other person is responding emotionally and physically, so talking them through things would help maintain control of the situation while also reinforcing trust.â
Oh my God.
âAnd honestly,â Reid goes on, âpeople with highly structured leadership personalities usually develop pretty strong positive associations with obedience because it confirms stability, attentiveness, emotional investmentââ He pauses briefly. âWhich means heâd probably find it disproportionately attractive when someone follows instructions immediately or responds well to praise because it validates both the authority dynamic and the emotional trust beneath it, so statistically speaking heâdââ
He stops.
Then slowly turns toward you.
â...I crossed a social boundary somewhere in there, didnât I?â
You nod slowly, your voice coming out unnaturally high. âJust a couple.â
He sighs, dropping his chin slightly as he turns back to his screen.
You huff out a breathless laugh and lean back in your chair again. You need a minute to recover from that, because now youâre hot all over and the only thing you can think about is your boss hovering over you, praising you in that low, steady voice while his hand settles around your throatâ
Fortunately, it doesnât take Reid long to start rambling about geographic overlays again. You do your best to focus on what heâs saying, but after another hour of scrutinising the timeline inconsistencies, you decide you need an actual break.
You grab your phone and your jacket and head out of the office, sending a quick text to the team chat asking if anyone else would like a coffee from the cafe down the road. Itâs a thousand times better than break room coffee.
When you step out of the elevator on the ground floor, you bring up your messages with DCRunner00. Youâre not sure why, because normally you only check your profile when you feel like you need to keep up the act, but something about this guy keeps making you want to reply.
DCRunner00: Iâve read a few.
DCRunner00: What does a workaholic do for fun?
You type your reply as you step out of the building.
You: Work, mostly.
You: And sleep.
By the time you return to the office with a tray of four coffees, you have two new messagesâbut you canât reply to them until you set the tray down at your desk.
âThanks, pretty girl,â Morgan says as he takes one, flashing you a grin.
You smile back. âAnything for you, gorgeous.â
Then you pull your phone out of your pocket and bring up the message thread.
DCRunner00: Whatâs your schedule even like?
DCRunner00: You strike me as an âanswers emails at midnightâ type of person.
You: Nah. Thatâs my boss.
You: My schedule is chaos, though.
âThanks,â Reid says as he takes his coffee, leaving only two.
You set your phone down and take the last two coffees out of the tray, leaving one at your desk before taking the other to Hotchâs office. You can see through the window that heâs not on the phoneâfor onceâso you knock twice on the slightly ajar door before stepping inside.
He glances up, his brows pulling together slightly. âI didnât ask for coffee.â
âI know,â you say quickly. âBut itâs almost three, and you always need another coffee around three, and I figured you probably didnât answer the team message because you still feel bad about me staying so late last night, which you shouldnât, by the way.â
He straightens, brows drawing tighter.
âAnd I know youâve got court with Morgan this afternoon, and youâre going to try to leave early, but someoneâs definitely going to call at the last second and derail that plan, so youâll only have enough time to get to the courthouseânot enough time to stop for coffee.â
You set the cup down in front of him.
âSo,â you tilt your head, âcoffee.â
He leans back in his chair, studying you for a second.
âThatâs some pretty solid profiling, Agent.â
Your face heats instantly.
âWell,â you say, backing slowly toward the door, âmaybe now you owe me two.â
The corner of his mouth lifts, just slightly, but itâs enough for the butterflies in your stomach to explode. You canât help but grin as you turn away, slipping quickly out the door before your lungs forget how to work entirely.
You spend the rest of the day at Reidâs desk, finishing the case package for the Fairfax files and complaining about unreliable witnesses. Hotch and Morgan head off to court just after three, announcing to the rest of the team that they wonât be back. JJ is the first to head home again around five, followed by Prentiss, then Rossiâthen you and Reid finally decide to call it a day just after six.
Which is also when you finally check your messages again.
DCRunner00: Chaos how?
You type a quick reply while you wait for your carâs AC to warm up.
You: Long hours.
You: Weird hours.
You: And a deeply unhealthy relationship with caffeine.
Then you tuck your phone away and head out of the parking garage.
Leia is already yowling by the time you step through your apartment door. Sheâs always hungry, even though she has an automatic feeder for dry foodâbut apparently that isnât good enough. She prefers the wet stuff.
You quickly peel open a packet of fishy-smelling chicken jelly sludge and drop it into her bowl before washing your hands and moving into your bedroom. You flip the ensuite light on and start the shower, pulling your phone out of your pocket while you wait for the water to warm.
DCRunner00: Ah. So youâre one of those people.
You: Rude.
He replies almost immediately.
DCRunner00: Accurate, though?
You: Unfortunately.
You drop your phone on the bed and start undressing.
Ping!
DCRunner00: What do you actually do?
You hesitate. Itâs not like you can just say youâre in the FBI. Contrary to what some people might think, real FBI agents canât just go around bragging about their highly classified work status. Itâs dangerous.
You: Mostly admin.
You: Governmental stuff.
You toss your phone back onto the bed and turn into the steamy ensuite. You shower quickly, dry off, run product through your damp hair, then pull on a shirt and a pair of sweatpants before heading back out into the kitchen.
Youâre not in the mood to cook tonight, so you grab a protein bar out of the cupboard and start boiling the kettle while you check your phone for what feels like the hundredth time.
DCRunner00: Sounds boring.
DCRunner00: Do you get days off, though?
You drop a teabag into your mug before typing out a reply.
You: Sort of.
You: But if my boss calls, I answer.
He replies instantly again.
DCRunner00: Iâm starting to think you secretly enjoy being overworked.
You: I think Iâd get bored otherwise.
You pour the boiling water into your mug and watch his next reply pop up.
DCRunner00: That sounds suspiciously unhealthy.
You: Probably.
What about you? What do you do?
You tuck your phone into your pocket, then grab your tea and protein bar and head to the couch. Thereâs nothing youâre really interested in watchingâsince you donât usually have the time to keep up with any showsâso you turn on the nightly news before grabbing your laptop and pulling up a new browser.
Heâs already replied by the time you log in.
DCRunner00: Run.
DCRunner00: Read.
DCRunner00: Annoy people professionally.
You: That sounds made up.
You open your protein bar.
DCRunner00: It mostly is.
DCRunner00: So your boss actually calls you outside work hours?
You hesitate at the sudden redirection. Most men on dating apps prefer talking about themselves. Their jobs, hobbies, gym routines, childhood dogsâwhatever makes them seem interestingâbut this guy seems far more interested in observing than being observed.
You type out a vague response.
You: Sometimes.
You: Occupational hazard, I guess.
DCRunner00: And you always answer?
You: Pretty much.
You: Heâd only call if it mattered.
His next reply takes almost two minutes to come through.
DCRunner00: Hm.
DCRunner00: Iâm starting to think your boss gets more attention than I do.
You almost choke on your tea.
Thatâs... weird.
Maybe you have mentioned your boss a little more than strictly necessary, but heâs the one asking all the questions about your job. Itâs a little hard not to mention your boss when your life practically revolves around himâin more ways than you care to admit.
You: Jealous already, Running Man?
DCRunner00: Should I be?
You sit up straighter, suddenly a little nauseous.
You: I think youâre spending too much time talking to strangers online.
DCRunner00: Maybe.
DCRunner00: You still replied, though.
âOkay,â you say, startling Leia who was half-asleep on the other end of the couch. âThatâs enough.â
You: Iâm going to sleep.
You: Try not to spiral while Iâm gone.
His last message pops up just before you shut your laptop.
DCRunner00: No promises.
WEDNESDAY 8:10AM
âCome on,â you mutter, mashing the elevator button for the doors to close.
Youâre a whole thirty minutes earlier than usual this morning. You didnât even make a coffee in your travel mug before running out the door. You just woke up, brushed your teeth, checked your messagesâand decided you needed to talk to Garcia immediately.
âHeyâwoah.â Reid steps out of your way as you rush into the bullpen. âYouâre early.â
You drop your bag on your desk and quickly shrug off your jacket.
âIs Garcia in yet?â
He frowns slightly. âI think so. Why?â
You pull your laptop out of your bag.
âI justâI need her.â
Youâre already walking away before he can press any further, moving back through the bullpen with your laptop hugged against your chest. Youâre just about to round the corner toward the elevators whenâ
âHeyââ Hotch stops short just as you nearly run into him. âSlow down. You alright?â
His hand is hovering near your waistânot quite touching, but close enough for you to feel its warmth.
You blink up at him. âSorry. Yeah. Uhâtotally fine. Just going to see Garcia about... a case.â
His brows pull together slightly.
âAlright, well, Garciaâs not going anywhere,â he says evenly. âTake a breath.â
You nod slowly, already stepping around him.
