by Gustaf Fjæstad
noise dept.
official daine visual archive

tannertan36
h
Jules of Nature

Kiana Khansmith

PR's Tumblrdome
icyghini twinkie

gracie abrams

Product Placement
will byers stan first human second

bliss lane
The Bowery Presents
Cosmic Funnies

ellievsbear

izzy's playlists!
RMH

#extradirty

seen from United States

seen from United States

seen from Singapore

seen from United States
seen from Germany

seen from Malaysia

seen from India
seen from Argentina
seen from Laos
seen from United Kingdom
seen from Colombia

seen from Malaysia
seen from United States

seen from Argentina

seen from United Kingdom
seen from United States
seen from United States
seen from Peru
seen from T1
seen from United States
@transvelt
by Gustaf Fjæstad

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
I am tired of being a ghost, (...). I am tired of being a mystery. I want to take form, to appear, and one only gains visibility by action.
Anais Nin, Mirages: The Unexpurgated Diary of Anais Nin, 1939-1947
Sarah Lucas
Dorothea Tanning, Tragic Table, 1970-73, Wood, fabric, and wool, 43 3/8 x 48 1/8 x 33 ½ in.
Berlinde de Bruyckere, Romeu my deer, 2011
Berlinde de Bruyckere – Aaneén genaaid (Sew together) 2002 Cover, wool, wood, wax, iron Private collection, Belgium
Louise Bourgeois, Child devoured by kisses, 1999, fabric, thread, stainless steel, wood and glass, 99.1 x 153.7 x 100.3 cm, 39 x 60 1⁄2 x 39 3⁄8 in.
Louise Bourgeois, Cell XXII (portrait), 2000
Berlinde De Bruyckere, Aanéén-genaaid, 2002, blankets, wax, Jesmonite, wood; 166 x 48 x 50 cm,
Sarah Lucas, Nud Cycladic 3, 2010, nylon tights, synthetic fibre, breeze blocks & steel wire

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
“My wings felt small in the wind that year. I always thought the place was identified by the mothers and the aroma of sage. No one said to me, this place is called a country, around the country are borders, and beyond the borders is another place, called diaspora and exile for us.”
— Mahmoud Darwish
“She weeps and laughs like water. (Water is not wounded. There is no trace of the blood that flowed in the night.)”
— Mahmoud Darwish, A Wedding Over There
“Shout so that you hear yourself, should so that you know that you are still alive, and you know that life is possible on this earth.”
— Mahmoud Darwish
“Why does tragedy exist? Because you are full of rage. Why are you full of rage? Because you are full of grief.”
— Anne Carson, Grief Lessons
“There is a pronounced difference between sadness and grief. Sadness is transient, usually rooted in some perceivable event or incident; grief is multi-pronged, runs in every direction and the locus of trauma is usually invisible or imperceptible.”
— Scherezade Siobhan, Lost Rooms: On living with depression (via lifeinpoetry)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
“I want to dig out what is ancient in me, the mistaken-for-monster, its ophidian prowl, its raven-cursed rudiment - let it teach me how to be unafraid again.”
— Scherezade Siobhan
Palestinian poets of resistance ♡︎; Samih al-Qasim, Fadwa Tuqan and Mahmoud Darwish amongst olive trees.
Minoru Onoda, “WORK63-X, 1963, oil, gofun and glue on plywood, 91 x 91 x 4.5 cm © Estate of Minoru Onoda
Natalie Diaz, excerpts from “Duned”

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
“Perhaps it was necessary, this turning inward and deadening of my sensibility, of my acuteness. Otherwise I should not have survived. To remain sane, I became a little stolid. Now I must begin to risk my sanity, to re-open my nerves.”
— Susan Sontag, from Reborn: Journals & Notebooks 1947-1963 (via luthienne)
“Storytelling reveals meaning without committing the error of defining it.”
— Hannah Arendt, Men in Dark Times