Anne Of Green Gables (1985).

Origami Around

tannertan36
Interview Vampire Daily
d e v o n

PR's Tumblrdome
Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă

Jar Jar Binks Fan Club
đŞź
Cosimo Galluzzi
NASA

oozey mess

izzy's playlists!

#extradirty
â
đ
noise dept.
Sade Olutola
tumblr dot com

Game Changer & Make Some Noise
untitled

seen from China
seen from United States
seen from Czechia

seen from United States

seen from United Kingdom
seen from Malaysia
seen from United States
seen from Canada

seen from Colombia
seen from Venezuela
seen from TĂźrkiye

seen from TĂźrkiye

seen from Ukraine
seen from Aruba
seen from Bangladesh

seen from Australia
seen from United Arab Emirates
seen from United States

seen from France
seen from Colombia
@victorian3
Anne Of Green Gables (1985).

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
What to do if witchcraft suddenly gets way too intense
1. FINISH WHAT YOU ARE DOING.
âş DO NOT walk away from an uncompleted ritual
âş DO NOT walk away in the middle of a spell
Grab your notes and close everything down. Dismiss any spirits or entities you are working with. Close down the circle. End the ritual. Diffuse the energy of the spell and close it down. If you were enchanting an item, announce over it that it is closed and nothing more may come in or out.
Spells and rituals are little portals of power; if you leave one open without closing it, all sorts of things could get screwy and come through.
2. End any spooky/witchy atmosphere immediately.
Blow out all the candles.
Put out all the incense.
Turn on all the lights.
Turn off spooky chanting music. Turn on some happy music or better yet, a non-supernatural television show or movie you love.
If you were enchanting an item, immediately put it in salt.
3. Donât destroy the items/notes you will need later.
Trust me, do not throw away the spell you wrote or the objects you were working on. If things go wrong in the future you will need these to fix the problem.
âş Immediately write down exactly what happened. Write down every deviation from the spell that you did. Write down exactly what you said and saw during any visualizations. Write down exactly when things started to get freaky.
âş If you were enchanting an item, keep it in a black bag filled with salt until you are ready to deal with it.
4. Cleanse.
Use an energy cannonball to purify the space you were working in. Burn rosemary and bay leaves to fumigate the area, or spritz a premade water solution if you canât have smoke. Pay special attention to all ritual tools.
If you feel the need to, cleanse yourself by visualizing the power of the smoke enveloping you and driving away any bad vibes; or take a shower if you really feel something has gone wrong.
5. Get out of the area you were working in.
Go to another room. Leave the house if possible. Seek the company of others or turn on the television if you are alone.
6. Do mundane things for a while.
Eat a nice meal. Drink a big glass of water. Go for a jog. Do some chores. Put anything magical totally out of your head. Absolutely do not focus on how weird things just got.
7. When you are ready, return to the area you were working in.
Relax yourself and judge the energies within the room. Are things still âcreepyâ? A heavy-duty cleansing is in order. Do you feel as if someone else is there? Open a window and command it to leave - if it does not, more fumigation or a banishing is required.
Judge your ritual tools and determine if they will need additional cleansing. If you were working on an object, determine if it has been corrupted or if anything is wrong with it. If so, put it back in the salt and deal with it as soon as you can.
8. Take a break from witchcraft for a couple of days.
9. Figure out what went wrong.
Fear is never a good thing. There is a difference between embracing the darkness and being afraid.
âş Fear can be caused if an entity showed up you were unprepared to deal with.
âş Fear can be caused if your intuition (or perhaps a spirit ally) was warning you that what you were about to do was a really bad idea.
âş Fear can be caused if you tap in to powers that overwhelm you.
You need to figure out what went wrong. It isnât a situation where you can say âoh wellâ and try something else later - because you screwed up, and next time you may not get an adequate warning before things go to hell.
Very important stuff!!
