I love this image immensely because first and foremost I find it incredibly funny to apply in dire situations. But second and second-most because on occasion, in certain circumstances, it represents a truth and gospel unmatched by any other statement on the internet.
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talking about impenetrable accents/dialect just reminded me. when I was in Milan a couple of years back I was staying in this little rathole hotel and I had the biggest fucking migraine, so I was like non c'ĆØ problema I'll just go buy painkillers. of course every pharmacy on the map in a three block radius was closed, so my stupid ass just starts wandering around trying to figure out on the fly if you can get OTC from supermarkets in italy.
I walk into this little everything store (to my foreign eyes the kind of place that back home could sell you a bunch of carrots, a 6-pack of beer, pantyhose, bleach and a screwdriver set) and I see some household basics in the back but not what I need. with the confidence of a person who is only in the city for 3 days because he got bored and packed a bag and booked the cheapest flight available the week before (<= MENTAL ILLNESS), I was like no worries I know some italian, I can just ask.
I grab a bottle of water, walk up to the counter, and I'm like Ciao, hai il paracetamolo? And the guy is like che, and I'm like paracetamolo. Per la mia testa. And he's like che?
This is where I would have said 'aspirina' except I can't take aspirin for medical reasons, or 'antidolorifico' except I don't know that word and I've got no phone data for google translate and also I'm stupid. So in my fucked up leith-glasgow-italian accent I'm like paaa-ra-cetta-mollll-ooo. He's like ohhh bene, bene, and he calls another guy out of the back and asks him to go get something. Other guy then walks out of the store into the street, and before I can be like hey, che la fuck, he comes back and hands me a huge bundle of herbs.
At this point I'm like okay this entire interaction has been a bust, but these guys have been very nice and patient and they're both smiling happily at me because they've been of service, so I'm like ahh perfetto, grazie, pay them a couple of euros and leave.
EVENTUALLY I find a pharmacy that's open, and my head is fucking killing me, and my phone still isn't connecting, and now I have this small shrubbery poking out of my coat pocket, so I don't even bother looking around the shelves. I just walk straight to the counter and I'm like uhh ciao, scusi. And hearing my nightmare of an accent the guy answers in english and I'm like thank christ, do you please have paracetamol. Not aspirin, I can't take aspirin. And he's like yeah yeah hold on, goes into the back, comes out with what I need.
Only when he comes out he gives me this look, and then he starts laughing. And then he pretends he's not laughing and rings me up and I pay, and as I'm leaving I can see him losing it. But I don't care, my head is going to explode, I'm going back to the rathole to close the blinds and fall comatose for four hours.
When I get back to my hotel room I take off my coat and remember the huge bouquet of herbs in my pocket. They smell amazing, and I'm like I'm pretty sure this is parsley in which case I can just get some tomatoes and mozzarella later and make it work. but since I have no idea what that interaction was, I want to make sure. I bring out my phone to get a visual reference of what parsley leaves look like, and because I was using it for google translate earlier I put 'parsley' in the wrong box like a dope and translate it to italian.
prezzemolo
I wish I could have been the pharmacist in the moment he looked at my tired pissed off anglophone ass, heard me say 'paracetamol' in my fucked up accent, and turned around saw what was in my pocket. I'd have lost my shit too.
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"ooh but toby fox didnt MEAN to put csa in his game :(" well maybe he SHOULD have. maybe you should examine why you're just oh soooo relieved that he didn't mean to imply that, instead of just basking in relief that you no longer have to remember child abuse exists. maybe it would make the game BETTER if he did. maybe you cant avoid csa like its a damn plague if you're gonna be playing with teen characters and the loss of bodily autonomy. maybe you can't step back after setting up two childhood friends on a couch with a ring that symbolizes horrific dehumanization and abuse and loss of autonomy and disregard for consent. maybe the story woulda been way better if it did mean to imply that, or if the devs at least stuck to the visuals even though it wasn't intended.
Also, the intent was almost certainly for it to evoke SA. The imagery change was never given a stated reason, but even if we assume it has to do with that we don't know what the motivation for that is.
Either way that scene was 100% written with CSA themes in mind. The imagery is very clear, and the snow grave route has been about that type of thing since the start. Listen to Greatest Living Show, it's clear what it was a metaphor for.
In the song āThe Old Therebeforeā which both Lucy Gray and Burdock sings, talks about how they have to live their life before flying up, flying up to the hereafter like birds.
