Welcome to Wickhills. How are you compromising the mission?
I panic under pressure.
I tell "just one person."
Too easily bribed.
If the enemy flirts with me, I'm spilling.
You'd never catch me hehehe
Remaining time: 19 hours 44 minutes
WHAT IT'S ABOUT
In the dangerous magical city of Wickhills, a streetwise secret agent is tasked with protecting a foreign defector from his pursuers... even at the threat of war.
Looking after a defecting scientist should have been Vycol Ferec's easiest mission. But now he's on the run from the intelligence agency he works for, dodging a handler who might have gone rogue and relying on a secret patchwork of illicit resources and dodgy contacts. Turns out his defector might be carrying an apocalypse-level magical weapon â and protecting it requires Ferec and his team to go underground, literally. Down here, the rules are very different... and the tense peace between every city in the world will shatter unless Ferec can drag their darkest secrets into the light.
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Explore the Overworld in this addictive LitRPG fantasy adventure from New York Times bestselling self-publishing sensation Will Wight, perfect for fans of Matt Dinniman, Brandon Sanderson and Travis Baldree.
Weâre thrilled to share the cover of OVERWORLD, exclusively revealed by People!
Overworld by Will Wight is out from Tor Books + Tor Books UK on March 23, 2027!
Weâre thrilled to share the cover of Erin Ampersandâs MAKING FRIENDS đĽđ˘
The second book in Erin Ampersandâs unputdownable LitRPG series in which everyone on Earth is forced to take part in a worldwide survival competitionâeveryone, including Meghan Moretti and her three lovably chaotic kids.
Making Friends is out November 10, 2026!
Cover art by Spencer FlockÂ
Cover design by Katie Klimowicz
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FABULOUS BODIES is out TODAY everywhere books are sold. i keep seeing folks say 'i cant wait to talk about this book with a bud' so TODAY that is my challenge. MAKE A POST or SHARE THIS ONE or TELL A BUD ABOUT FABULOUS BODIES. LETS TROT.
"There are galaxies painted across your skin. Nebulas and universes mapped out like artwork, designed solely for one to get lost in. Anna...you are exquisite." âRachelle Raeta, These Immortal Truths
How to Fake It in Society by KJ Charles is m/m historical romance about a dashing con man and a man entirely out of his depths.
Itâs 1821. Titus Pilcrow makes paints for a living. Heâs quiet, kind, and seriously overworked. Abruptly inheriting a massive fortune courtesy of a dying elderly woman who is not about to let her murderous nephew inherit is both going to make his life easier and infinitely more complicated.
Enter Nicolas-Marc, Comte de Valois de La Motte. London Society believes he is the son of an infamous French noblewoman who stole a diamond necklace. In reality, Nico is an actor in an immense amount of debt with gangsters on his tail. His plan had been to marry a certain elderly woman, but someone beat him to the punch.
Titus becomes the target of every scammer in London. How is Nico to resist? Itâs a fair exchange, really. Nico can teach him how to be a gentleman, and in the process, secure a solution to his looming woes. It is a flawless plan, just so long as neither of them falls in love.
Read an excerpt from chapter one below.
Titus Pilcrow read the note with disbelief. Then he read it a second time in the hope he had misunderstood. It still said the same thing.
âYouâre throwing me out?â
âIâm not throwing you out,â Mr. Henry Morris said. âI am giving you notice that I have found someone who will pay a higher rent for the shop, and it is all of a piece that you must make me the villain for it. Have I not kept the rent absurdly low for years? Am I not entitled to earn my bread as well as you?â
âHow much more?â Titus demanded. âThat is, can I not match it?â The words gave him an instant qualm. His rent was not in fact low at all, and his work had never been greatly profitable. The raw materials were costly, and though people loved the quality of his products, they were less keen to pay for them.
