Today's Document

shark vs the universe
One Nice Bug Per Day
sheepfilms

Product Placement
Aqua Utopia|海の底で記憶を紡ぐ

@theartofmadeline
NASA

tannertan36

bliss lane
Claire Keane

★

if i look back, i am lost
Fai_Ryy
occasionally subtle
hello vonnie

JVL
$LAYYYTER
2025 on Tumblr: Trends That Defined the Year
seen from Bosnia & Herzegovina
seen from United States

seen from Belarus
seen from France

seen from Türkiye
seen from Algeria
seen from Brazil

seen from United Kingdom
seen from Japan

seen from Germany
seen from United Kingdom
seen from Türkiye
seen from Italy
seen from Russia
seen from Jordan
seen from United States
seen from Bangladesh

seen from Ukraine

seen from Brazil

seen from Singapore
@truthtm

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Alma aracné, Gustave Doré, 1867
Mahmoud Darwish, “Viewpoint,” trans. Fady Joudah, in The Ecco Anthology of International Poetry, edited by Ilya Kaminsky [ID in alt text]
The I love you lighthouse, by Juergen Roth
The I Love You lighthouse is perched facing out into the Atlantic and was build 1855 and sends the first light 1860, on the exposed Minot’s Ledge — named after George Minot, an 18th-Century Boston Merchant who lost a valuable ship on the rocks prior to construction of the lighthouse. The ledge is part of the Cohasset Rocks, off Massachusetts, USA.
When, in 1894, a new flashing lantern was installed in the 34-year-old lighthouse it had a 1-4-3 sequence and very soon the number sequence was taken to represent I Love You (I /1 flash, Love /4 flashes, You /3 flashes). Over the years this simple lighthouse code has been a comfort to sailors from the area, their sweethearts and families.
Monster Design by 筆刀刀刀 #1

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Stane Jagodič - Contemporary Golgotha (assemblage), 1999
Lorestan, Iran
In ‘Glass Microbiology,’ Sculptures Explore the Science Behind Modeling Viruses and Bacteria
Mariko Mori, Beginning of the end, Paris-la Défense, France, 1996
Manu Arregui, Exercises Analysis Mannered Hand Movement (Detail), 2014

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People gathered around lava, Iceland.
Michael Wolf ‘Transparent City #12’ Chicago, 2007
Bahareh Babaei (Homa Art Gallery) 2014 Acrylic and pencil on canvas 120x120 cm.
Octavio Paz, tr. by Eliot Weinberger, from “Sunstone”, The Poems of Octavio Paz
Hilda Hellström
From the expo: “I Do Spend Time In Nature”
hildahellstrom.se

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Mansour Aoun, What will remain of us, 3D, 2020
ig: @visualartistatnight
Bernard Tschumi, Advertisements for Architecture (1976-1977)