Immediately after Primrose dies, Katniss visualizes her dead loved ones as birds that fly in the sky
I think Iām stupid I canāt believe I never made that connection before
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I have surprisingly been getting messages from people asking whether I'd do a post about my design notes for the deadly seven sins. Alright then, here goes;
Design Notes; The Seven Deadly Sins
Greed points at everything they want and grasps anything they can. Their true form is unseen. Their own hand partially blinds them. Different eyes puncture their crown, stolen from others. They float, detached from all. Their stick is sharpened at both ends
It is the first and oldest design, dating back to 2023
The stick sharpened at both ends is a reference to Lord of the Flies (in the book, one end of the stick goes into the earth while the other holds a severed head) I wanted it to symbolize violence
Sloth exists in a wrapped cloth that provides comfort but muffles all sensations. Sloth doesnt see, speak nor hear. The cloth overwhelms them. They are bound by a rope whose edge reaches inside their confinement, giving them the ability to free themselves if so desired.
I made an extra effort to put the rope within Sloth's control, to avoid associating inertion from mental illness to laziness
I wrapped my Blajah plushie with a bed sheet and used my robe's belt as rope to get a picture reference for the upper body. Despite eerie origins, my designs come into paper with a lot of silly methods.
Pride exists inside a golden, hollow statue. Their gaze is set upon a cracked book of pages set in stone. Their laurel crown is sharpened to the point of horns. Pride can be set free if they break the outer shell that binds them with the gavel they use to condemn others.
The pose and clothing is a reference to the painting The School of Athens, by Raphael.
Being mettalic, the book only reflects back themselves. Even if you interpret it as stone, it would still work since the pages remain static
I like to imagine the rotten legs dragging their heavy statue shell around. Ever since I was little I have a strange fear of statues moving
Gluttony is a stomach, living and consuming themselves within their confinment. Theyāre not represented by an underweight or overweight person; it had to be something everyone has. Their scale is purposefully unspecified; because everyones is different.
The design resembles the Horseman of Famine because gluttony and famine are connected; the excessive hoarding by some people causes famine to others. They're like two different plates on a scale
While the basic representation is just fat, I never considered drawing an underweight person to counter it and appear subversive. When talking to a friend recovering from an eating disorder they mentioned how cheap and uncomfortable it is when people use extreme thinness just for the sake of horror and I have to agree. I always avoid drawing real bodies for horror
Lust is the only one who tries to disguise itself with a human appearance, tho it has too many hands. One hand to beckon, one to threaten, and one to silence you. It kneels because not all of its victims are adults. It lives undercover and invites you in as well
Many asked about the fourth hand: it's the one you only notice afterwards and are left wondering what it means, whether it's an innocent gesture or not. How it made you feel.
It has 2 other variation designs. While what I made before is beautiful, it is not unsettling enough. It has the artstlye of an angel rather than something human and dangerous
I settled on the design after a passage in the book Second-Hand Time, by Svetlana Alexievitch. It was a passage about a teen abused by a military squad, killed when she got pregnant, and mocked over how underveloped her body was. Because of that my original idea was to have Lust wearing military boots, but that would restrict the concept too much. I thought that drawing would make that passage less haunting to me, but to no avail.
Envy is a slowly burning and constricted heart. It covers its identity with a mirror; the more it seeks to resemble the reflection of others the less it will resemble itself. But even the reflection is broken, inaccurate, and unsatisfactory.
Many have said the concept looks like a chrysalis or a flower bud, unable to flourish. I like when people interpret my drawings, they often find beautiful meanings that escaped me
I pondered whether to paint the mirror in front of them black, to symbolize phone screens, but decided against it because it would blend into the background
Least popular design but one where people have told me ''I cant stop thinking about it'' the most, which made me cherish it a lot
Wrath is not a beast acting ravenous, but a human thing slowly crawling towards you. All of their actions are justified by the halo they claim to be righteous. The closer they get, the more they shed their humane appearance
It was a challenge to make wrath differ from someone being rightfully angry. It applies to all designs; how to portray dangerous excess to very common and not entirely wrong emotions.
Wrath has no legs. Nothing to stand on
''Little by little, it turned into that wild fury in which the eyes camouflage with a black veil, the fists contract with a tremedous force and your very teeth find the enemy'' Roughly translated quote by Nikolai Gumilev that I kept in mind while designing it. Amazing writer
That is all I can remember at the moment. Hopefully it saciates everyone's curiosity and not ruin the magic and mystery. Thank you very much for your interest. I will see you soon, when it's time for the Seven Heavenly Virtues
it's funny that people are acting like Kris is the jealous one when they're mostly just silently pining and actively do things to get susie/noelle together
and meanwhile Susie is out here with biblical levels of greed wanting both Noelle and Kris all to herself /lh
hi broski can i ask how its implied that kris sh's......... slash genuine
This isn't the first and definitely won't be the last time I get asked this, so I figured I might as well answer with my own thoughts. I debated whether or not to make this post since people started asking because, honestly, itās a lot more personal than I like to be on this blog, but I think Iām ready to dive into it!
