1996/f. Wallissa on AO3. Side blog. 20+. Teens not welcome.
[currently deeply in The Boys trenches. I tag anything spoiler-y as #the boys or #the boys season 5]
Starcracker, Annie January/Misty Tucker Gray x smut prompts: 10) finding their partner’s sex toy/toys and making them play with it in front of them. -> can be seen as a little follow-up to practice. Sketch/fragment.
Misty doesn't have a lot of luggage, and most of the stuff in the heavier duffle is guns and ammo. Annie doesn't touch most of that, so she just focuses on the other bag. Clothes, mainly. A half empty bottle of bare vanilla. A velours make up bag that says Firecracker and has the little Vought-V dangling from the zipper. And - "And what's this, huh?"
Misty turns a shade of red that comes alarmingly close to her hair. "It's - That's nothing, what are you doing, spying on my personal stuff like that!" She makes a grab for the golden polyester-satin pouch, but Annie holds it out of reach. "If it's nothing, I'm sure you won't mind me taking a look."
"What! No-"
But Annie has already opened the pouch and the StarLight Her Up! vibrator slips into her palm. White, slim, with gold stars adorning the shaft. "You know, I can't believe Vought markets this stuff." She carefully picks it up and considers the smooth golden tip. "I mean, they put our faces on children's cereal, you know?" When she gets no response, she looks up to see Misty hiding her face behind both hands.
"It was on sale." It comes out muffled. Then, Misty pulls her hands back. She's still scarlet, but she's trying. "Besides, I have the Homelander one, too."
"Oh," Annie says, "ew. Is it in here?" She eyes the duffle bag suspiciously.
"No, I left it at the tower." Misty sniffs and pats at her hair, clearly trying to compose herself. Her cheeks are still a little flushed.
"Well, thank fuck for that. Isn't that thing huge?" Annie turns the vibrator in her hand, considers it. "I mean, doesn't that hurt?" That, at least, is an honest question, and she looks up to watch Misty.
She's beet red again. "I- Well, I guess? I never, uh. I kind of didn't."
"You didn't use it? What, did you use it for decor?" It's a joke, but Annie remembers what Misty's suite looked like and honestly, that gaudy thing would fit right in.
Misty's nose scrunches up, bunny-cute. Still embarrassed. "No, I- Ugh, stop asking questions. And gimme that." She reaches out a hand.
Annie hands it over. "It's broken."
"No, uh. Batteries are empty."
"I see." Annie waits until Misty has sniffled her way into some form of dignity again, then she adds, voice light and innocent, "used it up, huh?"
Misty makes a sound that's torn between a wail and a roar and throws the toy at her. "You're the worst!"
Annie laughs even as she's tackled and hit with a pillow. "Hey, I'm not blaming you for wanting a little -" She's briefly shut up by the pillow, and by her own laughter. "-a little Starlight Sparkle in your bed!"
Misty's climbing on top of her to continue the pillow-assault, but that's a tactical mistake, because it means that her thighs are nice and parted right above Annie, and all she has to do is pull up her knee and add the barest hint, the most subtle touch of pressure to her crotch. Misty drops the pillow. She's still so pink in the face, looking down at Annie, her hair a mess and her chest heaving.
Annie shifts her knee, grinds right against her pussy. Misty's arms give out and Annie ends up smothered by her tits, very nice, with her left hand on Misty's waist. "Hey" she mumbles, shifts a little so she can see Misty's face while still feeling her warm-soft chest against her cheek. "Wanna show me how to use this?" She holds up her right hand. "They never let me do the ads for it."
Misty makes a sound that can probably be interpreted as a 'yes'. At least Annie assumes so, what with the tongue in her mouth and all.
[[a brief taste:]]
Her chest is heaving, her lips parted. Annie wants to reach out, but she thinks better of it. Not yet. "And what do you think about?" She swallows, tries to keep her voice steady. "While you're fucking yourself with my toy?"
Misty keens, her legs curl in. Hair stuck to her forehead, muscles in her forearm shifting as she grinds the toy in deeper. She shakes her head.
"C'mon, you're not going to tell me?" She shifts a little closer, until she can feel the heat radiating off of her body. Her lips almost brush Misty's throat. "I'll say pretty please."
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I know speak your own language day is over but I need to say that Stadtaffe by Peter Fox is one of my top favourite Homelander songs of all time. Literally, ein Primat muss kein Beruf haben, ein Stadtaffe muss die Stadt im Blut haben. & of course — bist du nicht fit, dann wirst du gefressen. Ungekaut kurz verdaut und für immer vergessen. That little flash of self awareness. Blink and you miss it. Ist mir egal ich kann nicht mit dem dreck und ohne kann ich auch nicht. Die Party ist gelogen wir sind taub und blind.
