I love Kingdom Hearts so much.
Same, but really just Kingdom Hearts that looks like this:
Though I did get some fun out of this, and that when it was around:
(And ofc with tie-ins like manga, toys, the board game, etc.)
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@ultraericthered
I love Kingdom Hearts so much.
Same, but really just Kingdom Hearts that looks like this:
Though I did get some fun out of this, and that when it was around:
(And ofc with tie-ins like manga, toys, the board game, etc.)

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FUCK.
Rest in peace Hayden Panettierre, the first voice of Kairi
My main memories of Hayden Panettiere is her being the OG voice of Kairi in kingdom hearts 1+2 and singing the ending song for Cinderella 3
RIP to a princess
OS S3E7: Super Alien Hero Adventure Buddies
I just know that this kiddie tv show was what inspired Albedo to make the ben 10 show in the future.
It was definitely on his vision board.
Okay cuuute.
They really messed up Gwen in UAF because this girl was just everything as a child.
The computer skills, her love for tech , able to solve a mystery, they really took her qualities and gave them to Kevin.
Which tbh they really didnt need to take away her qualities. If anything , gwen and kevin could've bonded over their shared interests. They were both different in other ways, they really didnt have to take away what made gwen gwen.

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The Trigger Happy havoc cast from memoryš
ITS BEEN THREE, maybe two and a half months since my fixation? Been a drought since DR2x2's delay... whatever. I like them all a normal amount.
I donāt even like tsumugi that much I just had a feeling in my soul that this was very her
"FEAR NOT ALL MY GIRL GENIUS FANS!! MIU IRUMA HAS RETURNED FROM THE FLY OF DESPAIR!!"
"No thanks to the bitch that threw me in there..or Celeste for that matter."
"How was the journey? Wasn't too scary I hope.. Although not that I could care. I cashed out well from your venture."
"Mweehh.. Why'd you ask if you don't care?! Anyway, I'm certainly getting nightmares for one..And for two- I'm never messing with Kaede again! Boo-hoo..she has too much backup.."
"Understood. Well people were waiting for your return. Have fun with your digital mail! I have places to be, farewell!"
"Right..see you again! Miu is BACK! AND READY TO RUMBLE!!"
Just saw a Sulemio Suspend Skit in Super Robot Wars Y and got cuteness aggression so bad I almost threw my Switch through a wall. I love them so much itās crazy.
(Picture unrelated I just like the art)
gwevin would have been so much better if gwen retained her love for doohickies and complicated science machinery from ogs.... she looks at that microscope with adoration she doesnt have for her own parents. she would have totally gotten the 'treat a car like you treat a woman' thing. shes got a little heart shaped locket tucked under her shirt and inside is a picture of her ibm. she would love all of his gadgets and shit and fully endorse spending so much money on them he doesnt have money for housing
The writing of Gwen in UAF is an insult to her OS characterization and I will die on this hill
#no because i have genuinely been thinking ince i started rewatching the classic series#like she used to have so much life and passion#she was a computer nerd#in uaf she used her computer like twice#in the comics she used to like car racing but then in uaf suddenly she doesnt?#uaf spent waaaayyyy too much time on kevins mutations and then on ben being arrogant about his fame#like we get it#give us more gwen depth
They literally got rid of everything that made her Gwen in the first place. Character assassination at its finest fr

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Also, yeah, I get the hesitation for RDJ being Doom. But the special look that was released recently is a pretty good reminder that this man got all of his roles for a reason. It really didnāt feel like Tony Stark turned into Doom, that was just straight up Doctor Doom.
As someone who was hesitant about RDJ's Doom and gets the sentiment about the casting, after those previous teasers...
That's DOOM alright. Backstory's likely gonna be remixed a bit, the design's got more details than it needs, and he's definitely going to be lacking the years of history he has in the comics, but so far? That is Victor Von DOOM.
I was never against the casting, I just found it odd that they went for a 60 year old white guy for the role, and it being that particular 60 year old white guy reeked of desperation to bring one of their previous big names back in to save the sinking ship on Marvel Studio's part. But I could see how it could work, and it does seem to be working.