(Obvious CW for Self-Harm)
To start, the times in canon where Kris takes out the soul, and through whatever happens before weāre put back in, their HP is visibly lower afterwards. From what I can recall, this isĀ visible at the Holiday house in chapter 4 - Both in the normal route, where Kris throws the hockey puck at us (They lose 5 HP)
And In the weird route, where they lose 10 (A whopping HALF of their HP)
Presumably, Kris knows that hurting the soul hurts themselves, so while both times the damage is directed at us, the results are the closest to on-screen self-harming behaviour anywhere in the game.
(Side note: I donāt think Krisā HP lowers just from ripping the soul out, although I havenāt checked, so if Iām wrong please lmk! Even so, the act of ripping us out LOOKS pretty painful lol)
Now for the implied stuff:
Weāve known since at least chapter 1 that Kris carries a knife around with them. While its purpose in-game is making dark fountains, some dialogue makes me think that they didn't just steal a random knife from Torielās kitchen when they started making dark fountains.
Firstly, Right off the bat in chapter 2, Toriel says this:
This establishes 2 things: 1, Kris has this knife since BEFORE any dark fountains appear (Since we don't technically know who made the fountains in chapter 1 yet), and 2, itās ātheirā knife, or at least that theyāve had it long enough for Toriel to recognize it.Ā
(Iām not even going to try to get into the Toriel bad parenting discourse here IDK why she doesn't GAF??? Does she maybe know that Kris needs the knife to open dark worlds? I think im reading too far into this im going to stop now.)Ā
I honestly don't know how much to even read into this scene because it seems to primarily be for comedic purposes/a red herring as to what Kris used the knife for that night. It still stands as an important characterization for Kris, though, that they're the type of kid to carry around a knife enough to make their mother not bat an eye at it.
It does sort of confirm what Susie says here in chapter 4,
Which, without the previous scene with Toriel, might have just seemed like an assumption, but we essentially know what sheās saying is true. Also, I see people wonder why Kris blushes here, but I think itās because Susie is teasing them about being an edgy loser, which is kinda trueā¦. Sorry Krisā¦.
Then Eram, this nebulous character that seems to have a history with Kris, taunts them specifically about a knife āgrowing dullā.Ā
This can definitely be referring to a metaphorical knife (The use of violence), or maybe opening dark worlds/escapism, but I also think it may carry some self-harm allusions, especially considering that Eram seems to know more about Krisā bad history than we do at this point in the story.
This is a bit of a tangent, but speaking of Krisā troubled youth, let's talk about the chapter 4 egg room. I keep seeing that a lot of peopleās takeaway is that Kris straight-up killed a dude, which might stem from this dialogue
I don't think this necessarily means āThis is an art therapy class for people who have murdered someoneā, more that the patients (including Kris) were there for some serious behavioural issues. (Especially when reading this line as something a troubled kid who doesn't know how to process the violence they experienced might say.) The art therapy room doesn't outright state why Kris was there, but I think itās fairly obvious that something traumatic occurred in their past that led them to need therapy. This is all to say that trauma at a young age can also lead teens to self-harm as a coping skill, so tangent over.
This is where it kinda gets personal for me. Now, everyone has different motives for self-harming (obviously), but when I was younger, I kind of used it as a controlled form of punishment, if that makes sense? Like, whenever I fucked up severely and had all these emotions bubbling over, I would S/H because in my mind it felt like atonement. If I had caused someone else pain or inconvenienced them, I felt like the only way to āeven it out, ā so to speak, was to make sure I also hurt. I say this because guilt can be a HUGE motivator for habits like that, and guilt is seeming to be a big theme in Krisā character arc, with their promise to Carol and whatever the hell the egg rooms mean. So, I guess that makes my final reasoning as to why I think Kris would self-harm, that it would be out of guilt.
Looking back at how I phrase my first post, I donāt really think (at least right now) Toby Fox is writing Krisā behaviour specifically for peopleās main takeaway to be āOh yeah this kid is definitely cutting themselfā, but given the circumstances and everything we know about Kris so far, I wouldn't be surprised if itās ever alluded to more clearly. I also would be happy for this to be all that we ever get in terms of crumbs, because itās more of my headcannon right now than a proper ātheoryā or anything.
Also let me know your thoughts/if you disagree/other things I may have missed! I love this game and love reading your reblogs (as long as you donāt talk about your S/H methods or habits, please stop doing that shit)
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