May your days be filled with health, happiness and many tasty treats! 🍎🐴💕
Aqua Utopia|海の底で記憶を紡ぐ
Alisa U Zemlji Chuda
taylor price
Sade Olutola

pixel skylines

titsay
ojovivo

Discoholic 🪩

JVL
almost home

祝日 / Permanent Vacation
Show & Tell

#extradirty
occasionally subtle
todays bird

Janaina Medeiros

@theartofmadeline
dirt enthusiast
Stranger Things
seen from Dominican Republic

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@transpeterpan
May your days be filled with health, happiness and many tasty treats! 🍎🐴💕

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Transmascs wake up, new bottom surgery just dropped
I will get there
This might be the funniest reply I’ve ever seen in my life
I AM WHEEZING
PLEASE STOP REBLOGGING THIS OMFG
btw you will miss this in 5 or 10 years. memory will smooth these circumstances down like a river stone, and you will find yourself longing for a shade of light or a moment of this particular innocence. you don't know about what happens next, and one day that will be the most alluring thing of all. don't leave it all for nostalgia. have a nice night now, whatever night it happens to be.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Let him speak
serving gunt
It’s her….The Binch
“The Militarization of the Police Department – Deadly Farce,” an original painting by Richard Williams from “The 20 Dumbest People, Events, and Things of 2014″ in Mad magazine #531, published by DC Comics, February 2015.
Here’s the original, for comparison. And here’s a bit more about the artist and why he created the piece above for MAD Magazine.
Richard Williams on Norman Rockwell:
“For most people, he was the painter of ‘America,’” he added. “But even he said his vision was what he wanted ‘America’ to be. It was a mythical ‘America,’ a place where all people were decent, honest and full of good will. His work was full of gentle humor that made you feel a little better; even if you knew it wasn’t really true… you just wished it was. My parody of Rockwell’s painting simply says, ‘That myth is dead.’”
I think it’s relevant to add that even Norman Rockwell chose to leave his cushy job at the Saturday Evening Post because he wanted to make artwork that was more radical. The Post had rules that wouldn’t allow him to do artwork depicting black people as anything other than servants. The job paid really well and that was a huge reason he continued on. But he wanted change that and so he moved to Look magazine.
A lot of people know about the very first piece he did when he left the post which was the The Problem We All Live With which depicts Ruby Bridges walking to school under federal protection.
But I don’t think enough people know about Murder in Mississippi which depicts three real civil rights activists who were murdered by the Ku Klux Klan and sherriffs. The magazine ran the sketch instead of the finished piece because they felt it had a more striking statement to accompany the article. Norman Rockwell would finish that version after publication which is here
Rockwell’s legacy is sanitized because he decided to maintain his job at the Post for so long despite his frustrations with not being able to express himself. The civil rights movement was just his final straw to change what he could with the little time he had left. Look magazine received a lot of hate for Rockwell painting these as well.
Another favorite piece of mine is The Right to Know which depicts an integrated populace questioning their government. In 1968, the year of Vietnam and the year the Fair Housing Act only just got signed in months prior:
But I think it’s important to include the caption Rockwell originally wrote for the piece as well. I think it represents how a 74 year old Rockwell felt about the America he believed in and the people in it:
We are the governed, but we govern too. Assume our love of country, for it is only the simplest of self-love. Worry little about our strength, for we have our history to show for it. And because we are strong, there are others who have hope. But watch us more closely from now on, for those of us who stand here mean to watch those we put in the seats of power. And listen to us, you who lead, for we are listening harder for the truth that you have not always offered us. Your voice must be ours, and ours speaks of cities that are not safe, and of wars we do not want, of poor in a land of plenty, and of a world that will not take the shape our arms would give it. We are not fierce, and the truth will not frighten us. Trust us, for we have given you our trust. We are the governed, remember, but we govern too.
"this movie doesn't hold up bcos of dated special effects :(" to you, maybe. i would clap at a bat on a string

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"Why must we Madonna/whore the vegetables?" is a phrase I just felt super glue itself in my lexicon immediately
now that i’m older and understand how absolutely fucked the housing market is, all those horror movies that take place in nice houses where the family refuses to leave make sense. if i had a 4,000sqft vintage home you’d need to kill me before i ever moved out as well. fuck the ghost. charge it rent.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Me, calling in to my shift supervisor: Gooooooood morning! Are we ready for another super splendiferous day with the public?! 😀
Her: That is too much energy
Me: It iiiiiis fake!! 😀
Her: Still too much energy
Did you just know this
halloween is coming if you want to scare me i am afraid of bank transfers