And I also never, not even once, assumed that the casting meant Doom was a Tony Stark variant (which I'm still seeing going around, yes I mean you @ironspider-loki). RDJ was confirmed as Doom in the same summer where Deadpool & Wolverine made a joke out of Deadpool mistaking 2005 Johnny Storm for a Captain America variant just because he was played by Chris Evans, so the idea that one actor can only ever be one character in the Marvel Cinematic Multiverse was already out the window.
wow okay no need to shame me, iāve read somewhere that they were going to make doom a tony variant, i didnāt invent that shit and i also dont like it
Also there are several actors that play multiple roles in the mcu i know that one actor isnāt limited to one role
Not sure where you read that leak but not only does it seem to have been false, but it might've been conflated with another early development plan where Doom was going to be a different Doom variant from the one in the Fantastic Four's timeline, but it was decided that was a needless complication so they're having him be the Doom that the MCU Fantastic Four have history with after all.
I'm reminded of this due to recent discourse on a certain character in a certain movie, and I felt like making a post about it because it's one of my pedantic fictional media pet peeves.
Too many people misuse "morally gray" and "morally ambiguous", or conflate the two.
Here is the definition of the former:
Morally grey character or concept exists between absolute good and pure evil. These figures do not fit neatly into a hero or villain label; instead, they regularly mix noble traits with selfish actions, or commit bad deeds for a sympathetic cause.
Essentially, they're the chronic anti-heroes, anti-villains or wild cards. The movie that sparked this post does feature a perfect example of a morally grey character, but it's not the one who's causing the discourse. I can get the confusion with that character because people think they fall into the "commit bad deeds for a sympathetic cause", but their cause is actually ancillary to many of the bad deeds they commit, and it's a personal cause that only benefits two, at the expense at countless others. That's morally black but with a humanized, understandable and sympathetic reason behind it, not morally gray. Simply having a sad backstory and trauma, or having people you care for, doesn't make you morally gray if you still commit villainy on a massive scale without remorse. Moral blackness isn't just cartoonish evil-for-evil's-sake.
As for the latter:
Morally ambiguous describes actions, choices, or characters that lack a clear distinction between right and wrong.
Unlike morally gray characters, who can still at the end of the day be labeled as heroes and villains, morally ambiguous characters completely defy that labeling. You genuinely cannot safely call them either a hero or a villain.....or conversely, you can see them as both depending on perspective (ex: a noble, honorable warrior in a war is naturally considered a hero by their own side, but in spite of their honor and nobility would still be considered a villain by the opposing side of the war since they are advancing a cause that side rejects.)
A few examples of morally gray characters:
A few examples of humanized morally black characters:
A few examples of morally ambiguous characters:
Please, everyone - understand the differences!
And now here's the differences summed up in quotes!
MORALLY GREY: "Don't tell me you guys are still mad about everything that happened. I did some good things too! Korra, who warned you about Unalaq? I did! Bolin, who got you into the movers? I did! Asami, who saved your company? I did! Mako, who got you thrown in jail? I did! Oh yeah, I guess that was a bad thing." - Varrick, The Legend of Korra
MORALLY BLACK BUT HUMANIZED: "See, the thing is... I love this dagger. And I also loveĀ you.Ā Both are possible. Look, you wanted me to be... a better man. And you've done that. But if you want me to be aĀ differentĀ man.....I'm sorry. This is who I am. It always has been. Even when I was a coward, I craved power. The only difference is, now I have it. And I won't let it go. Not again." - Mr. Gold / Rumpelstiltskin, Once Upon a Time
MORALLY AMBIGUOUS: "He's either the Good Bad Guy or the Bad Good Guy." - Peter Dinklage on playing Tyrion Lannister in Game of Thrones
More greyness:
More nuanced blackness:
More ambiguity:
Rewatching seasons 1-2 of Alien Force just depresses me now. This series has regressed so much. They actually had the spine to commit to having the show grow up along with its audience. They said yup it's been five years, Ben and Gwen have long since put their childish bickering behind them, Vilgax is gone, Kevin's reformed, there're totally new main villains, Max is (mostly) gone, the stakes are very real and Ben has more or less fully learned how to control the Omnitrix and matured into a competent and responsible young man, a leader even.
