Vocal Analysis

Jane Zhang

Vocal Range: C3 - G5 - G#6

Supported Vocal Range: E3 - A4 - C6/C#6

Voice Type: Light Lyric Mezzo Soprano

Pros: Good belts up to A4 with resonance. Resonant head voice up to C#6. Good lower register.

Cons: Excessive pushing every where in mix voice.

Mari Hamada

Vocal Range: Eb3 - Eb6 - F6

Supported Vocal Range: A3 - C#6/D6 - C6

Voice Type: Full-Lyric Soprano

Pros: Supported mix voice up to D6. Some development in Lower Register down to A3. Supported Upper Register up to C6.

Cons: Underdeveloped lows. Unable to resonate.

Ailee

Vocal Range: D3 - A5 - C7

Supported Vocal Range: G#3/A3 - C#5/D5 - C6

Voice Type: Full-Lyric Soprano

Pros: Supported and (very) resonant belts up to D5. Decent development in lower register down to G#3/A3. Powerful head voice with resonance up to C6.

Cons: Excessive pushed voice past D5. Insufficiently developed lower register compared to rest of voice.

Celine Dion

Vocal Range: Bb2 - G#5  - Eb7

Supported Vocal Range: Eb3 - D5 - B5

Voice Type: Full-Lyric Mezzo-Soprano

Pros: Supported belts up to D5. Great development in both Lower and Upper Register. Operatic ring to her Upper.

Cons: Belts become shouty and strained above her supported range. Nasality very present throughout voice.

Lara Fabian

Vocal Range: Eb3 - A5 - G#6

Supported Vocal Range: A3 - A5 - B5

Voice Type: Spinto-Lirico Soprano

Pros: Amazing resonance from the bottom of her belting range to the top. Dark operatic Upper Register with support up to B5. Somewhat developed Lower Register.

Cons: Very weak lower register in comparison to the rest of her voice. Upper Register gains constriction past B5. 

Morisette Amon

Vocal Range: C3 - Bb5 - A7

Supported Vocal Range: A3 - Eb5/E5 - F5

Voice Type: Light-Lyric Soprano

Pros: Supported belts up to E5. Somewhat developed Lower and Upper registers.

Cons: Weak development on Upper and Lower registers as well as high larynx on belts past E5.

Demi Lovato

Vocal Range: C3 - Bb5 - E7

Supported Vocal Range: A3 - C#5 - F5

Voice Type: Full-Lyric Soprano

Pros: Supported and resonant belts up to C#5. Some development in lower register down to A3. Connected Upper Register up to F5.

Cons: Excessive pushed voice past C#5. Weakly developed Lower and Upper Register. 

Ariana Grande

Vocal Range: D3 - B5 - E7

Supported Vocal Range: G#3 - C5/C#5 - A5

Voice Type: Light-Lyric Soprano

Pros: Well supported belts up to C#5. Nicely developed Lower Register down to G#3. Weak but connected Upper Register with support up to A5.

Cons: High larynx on belts past D5. Lower Register tends to have a depressed larynx below G3. Upper Register could use more development. 

Kim So Hyang

Vocal Range: Eb3 - C#6 - A6

Supported Vocal Range: G#3 - C6 - D6

Voice Type: Light-Lyric Soprano

Pros: Supported belts up to C6. RInging Upper Register up to D6. Decently developed Lower Register down to G#3.

Cons: Lower Register lacks true projection when supported. Raised Larynx above D6 in Upper Register.

Patti LaBelle

Vocal Range: C3 - D6 - F6

Supported Vocal Range: G3 - A5 - D6

Voice Type: Spinto Soprano

Pros: Dark and powerful voice maintaining resonance all the way up to a belted A5. Upper Register ringing up to D6. Lower Register well developed down to G3.

Cons: Weak Lower Register below G3. Occasional excess tension in Upper Register. 

Whitney Houston

Vocal Range: A2 - G#5 - A6

Supported Vocal Range: G3 - F#5/G5 - C6 (Prime)

Voice Type: Spinto Lirico Soprano (Prime)

Pros: Gigantic resonance in the middle register, carrying a resonant chest dominant mix all the way up to G5. Open and free Upper Register all the way up to C6. Lower Register is well supported down to G3.

Cons: Unable to lighten her belts to support higher than G5. Cloudy and weak Lower Register below G3.

Barbra Streisand

Vocal Range: C#3 - G#5 - C6

Supported Vocal Range: F#3 - E5 - Bb5 (Prime)

Voice Type: Full-Lyric Soprano

Pros: Powerful and resonant middle register with unparalleled depth. Fully connected and supported Upper Register. Advanced use of dynamics. Strong Lower Register.

Cons: Raised larynx and constriction above E5 generally. Constricted Upper Register above Bb5. Lows become soft and unclear below F3.