Him and Butcher have shared custody over das zweite Gesicht. Same issue for both of them, two sides of the same coin. Es steckt mit dir unter einer Haut und du weißt es will raus ans Licht, etc. Das gleiche Spiel jeden Tag vom Laufstall bis ins Grab. <- literally es wohnt bei dir und bei mir. The thing that connects them. The intro alone. Pure perfection. The simmering aggression of it all. Die Stimme bebt und der Blick ist Eis, gleich geht jemand hier zu weit. Die Zunge ist geladen und bereit Die Wörter von der Leine zu lassen Sich Feinde zu machen— (so good for HL specifically especially because of the regret that sets in after the aggression has settled. And Butcher AND him have a deep deep bond over that whole issue of being held back by people who don’t see their vision, too. Second verse etc. but again it all works for both of them. It really does live in both of them.)
And finally I ❤️ Stress by bilderbuch for HL. You know the deal. Er ist so heiß auf Instagram aber in echt ist er ein FEIGER SCHEISSKERL!! And, the iconique EIN FEIGER JUNGE DER NICHT BEISSEN SOLL (Especially because, of course, he first states that others tell HIM he needs to ~hurry up boy~ or else HE will be ~ein toy boy~, the cowardly boy who’s not supposed to bite. But later, he switches it up to insult OTHERS, calling THEM boring dogs who’re not supposed to bite. It’s such a Milchbubi moment of projecting, I adore it. And of course the constant ringing in his ears. He NEEDS more, he has that lush life and he’s so! Empty! I ❤️ stress!!! I love you! I love — stress. Etc.)
[one day someone will make a Reggie tribute to Lok auf zwei Beinen. One day that will happen I’m sure. Like yes it’s low hanging fruit but c’mon, it’s the A-Train. Zweifel gibt’s nicht, ich lauf drumrum / ich jag n Phantom bis ich’s hab.]
@bisexualhomelander I had the realisation this morning that the real issue with s5 (the finale maybe especially) for ME was that I did expect the Alles Neu vibe (as we discussed), booming orchestra and world-shattering mania, but instead we got Ein Auge Blau. Unhappy ending version. Das Cockpit getroffen aber das steck ich weg. Bin nicht kaputt, nur ein bisschen defekt.
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The two things that have helped me personally most with my negative thoughts surrounding my writing is 1) forcing myself to write them out to showcase how irrational they are 2) reminding myself that being insecure makes me mean
I can’t gush in the tags bc it’ll look performative but their art is so world shattering. It’s absolutely incredible I get this swirl of dread and excitement every time I see it. I think there wasn’t any new one for YEARS? Or at least I didn’t see it and I thought they’d moved on (understandable of course) but seeing this piece just blew my mind. Oh my god return of the king truly truly.
I think their work was the first I saw featuring HL & Annie and the dynamic is so incredible. It’s so good. And it predates s3 too which is so fascinating to me (since it to me captures a lot of what made their s3 dynamic so cool). A visionary.
Susie and Joel’s argument at the end of S1 makes it very clear they stand on the same level of importance in Midge’s life. And it has the same air as the ex and the current partner arguing about the protagonist’s happiness and life. They continue and continue to be clear parallels, the only two true loves of Midge Maisel’s life. The only two people who could make her laugh like that, in the beginning and the end
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pick an ill-advised vought party hookup for Homelander to be vaguely embarrassed about the next morning
Deep
A-Train
Noir2
Ashley
Translucent
Lamplighter
Mr Marathon
Firecracker
Other? <- comment or tag MANDATORY!!! I need to know.
fence sitting button
Voting ended onJun 5
I personally think that he wouldn't be embarrassed about hooking up with Sage, Maeve, Noir1 or Annie. Hence they're not included. Also bonus embarrassment factor is, of course, that he doesn't drink, so what exactly is his excuse here? Spur of the moment, we must assume.
Again, I mostly see Shy/Reggie as a mirror to Midge and Susie, but I have to say the way they're set up is so interesting.
In Ep3.3, reporters ask Shy about his girlfriend - at which point Reggie intervenes. That question is clearly part of why he's so annoyed during the press conference, and of course we can frame it as his annoyance as Shy's manager and the keeper of his secret, worrying about his client. Etc, of course.