Then the very next season straight up hit control Z on a solid half of all the above because growth is scary. How are we supposed to write Ben when he isn't a massive manchild who screws up everything? How are we supposed to manufacture tension if his powers don't constantly fail to work for no reason? What do we do now that the Highbreed were defeated last season? Invent another new threat? That might involve creative risk, let's just bring Vilgax back with all the flair and enthusiasm of a damp fart.
Look, I agree that Season 3 was ass, but acting as if the first two seasons weren't the root of the problem is disingenuous. I did a whole post detailing why AF fucked up from the start.
They actually had the spine to commit to having the show grow up along with its audience.
1.) It grew up WAY too fast, since the kid audience who began watching in 2006 would absolutely not be the same age range as the characters in AF in 2008.
2.) Did "the show" grow up, or did an entirely different show that didn't really want to be a sequel to anything just pop up in its place? (I can answer that: the latter.)
it's been five years, Ben and Gwen have long since put their childish bickering behind them
That's the only part that's fine.
Vilgax is gone
Why? Where did he go? Did he just stop wanting the Omnitrix?
Kevin's reformed
Why? He was depicted as a vengeful, misanthropic sociopath! How did he change?
there're totally new main villains
Which is fine on its own, but phasing out damn near the entire old Rogues Gallery isn't.
Max is (mostly) gone
Who did not need to "die" to be so, especially not in the stupid way it happened.
the stakes are very real
As if they weren't before???
Ben has more or less fully learned how to control the Omnitrix and matured into a competent and responsible young man, a leader even.
OK, show's over then. You just had Ben reach the natural CONCLUSION of his character arc, at the very beginning of AF, meaning he has nowhere left to go without being a boring main character. Regressing him sucked, but the only other option they had was either not continue the series or they get a new main character. Maybe if they had held off on maturing him until we actually got to WATCH him mature in real time, episode after episode, they'd have been in a better spot (similarly, if we had gotten to SEE Kevin redeem himself instead of handing him an insta-good guy badge, the fuckery that went down with him could have been avoided.)
Tl;dr, Alien Force was never a good follow-up series and its writers were incompetent.
THH may be my least favourite danganronpa game but that really just says a lot about how much i love the series. i genuinely think All*Star*Apologies is the best written chapter in the entire damn franchise. to me it is perfect in every single way: the structure of its trial (the way in which toko and yasuhiro are suspected first and then the game subverts your expectations by implicating hina, sakura's best friend, as the murderer), its final twist (sakura killed herself; hina was scheming!), even the beautiful simplicity of its premise while still being exciting and mysterious to figure out (the whole locked-room mystery and the poison are not difficult or convoluted to grasp at all unlike, say, mikan's twitch livestream or kirumi's looney-tunes bullshit). the larger theme of kyoko vs byakuya vs hina, what a genuinely goated trio as a point of conflict. byakuya vs hina was already built up throughout the chapter but it goes further back than that as a throughline the entire game, that we had established byakuya as the logical superego and hina as the emotional id. what hits byakuya the most and what makes his downfall so satisfying (to us and, most likely, to kyoko) is that he was outsmarted by hina. hina, who he considers to be a stupid, overemotional idiot, tricked him fully and completely. if it weren't for kyoko the ego, the middle ground between logic and humanity, who figures out hina specifically because she is not only intelligent but also understanding of how hina feels, byakuya would have fell for the trap and died along with everyone else just like hina wanted. because byakuya never considered how hina feels. he never considers how anyone feels. for the first time he is forced to confront that living like that almost killed him.
