Anne Vallayer-Coster, Bouquet of Flowers in a Terracotta Vase with Peaches and Grapes (details)
1776

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Anne Vallayer-Coster, Bouquet of Flowers in a Terracotta Vase with Peaches and Grapes (details)
1776

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Foxhole 2009 Hölzernes Bettende und Acryl 108 x 77,5 x 7,5 cm
ever feel like you’re disappearing?

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The beautiful headstone of a 12 year old Victorian girl. sixpenceee
It may have been in bits and pieces, but I gave you the best of me.
Jim Morrison (via wolf-cub)

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Manchester Orchestra | Shake It Out (Alternative Version)
في حال كنت تبحث عن الجمال.. 🌌 If you’re looking for beauty.. 🌌
I am strangely tired, not from having talked so much but at the mere thought of what I still have to say.
Albert Camus, The Fall (via anamorphosis-and-isolate)
おやすみプンプン 8/?
Doggy breath, finger deaf, mute, winking. A wink she could only do with the right eye, 2015-Megan Rooney at Seventeen Gallery

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Port Douglas, QLD William James Broadhurst
Apollo and Daphne
Gian Lorenzo Bernini 1622–25 Sculpture, Marble Galleria Borghese, Rome
Apollo and Daphne is a life-sized Baroque marble sculpture by Italian artist Gian Lorenzo Bernini, executed between 1622 and 1625. Housed in the Galleria Borghese in Rome, the work depicts the climax of the story of Daphne and Phoebus in Ovid’s Metamorphoses.
When Phoebus (Apollo), fated by Cupid’s love-exciting arrow, sees the maiden daughter of Peneus a river god, he is filled with wonder at her beauty and consumed by desire. But Daphne has been fated by Cupid’s love-repelling arrow and denies the love of men. As the Nymph flees he relentlessly chases her—boasting, pleading, and promising everything. When her strength is finally spent she prays to her father Peneus:
‘Destroy the beauty that has injured me, or change the body that destroys my life.’ Before her prayer was ended, torpor seized on all her body, and a thin bark closed around her gentle bosom, and her hair became as moving leaves; her arms were changed to waving branches, and her active feet as clinging roots were fastened to the ground—her face was hidden with encircling leaves.
Phoebus loved the graceful tree, clung to it and kissed the wood: But since thou canst not be my spouse surely thou shalt be my tree. Thee O laurel my hair, thee my lyres, thee my quivers shall always have … And as my head is youthful with unshorn locks, do thou likewise wear always evergreen honours of foliage. The laurel nodded assent with its branches lately made. §
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