âRight,â you mutter. âBreathing. Got it. Sorry, sir.â
You can almost swear you see the corner of his mouth liftâbut then the elevator dings behind you, and you have to hurry to slip through the doors before they slide shut.
It feels like an eternity before they finally open again, but once they do you practically sprint down the hall to Garciaâs lair and burst through the door without warning.
She startles so hard she nearly drops her coffee. âSweet mother of encryption, knock first!â
âSorry,â you say, breathless. âI need you.â
âWell, obviously,â she mutters, checking her shirt for any spills. âIâm the backbone of this entire operation.â
You drop down into the spare chair and open your laptop, setting it on her desk.
âYou cannot judge me for what Iâm about to show you.â
She glances up, brows lifting. âOh. So this is serious?â
You grimace. âI donât know.â
âOkay,â she says slowly. âSlightly less reassuring than I was hoping for. Tell me whatâs happened.â
You take a deep breath, then let it out in a rush.
âYou remember the dating profile you set up for me?â
She nods.
âAlright, so, I wonât lie, I havenât really met anyone on there yet, but I check the messages occasionally. When Iâve got time, you know? And I donât have a whole lot of ongoing conversations, but this one guy sent me something that was kind of funny, so I responded, and the conversation was pretty normal for the most part. I couldnât reply all that quickly, but he didnât seem to mind.â
You shift awkwardly, scooting your chair closer to her desk.
âNothing really felt out of place untilâwell, he wouldnât talk about himself much, which is strange because most people on dating apps are usually more interested in presenting themselves than gathering information. He kept asking questions about my job, actually. Not that my job is on my profile, but he was really curious about my schedule, orâI guessâlack of schedule.â
You wince.
âSo now that I think about it, that was probably the second sign something might be off. Or maybe he just wanted to meet up, I donât know.â
You hesitate.
âBut then he sent me this message at like... two a.m.â
She squints at the screen.
DCRunner00: Bet you answer your boss faster than you answer anyone else.
âMmm. Nope. Donât love that,â she says, shaking her head. âThat is not a normal amount of emotional investment for a stranger.â
You sink back in your chair. âThatâs what I thought.â
She starts scrolling back through the messages.
âHave you told Hotch?â
âNope.â
She glances at you from the corner of her eye. âYou answered way too fast for that to be a normal response.â
âBecause the answer is no,â you say firmly, leaning forward again.
âMm-hm.â She keeps scrolling. âOkay, well... technically this could still be nothing. He could just be some lonely basement cryptid with Wi-Fi and poor social skills.â
You groan, dragging both hands over your face.
âYou do mention Hotch kind of a lot.â
Your head snaps up. âHeâs my boss.â
Garcia gives you a long look.
âOkay,â she says slowly. âSure.â
âGarcia.â
âIâm just saying, if a man talked about a woman this much online, weâd all be making faces.â
You point at the screen. âFocus.â
âRight. Yes. Creepy internet man. Sorry.â
Her expression settles into something more focused as she turns back toward her array of monitors.
âOkay. Hereâs what weâre going to do. Donât block him yet.â
You sigh. âI donât love that idea.â
âNeither do I, babycakes, but if heâs routing through the website normally, I might be able to pull connection data if we keep him talking long enough.â
You frown. âIn English?â
She gives you another look. âTimestamps, login patterns, regional pings, possible VPN usage, device signatures if he slips upâbasic digital stalking fun.â
âOh, of course,â you say sarcastically. âNormal stuff.â
âFor me, it is normal.â She points toward the laptop. âNow reply to him. Something casual. I want to see if he responds immediately again.â
Your fingers hover over the keys for a second before you type out your reply.
You: I thought I told you not to spiral.
He replies so fast that even Garcia flinches.
DCRunner00: Relax. It was a joke.
DCRunner00: Mostly.
She stares at the screen. âOkay, I officially donât like him.â
You lean back in your chair again, nausea twisting low in your gut. âI feel sick.â
Garciaâs expression softens slightly. âMaybe you should tellââ
âNo.â
She sighs quietly. âOkay. Fine. Can you keep replying from your phone?â
You nod.
âGood. Donât overdo it, just enough to keep him engaged.â Her fingers start flying across the keyboard. âIâll work my magic down here and call you if I find anything.â
You push yourself out of the chair, clutching your phone a little tighter.
âYouâre the best, Pen.â
âI know.â She waves a hand without looking away from her screens. âNow go pretend to be emotionally stable upstairs.â
By the time you get back to your desk, almost everyone is already in the conference room ready for the morning briefing. You drop your phone beside your keyboardâtoo anxious to have it with you during the meetingâthen quickly unpack your things and grab a notebook before making your way up.
Reid nods at you from his usual seat, gesturing to the empty one beside him.
âHey,â you mutter as you drop down next to him.
His brows pull together. âEverything alright?â
You nod. âYeah. Fine. Iâll explain later.â
Hotch keeps the morning briefing quick. He goes over yesterdayâs court hearing, outlines the Fairfax briefing package in case it escalates into an active investigation, then gets JJ to run through the highest priority consultation requests.
You spend most of it toying with a loose thread on the cuff of your blouse. Youâre pretty sure itâs the first briefing in years where you havenât spent at least part of it staring at Hotch instead of your notesâand when the room finally relaxes and everyone starts to filter out, Reid turns to you.
âOkay, now Iâm concerned,â he says.
You glance at him. âWhy?â
âYou didnât look at Hotch once during that entire meeting.â
You roll your eyes. âSpenceââ
âSomething must be seriously wrong.â
You let out a long exhale, glancing briefly around the almost empty room. Only Morgan and Rossi are left, halfway to the door, deep in discussion about something that happened at the court hearing yesterday afternoon.
âOkay,â you say quietly, turning back to Reid. âIâm having some... trouble, I guess, with a guy.â
His brows shoot up. âA guyââ
âOnline,â you add quickly.
He tilts his head. âIâm confused again.â
You sigh. âRemember that dating profile Garcia set up for me?â
âYou mean the profile you allowed Garcia to create as part of your increasingly unsustainable performative dating strategy?â
You glare at him. âYes. That one.â
âThen yes, I remember it very clearly.â
âWell,â you mutter, pinching the bridge of your nose, âI had this guy message me a couple days ago. It was normal at first but now itâs gotten... weird. So, Iâm getting Garcia to look into it.â
His forehead creases. âHave you toldââ
âNo.â
âMaybe you shouldââ
âI said no.â
âAlright.â He raises both hands in surrender. âOkay. Iâm dropping it. Itâs justâŠâ
You narrow your eyes at him.
âWell, statistically speaking, the majority of uncomfortable online interactions donât escalate into actual stalking behaviour. Most people displaying premature emotional fixation online are socially isolated rather than violent.â
You lift a brow, waiting for the punchline.
âHowever,â he adds, âcyberstalking offenders also tend to develop parasocial attachments disproportionately quickly because the perceived emotional intimacy bypasses a lot of normal social barriers, which means escalation patterns can become highly personalised in a very short period of time.â
You stare at him.
âIn cases where the fixation becomes grievance-oriented, the offender is usually highly organised rather than impulsive, so the behaviour tends to be significantly more deliberate and psychologically targeted.â
He pauses, frowning faintly.
âThat was supposed to be reassuring.â
ââŠThanks, Reid,â you mutter, turning away from him slowly. âNow I feel so much better.â
When you get back to your desk, you decide itâs time to reply again. You grab your phone and bring up the messages, taking a minute to think about what to typeâknowing Garcia will be seeing the conversation too.
You type out the only mildly casual response you can think of.
You: Youâre weird.
He replies just as fast as usual.
DCRunner00: You disappear a lot.
You: Workaholic, remember.
You: I told you my schedule was chaos.
Youâre about to turn your phone over on your desk when a different notification pops upâfrom Garcia.
Garcia: If this is your version of flirting, baby girl, I think I just figured out why youâre still single.
You snort softly, typing out a quick reply.
You: Trust me, thatâs not the reason.
Garcia: So there IS a reason?
You: Shh. Iâm working.
Garcia: Boo!
You huff another quiet laugh as you turn your phone over, nudging it toward the edge of your desk in the hopes that you might be able to focus on work rather than creepy internet man for at least a few hours.
It doesnât work.
Barely half an hour later, you lift your phone to check for another notificationâbut thereâs nothing there. You pull up the message thread again and scroll up, checking the timestamps to see if heâs ever gone quiet on you beforeâbut he hasnât. Not really. So you type another message.
You: You went quiet. Should I be concerned?
Itâs a calculated move. If heâs paying attention to response patternsâand at this point youâre pretty sure he isâthen following up first helps maintain the illusion that nothing has changed. No sudden distance. No obvious discomfort. No reason for him to think youâre pulling away.
If he is dangerous, the last thing you want is for him to feel rejected.
