Presque rien (Sébastien Lifshitz, 2000)
noise dept.
we're not kids anymore.
Not today Justin
RMH
Misplaced Lens Cap
will byers stan first human second
YOU ARE THE REASON
wallacepolsom
Show & Tell

JBB: An Artblog!
I'd rather be in outer space 🛸
he wasn't even looking at me and he found me
Jules of Nature
art blog(derogatory)
Sade Olutola
2025 on Tumblr: Trends That Defined the Year
cherry valley forever
styofa doing anything

Origami Around

seen from India
seen from United States
seen from United States
seen from United States
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seen from Malaysia

seen from Japan

seen from Italy
seen from United States
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seen from United Kingdom

seen from Australia

seen from Brazil

seen from Türkiye

seen from Canada

seen from Indonesia

seen from United States
seen from United States
seen from China
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@trygently
Presque rien (Sébastien Lifshitz, 2000)

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Heiny Srour - Leila and the Wolves (1984)
Montréal, Ma Belle (Montréal, My Beautiful)
Isabelle Huppert on her role in The Piano Teacher (2001) directed by Michael Haneke, from an interview c. 2017
Michael Haneke - Lemmings, Part II: Injuries (1979)

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Olivier Assayas - Irma Vep (1996)
The Love Witch (2016)
A Different Image (1982) dir. Allie Sharon Larkin
The Rats Woke Up (Živojin Pavlović, 1967).

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I too have known loneliness. I too have known what it is to feel misunderstood, rejected, and suddenly not at all beautiful. Oh, mother earth, your comfort is great, your arms never withhold. It has saved my life to know this. Your rivers flowing, your roses opening in the morning. Oh, motions of tenderness!
Mary Oliver, "Loneliness" from Thirst
I look back n realize everything had to go like that
Mountains and coastlines of O'ahu, Hawaii
Taken January 2026
The Killing Fields (1984)
Director - Roland Joffé, Cinematography - Chris Menges
"If anybody ever gets to read about this, you won't be able to look them in the face!"

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you can always start making a beautiful life for yourself even if you’ve lost some years to grief. your entire life does not need to be a perfect story, and it always doesn’t have to be only good or only bad. it’s gotta be a lot of both.
Sentimental Value (2025) dir. Joachim Trier