Not today Justin
art blog(derogatory)
tannertan36
Mike Driver
Lint Roller? I Barely Know Her
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trying on a metaphor
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Origami Around
ojovivo
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Aqua Utopia｜海の底で記憶を紡ぐ
Cosmic Funnies
AnasAbdin
祝日 / Permanent Vacation
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blake kathryn
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@totopopopo
τέθνηκα. κακώς.
hi my name’s phoebe. or king. either one. i’m an academic who hates the academy, in grad school studying death in religious literature. i’m a lover and a fighter. i bet on losing dogs. etc. xoxo
🇵🇸from the river to the sea🇵🇸
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needing people is no fun. in my next life i want to be a razor blade
doing research in the field of humanities is interesting because there isn’t necessary this paradigm of the most recently published studies are by definition the best that you get in the hard sciences, like sometimes that book published in 1909 really continues to be the best foundational text about 1590s amsterdam, but then again sometimes i’m reading a text published in the 60s and it starts describing italian culture as “oriental” with no further discussion and i’m like hmmm maybe i should find something a little more current
it's like damn are people like not born in the 90's anymore?
this all goes back to how sometime around the late 90s/early 2000s they stopped making people born in the 90s and switched over to making people born in the 2000s. it's not a coincidence
Remembering things fondly is all fun and games until. The missing
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Being Nefarious With Mama
Mitch McConnell has been sent to a nice farm out in the country where there's lots of open space to run around and lots of other senators for him to play with
The thing about American "leftist" comedians is that they aren't actually leftist, they are the Imperial Court Jesters. They stand on a stage, point directly at the blood-soaked gears of the war machine, make a little tee-hee noise, and the crowd erupts. Not because they are critiquing the machine, but because the laughter is a pressure release valve for the people inside it. Take the video of that stand-up asking the defense contractor if she helped Trump bomb those 160 Iranian school girls, and everyone laughing, including the contractor herself. That laughter is ritual absolution. The contractor laughs because she knows she will never face a tribunal. The audience laughs because they get to feel "self-aware" without having to actually stop anything. The joke doesn't condemn the contractor; it humanizes her, turns her into a lovable scamp who just happens to have a job graphing the velocity of shrapnel through children's bodies. By making it a punchline, the comedian sanitizes the atrocity. The blood is scrubbed off the stage. The audience gets to say "wow, we are so edgy for talking about it" while the person who builds the bombs gets to chuckle and order another drink. It is not satire, it is a team-building exercise for the empire.
Then there is the YouTuber talking about Transformers, casually dropping the "Iraq war aesthetic" like it's a color palette. Desert punk. Military core. A vibe. This is what happens when your country hasn't had a war on its own soil in living memory; the violence becomes media, a backdrop for childhood toys. The explosions are no longer the sound of mothers screaming; they are cool action sequences. They are digesting the visual debris of massacre as a nostalgic fashion choice, scraping the trauma off and compressing it into a genre for their retro-futurist fantasies. The apocalypse becomes a mood board.
And finally, the girl recounting celebrity love triangles from her childhood, flippantly mentioning how the U.S. was "busy with the Iraq war or whatever." Or whatever. That single phrase is the thesis statement of American innocence. Over a million dead, a region destabilized for a century, an endless river of grief; and for her, it was the commercial break between pop culture segments. It didn't raise her rent. It didn't stop her Wi-Fi. The violence is geo-locked to brown skin and distant deserts, just background noise like a refrigerator humming. She has the luxury of forgetting because the machine doesn't eat her children, it eats yours.
Americans don't hate the machine; they love the output. They hate the mess of it. So they turn it into jokes, into aesthetic, into "whatever." Because if they stopped laughing, if they stopped scrolling, if they actually looked at the 4K drone footage of the aftermath instead of the cool explosion CGI in their movies, they would have to realize that the lithium in their phones, the gas in their tanks, and the comfort of their suburban cul-de-sacs are all greased with the fat of foreign children. And they can't handle that. So they laugh. They turn it into a vibe. They call it "the Iraq war or whatever." You can't deconstruct the master's house with the master's jokes, especially when the punchline is the corpses holding up the floorboards.
Ilya Kaminsky
We Lived Happily during the War
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this man looks like taika waititi and mads mikkelson had a grown child together okay you cannot change my mind
"Whimsy" is truly a wretched term. What maketh thee so carefree?
thy mother
Art thou for fucking real
instead of "people pleaser" it might be better to think "disapproval fearer" if that's the emotional stick that's motivating action; important to consider at least three reasons to do something:
it's a good thing to do
I want to do the thing
people will be mad if I don't do the thing
and if 3. is the most weighty reason then that's a potential problem.
The reason why McConnell is currently ambiguously dead is because KY law was recently amended to state that a vacant senate seat must be filled by a special election, but previously, the duty to fill a vacant senate seat was by appointment of the current governor. The present KY gov is a Democrat, and has the means to challenge the special elections rule in the state supreme court, under the argument that it is unconstitutional to governor's power as outlined in the KY state constitution. So given the risk of a Dem appointee who would become an incumbent to challenge, or a special election race in the middle of the Mamdani Endorsement DemSoc run on congressional seats, McConnell will remain in quantum superposition between life and death until there is no longer a risk of his republican power being challenged.
Which... you know, really is life in the American Fascist Era in a nutshell: a questionably dead or dying racist lich refusing to reliquinsh the ability to make all our lives miserable
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Man I miss free the nipple. Its getting warmer and we don’t even have free the nipple anymore
feminism has backslid so hard in recent years people don't even know what free the nipple means anymore
To clarify for those who don't know, "free the nipple" isn't about going braless, it's about going topless
No shirt, no bra, completely bare torso, just like cis men are allowed to
It's about desexualizing breasts and "female presenting nipples" and not being criminalized for our bodies if we want to go topless because it's a million damn degrees out. This was a popular growing movement that was still widely known a decade ago!
And the fact that not wearing a bra is so discouraged and stigmatized that people think the movement was about being able to go braless under your shirt in public rather than about being able to not wear a shirt at all says a lot about how far we've backslid in the past decade
not everything is getting worse. at least you don't hear high hopes by panic at the disco every day anymore