âAn extra three shillings a week.â
âA week?â
âIf you have not the funds, thereâs really nothing I can do.â
Titus wasnât a shouter, and the thought of another argument with Henry made him feel sick, but he would have liked to shout and argue all the same. His throat was closing. âI have paid my rent in full, on time, for six years and youâre giving me a monthâs notice?â
âYouâre supposed to pay your rent on time; itâs hardly praiseworthy,â Henry said. âAnd if you had not treated me with such unkindness, always casting blameââ The familiar complaints went on, buzzing like bluebottles in Titusâs ears as he tried to think.
Henry had the right to raise the rent by whatever extortionate sum he chose. He was the landlord, the property owner, and money always flowed in the direction of those who already had it, like streams flowing down to a lake. For whosoever hath, to him shall be given, and he shall have more abundance, Titusâs father had often repeated to his four younger sons, but whosoever hath not, from him shall be taken away even that he hath.
His shop was being taken away. This was calamitous.
The premises in Red Lion Street, a quite respectable address a little way off bustling Holborn, were small, the bullâs-eye windows rather obstructive of light, but it did for Titusâs needs. He ran Pilcrowâs Improved Colours, making up his cakes of watercolour paint and his oils, slept in the cramped back room amid sacks and boxes and a clutter of canvases, and tried not to be irritated by the jeweller with his family of nine who lived upstairs. He spent more of his time wrist-deep in noxious substances than he might have liked, but he found the work satisfying, and took pride in his reputation for supplying reliable, well-made colours. He spent untold hours in conversation with artists about shade and permanency, what pigments could not be used together, the minutiae of hard work and technical knowledge that underlaid inspiration and vision. Heâd built Pilcrowâs into something to be proud of.
And now his shop, his home, his income, his whole little world would be snatched from him, because heâd been fool enough to sleep with his landlord.
Henry Morris had taken over the management of the property from his father three years ago. He was a charming man, witty, lively, a sparkling talkerânot, perhaps, a very good listener, but Titus was used to letting people do all the talking. That suited Henry well, and his attentions had become marked. Theyâd had a few drinks, Henry had taken him to bed, and it had all been thrillingly far from Titusâs quiet routine.
It took a couple of months for the cracks to show.
The problem was that Henry wanted passion in his life, and any sort of passion would do. Sometimes he would fuck wildly, or make extravagant declarations of feeling, but on other days, which became more and more frequent, he was only happy making them both miserable. He would snipe and complain, then throw around accusations, insults, and verbal cruelties that escalated until Titus was finally provoked into protest, and then the onslaught would really begin. There would be tears, screaming, throwing things, breaking things. Afterwards he would weep, and say that his feelings and Titusâs lack of sensibility drove him to these extremes, and then heâd mope in a sad, distraught manner until Titus gave him the reassurance and apologies he needed. And it would be all love and flowers until Henry felt the urge to do it again.
Titus had spent an increasingly unhappy year buffeted by Henryâs alts and rages, bewildered, guilty, and unhappy, desperately trying to extricate himself from the affair without making things worse. He had finally said a firm No more a few months ago. Henry had not taken the rejection well, even by his standards. And here they were. Titus should probably have seen it coming.
In truth, heâd give a lot to get away from Henry, but this would cost him everything. He would have to pack up his pots and powders and poisons, find affordable premises in this horribly crowded city, advertise everywhere in the hope some of his customers would follow him. It would mean starting all over again. The prospect was appalling.
âHenry,â he said, trying to sound calm and reasonable. âPlease. Can we not find a compromise? I have been a good tenant for a long time. I can pay moreââ
âFive shillings a week more?â
âYou said three!â
âThatâs the other offer. You need to improve on it. We all have to work, you know. You canât expect to live on my goodwill after you treated me so callously.â
âIââ
Henryâs mouth curved in the smile Titus knew well, eyes glittering with gleeful anticipation, and Titus realised abruptly that he couldnât do this one more time, not even at the price of his shop. He simply couldnât bear it.