An hour later, Rossi drops a legal pad onto your desk, asking you to take another look at a witness timeline that doesnât feel rightâwhich keeps you occupied for a good forty-five minutes. Then Morgan leans over the partition between your desks, asking if you can translate Reid into English. That takes up another hour of your day, and by the time you grab your first afternoon coffee, youâve got three notifications.
One is a missed call from Garcia. The other two are from creepy internet man.
DCRunner00: Depends. Are you worried about me?
DCRunner00: Blue looks good on you, by the way.
Your stomach drops. âOh my God.â
You immediately call Garcia back.
She answers on half a ring. âAre you wearing blue?â
âYou saw me this morning.â
âI canât remember,â she says. âAre you?â
You drag a hand through your hair. âYes.â
âHoly shit,â she whispers. âYouâve got to tellââ
âNo.â
âAre you insane?â
âMaybe, butââ You squeeze your eyes shut for a second. âOkay, justâhear me out. Blue is a statistically safe guess. Itâs a neutral professional colour with high frequency in workplace attire, especially in government buildings.â
Garcia goes quiet for a second.
âAnd does this unsub know you work in a government building?â
âDonât call him that,â you snap. âAndâwell, kind of. I didnât tell him exactly, but I said... government adjacent.â
âI swear to God,â she mutters, âif I have to identify your body next week, Iâm going to kill you.â
You press your free hand against your forehead.
âYou wonât,â you say firmly. âAlright? Weâre getting ahead of ourselves.â
Garcia scoffs loudly.
âSeriously,â you insist. âIt could still be nothing. A weird coincidence, maybe an awkward guy with boundary issues and too much free time. We deal with actual predators every day. I can handle a few creepy messages.â
The line goes quiet againâthen she sighs.
âWhy are you so against telling Hotch?â
âBecause I donât want to bother him,â you say quickly. âWeâve got a quiet week, he finally seems slightly less stressed, and I donât want to cause a whole fuss over something that might turn out to be nothing.â
She sighs again, louder this time. âFine. I wonât go to Hotch.â
Your shoulders sag. âThank you.â
âOn one condition,â she adds. âIâm sleeping over tonight.â
You nearly choke. âWhat?â
âNon-negotiable.â
âPenelope, thatâs insane.â
âNo,â Garcia says firmly, âwhatâs insane is you trying to casually explain away potential stalking behaviour while actively refusing to inform your unit chief.â
âHe is not stalking me,â you protest, keeping your voice low.
âMm-hm.â
âYouâre overreacting.â
âAnd yet,â Garcia says, âif you die, I become morally complicit because I knew about creepy internet man and failed to intervene.â
You frown. ââŠMorally complicit?â
âAccessory to murder-adjacent,â she corrects. âAnd my guilty conscience requires eight hours of sleep minimum, so congratulations. Weâre having a slumber party.â
You let out a long sigh. âOkay. Fine.â
She hums, satisfied.
âI need to reply to him again.â
âWell, donât ask me,â she mutters. âYouâre the one whoâs apparently fluent in creepy internet freak.â
You laugh despite yourself. âThanks, Pen.â
âMm-hm. And just so weâre clear, tonight we are watching wholesome romantic comedies and eating enough sugar to kill a Victorian child.â
âI was actually thinking psychological thriller marathon.â
âAbsolutely not.â
You smile faintly, leaning back in your chair. âFine. Romantic comedies it is.â
âGood,â Garcia says firmly. âNow hang up before I change my mind and march upstairs to Hotchâs office myself.â
You roll your eyes as you hang up, then open the message thread again. You donât have to think too hard about what to type. You donât want to escalate or accuse him, but you need him to stay engaged. You want him to explain himself to see how he reframes the behaviour.
You: Lucky guess.
The next few hours slip by in a strange blur of routine tasks and fragmented conversations.
At about three oâclock, Prentiss drops a file on your desk and asks if you can double-check a victim timeline while sheâs stuck on the phone with Chicago. Then Rossi calls you into his office to sanity-check a profile theory heâs working through out loudâwhich means fifteen minutes of listening to him argue with himself while you sit there trying not to focus on Hotchâs voice through the wall.
When you finally get back to your desk, Reid spends twenty minutes walking you through a probability model nobody asked for but everyone somehow ends up listening to anyway. He only stops when Hotch appears, carrying a stack of files from the Richardson case he wants Morgan to look over before he signs them offâand for the first time in God knows how long, you donât stare shamelessly at his ass as he walks out of the bullpen.
By six p.m., JJ and Rossi are gone, Prentiss is helping Morgan with the Richardson files, and Reid is building a tiny tower out of paperclips while he reads over a file Rossi dropped on his desk before he left.
At exactly six-fifteen, your desk phone rings.
âHello?â
âPack your things, baby girl. Your government-issued sleepover is about to begin.â
You snort softly. âAlright. Iâll see you soon.â
You hang up the phone and start clearing your desk, organising paperwork into piles and packing away stationery while you wait for your computer to shut down.
âSee who soon?â Reid asks.
You glance at him. âGarcia.â
He tilts his head.
âSheâs staying over tonight.â
His brows lift. âBecause of your stalkââ
âGirlâs night,â you interrupt, eyes widening. âThatâs all.â
His gaze narrows. âShould I be worried?â
You scoff. âAbout me? Never.â
You slide your arms into your jacket then finally pick up your phone, finding two new notifications from creepy internet man waiting for you.
âReally?â Reid asks, turning his chair to face you. âBecause youâve spent most of the day staring at your phone like itâs a bomb, you spent most of Rossiâs profile discussion peeling the label off your water bottle instead of contributing, and you reorganised the same stack of paperwork three separate times.â
You pause mid-motion.
âAlso,â he continues, âyou usually correct Morgan when he misquotes case statistics and today you let him do it twice, which honestly might be the most concerningââ
âOkay!â you cut in quickly, slinging your bag over your shoulder. âGood talk. Love the observational skills. Bye.â
He doesnât say anything else as you walk away, murmuring goodbyes to Morgan and Prentiss as you pass, but you can still feel him watching you. Youâre just about to press the button for the elevator whenâ
âAgent.â
You stop automatically, turning to find Hotch with a file tucked under one arm and that signature frown etched between his brows. Only this time it isnât frustrated or disapprovingâitâs curious.
You force a small smile. âSir.â
His eyes move over your face briefly. âYou alright?â
You nod once. âOf course.â
He takes a step forward, his voice dropping lower. âYou sure?â
Your breath catches.
Heâs close now. Too close. You have to tilt your head back to meet his eyes. You can smell his cologne, feel his warmth, count the beauty marks dotted across his cheek.
âYouâve seemed distracted today,â he says.
You swallow hard. âUhâno. No. Sorry, I justâI didnât get much sleep last night.â
His brows draw a little tighter, and he opens his mouth as if heâs about to say something elseâpress harder, maybeâbut then seems to think better of it.
âAlright,â he murmurs. âGet some rest tonight.â
Then he nods once and steps back, his jaw tightening for just a second before he turns away.
You donât move immediately. You canât. Your mind is reeling, your pulse is still hammering, and your breath is caught somewhere between your ribs while your lungs try to remember how to work.
âHello?â Garcia calls from behind you. âI cannot hold these doors forever, babycakes.â
You shake your head. âShit. Sorry.â
You turn and hurry into the elevator, slipping in beside her just before the doors slide shut.
For a moment, neither of you says anything.
Thenâ
âSo, that thing you said earlier about there being a reason youâre still singleâŠâ
You shut your eyes. âPenelope.â
âIâm just saying,â she continues lightly, âunless I hallucinated whatever just happened in that hallway, Iâm starting to develop theories.â
You ignore her, watching the numbers on the elevator slowly descend like counting down the days you have before the entire team figures out your secret. Because if this guy really is a creep, if you do have to tell Hotch, then itâs only a matter of time before the BAU are dissecting your dating life and realising what a ruse it really is.
And you know better than anyone that once these profilers start looking too closely at something, they rarely stop until theyâve pulled it apart completely.
The second you step through the door to your apartment, Garcia rushes past you to sweep the place. Leia startles almost immediately, running from the couch to your bedroom while Garcia complains about the fact that Leia is the only cat sheâs ever met that doesnât like her.
âLeia hates everyone,â you tell her, kicking your shoes off by the door. âEven me.â
Garcia just rolls her eyes, continuing from room to room to check the window locks and balcony doors.
Once sheâs satisfied that everything is secure, she sets her laptop up on your kitchen counter and starts running a program that looks like hieroglyphics to you.
âHave you seen his latest messages?â she asks.
You shake your head, setting your phone on the counter. âNo.â
She opens your laptop and logs into the dating siteâbecause apparently she knows your password now.
DCRunner00: Maybe.
