Inner peace has me experiencing things differently. For the first time, a warm jazz scent became an immediate cue for my body to unwind. Shoulders dropped and breathing slowed. I want to stay here

Janaina Medeiros
Peter Solarz

❣ Chile in a Photography ❣
Today's Document
YOU ARE THE REASON

Product Placement
Cosimo Galluzzi

★

One Nice Bug Per Day

shark vs the universe
noise dept.
tumblr dot com
Aqua Utopia|海の底で記憶を紡ぐ
styofa doing anything
"I'm Dorothy Gale from Kansas"
Lint Roller? I Barely Know Her
occasionally subtle

roma★

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@vankappell
Inner peace has me experiencing things differently. For the first time, a warm jazz scent became an immediate cue for my body to unwind. Shoulders dropped and breathing slowed. I want to stay here

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Hisako Naiki ⌘ JCA Annual 6 (1985) — The corridor no one built
Villa Lemoine by Rem Koolhaas, Bordeaux, 1994-1998

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https://www.instagram.com/frachella/
Virginia Woolf, from a diary entry written c. March 1940 featured in The Diary of Virginia Woolf: Vol. V 1936-1941
summer by Chino Otsuka
Ella Mccutcheon - Harpers Bazaar Italia February 2026
The Reconciliation of the Montagues and Capulets over the Dead Bodies of Romeo and Juliet (1855) Frederick Leighton

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broken symbol
to be a poet (11.16.24)
Alicia DiGi
coming to terms with the fact
that to be a poet is to
profit from your own suffering.
with that being said, of course i’m attracted to
behaviors, circumstances, & connections that i understand
(from the start) will damage me.
to be a poet is to
gravitate to a darker state of mind—prefer it, even—
& have trouble producing quality work
with positive subject matters.
i write my best when i’m at my worst;
nothing deeper, more passionate, more intricately formulated.
i strongly do believe that my purpose is lain here,
on this dimly lit plane of probable despair
& dried flowers.
utterly cinematic, yes, but tiringly unfortunate.
because to pursue the thing that brings me the most joy
also has the potential to enable the recurrence of progress hinderment.
if i must always channel the darkness within me to do what i love,
will it tie me to the past that made me?
am i already tied to it?
María Félix in La Diosa Arrodillada | The Kneeling Goddess, 1947
Untitled #343

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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