Danez Smith, “It Began Right Here”

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Danez Smith, “It Began Right Here”

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'things there are no words for, but should be', tatheve simonyan
- wish i could do nothing with you
willing and able- noah kahan/ option on a poll from @stargirldotcom/ frog and toad/ @death-born-aphrodite/ our last night- better than ezra/ @stargirldotcom/ everything, everywhere, all at once/ @death-born-aphrodite/ calvin and hobbes
being in my 20s is like I understand more of my mother and less than i ever have. My childhood friends are strangers to me and there’s no one i know better. i want to drink wine. i never stopped wanting to climb trees. i know more than I’ve ever known before. I don’t know anything at all. i’m seven years old and sixteen and twenty nine and seventy. I can’t tell when i'm happy. I think the only thing that will make me happy is to be little again. i want to be really old. i go to the ocean and feel like nothing matters more than that. in my bedroom everything matters so much. I go to the grocery store every day. i know how to cook a lot of things but the only thing i know how to eat is fried eggs. I can take care of myself but i want to be taken care of. i want to go home and I don't know where that is. i think it may be somewhere inside of me but i’m not sure
The Other Bennet Sister (2026)

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“The role of the artist is exactly the same role, I think, as the role of the lover. If you love somebody, you honor at least two necessities at once. One of them is to recognize something very dangerous, or very difficult. Many people cannot recognize it at all, that you may also be loved; love is like a mirror. In any case, if you do love somebody, you honor the necessity endlessly, and being at the mercy of that love, you try to correct the person whom you love. Now, that’s a two-way street. You’ve also got to be corrected. As I said, the people produce the artist, and it’s true. The artist also produces the people. And that’s a very violent and terrifying act of love. The role of the artist and the role of the lover. If I love you, I have to make you conscious of the things you don’t see. Insofar as that is true, in that effort, I become conscious of the things that I don’t see. And I will not see without you, and vice versa, you will not see without me. No one wants to see more than he sees. You have to be driven to see what you see. The only way you can get through it is to accept that two-way street which I call love. You can call it a poem, you can call it whatever you like. That’s how people grow up. An artist is here not to give you answers but to ask you questions.”
— James Baldwin, “The Black Scholar Interviews James Baldwin,” Conversations with James Baldwin (edited by Fred L. Standley and Louis H. Pratt)
Franny Choi, from "I Guess By Now I Thought I’d Be Done With Shame"
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PROJECT HAIL MARY (2026) dir. by Christopher Miller & Phil Lord
+ bonus happy tears
if I just had the presence of mind and the wherewithal and the chutzpah and the bandwidth and the executive function and the energy and the mental resources and the spoons and the right attitude and the capacity and the gumption and th

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Clarice Lispector’s law school graduation by the University of Rio de Janeiro, 1943.
when the song tackles you to the ground and starts beating the ever loving shit out of you
mary oliver, staying alive
I THINK LOVE IS SOMETHING / THAT HAPPENS TO OTHER PEOPLE - Michael Gray Bulla
Against Empire by Jim Moore

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FLEABAG — 2.06