DCRunner00: Or maybe youâre just easier to read than you think.
You type out the first response you can think of, not wanting to seem like youâre overanalysing this.
You: Or maybe Iâm just not trying so hard to be mysterious.
Garcia then spends the next ten minutes trying to explain her process to you in terms that almost make sense. So far sheâs managed to narrow him down to a general region through login patterns and routing behaviour, but she still canât lock onto a direct IP address. Not because she canâtâapparently that part would actually be pretty easyâbut because doing it properly would mean running requests through systems that leave a trail. And right now, this definitely isnât an official investigation.
âThe second I start pulling the fun federal strings,â Garcia says, typing furiously, âthereâs paperwork, access logs, oversight, and approximately twelve thousand ways for this to become a whole thing.â
You lean against the counter. âWe donât want that.â
âNot yet.â Her expression sharpens slightly. âAlso, if creepy internet man is more sophisticated than he seems, thereâs always a chance heâs monitoring for targeted tracing attempts. If he realises someoneâs looking too closely at him before we know who he is, he could disappear completely.â
Your stomach twists. âOr escalate.â
You spend the next couple of hours keeping creepy internet man engaged while Garcia rambles tech jargon that makes less sense the longer the night wears on. At some point, you order pizza, then you migrate to the couch, and eventually you both end up sitting through the credits of Two Weeks Notice while waiting for one last reply in the hopes that he might finally answer something about himself.
DCRunner00: Refreshing
DCRunner00: Most people hide too much.
You: Depends what theyâre trying to hide.
DCRunner00: What are you trying to hide?
You: Besides the fact that Iâm exhausted? Nothing.
DCRunner00: You seem distracted tonight.
You: Long day.
DCRunner00: I noticed.
You: How was yours?
You wait until almost midnight before finally deciding to call it a night.
Garcia checks all the windows and doors again while you brush your teeth and change into pyjamas. When you step back out of your bedroom to say goodnight, Garcia is trying her hardest to lure Leia onto the couch with her, but Leia is very stubbornly curled up beneath the TV unit.
âNight, Pen,â you murmur, rubbing your eyes. âThanks again... for everything.â
âNight, gorgeous,â she calls, peering over the back of the couch. âWake me up if you hear literally anything suspicious. Or if Leia finally decides itâs my time.â
You laugh softly, blinking slowly as you turn back into your room and fall face first into bed.
THURSDAY 6:45AM
Youâre not sure whether to be relieved or concerned when you wake up to no new messages from creepy internet man. He hasnât gone quiet for this long beforeâbut if he is just a normal, slightly awkward guy with boundary issues and an internet connection, well... itâs not that hard to believe he might just be sleeping.
Garcia is already up making coffee by the time you step out of your room, trying to bribe Leia out from under the couch with a tube of tuna paste.
The second she sees you, she jumps up and launches into another long-winded explanation about login activity and movement patterns across different access points. Apparently, creepy internet man logged in from three different geographical locations over the course of a few hours last nightâwhich is normal, right? That means he was out doing normal human things, not just lurking in his motherâs basement, stalking women online.
Garcia isnât entirely convinced that him moving locations is enough to get him off the hook as the BAUâs next unsub, but it at least shuts her up until youâre both back at the office.
âHey,â Reid says as soon as you walk into the bullpen. âYou havenât been murdered.â
You frown slightly. âGood morning to you too, Spence.â
Morgan glances up from the file on his desk. âUhâwhy are we getting murdered?â
Reid gestures vaguely in your direction. âBecause sheâs potentially being cyberstalked by aââ
âOh, wow, look at the time,â you interrupt, glaring at Reid. âWouldnât it be such a shame if we all started minding our own business right about now.â
Prentiss turns in her chair, brows raised. âCyberstalked?â
âNobody is cyberstalking anybody,â you say as you drop into your chair. âAnd nobodyâs getting murderedâbut great start to the morning, everyone. Love the energy. Now leave me alone.â
Morgan chuckles quietly. âDamn. Thought you said you got laid last weekend.â
Your hands slip off the desk as you try to pull yourself closer.
âTechnically,â Reid says, âshe only implied it by refusing to answer Garciaâs question during Monday morningâs briefing.â
âAh.â Morgan leans back in his chair. âI knew this was a drought issue.â
You scowl at him. âA drought issue?â
âStatistically speaking,â Reid adds, âpeople experiencing prolonged romantic or sexual dissatisfaction often display lower frustration tolerance and increased agitation in familiar social environments.â
Morgan looks at him. âMan, just say she needs to get laid.â
âOh my God,â you snap. âI do not need to get laid. I am having a completely normal amount of sex already, thank you very muchâand frankly I think itâs deeply inappropriate that youâre all this invested in whether or not Iâm orgasming regularly.â
Reid tilts his head. âYouâre having sex?â
Morganâs brows shoot up, Prentiss chokes on her coffee, and you open your mouth to fire back at him whenâ
Someone clears their throat behind you.
Heat crawls violently up your neckâbut you donât turn around. You canât.
âBriefing room. Five minutes,â Hotch says, his voice dangerously even. âJJâs got an update on the custodial interview with Wallace.â
Morgan presses a fist against his mouth, tryingâand failingâto smother the strangled sound of laughter.
Very slowly, you turn in your chair.
Hotch is standing at the edge of the bullpen with a coffee in one hand and a file in the other. His expression is almost perfectly composed, but thereâs something dangerous lurking beneath itâsomething suspiciously close to amusement in the tightness of his mouth.
âBe right there, sir,â you blurt, lifting two fingers to your forehead in the most ill-timed attempt at a salute the FBI has ever seen.
Hotch just looks at you, the muscle in his jaw jumping once before he turns away.
You want to die.
The second his office door clicks shut behind him, Morgan drops his fist and smacks his palm flat against the desk with a choked laugh.
âOh, you are never recovering from that,â Prentiss mutters, smirking behind her coffee cup.
Morgan leans back in his chair, grinning. âBaby girl, that was painful to watch.â
You drop your head into your hands.
âYou somehow escalated the situation at every possible opportunity,â Reid says thoughtfully.
âI hate you all,â you mumble into your palms.
You spend the next half hour with your nose buried in your notebook, avoiding eye contact with the entire team while JJ explains the month-long back-and-forth that it took to finally get approval for the Wallace interview.
Apparently, the prison is limiting the interview to a single hour and reserving the right to terminate it early if the inmate becomes uncooperativeâwhich Rossi thinks is less about policy and more about Wallace trying to dictate the terms of the interaction.
Itâs not ideal, especially considering you were the one who convinced Hotch to push for the interview before Wallace is transferred to death row. His case was one of the first you ever studied during the BAU training programme, and there isnât much you wouldnât give to pick the sociopathâs brains. One hour with him feels dangerously shortâthat is, assuming Hotch actually picks you to be in the interview with him.
âWe donât have enough time to waste managing personalities in the room,â Hotch says, gathering the files in front of him. âIâll decide on a second agent and send out the interview schedule later today.â
Chairs start scraping back almost immediately, files and notebooks snapping shut as everyone gathers their things and starts filtering out of the roomâbut you donât move. You stay firmly planted in your seat, chewing thoughtfully on the inside of your cheek while you debate whether to follow Hotch into his office and ask to be part of the interview. You donât even have to be asking the questions, you just want to be there. You were the one pushing for it in the first place.
But then your brain very helpfully reminds you that Aaron Hotchner heard you say the word orgasming less than an hour ago and suddenly, being on death row yourself feels infinitely preferable to making eye contact with your unit chief.
You sigh heavily, finally closing your notebook. âYep. Just thinking about how Iâll probably have to fake my own death and change my name after this morning.â
He shrugs. âHotch probably isnât even thinking about it anymore.â
You glance up at him hopefully.
âMorgan definitely is, though.â
You roll your eyes, letting out another resigned sigh as you stand up and follow him out of the briefing room.
The rest of the morning manages to pass without incident. You stay chained to your desk, reviewing reports and processing any files that come your way while very deliberately not glancing up any time Hotch steps out of his office. At around eleven, Morgan and JJ head out to the cafe down the street and come back with coffees for the whole team. Then thereâs a printer jam that gives the rest of the office a rare glimpse at just how angry Emily Prentiss can get when frustrated.
It isnât until just before midday that you finally get up to go to the bathroom, and when you return to your desk, thereâs one new notification in your inbox.
From: Aaron Hotchner
Subject: Wallace Interview
Youâre with me next Thursday. We leave at 0700.
Your stomach flips.
âWow,â Reid says, suddenly standing right beside your desk. âHe picked you pretty quickly.â
You shoot him a warning look. âSpence.â
âIâm just saying, he usually deliberates longer.â
You glance back at the screen, rereading the first five words that make your pulse skip a little faster.