âAll right,â he said. âA monthâs notice it is.â
Henryâs mouth dropped open, shocked at the lack of resistance. âWhatâis that all? You canât even scrape together a few shillings? Or do me the courtesy of a proper farewell?â
âOh, yes, of course,â Titus said. âGoodbye.â
Henry reacted as poorly as might have been expected. Titus ignored the tempest; the scale of the disaster was such that he simply didnât have it in him to care for Henryâs reproaches.
He just stared through Henry as he raged, and felt a twinge of unkind satisfaction in watching him storm out, frustrated.
It didnât last. He had a single month to find new premises, and no idea what he was going to do.
He had come no nearer to a solution two days later when he went to call on Miss Whitecross.
She was one of his most lucrative clients: an elderly lady of immense wealth, and an amateur painter of limited talent who used supplies with wild abandon. As an artisan who put a lot of hard work into the colours she splashed about so wastefully, Titus found that somewhat grating. As a shopkeeper, he could only applaud.
Her latest order was for brown pink, vermilion, ultramarine, orpiment, and violet lake. It was a large and costly set of paints, and she would probably interrogate him on whether he had adulterated the vermilion with cheap red lead. Miss Whitecross was a suspicious woman who liked to feel that she was up to every rig and row. Titus had realised early on that her frequent accusations of dishonesty sprang rather from her own fears than any real doubt of him, and he had learned not to take offence. He feared he might struggle to find the necessary patience today, but he needed the money.
Her house was in Carey Street, not far from Titusâs shop. It was a wide and airy street that skirted the Inns of Court, a very pleasant address but decidedly not one for a fashionable lady. Miss Whitecross made no claim to that. Her father had made his money in manufacturing and she wore her lineage with pride rather than trying to disavow the taint of industry. She dressed and lived well, but she had never aspired to move westwards, where the height of the Ton was based, and her house was spacious without grandeur.
Titus pulled the bell. The door was answered by a worried-looking butler.
âHello, Mr. Thorpe. Is all well?â
âMr. Pilcrow?â the butler said blankly. âWhat is it?â
âIâve an order for Miss Whitecross. Is something wrong?â
âSheâs not well. You canât see her.â
Oh, no no no. It was a four-guinea order because of the expensive materials. He couldnât lose four guineas now. âIâm sorry to hear it, butâwell, it is a very big order. Would tomorrowââ
âNo,â Mr. Thorpe said, the word heavy. âShe . . . she had a fall yesterday. She went right down the stairs, and her hip is broken. It doesnât look good.â
âOh, heavens. Iâm so sorry.â Titus was, truly, for a woman he liked despite her obstreperous ways; selfishly, the loss of a good customer was one more blow in a week that was already quite bad enough. He glanced down at his expensive parcel with regret. The paints would last a little while in their bladders; perhaps he could find a buyer while also finding a new shop. His heart sank at the thought, but it couldnât be helped. âI wonât disturb you further. Please pass her my very best wishes, and I will pray for her recovery.â
âThank you, Mr. Pilcrow. Thatâs very genââ The butler stopped dead, mouth open.
âMr. Thorpe?â
âYes. Yes. Would you have a moment to come in? Just for a short while. I, uh, may be able to get you the money.â
âOh, donât trouble her with that now,â Titus said, heart overriding brain. âReally, her health is far more important.â
âPlease, Mr. Pilcrow,â Mr. Thorpe said, sounding positively urgent. âHalf an hour of your time, thatâs all. The mistress would want it.â
Titus followed him inside. It felt horribly intrusive, as though he were dunning a woman on her deathbed, but Mr. Thorpe had been with Miss Whitecross forever. If he thought it would make her feel better to pay a bill, he was doubtless right.
Mr. Thorpe showed him into the parlour and disappeared. He remained absent for so long that Titus began to feel quite uncomfortable. He didnât have anything to read or a pencil with which to scribble, so he sat, bored and uncertain, on a spindly chair too small for the well-sized room, surrounded by little tables bearing china vases and statuettes and dishes, and some truly dreadful watercolours on the walls, which he recognised as being perpetrated by his hostess.