and like i said everyone who enjoys this game must truly give hina her flowers because she is simply glorious during this chapter. like on a baseline, trying to commit what is essentially a murder-suicide because your girlfriend died and you believe yourself and everyone around you to be responsible is awesome. the fact that, when everyone else thought of sakura as a traitor, hina alone stood by her side, loyal to the end. the reveal that sakura thought of everyone as her friends, even when they hated her. maybe even when they tried to kill her. she was so selfless she sacrificed herself so everyone could stop fighting, and she was happy to do it, the exact opposite of a traitor. if i were hina, i would feel resentment as well! it's genuinely heart-rending! and there's something crazy to witness about hina, who has mostly been the bubbly upbeat genki girl, whose anger has always been righteous, just losing it in desperation as she gets found out. she is voiced by the one and only cassandra lee morris so of course she is good but jesus what a performance. ("it's over." "nothing's over! i did it! i killed sakura!") nobody ever acknowledges it because her personality is remarkably different and she is not very calm or collected or cunning, but in this vein she is almost exactly like kokichi or nagito, playing the mastermind villain to lead the group to a conclusion she believes is right. (though naturally kokichi is far more heroic than hina is being and nagito is... far beyond those two in terms of being cuckoo bananas).
her final suicide note is such a hit as well! the pain of hina falling for the fake suicide note that led her down her path of fury! i love how the game never, ever tries to villainize hina for what she does, even if it's objectively wrong. she's just a girl who lost her best and dearest friend, after days of witnessing her being suspected and ostracized by everyone around them. "i'd rather be dead than alone." but even with sakura gone she was not alone. sakura died so she wouldn't have to be alone. i'm sure that's what she realised after reading the real suicide note, just like how everyone else in the cast realised the folly of their behaviour in regards to how they treated sakura. sakura, who does not fit the mold of a typical dainty conventionally attractive girl, who was treated as an invulnerable object they could attack simply because she was physically strong, was just as human as the rest of them, and hina was the only one who recognised that. She had weaknesses, just like any other person. If she got cut, she bled. If someone hurt her, she felt it. That's weakness... that's normal...!
hina was perfect for sakura not because she recognised her strengthāafter all, everyone knew sakura was strongābut because she recognised her weakness. this alllll loops back into the overall plot the depth of sakura and hina's relationship tied into the theme of kyoko and byakuya and what it means to be truly intelligent, and it's flawless really. and in the end, this chapter also proves kyoko as one of the best detectives to ever do it, simply because of this dialogue of hers:
You still haven't realised? We don't all act according to calculations and cost-benefit diagrams. That's what makes us so complicated. That's what you don't understand, and that's why you couldn't solve this case. ... See? Didn't I tell you? When you dismiss other people's feelings, it'll always come back to bite you in the end.
and it's why it frustrates me when people portray kyoko as someone who cannot understand human emotion. she's quite the opposite. she has emotional issues herself, but that doesn't change the fact that she knows humans, and she knows humanity.
after all, she is the Ultimate Detective. and what's a detective if not a scientist of humans?
In Trigger Happy Havoc, each killer's execution was centered around their aspirations. Leon's was his SHSL title he resented killing him with the 100 blows, Mondo's was the motorcycle cage because he was caged into his role as gang leader by his brother's dying wish, Celeste's was a crash interrupting a witch burning because she was running away from her humble upbringing and failed.
In Goodbye Despair, each killer's execution highlights their relationships with others and the amount of sacrifice they put in for their sake. Teruteru's fried like his mother's humble diner food, Peko lets herself die to shield Fuyuhiko, Mikan is sent hurtling towards Junko, Gundham stands his ground so the devas can live, Chiaki attempts to break through the program to save Usami and the others.
In Killing Harmony, each killer's execution is centered around their SHSL title and how their devotion is what brings them to death. Kaede's used to play a piano until it suffocates her, Kirumi goes through torture to escape to a duty that doesn't exist, Korekiyo's executed with antiquated torture methods, Gonta is stung and stabbed through by massive mutated bugs, Kaito is sent into space, and Tsumugi is squashed within the death of the killing game.