âYou and Hotch do work unusually well together in confined conversational environments,â Reid adds.
You turn back to him, frowning.
He tilts his head. âThat sounded more suggestive than I intended.â
You open your mouth to tell him how deeply unhelpful heâs being when your phone buzzes twice against your deskâlike it does several times a day, but something about it feels different this time. Wrong.
You reach for it slowly, your stomach twisting tighter as you turn it over.
Two new notifications from creepy internet man. The first since last night.
You open the message threadâand your stomach drops.
DCRunner00: [Image attachment]
DCRunner00: Did you and your friend have fun last night?
The image is of your apartment building. Itâs grainy, slightly crooked, clearly taken from somewhere across the streetâbut your living room windows are unmistakable. Warm light glowing through the glass. The blurred silhouette of someone inside.
Ice floods your bloodstream.
You stop breathing.
âIs that... your apartment?â Reid asks, leaning over your shoulder.
You donât answer him. You canât.
The bullpen dissolves into white noise around you.
Untilâ
âIâm done!â Garciaâs voice cuts through the static. âI canât do this anymore!â
Sheâs marching right toward you, your laptopâthat sheâd still been monitoringâtucked under one arm.
Reid gasps. âWait. Is thatââ
Morgan straightens in his chair. âWhatâs happening?â
âHotchâs office,â Garcia says, her expression dangerously stern as she stops beside your desk. âNow.â
You nod slowly, your shoes almost slipping against the carpet as you push your chair back. Reid steps aside just enough to let you stand, but before he can get too far, you reach out and wrap your fingers around his wrist, silently dragging him with you as you follow Garcia back through the bullpen.
Hotch glances up the second Garcia pushes open his office door.
âWhatâs going on?â
His tone is calm, automatic, already slipping into that low, calculated cadence he uses when heâs trying to talk someone down from the ledge. His gaze moves from her to youâand something in his expression shifts. Hardens. That muscle in his jaw ticking just once before he turns back to Garcia.
âWhat happened?â he asks, sharper now.
Garcia crosses the room quickly, opening your laptop and sitting it on his desk while you hover uselessly in the doorway with Reid still caught in your grip.
Hotch glances at the screen, his eyes flicking through the messages.
Then he looks back upâright at youâand something unreadable settles across his face. Something dangerous.
âWho sent this?â
Garcia spends the next five minutes explaining the entire situation at hyper speed while you just... stand there, leaning slightly against Reid like the whole world has tilted on its axis.
Itâs funny how you can spend years building a career around finding bad people. Thinking like them. Predicting them. Profiling them. But the moment something happens to youâsomething realâthatâs when all the theory suddenly stops feeling theoretical. And maybe itâs because you know exactly what people like this are capable of, or how quickly situations like this can escalate once someone decides theyâre emotionally invested in you.
Or maybe itâs just the horrifying realisation that some part of you knew where this was heading all along. And you still didnât do anything about it until now. Not until you put yourselfâand your friendâin danger.
âGet everyone in the briefing room,â Hotch says the second Garcia finishes. âNow.â
Garcia nods once before slipping back out the door, and only then do you finally let go of Reidâs wristâmaking a mental note to apologise later for the excessive physical contact.
Hotchâs eyes drop down briefly, following the movement almost automatically. Something tightens in his expression for half a second before his attention snaps back to the laptop still open in front of him.
âReid,â he says. âPrint the entire message history and document everything. Full timeline, screenshots, attachmentsâall of it. I want copies ready for the team in ten.â
You swallow hard. âTheâthe entire message history?â
Fifteen minutes later, youâre back in the briefing room with the entire team flipping through printed copies of your dating profile and messages. It almost feels like an out-of-body experience. Like one of those mortifying dreams where you watch everything unfold from above without any real ability to stop it.
âOkay,â Prentiss says. âWhere do we start?â
âVictimology,â Morgan answers immediatelyâthen he glances at you. âSorry, baby girl.â
You wave him off. âReidâs been profiling me all week. Go for it.â
Thereâs a quiet ripple of laughter around the table, but Hotch barely blinks. Heâs sitting on the opposite side, between Prentiss and JJ, with his arms folded tightly across his chest and gaze fixed on the copies spread out in front of him like heâs trying very hard not to look directly at you.
âWe need to be careful building a victimology this early,â he says evenly. âEspecially considering how well we know the victim. Personal familiarity creates bias.â
Reid tilts his head. âNormally, yes. But stalking crimes are often highly individualised.â He starts flipping through the printed messages as he talks. âStatistically speaking, stalking victims are usually targeted for a very specific reason. The motivation is generally rooted in either resentment, fixation, revenge, or romantic obsession.â
You grimace. âFantastic.â
âMost victims also know their stalkers,â Reid continues. âApproximately seventy-five percent of stalking cases involve some form of prior relationship or perceived emotional connection.â
âOkay,â JJ says carefully, looking toward you. âIs there anyone you can think of who might hold a grudge against you? Someone you arrested, rejected, testified againstâanything like that?â
You snort quietly. âDoes every criminal Iâve ever interviewed count?â
The room goes still for half a second.
âWait,â Prentiss says, sitting forward slightly. âActually, that makes sense.â
Hotchâs eyes flick up as Prentiss pushes one of the printouts into the middle of the table, tapping the page.
âThis escalation happened fast. Less than a week. Thatâs not somebody slowly building emotional trust from scratchâthatâs somebody who already came into this interaction emotionally invested.â
âOr angry,â Morgan adds.
âExactly,â Prentiss says. âHe doesnât lash out until she has Garcia over. Thatâs jealousy. Possessiveness.â
You sink lower in your chair.
âAnd he starts reacting every time she brings up her boss,â Rossi says, flipping through the printouts. âThatâs territorial behaviour. Heâs fixating on a prominent male figure in her life.â
âNot the only one fixating on him,â Reid murmurs beside you.
You elbow him immediately.
âOw.â
Hotch glances up sharply. âSomething to add, Reid?â
Reid straightens. âUhâno. No, I think Rossi covered it.â
Hotchâs eyes narrow slightly, like he knows thereâs something heâs missing, but he lets it go.
âGarcia,â he says instead, âtell me you found something useful.â
âOh, I found things,â Garcia says immediately, the rapid clacking of her keyboard echoing loudly through the conference room speaker. âDeeply unsettling things. Our creepy little internet goblin has been very busy.â
Prentiss frowns slightly, mouthing âinternet goblinâ across the table to JJ.
âOkay, soâprofile was created nine days ago using a burner email and a VPN bouncing between three different states, which normally would make me want to set my computer on fire, but our boy got sloppy.â
Hotch leans forward slightly. âHow sloppy?â
âSloppy enough that one login pinged off a public Wi-Fi network less than six blocks from her apartment last night,â she says. âAnd before anybody asks, yes, Iâm already pulling traffic cams.â
Hotch nods once, already shifting into command mode.
âMorgan, Prentissâstart canvassing within a ten-block radius of her apartment. Garcia will feed you anything useful from the traffic cams. JJ, coordinate with local PD and see if thereâve been any complaints of suspicious activity in the area. Peeping, prowlers, stalking complaintsâanything that fits this escalation pattern. Rossi, start pulling names from old cases. Anybody with a history of fixation, stalking behaviour, or inappropriate attachment to investigators. Garcia, keep digging and keep me posted.â
Everyone starts moving immediately, papers shuffling and chairs scraping back as the room shifts into motion.
âI want to help,â you say suddenly. âThis is my mess, let me fix it.â
âYou can help,â he says evenly, âby going home, locking your doors, and staying there until we know exactly what weâre dealing with.â
You open your mouth to argue.
âI mean it,â he adds, voice low.
âIâll take her,â Reid offers immediately.
âNo,â Hotch says, gathering the printouts into one neat pile. âYou go with Morgan and Prentiss.â
Then his eyes flick up, meeting yours.
âIâm taking her home.â
The next hour is one of the strangest of your life.
Hotch tells you to take your laptop back down to Garcia, whoâs already in full FBI investigation modeâher screens covered in maps, metadata, CCTV stills, and enlarged screenshots of your own dating profile staring back at you in horrifying definition. When you finally make it back to your desk, Rossi spends twenty straight minutes walking you through every violent offender youâve interviewed in the last three years, forcing you to revisit dozens of interactions youâd long since filed away as routine.
Somewhere in the middle of it all, Morgan drops a schematic of your apartment building onto your desk and starts questioning you about entrances, exits, blind spots, and security cameras while Reid quietly replaces the coffee you forgot existed an hour ago. It isnât until Morgan leaves and JJ immediately takes his place beside you that you realise nobody has let you out of their sight for more than a few minutes at a time.
Then, finally, Hotch steps out of his officeâfiles in one hand and his go-bag in the other, like he fully intends on staying the night if necessary.