The room had a good high ceiling, large windows. If it were his house, Titus would hang oils in here. Then he thought about Miss Whitecrossâs oil paintings and felt relieved she hadnât.
Well, it was her home so her taste ruled. And Titus could only respect a level of self-esteem that allowed its possessor to decide My work is worth displaying in the teeth of the evidence. He hadnât pinned a scribble of his to the wall since he was a child, making sketches and showing them to his brothers. That had been âdrawing attention to himself â or âgiving himself airs,â cardinal sins for the younger Pilcrows and strongly discouraged.
There were footsteps and muffled voices in the hall, but nobody came in. Titus wondered if heâd been forgotten. He wondered why Mr. Thorpe had felt it necessary to bring him in. He wondered about his shop.
Out by the end of the month. He wouldnât find new premises without closing up his current place and dedicating himself to the search, but that would cost him business he couldnât afford to lose. Maybe a fellow colourman might lend him an apprentice? But that would take time to arrange, and it would all need to be done so quickly, and he hated to be rushed. It flustered him, and he always seemed to do the wrong thing when he was flustered.
He had no choice. If he didnât find somewhere, he would soon have neither shop nor home.
What would he do if he couldnât find new premises in time? Where would he put his tools and supplies? He had friends who would give him a space to sleep, but he couldnât bring his many boxes of poisons and powders into peopleâs houses. He might have to sell off some of his stock or tools, but if he did that, clawing his way back would be even harder. Heâd seen all too often the frightening speed with which people could fall from comfort to destitution; one bad accident or stroke of misfortune could send you sliding inexorably downwards. The void was yawning beneath his feet.
He was wondering whether he could appeal to his brother for help, and if there was any chance the appeal would be heard, when the door opened and Mr. Thorpe came in.
The butler was wearing an extraordinary expression, something almost like excitement. âPlease come upstairs, Mr. Pilcrow. She wants to see you.â
âAre you sure?â
âPlease. This way.â
Titus gave a mental shrug and followed him. Perhaps Miss Whitecross wasnât so badly hurt after all. That would be good. The hope dwindled as he was admitted into her bedroom, where she lay with a lawyerly sort of gentleman sitting by her. The old ladyâs face was cut and bruised in a way that looked obscenely wrong on elderly features, and her skin was otherwise an unpleasantly pale grey-yellow shade, almost isabelline.
âMiss Whitecross,â Titus said. âIâm so sorry. How are you?â
âBad,â she said, voice thin. âDying. Murdered.â
âWhat?â
âLaxton tripped me,â she whispered. âMy nephew. At the top of the stairs. His foot between my legs. I fell.â Titusâs mouth dropped open. He looked round at the lawyerly man, who grimaced. Miss Whitecross caught that and glared at them both. âIâm not a fool. He tripped me, I tell you, and I fell and broke, rot these birdâs bones of mine. Heâll go unpunished for my murder, and be a rich man for my death. Damn him. Damn you all.â
Titus cast a desperate glance at the butler and the lawyer, but neither was looking at him. âAnd God rot the Laxtons, all of them,â Miss Whitecross went on, voice shaky but intent. âHis father made my sisterâs life a misery, and his son is like him as peas in a pod. I had such a scheme to spite himâit would have been a grand jest, but he got wind of it, and he killed me.â She paused there, gasping for breath, and finally got out, âAnd you fools are doing nothing!â
âWe have brought Mr. Pilcrow, maâam,â the butler said gently.
âErââ Titus said.
âYes.â Miss Whitecrossâs thin fingers were clutching spasmodically at her sheets. âPilcrow. Youâll scotch the snake for me. Youâre a gentleman born, ainât you?â
âYes? My father was rector of a parish in Gloucestershire, butââ
âAnd youâd like to be rich.â
âI beg your pardon?â
She glanced up at the lawyerly man. âTell him, Carnaby.â
He bowed in his seat. âMadam. Mr. Pilcrow, I am George Carnaby, Miss Whitecrossâs attorney. What she proposesâI must say, this is irregularââ
âGet on, fool,â the old woman croaked. âI might die while you talk.â
Mr. Carnaby sighed. âMiss Whitecross proposes that you marry her. Now.â
â. . . what?â
âYou will marry her, and become heir to the Whitecross fortune, without encumbrances or restrictions.â
âBut,â Titus said. âButâthe circumstancesââ
âIrregular, but I am happy to swear that Miss Whitecross is of sound mind.â
âAs am I,â Mr. Thorpe said strongly.