All this to say, I'm really curious what the shared theme of the Slayhem executions will look like, especially since we've confirmed there won't be any repeat killers. If they continue leaning into their connections to others in their lives being their motivators, then I'd guess we're at minimum seeing Akane as a blackened this time around, but I suspect they may lean into the opposite, and use those who feel the most isolated amongst the cast to highlight the pain that led them to write off their friends and classmates. If that's the case, I'd immediately assume Kazuichi, Imposter, and/or Hiyoko would make for good killers. That's all speculation, of course, but it would make for an interesting contrast to Goodbye Despair.

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Also, yeah, I get the hesitation for RDJ being Doom. But the special look that was released recently is a pretty good reminder that this man got all of his roles for a reason. It really didnāt feel like Tony Stark turned into Doom, that was just straight up Doctor Doom.
As someone who was hesitant about RDJ's Doom and gets the sentiment about the casting, after those previous teasers...
That's DOOM alright. Backstory's likely gonna be remixed a bit, the design's got more details than it needs, and he's definitely going to be lacking the years of history he has in the comics, but so far? That is Victor Von DOOM.
I was never against the casting, I just found it odd that they went for a 60 year old white guy for the role, and it being that particular 60 year old white guy reeked of desperation to bring one of their previous big names back in to save the sinking ship on Marvel Studio's part. But I could see how it could work, and it does seem to be working.
And I also never, not even once, assumed that the casting meant Doom was a Tony Stark variant (which I'm still seeing going around, yes I mean you @ironspider-loki). RDJ was confirmed as Doom in the same summer where Deadpool & Wolverine made a joke out of Deadpool mistaking 2005 Johnny Storm for a Captain America variant just because he was played by Chris Evans, so the idea that one actor can only ever be one character in the Marvel Cinematic Multiverse was already out the window.
Has anyone even considered that what people seem to like about "MJ" would not have only worked with Mary Jane but would have enhanced an already three-dimensional character? That we could have had a character that doesn't need to be defined as a damsel in distress nor as the embodiment of sarcasm? Mary Jane could have been the geeky, sarcastic loner that is book smart but also uses theater as escapism. She is likeable but chooses to be a loner because it is much easier than getting close to people. She is caring but also lost and identifies with Spider-Man's need to keep a secret identity.
As much as I like Ned the character he is based off of belongs to Miles Morles and is unnecessary for Peter Parker's storyline. The role of best friend/confidant/co-conspirator should have gone to Mary Jane just like in the "Ultimate Spider-man" comic books that the MCU Spider-Man is clearly based on but doesn't follow through with. Mary Jane would use her intelligence to help him as well as her acting skills when it comes to creating diversions so he could sneak away.
Spider-Man is what brings them together but Peter Parker is the one that Mary Jane has always had a secret crush on but he has never payed any attention to her before. It would be a slow burn, friends to lovers situation. "The Blip" could have played a huge part in helping Peter realize his feelings for Mary Jane rather than just liking her without any preamble other than just because the plot calls for it like in FFH.
If only John Watts had actually read a comic book in his life or actually cared about the orignal material. If only the women weren't so poorly written and that this iconically complex female character wasn't reduced to a shadow and turned into a wannabe character from "The Breakfast Club".
Or scrap all that character building and keep the films the same except MJ is actually Mary Jane instead of a "homage".
OR, hereās a new thought - maybe consider that we could have a totally fresh take on Mary Jane (even if not called Mary JaneĀ ācause copyright reasons) that gets built up into a three-dimensional character in the writing across different movie scripts and enhanced by what quirks and facets that the actress is able to bring to the characterization. She might not be the MJ youāre used to, but she could still work on her own merits as the MJ that this iteration of Spider-Man in this series of films in this film franchise needs.
Wait a minute, we already have that.
If only Spider-Man purists and Mary Jane Watson stans could get over their biases to their own incarnation preferences and accept that things are the way they are for the MCU version. But thatād require them to pull their heads out of their own asses first.
Another "I was right" reblog.