âReady?â he asks, stopping beside your desk.
You stare at the go-bag for one long, deeply horrified second.
âYep,â you manage, voice tight as you slowly push out of your chair.
Hotch drives. You donât even try to argue. You just sit in the passenger seat with your knees pressed together and your heart beating out of your chest. Itâs not like you havenât been in the car with him before. You have, plenty of times. This just feels... different.
Neither of you speak until he cuts the engine in the parking garage of your building, and you have to try very hard not to dwell on the fact that he hadnât asked for directions the whole way here.
âWait,â he mutters before climbing out of the car.
He grabs his bag from the back, then moves around the car and opens your door.
It takes an embarrassingly long time for you to unbuckle your seatbeltâyour hands are shaking and your pulse is still pounding hard enough to make you dizzyâbut once you finally do, you slip out of the car and lead him toward the fire stairs.
He never leaves more than a foot of distance between you. Never checks his phone. Never glances down. He stays glued to your side like a real protection detail. And thanks to your avid and wildly inappropriate imagination, youâve already mentally written an entire bodyguard romance plot starring Aaron Hotchner and yours truly by the time you finally reach your apartment door.
âIâuhâwasnât really expecting company,â you say as you push the door open. âSorry.â
The second you step inside, Leia leaps off the couch with a loud, rumbling trillâprobably wondering why youâre home before dark for the first time in years.
Hotch pauses, his brow furrowing slightly. âYou have a cat.â
You glance back at him as you kick your shoes off and nudge them out of the way. âIs that really the most surprising thing youâve learned about me today?â
He watches Leia for another second before glancing back at you. âItâs unexpected.â
You roll your eyes, trying to ignore the way your heart skips when he quietly toes off his shoes beside the door without even asking. Like he already expects to stay awhile.
Leia chirrups again as she pads through the living room toward you, no doubt about to demand an early dinnerâuntil she catches sight of Hotch and abruptly stops short. Her ears flicker, her tail waving from side to side as she assesses the new man in her apartment.
Hotch crouches slightly, holding one hand out toward her.
âOh, she doesnât really like people,â you say quickly. âSo donât take it personally if sheââ
Leia immediately walks straight up to him. She sniffs his hand once before pressing directly into his palm with a loud purr rumbling through her entire body.
Your eyes go wide.
Traitor.
Hotchâs mouth twitches faintly as Leia leans harder into his hand.
Oh my God. Are you jealous of your cat right now?
He gives Leia one final scratch behind the ears before straightening, the softness in his expression fading almost immediately as he slips back into work mode. He scans the apartment briefly before setting the files down on your tiny dining table and shrugging his jacket off, draping it over the back of a chair.
You stand there for a second longer than you probably should, watching him move through your apartment with the same calm focus he brings to crime scenes and briefing rooms and interrogation tables. He checks the windows, the balcony doors, glances brieflyâthank Godâinto your bedroom, then double-checks the locks on the front door.
The whole thing feels weirdly surreal. Youâve imagined Aaron Hotchner inside your apartment a thousand times in a thousand different waysâjust not like this. And nothing you imagined could have possibly prepared you for the reality of it. The way everything feels so much smaller. Warmer. More exposed.
Every object in every room suddenly feels mortifyingly personal.
If he lingers long enough in your kitchen, heâs going to notice the unusually empty trash can and realise you survive almost entirely on caffeine and convenience. If he looks too closely at your bookshelf, heâs going to find an unhealthy collection of romance novels with more trigger warnings than plot points. And if he looks into your bedroom again and turns his head just a little more to the right, heâs going to see your vibrator sitting on the nightstandâand then youâll actually have to fake your own death.
Because youâve spent years carefully curating a version of yourself that keeps people from looking too closely. Flirty. Casual. Detached enough to joke about bad dates and hookups and sex without anybody ever realising that none of it means anything. Itâs easier that way. Easier to let everyone assume your attention is scattered in every direction instead of fixed very specifically on the one person you absolutely cannot have.
But this?
This feels dangerously close to being found out.
The next couple of hours pass in strange, uneven waves of normalcy and low-grade psychological torture.
Hotch sits at your tiny dining table without complaint, dwarfing it as he hunches over files and asks careful questions about your routines, your neighbours, and whether anyone in the building has seemed overly interested in you recently. His phone rings a lot, which isnât unusual, and every time he answers it you spend almost the entire conversation staring unashamed at the way his shirt pulls tight across his back when he reaches for another printout.
Which is wildly inappropriate considering the circumstances, but you canât really help it. Youâre strung out, on edge, and, as Morgan so helpfully pointed out this morning, severely under-fucked.
And Leia, unfortunatelyâbut not unsurprisinglyâremains no help whatsoever.
By seven oâclock sheâs fully abandoned you in favour of draping herself across Hotchâs lap while he reviews new data from Garcia, completely oblivious to the fact that you havenât been able to breathe normally since he walked through the door.
âAre you hungry?â you ask eventually, moving back into the kitchen as if you have anything in there to offer.
Hotch glances up from his laptop, one hand resting absently against Leiaâs back while she purrs in his lap.
âIâm fine.â
You lean a hip against the kitchen counter, folding your arms tightly across your chest. âAny updates?â
He glances back down at his screen. âGarcia narrowed the traffic footage down to three vehicles that stayed in the area longer than they should haveâMorgan and Prentiss are running the plates now. And Rossiâs pulling relatives connected to your previous cases. Family members who attended trials, sentencing hearings, interviews. Anyone who mightâve had access to your name outside the official reports.â
You nod slowly, silence settling again for a moment before you exhale sharply.
âAre you sure sitting here doing absolutely nothing is really the best use of me right now?â
His eyes flick back up, that signature Hotchner scowl set between his brows.
âYou think this is nothing?â
His voice stays calm, but thereâs something firmer underneath it now.
âYouâve spent the last four days being threatened, surveilled, and followed by someone we still havenât identified,â he says. âMorgan, Prentiss, and Reid are out chasing leads because somebody targeted you. Rossiâs pulling case files because somebody targeted you. Garciaâs been at her desk for six straight hours because somebody targeted you.â
His jaw tightens slightly.
âMy job right now is making sure nothing happens to you,â he says quietly. âLet me do that.â
Your breath catches, something warm and uncomfortably familiar twisting in your chest as Aaron Hotchner just sits there watching you like he hasnât said anything unusual at all.
Which, to him, maybe he hasnât.
Heâs just doing his job. Looking out for his team. Heâs not here because he wants to be. Heâs here because someone threatened one of his agents.
Thatâs all.
You clear your throat, pushing away from the counter before the silence stretches too long. âIâmâuhâIâm just going to shower quickly. If thatâs alright.â
He nods once. âWant me to clear theââ
âNo,â you say immediately. âGod, no. No. Itâs fine. Totally fine.â
His brows pull together slightly, confusion flickering briefly across his face before you turn and hurry into your bedroom, shutting the door a little harder than necessary behind you.
Then you take the longest shower known to mankind. You stand beneath the scalding spray for at least ten minutes before even touching anything. Then you scrub, exfoliate, shave, condition, rinse twice, and stand there for just a little longer before finally gathering the courage to step out. All the while trying desperately not to think about the fact that your unit chief is only two thin walls away while youâre dripping wet and completely naked.
You rummage through your dresser until you find an oversized sweater that isnât totally threadbare and a clean pair of pyjama shorts. Technically, theyâre just striped flannel pants you cut into shorts, but at least theyâre not as short as the rest of your pyjama collection that definitely needs replacing.
If only you actually had time for things like shopping... and emotional stability.
âNo, wait for Morgan before you approach,â Hotch says as you step quietly back into the living room, phone pressed against his ear while he paces slowly beside the dining table. âIf the registrationâs fake, I donât want you making contact until we know exactly whoâs inside.â
He pauses, expression sharpening slightly.
âAlright. Keep me updated.â
He lowers the phone slowly before looking over at you for the first time since you re-emergedâand for half a second, he visibly loses his train of thought. Itâs only tiny. Barely there. Just a brief pause before his expression shutters back into place.
âGarcia tracked one of the vehicles from the traffic footage to a motel outside Arlington,â he says, glancing back down at the files scattered across the table. âThe driverâs been masking his activity through multiple VPNs, so she couldnât pull a clean trace from the motel Wi-Fi, but only one room in the motel was actively using the network.â
Your stomach tightens.
âThe name on the reservation was fake,â he continues, âbut the room was paid for using a credit card belonging to Daniel Mercer.â
The name hits you immediately.
âEthan Mercerâs brother,â you say quietly.
Hotch nods. âRossi confirmed it about twenty minutes ago. Morgan and Prentiss are waiting for local PD before they move in.â
You nod slowly, your pulse fluttering anxiously in your throat as you move toward the kitchen. Not because you actually need anything in there, but because standing still feels almost impossible right now.