âHer reasoning for this action, is of courseââ
âHate,â Miss Whitecross said. âMy money will pass to the Laxton toad if Iâm not married. He can go to the devil and say I sent him. What about it, Pilcrow?â
âButâwhatââ
âDonât gibber,â she said with a feeble shadow of her usual acerbity. âWonât ask you to bless the marital bed. Not with my bones. Snap like twigs.â
Mr. Carnabyâs expression was indescribable. Titus groped for a response. âDonât you need a licence?â
âGot one already. I was going to make myself a lady, but the foolâs gone away, so fill in your name. Itâs your lucky day.â
Titus had no idea what she meant by that, but he was more concerned by âluckyâ in this context. âMiss Whitecross, please,â he said. âYouâve time yet. Youâre well cared for. Please donât give up.â
Her eyes met his properly then, faded and full of pain. âIâm dying, and we all know it. Help me, Pilcrow. Laxton broke my sisterâs heart and his son has broken my bones. Let me spite him and Iâll rest easier.â
Titus contemplated the proposal. To marry a woman close to fifty years his senior on her deathbed, for no better reason than money on his side and malice on hersâit was contemptible. Heâd be a laughing stock.
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Mossâd in Space is a new cozy sci-fi romance by USA Today bestselling author Rebecca Thorne (@rebeccathornewrites).
WHATâS IT ABOUT
Space captain Torian is on an intergalactic mission to save her ailing sister. The snarky, surprise passenger on her rusty, used spaceship turns out to be sentient moss thatâs also an organic computer. Torian leads her ragtag crew through space all while pining for her ex-captain Amelia who is on her own mission through the cosmos.
Beloved USA Today bestselling author @drchucktingle is back with a ripping new blood-soaked novel, Fabulous Bodies, on sale now. đĽ¸đđ
Poppy Stringer was born to be a star.
An aspiring fashion influencer by day, Poppy moonlights as a grave robber to make ends meet, wheeling and dealing dead bodies across Palm Springs.
When her hero, the flamboyant, piano-slamming rockstar Eddie Michaels, unexpectedly dies, Poppy gets a call to retrieve his body from the medical examinerâs office for a lucrative sum. It could be the last job sheâll ever needâif everything goes to plan. But the nightâs delivery quickly veers off course when Eddie wakes up.
Now Poppy must fight for her life if she hopes to survive this blood-soaked joyride of carnage and extravagant entertainment.
We know some of you are more familiar with @drchucktingleâs erotic Tinglers than his horror novels, so here is an advertisement for Chuckâs frightening new horror novel, Fabulous Bodies, in a context you might find easier to understand. âTor Publishing Group
Fashion influencer by day and grave robber by night, Poppy Stringer is on call when Eddie Michaelsâa flamboyant, piano-slamming rockstar and queer iconâunexpectedly dies. All Poppy has to do is retrieve Eddieâs body from the medical examinerâs office, but what starts as a routine delivery quickly goes awry when Eddie wakes up. Palm Springs will never be the same.
Donât ever say @drchucktingle didnât put his whole heart into his art. Pictured is USA Today bestselling author Chuck Tingle in the pool with his bright pink vegan leather jacket, chinos, and LOVE IS REAL bag along with his copy of Fabulous Bodies, which is on sale now.
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From #1 New York Times bestselling author Brandon Sandersonâcreator of The Stormlight Archive, the Mistborn saga, and countless bestselling works of science fiction and fantasyâcomes The Fires of December, a new standalone novel set in his Cosmere universe! Coming December 8th, 2026!Â