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Alex Katz (American, b. 1927), Camp,1990. Woodcut, 152.4 x 101.6 cm. Edition of 60.

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Kazuo Tatematsu, from JCA Annual 4 (1982)

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Roy Lichtenstein (American, 1923 –1997), Forms in Space, 1985. Magna on canvas, 24 × 32 in (61 × 81.3 cm). via

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Robert Mangold (American, b. 1937), Red February #3, 1963. Oil on canvas, 213 x 159 cm.

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Chris Ofili (British, b. 1968), Searchers, 2005. Pastel on paper, 48.5 x 32 cm.

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Edward Hopper (American, 1882-1967), Corn Hill, c.1930. Watercolor over graphite on watercolor paper, 35.4 x 50.8 cm.

via thusreluctant

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Patrick Caulfield (British, 1936-2005), Two Whiting, 1972. Screenprint in colours on wove paper, 43.5 x 60.25 in.

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Erik Parker (b. 1968), Act Like You Know, 1999. Mixed media on paper, 76.5 x 111.5 cm.

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John Wesley (American, b. 1928), B’s Ladder, 1973. Gouache on paper, 53.3 x 66 cm.

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Konrad Winter (Austrian, b. 1963), Getarnte Landschaft/Friedrichskoog [Camouflaged Landscape / Friedrichskoog], 2008. Car lacquer on aluminium, 80 x 96 cm.

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Enoc Pérez (Puerto Rican, b. 1967), Sas Royal Hotel, Copenhagen, 2004. Graphite on paper, 182.9 x 127 cm.

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Paula Rego (Portuguese, b. 1935), Untitled, from the Dick Whittington series, 1983. Acrylic on paper, 68 x 92 cm.

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Saturday: Cinematographer Mark Lee Ping-Bing will be here in person for a conversation with curator La Frances Hui to celebrate his MoMA Film retrospective. He’ll share stories about his longtime collaborators Wong Kar Wai, Tran Anh Hung, Hou Hsiao-Hsien, and others.

[In the Mood for Love. 2000. Directed by Wong Kar Wai]

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Colin Waeghe (Belgian, b. 1980), Trespass I, 2015. Oil on canvas, 100 x 70 cm.

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Charles Burchfield (American, 1893-1967) Rogues’ Gallery 1916. Watercolor and pencil on paper 13 7/8 x 19 7/8" (35.2 x 50.6 cm)

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Mamma Andersson (Swedish, b. 1962), Humdrum Day, 2013. Oil on panel, 112.5 x 108.5 cm.

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