âEthan barely spoke during the trial,â you murmur, folding your arms as you lean back against the counter. âI donât think I ever even met his brother.â
âYou wouldnât need to,â Hotch says, already gathering the files into a neat pile. âPeople build attachments to investigators without ever interacting directly. Especially when theyâre looking for someone to blame.â
Your skin prickles. âYou really think itâs him?â
âIt fits,â Hotch replies evenly. âEstablished emotional investment, personal motive, no prior record. Which explains the inconsistency. The escalation without follow-through. The long gaps between contact attempts. He knows enough to be cautious, but not enough to stay controlled.â
He straightens, turning back toward youâand for the briefest second, his eyes drop to your bare legs before snapping back up to your face almost immediately.
He clears his throat. âThis probably isnât something heâs done before. But his brother has.â
The apartment falls quiet again after that. Hotch returns to collecting files while you stare absently toward the dark balcony doors, your pulse still refusing to settle beneath your skin.
âWell,â you mutter eventually, gripping the edge of the counter to hoist yourself up. âOn the bright side, I still think Iâve dated worse.â
The joke leaves your lips lightly enough, the same way they always doâeasy, detached, halfway between genuine and ironic so nobody ever pauses long enough to look too closely.
Except this time Hotch does pause.
âWhy do you do that?â
You frown. âDo what?â
âDeflect.â He straightens again, one hand still holding a stack of printouts. âEvery time something gets too serious, you make a joke. Or you flirt. Or you say something just inappropriate enough to throw people off balance.â
You lift a shoulder. âMaybe Iâm just charming.â
âNo.â His eyes narrow slightly, brows pulling together. âNo, because it changes depending on the situation.â
Your pulse stutters.
âWith Morgan itâs competitive,â he continues, setting the papers back on the table. âYou tease him because he pushes back and it keeps conversations superficial. Garcia gets exaggerated stories because she responds emotionally instead of analytically. Half the things you say to Reid are specifically designed to make him flustered enough to stop examining what you actually mean.â
âWow,â you murmur, shifting your weight against the countertop. âStarting to feel a little attacked here.â
But Hotch doesnât seem to hear you.
âThe dating profile doesnât fit,â he says, almost to himself. âNeither does the apartment.â
Your stomach twists as his gaze moves briefly across the room. The bookshelves. The carefully organised clutter. Leia now curled up asleep on the couch.
âYou project someone impulsive. Social. Sexually confident. But nothing in here supports that.â His eyes flick back toward you again. âYou live like someone who protects their space carefully. Even the cat.â
âLeave Leia out of this.â
âShe doesnât like strangers.â
âShe likes you.â
The words slip out too quickly, and something in his expression shifts.
âYou keep people at a distance,â he continues slowly, close enough now that you can hear the quiet rasp beneath his voice. âEven the team. You let people think they know you because it keeps them from looking closer.â He hesitates, brow furrowing. âExcept Reid.â
Your fingers tighten instinctively around the edge of the counter.
âYou trust him,â Hotch says. âNot just socially. Behaviourally. You anchor yourself to him when youâre stressed. Physical proximity. Eye contact. Redirecting conversations through him.â He pauses, watching you carefully now. âAnd earlier you said heâd been profiling you all week.â
Oh God.
âWhich means Reid already noticed the pattern.â
He goes quiet for a moment, his expression tightening almost imperceptibly as he looks back over the last few monthsâyearsâin real time. You can practically see it happening behind his eyes. Every interaction. Every joke. Every look you thought youâd hidden quickly enough.
âYou track me.â
The words come quieter now. Less certain. Like heâs still realising them.
âYou know my routines,â he continues slowly. âYou anticipate questions before I ask them. You look up when you hear my office door open even when you canât see me.â He steps closer again. âYou know when I need coffee before I do. You watch my reactions before anyone else in the room.â
Your breath stutters.
And Hotch notices immediately.
His expression shifts slightly as his eyes flick across your face, your posture, your hands still locked around the edge of the counter hard enough that your knuckles have gone pale beneath the kitchen lights.
âYour breathing changes when I get too close to you,â he says quietly.
He takes another slow step forward, close enough now that you have to tilt your head back slightly to keep looking at him.
âYou stop fidgeting,â he continues. âYou go completely still.â His gaze drops briefly to your hands before lifting again. âLike youâre afraid movement alone is going to give you away.â
Your heart is beating so hard now youâre half-convinced he can hear it.
âYou lose verbal fluency,â he says, voice lower now. âYou trip over words you normally wouldnât. Your pupils dilate. Your heart rate increases. And every single time I get close to noticing itââ
His eyes lock onto yours.
âYou redirect.â
You can barely breathe now.
Heâs standing right in front of you, close enough that the heat rolling off him sinks straight into your skin, close enough that one more step would put him between your knees where youâre perched on the counter.
And somehow the worst part is that he still sounds calm. Thoughtful. Like Aaron Hotchner is profiling you with the same careful focus heâd bring to an unsubâexcept this time the thing heâs slowly uncovering is the fact that youâve been hopelessly in love with him this entire time.
You swallow hard, your gaze catching just briefly on his mouth before you drag it back up to his eyes, pulse hammering so hard you can barely think straight.
âFigured it out yet, Agent Hotchner?â you ask softly.
He goes still for half a second, something unreadable flickering across his face as his eyes drop to your mouth before lifting back to your eyes again.
The apartment suddenly feels oppressively quiet.
His throat shifts slightly.
And thenâ
His phone rings.
He steps back immediately, his expression shuttering back into something careful and unreadable.
âHotchner,â he says, pressing his phone against his ear.
You donât hear much after that. Not really. You recognise Morganâs muffled voice, but you canât quite hear what heâs saying. Not while Hotch slowly paces your living room. You catch fragments of the conversation. Questions. Short answers. The low, steady cadence of his voice slipping effortlessly back into work mode while your own nervous system continues actively collapsing in on itself.
Because holy fuck.
Holy fuck.
What the hell just happened?
âThey got him.â
Your head snaps up. âThey what?â
Hotch moves back to the dining table and starts gathering his things.
âIt was him. Daniel Mercer,â he says. âMorgan and Prentiss found him in the motel room with multiple burner phones, printed screenshots from the dating profile, and enough surveillance material to establish intent.â
âOh.â
âLocal PD recovered notebooks too,â he continues. âNames, schedules, work addresses. Everyone connected to Ethan Mercerâs conviction. Judges, prosecutors, witnesses. You were first because you were the arresting agent.â
A cold shiver slips down your spine.
âGarcia also confirmed the motel Wi-Fi matched the same VPN chain used to access the dating profile,â Hotch adds. âOnce Mercer realised the Bureau was involved, the direct contact stopped. After that he shifted to surveillance. Morgan said the room was covered in trial material. Photos. Notes. Newspaper clippings. Heâd been building the grievance for months.â
He pauses, then looks at you.
âBut they got him.â
âGood,â you say quietly.
Hotch nods once before turning back to the dining table, slipping his laptop into his bag with careful efficiency before gathering every file and printout into one neat pile.
âLocal PD will hold Mercer overnight until federal transport clears,â he says, sliding the papers into his bag. âGarciaâs already started coordinating with the U.S. Attorneyâs Office. Youâll need to give an additional statement tomorrow regarding the dating profile.â
You nod. âOkay.â
Hotch reaches for his jacket, draping it over one arm.
âThereâll still be additional officers patrolling the area tonight,â he says. âAnd if you donât want to be alone, I can have Reid or Garcia stay here.â
âIâll be fine,â you mutter, glancing down at the kitchen tiles. âYou can stop babysitting me now.â
Hotch stills.
Then slowly, deliberately, sets his jacket on the table.
âBabysitting?â he repeats.
âYou know what I mean.â
He steps toward you, brows drawn. âI donât think I do.â
âYou solved the case,â you mutter, heat crawling up the back of your neck. âYou profiled me. Thoroughly. So congratulations, I guess. You figured out the whole sad little secret, the weird avoidance issues, the entire personality disorder cocktailââ You let out a short, humourless laugh. âYou can go back to pretending none of this ever happened now.â
He closes the distance between you before you even fully realise heâs moving, stopping directly in front of the counter again. Exactly where heâd been when you asked him if heâd figured it out. Close enough that you can feel his warmth. Close enough that you can see the day-old shadow of stubble lining his jaw.
âYouâre being deliberately provocative now because youâre embarrassed,â he says. âBut embarrassment isnât actually your primary response here.â
His gaze drops to your mouth again, and your pulse stumbles.
âIf it was,â he adds quietly, âyou wouldnât still be looking at me like that.â
Your breath catches in your throat.