But then, of course, Shy and Reggie have their playful little back and forth after Midge had her extra set. Shy gets on stage, but declares the song to be Reggie's, who does eng up singing it with him. "Is you is or is you ain't my baby? Maybe baby's found somebody new / is my baby still my baby true?" - Side note: It's so, so fun to me that Midge and Susie are sitting together, listening to a song that starts with the line "I got a girl who's always late" when Susie complains (to Reggie) about Midge being late all the time. gave me a giggle I will say.
Anyhow. Ending on that note, is my baby still my baby true?, when Shy later goes out to hook up with a different man and Reggie watches him from behind the stage while he's performing, it's all very obvious.
C'mon now people. We can interpret it as a subtle way to tease feelings between them, we can call it very blatantly being written between the lines (also 'no one else can tell' with these two STARING Reggie down hhh I think they can tell quite honestly). We can also take this and the fact that Reggie and Susie are clearly parallels/foils of each other in their bonding moment over 'managing a star', which, in the way they talk about it, clearly mirrors courting a lover. "She's incredibly high maintenance", etc. Especially since they call each other out on it. "You really believe in this girl. (...) Just means you can't be objective." (...) "But he can sing like no one else in the world" - "That's objectively speaking, right?"
My thoughts about the boys' finale: trying to save everything and lose it all in a moment.
Vought winning was the only realistic ending possible without trashing the entire concept. But what i think very weird (but very usa standard) is that the boys team is very satisfied with being a gov pawn (they have won so cia recognised them, but they wouldn't be otherwise), and they have no problems at adapting at civil life again (MM's mental issues are completely erased now? him and his ex wife remarrying doesn't have any sense, she's over him while caring for him) and they practically forget everything. Like, maybe everything is fine now but they have no ptsd? they don't really grieve their dead or their loss of innocence/previous normal life. Also Annie isn't worried about her half supe baby? what about the other supes still existing?
Sister sage is completely assassinated as a character, she never said she wanted to be stupid, nevertheless the downsides of her cleverness. Also, it negates her grandma's love and acceptance. She is what her parents were.
The ending is just corny also, confronted with the violence and the blood of the rest of the episodes. Yeah, we killed and fucked some people in very interesting ways, but now, look, there is the typical white bread usa family!
HL needed to die, but it was anticlimatic (why kimiko kills him with this new acquired power when they have been setting up him against butcher or annie the entire time? Or even his son would be a better option). Ok to avenge franchie, but otherwise no relationship between them at all. his pathetic begging hadn't no fundamentals, until butcher hit him he wouldn't feel his vulnerability.
just a mess, truly. they didn't resolve anything, also they completely forgot that normal people created monsters through experimentation and they live scotfree and without any responsability.
hi!!!!
You're so right. I went in fully expecting most of the team to die (except maybe Annie and/or Kimiko) and when that just didn't happen, I was a little baffled and talked about it with my mother (who hasn't watched an episode of the show, she just happened to be nearby haha) and she said "well, with how the US is doing, maybe they had to have a happy ending" -- And I think that's also a very good point. MM never gets closure with Soldier Boy and his OCD just disappears AND he married Monique again (for some reason). Everyone else is just happily trotting on with Vought still in power, because the good guys won in the end. Yay(?) - maybe that's the story that US audiences need right now? Maybe that's why it feels weird to us, but that's what they did it that way.
I feel you on Sage. Tbh I'd expected her to just disappear off screen quickly because, in the grand scheme of things, she was a new and relatively unimportant character AND they had so many characters already. You're right about Kimiko being a weird choice for the role they gave her. All in all, the S3 finale was SO much more effective as an end, so much more interesting. And I feel they wanted this to feel different, but they also had to take care of all those characters? That's why they all randomly split up and Hughie and MM wandered the white house for the duration of the Butchlander fight, I assume? Like where were they haha And whyyyyy did Annie just take Deep to the beach?! it made no sense at all. She could've expected a whale coming to Deep's rescue and crushing her or something.
Sorry, I'm rambling. But what I want to say: I fully agree with your points. It DID feel corny and it DID feel anticlimatic, especially after how brutal all the other seasons were. Maeve lost an eye and the whole team just...walks out perfectly unharmed in the end?! It was all very stupid. They didn't solve anything!!!!
(I do find it a little funny, however. It really makes the whole show about Butcher and Homelander and Butcher's beef with him. Like now that these two are dead everything is solved :D yay!!! *everyone ignores that literally nothing is solved and the only thing that changed is that these two are gone*)
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