PLEASE, PLEASE, PLEASE read this, save this, etc!! Itâs VERY important!! Before coming across this post, I had this very thing happenâŚ.. Iâm in the middle of casting, within my circle, & I got this OVERWHELMING feeling of fear, terror, MORE than just one feeling, & I didnât know what to do. I froze & the only thing that I could think wasâŚ.âWhat should I do? Do I break my circle, or cut it, or just flat out get the hell outta here?? It was VERY scary!! Then, just like the blog tells you, I wasnât sure what to do with my spell & spell items.
I hope this doesnât happen to a lot of Witches, but the risk is there if your casting and/or working with spirits. So plz, just be MINDFUL of WHAT youâre doing, & the ATMOSPHERE around you!! And ALWAYS HAVE A BACKUP PLAN OR A âBACKDOORâ OUT!! đđđťâ¤ď¸đŽ
This is all excellent advice, but I have one minor quibble: In some situations, the presence of fear can be a good thing. You should listen to fear the way you would listen to any other warning.
Like OP, I do NOTÂ recommend allowing fear to control you, to guide your actions. But fear is your bodyâs way of telling you that you could be in danger. Its voice is to be heard and respected even if it should never be allowed to lead you. Its presence is a signal that there could be danger ahead.
Study traces history of some of our favorite folk stories
GUYS THIS IS AMAZING
SERIOUSLY
6000 YEARS
STORIES THAT ARE OLDER THAN CIVILIZATIONS
STORIES THAT WERE TOLD BY PEOPLE SPEAKING LANGUAGES WE NO LONGER KNOW
STORIES TOLD BY PEOPLE LOST TO THE VOID OF TIME
STORIES
GUYS LOOK AT THIS
OH MY GOD YOU GUYS
GUYYYYYSSSS
âHereâs how it worked: Fairy tales are transmitted through language, and the shoots and branches of the Indo-European language tree are well-defined, so the scientists could trace a taleâs history back up the treeâand thus back in time. If both Slavic languages and Celtic languages had a version of Jack and the Beanstalk (and the analysis revealed they might), for example, chances are the story can be traced back to the âlast common ancestor.â That would be the Proto-Western-Indo-Europeans from whom both lineages split at least 6800 years ago. The approach mirrors how an evolutionary biologist might conclude that two species came from a common ancestor if their genes both contain the same mutation not found in other modern animals.âÂ
If you want to have a look at the ATU (Aarne Thompson Uther) Index of Folk Tales:
The Multilingual Folk Tales Database (which includes the ATU Index) is saved on the Internet Archive
The Kalevala Society Foundation has PDF copies of the 2nd printing in 2011: Part I, Part II, and Part III
I was high off my ass last night and had this dream where I was in this dense ass forest and sitting there was a tall woman. She was so tall I couldnât see her face but she was wearing gold and I was like âuh...hi?â And she said âI made you, do you know that?â And I nodded and she was like âI hear your thoughts. Why do you hate my creation? Why do you try to destroy yourself? I made you perfect as you are. Please donât break my heartâ. Then she started crying and it flooded and I woke up with fucking heart palpitations like what does it Meanâ˘ď¸????
polar opposite of this post
In 2023, this blue and white striped gown appeared in đ¸đđđđ đŞđđđđđđđđ: đ¨ đŠđđđ đđđđđđ đşđđđđ, worn by Connie Jenkins-Greig as Young Violet Ledger.  But thatâs possibly not where it began its life. I went back and forth on this one for quite a while, and believe this costume originated with Sofia Coppolaâs pastel-drenched retelling of the life of Marie Antoinette, in which Kirsten Dunst wore it in the title role.  At first glance, confirmation isnât simple - it often is not. The gown is never shown in a sharp close-up in đ´đđđđ đ¨đđđđđđđđđ, and the striping reads differently depending on different lighting, post prouction color grading, and, most importantly, đđđđđđđđđđ. But closer inspection reveals that the fabric pattern aligns, as do the curved skirt panels and trim placement. The bow has been changed to a lighter color, though the trim remains the same. The engageante lace cuffs are difficult to verify as having been changed out or not due to limited screen clarity.  What ultimately tips the scale in the affirmative is the discovery that Kirsten Dunst and Connie Jenkins-Greig share đđđđđđđ documented gown. When more than one costume overlaps between the same two actresses, it generally strengthens the case that the pieces are coming from the same stock. Given their similar builds and the precise structural matches in fabric, paneling, and trim, it is highly likely this striped confection is indeed one and the same.  What other costume do these two actresses have in common? Follow us here, or on our website, to find out in a few weeks! Bit.ly/StuGeo169

