You finally see it one night after too many drinks at the bar—you both getting close and touchy—finally realizing that the both of you have had the hots for each other for a long time. HR be damned.

You don’t even make it to the bedroom. Hair tossed, clothes strained from its previous position, and lips red and kiss bitten. You’re on your knees going for his belt buckle.

His cheeks flush a deeper red than they were before from the tequila you got him to buy at the bar. His hands are in his face as he lets out an embarrassed huff of a laugh at your wide curious eyes and growing smile.

“It was a long time ago,” he tells you in his gravelly voice.

You shrug your shoulders, “I like it.” pulling the waistband of his underwear to watch his cock spring free. It’s achingly hard, the tip flushed a dark peak with the tip leaking. Your mouth waters as your tongue eagerly licks the salty residue.

Jack’s head falls against the head of the couch as groan comes out of his mouth, deep and heavy as you finally enclose your lips on him. His hands go to you hair, he lifts his head up and watches you take him.

“C’mon baby, do what you’re told.”

This came as something of a shock to Michael Fassbender and Laura Donnelly. According to Donnelly, the actors who play Mama and Papa to the whole Kennedy clan arrived on set with their R’s fully dropped. “Then we found out that the general vibe was going to be pull it back,” she said. “We were a bit like, ‘Oh, I don’t know how to do that.’” Apparently there’s still a little Mass-hole in the finished product. The showrunners just didn’t want to have to accent coach nine kids playing the Kennedy babies (It’s like Muppet Babies but eventually they lobotomize Skeeter). “We didn’t want these tiny kids trying to do that accent, so there had to be a way of closing that gap,” Donnelly said. “So the kids would be more of a general and that Michael and I would do the more distinctive accents. I think that kind of creates a blend.”