You want to say something. Anything. Another joke. Another deflection. Something sharp enough to cut through the tension in the air and stop him looking at you like this. Exposing you like this.
But you canât.
All you can do is stare at him. At the steady intensity in his eyes. At the way his tie has loosened slightly over the course of the night. At the slow rise and fall of his chest beneath the white shirt youâve spent an embarrassing number of years picturing on your bedroom floor.
You swallow hard, and he notices. Of course he does.
Something shifts in his expression then. Something softer. Less guarded.
His hand comes up beneath your jaw, his thumb pressing gently into your chin as he pulls you closer. You fall forward without hesitation, and he leans in, dark eyes still searching yours as if he isnât entirely sure he has permission yet.
Then he kisses you.
Itâs not rushed. Not messy. If anything, the first press of his mouth against yours feels almost unbearably controlled, like heâs still holding himself back even now.
But the restraint doesnât last long.
Your hand catches his tie, tugging him closer, and something rough slips from the back of his throat as he steps in, his hips slotting between your thighs. His hand slides from your jaw into your hair, fingers tightening just enough to tilt your head back exactly as far as he wants it.
Your lips part against his with a broken sound, and he deepens it slowly, his tongue moving against yours like he has all the time in the world. Tasting you. Learning you. Mapping every small sound and ragged exhale with the same focused intensity he brings to everythingâand somehow thatâs what undoes you the most. Not urgency. Attention.
His breath mingles with yours, hot and uneven, and when his teeth catch your bottom lip itâs deliberate, measuredâa sharp little spark shooting straight through your spine. Your hips roll toward him without permission, and his answering groan rumbles through his chest, vibrating beneath your palm and making you ache everywhere youâve been starving for him.
Then he pulls back just enough to look at you properly again. His hand still tangled in your hair. Thumb dragging once across your jaw. His eyes move over your face with the same intensity he uses in every debrief, every case, every crisis, except right now you are the thing heâs making sure of.
Like he needs to be absolutely certain this is real.
âAaronââ
âBedroom,â he says immediately, voice low and rough enough to send heat crashing straight through you. âNow.â
FRIDAY 6:15AM
Your alarm blares somewhere beside the bed, startling you awake hard enough that your heart immediately starts pounding. You reach for it blindly, determined to silence it before it wakesâ
Oh God.
The second your hand hits the snooze button, you freeze.
Your heart is beating faster now, your pulse thrumming in your throat as you turn slowlyâso slowlyâtoward the other side of the bed, where Aaron fucking Hotchner stirs sleepily.
Your stomach swoops.
You slept with your boss last night.
With a shallow, shaky breath, you carefully start to move. His arm is heavy at your waist, but you manage to slip out from underneath it without fully waking him. You shove the covers off and shiver at the sudden exposure, leaning over the side of the bed to find your discarded sweater. You pull it over your head before quietly padding toward the ensuite, refusing to glance back at your very hot, very naked unit chief still tangled in your sheets.
You only just make it around the other side of the bed before something tugs at the back of your sweater. You stop, glancing back to find Hotch half-awake, eyes half-lidded with one hand caught at the hem of your sweater.
âDo you really get up this early?â he asks, voice rough with sleep.
âYeah,â you murmur. âMost days.â
His brows pull together slightly. âWhy?â
You let out a small, breathless laugh. âBecause my boss is kind of a hard ass about punctuality.â
Something that almost resembles amusement flickers across his face.
âSounds like a terrible boss,â he murmurs.
Then he tugs on your sweater againâhard enough this time that you let out a startled laugh as you stumble backward onto the mattress and into him. He catches you easily, one arm wrapping around your waist before you can even fully recover, pulling you back against the warmth of his chest.
âYeah,â you murmur, laughing softly as his mouth brushes beneath your ear. âHeâs awful. Very demanding.â
He hums, breath warm against your skin.
âHeâs really hot, though,â you add, smiling despite yourself. âSo I like having time to put in a little effort, you know? Hope he notices.â
âOh, he notices.â
Your stomach flips. âReally?â
âMhm.â
His arm tightens around your waist. âHe notices the skirts.â
Heat floods your face. âAaronââ
âHe notices the tights.â His mouth brushes against the nape of your neck. âThe ones with the seam up the back.â
âOh my God.â
You try to turn your face into the pillow, but he just holds you tighter, pressing his lips firm against your neck.
âAnd the red bra,â he murmurs.
Your breath catches.
âNoticed that so much I had to wait until everyone left the conference room before I could get up.â
You let out a strangled sound, squirming in his arms, but itâs no use. His chest vibrates against your back, something suspiciously close to laughter.
âMy washing machine broke that week,â you whine. âIt wasnât my fault.â
âMm, sure.â
You twist around immediately. âIâm not lying.â
The corner of his mouth twitches, like he doesnât quite believe you, but before you can protest againâhe kisses you. Warm, slow, sleep-soft. His mouth moves against yours almost lazily, his hand tightening slightly at your waist when a pathetic little whimper slips out before you can stop it.
âCareful,â you murmur, breathless against his mouth. âDonât want to be late.â
You feel his lips curve.
âGood thing Iâm the boss.â
10:35AM
You made it to work well on time. Even after three orgasms, a shower, and an awkward attempt at a âWhat Now?â conversationâthat ended in the aforementioned third orgasm. Because fortunately for your rapidly fraying nervous system, Hotch hadnât even hesitated when youâd finally asked what happens next. In fact, heâd answered a little too quickly.
The first thing heâd asked was whether youâd be comfortable keeping things quiet for a while. Not because heâs worried about the team finding outâhe trusts them. Trusts you. The concern is Strauss, and the Bureau, and keeping you in the BAU while he figures out exactly how much trouble the two of you have just created for yourselves. At some point heâd even started muttering about reporting structures and supervisory chains, half-thinking out loud while pulling on his tie. Something about possibly moving your reporting line over to Rossi. Something else about needing to review the Bureauâs fraternisation policies before making any moves.
That was when you kissed himâeffectively, and very quickly, kicking off round three.
Because heâd clearly been thinking about this for a while, which means Aaron Hotchner has been noticing a lot more than just short skirts and inappropriately coloured underwear. It means that the second he decided to kiss you in your apartment last night, heâd already known exactly what he was getting himself into.
âAlright, gorgeous,â Morgan says, startling you as he raps a knuckle against your desk. âTheyâll be ready for you downstairs in ten.â
You glance up at him, brows drawnâand it takes an embarrassingly long second for you to figure out what heâs talking about.
âOh.â You blink. âRight. Yeah, Iâll head down soon. Thanks.â
Prentiss looks over from her desk. âYou gonna be okay?â
You lift a shoulder. âSure. Whatâs another case report?â
Morgan frowns, dropping into his chair. âItâs not exactly every day youâre the victim, baby girl.â
âYeah, but nothing really happened.â
Morgan and Prentiss both stare at you.
âBecause of the team,â you add quickly. âYou guys caught him before he actually did anything. So... you know, nothing bad happened.â You plaster on a smile that feels reasonably convincing. âThanks for that, by the way.â
Prentiss narrows her eyes, but before she can say anything else, Reid appears.
âYouâre in a remarkably good mood for someone who was being actively cyberstalked twelve hours ago,â he says, stirring his second coffee of the day.
You turn back to your screen, trying to ignore the heat creeping into your cheeks. âMaybe I just have a newfound appreciation for life.â
Reid studies you for a moment, clearly unconvincedâbut he doesnât push. He just moves slowly back toward his desk, setting his coffee down with unnecessary care while the rest of the team turn away, finally deciding to mind their own business.
You force your attention back to the report in front of you, determined to at least look productive for the next ten minutesâwhen a familiar voice cuts through your concentration.
âRossiâs taking Wallace with you next week,â Hotch says, setting the file down on your desk.
You blink up at him. âI thought you were leading the interview.â
âI was.â
Something in his expression tightens briefly before he lowers his voice.
âWallace has a long history of using sex, intimidation, and emotional targeting to destabilise people during interviews,â he says. âEspecially women.â
You frown. âHotch, Iââ
âAnd if he says something to you in that room,â he continues evenly, âor looks at you the wrong way, I need to know the agent sitting beside you is still capable of thinking objectively.â
Your stomach flips as his eyes meet yoursâsteady, intense, devastatingly honest.
âRight now,â he says quietly, âIâm not sure thatâs me.â
Then heâs gone. Moving through the bullpen back toward his office like he hasnât just set your pulse racing and your head spinning. You watch after him for a moment before shaking your head, glancing back at your computer screen as if youâd been focused on it at all in the first place.
ââŠHuh.â
You turn toward the sound and find Reid staring at you again. Not rudely. Just watching with the same focused curiosity heâd been wearing since your suspiciously cheerful comment about cyberstalking.