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Louis Fratino — Morning (oil on canvas, 2020)

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'Spring'. Akseli Gallen-Kallela. 1900.

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Tom Forrestall, Eye And Thorns, 1999

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Hieronymus Bosch

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Cashmere Sweater

1950s

The Philadephia Museum of Art

"An ardent fisherwoman, Julia Andrews Bissell of Wilmington, Delaware, had this cashmere cardigan embellished with appliqués of trout, dragonflies, and stylized fishing poles cut from an Hermès silk scarf. She wore the cardigan only on fishing trips, in the evenings after changing from her fishing clothes."

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“Crystalline Light,” reduction linocut, 2025. By William Hays

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Jeff Mills

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Anthony Cudahy (American, b. 1989), With St. Lucy eyes (2018-2020), oil on canvas

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On the Green Table - Kenne Grégoire , 2024.

Dutch ,b. 1951 -

Acrylic on linen , 120 x 50 cm

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Charivari

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"mark adams", 1985.

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Sylvester "Queen of Disco" photographed by Steven Arnold (1970)

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Blind Blue Boy (Hervé and the Wolf) - Clive Hicks-Jenkins

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Harry Fonseca 1979, “Coyote, When Coyote Leaves the Res”

Acrylic on canvas

Harry Fonseca began his art career using imagery from his Native American Maidu heritage in his art. His Coyote Series of paintings started in 1979. These works use the coyote as the trickster of Maidu ancestral stories, depicted in nontraditional clothing and settings. In this painting Coyote is dressed in black leather and other aspects of queer-dress experienced by the artist in San Francisco, expressing Fonseca's personal narrative as a gay Native American living off-reservation.

[source: Swann Galleries]

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Alfonso Paleotti, Iesu Christi Crucifixi Stigmata, 1606

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