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
This gorgeous green velvet jacket has been used several times since its creation. It was created for Hilary Swank to wear as Jeanne St. RĂŠmy de Valois in the 2001 film đťđđ đ¨đđđđđ đđ đđđ đľđđđđđđđ.  The costume went on to be used three times in the year 2006! It was first worn that year by Rose Byrne as the Duchesse de Polignac in đ´đđđđ đ¨đđđđđđđđđ, as well as by an extra in the film đ¨đđđđđđ đŽđđđđ.  Where else was this costume seen in 2006? Find out on our website at: Bit.ly/StuGeo040  Â
Shochikubai ("three friends of winter") themed seasonal outfit, pairing a ume (plum blossom) kimono, matsubokkuri (pinecone) and matsuba (pine needles) black satin obi, and a cute take (bambou) obidome.
Auspicious shochikubai pattern is heavily associated with New Year season in Japan :)
Someone Asked Me...
What the Sagegami (ä¸ă鍪) style looks like for tayĹŤ, and itâs very hard to share if I canât show images of the book. However, thereâs a fantastic henshin studio who dresses their clients like tayĹŤ and posts the images onto Instagram. Their newest model happens to be wearing sagegami: Example 1 Example 2 Itâs possible that they may post more images in the future of this model, but for now even looking through their impressive catalogue of henshins is quite a treat! You can check them out here ^^

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Nihongami: Hairstyles of the Karyukai - Tayuu, Shinzo & Kamuro
Historical Time Period: Mid-Edo Period - 2nd Half (1753-1789)
Hairstyle Name: Otoko Genroku (çˇĺ çŚ) lit. âGenroku Manâ
   This hairstyle is different from its sibling style, the Onna Genroku, in that the topmost gathering of hair is styled in a tall, shaku-like pattern, compared to that of the female style. These hairstyles are a reference to the loud, flamboyant gender-fluid style of fashion during the Genroku period of Japanese history, a time when men and women dressed so alike you couldnât always tell them apart on sight.
Source:Â https://twitter.com/ayaka8700119/status/1422139436091858945?s=20&t=RTw8vji0nnrT49GNC_P94Q
Source:Â http://nihongami.blogspot.com/2021/01/touzinmage.html
Japanese Hairstyles: Historical Overview Part 02: Womenâs Hairstyles of the Edo Period, Part 03
Hairstyle Name: Toujin-mage (ĺ人鍡) lit. âChinese Topknotâ
  This hairstyle is a variation of momoware and was worn from the late Edo period to the Meiji. This style was introduced by the courtesans and kamuro of the Yoshiwara, although it would eventually become a common hairstyle among 12-18 year old town girls. Kamuro would use very gorgeous kanzashi, while town girls would use more frugal decorations.
  Unlike momoware, this hairstyle is not closed at the top of the topknot. This  way you can see the tegara at the top and bottom of the topknot. It is distinct from wareshinobu, which is created in a completely different way. With toujin-mage, kanokodome cannot be used as they are with the wareshinobu hairstyle.
Source: http://nihongami.blogspot.com/2023/08/blog-post_11.html
Japanese Hairstyles: Historical Overview Part 02: Womenâs Hairstyles of the Edo Period, Part 03
Hairstyle Name: Ume-ware (ć˘ ĺ˛ă) lit. âBroken Plumâ
  This hairstyle is a variation of the ichogaeshi style and was worn only by girls and young women during the Meiji period. It appears that the youngest girls with long enough hair wore momoware, then transitioned to ume-ware or toujin-mage, and then finally moved on to the ichogaeshi hairstyle. Ume-ware may have been originally known as Ume-musubi (ć˘ çľăł).

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Yuki ăă debuted as a Geisha from Okiya Yukiwa ăăĺ in Hakone in April 2026.