Details from The Reconciliation of the Montagues and Capulets over the Dead Bodies of Romeo and Juliet, Frederick Leighton, Oil in canvas, 1855.

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Details from The Reconciliation of the Montagues and Capulets over the Dead Bodies of Romeo and Juliet, Frederick Leighton, Oil in canvas, 1855.

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Marx Reichlich - The Last Judgment
Visión de Don Miguel de Mañara, unknown artist, ca. 17th century, Spain, from the collections of churches and monasteries of Toledo.
Don Miguel de Mañara was a 17th-century Sevillian nobleman, libertine, and ultimately, Christian convert. Following the death of his wife, he suffered a spiritual crisis during which he experienced a series of macabre visions,some depicted in art, including a woman appearing to be his wife who transformed into a skeleton.
Your eyes has stolen me

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Anonymous Bolognese Painter, c. 1450–1475
Saints Pierced by Thorns (Polyptych fragment)
Tempera and gold leaf on panel
Pinacoteca Nazionale di Bologna, Italy
A highly unique late-Gothic artwork depicting holy figures serene amid physical torment. Their blood flows down into a carpet of red roses, symbolically transforming an execution into a triumph of faith.
Daimon, by Alessandro Sicioldr, 2016.
Silent Hill 2, 2001.
Emilia Castañeda Martínez - Desire and the Beast
Setting frame of Andrei Rublev’s icon “Holy Trinity”

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Today is a good day to think about someone I've lost
But is still alive
Far, far away
So close to me
Oskar Zwintscher (1870–1916), “Grief”, 1898
source
Scenes from The Sacrifice (1986) by Andrei Tarkovski
Gabriel Augusto, “Sleep paralysis”
oil on canvas, 2025
Joseph Fay
Faust and Mephisto in the Dungeon, 1848.

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Larisa Brechun, “The King in Yellow,” oil on panel, 2026
“I pray God will curse the writer, as the writer has cursed the world with this beautiful, stupendous creation, terrible in its simplicity, irresistible in its truth—a world which now trembles before the King in Yellow”
Agostino Arrivabene (b. 1967), “Kore metamorfica II”
oil on canvas, 2025
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