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hey you i like your face: Dan Stevens as Edward Ferrars in Sense & Sensibility (2008)
She has been suffering from much from the headache and six leeches a day for ten days together relieved her so little that we thought it right to change our measures.
Jane Austen, Sanditon (pg. 175)
Can we talk about the hypochondria prevalent in this beginning of a story? It's no wonder these women feel ill, treating themselves with leeches and pulling teeth out of their heads for no reason. I mean, there's that stereotype about bad teeth, but I find it hard to believe there was any real need for this insanity. Darn right it was time to change your measures. I may not support a trip for them to Sanditon quite as fervently as Mr. Parker, but maybe some salty air would do them good.
Austen, Jane. Sanditon. Ed. Margaret Drabble. London: Penguin 1974. Print.
He had been an elderly man when she married him; - her own age about thirty. - Her motives for such a match could be little understood at the distance of forty years, but she had so well nursed and pleased Mr Hollis, that at his death he left her everything - all his estates, and all at her disposal.
Jane Austen, Sanditon (pg. 165).
What I'm getting from this is that Lady Denham was the first gold digger.
Austen, Jane. Sanditon. Ed. Margaret Drabble. London: Penguin 1974. Print.

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Over the summer, the creators of the Emmy Award-winning web series The Lizzie Bennet Diarieslaunched an experimental follow-up project based on an unfinished Jane Austen novel. In Welcome to Sanditon, audience members were invited to assume roles as Sanditon residents while a modernized interpretation of Austen’s final work unfolded as a web series.
Sanditon was a second wife and four children to him - hardly less dear - and certainly more engrossing.
Jane Austen, Sanditon (pg. 163).
And this seems to be Mr. Parker's measure - a plot of land by the sea is more interesting to him than his own wife and children.
Austen, Jane. Sanditon. Ed. Margaret Drabble. London: Penguin 1974. Print.
[...] - though I am by no means the first of my family,
Jane Austen, Sanditon (pg. 158-159).
Austen has this fascination with second sons, which apparently is now appearing again in Sanditon. I would have liked to have seen whether or not this was going to matter much, but it was Mr. Parker, and we've already pretty much gotten his measure, I think, by the time the beginning-of-a-novel comes to its abrupt end.
Austen, Jane. Sanditon. Ed. Margaret Drabble. London: Penguin 1974. Print.
Persuasion place-holder #2
Persuasion place-holder.
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jane austen meme | one novel
“It is only a novel… or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language”
I finally got to finish watching Mansfield Park. Having no knowledge of the plot I thought that Fanny was actually going to marry Henry Crawford after the proposal scene. Maybe I’m just a bit too gullible. I am happy that she ends up with Edmund. I also liked the ball scene (first picture) where you can see that the Crawford siblings have individual interests in Edmund and Fanny, but you can see from the body language and eye contact that the connection is between Edmund and Fanny even as they switch partners. (These 4 are dancing partners. It was also nice to see them dance and switch off as we did in class)
These are beautiful screencaps. I really want to find the time to finish watching this movie.
"No, I think, Miss Woodhouse, I may just as well have it sent to Hartfield, and take it home with me at night. What do you advise?"
"That you do not give another half-second to the subject. To Hartfield, if you please, Mrs. Ford."
"Aye, that will be much best," said Harriet, quite satisfied. "I should not at all like to have it sent to Mrs. Goddard's."
- Jane Austen, Emma (pg. 163).
This whole shopping scene is so... domestic. It puts Emma and Harriet into the stereotypical roles of the indecisive woman, who takes forever to shop, and the uninterested "man" who eventually makes a call that influences both.
Note that Emma's directs Mrs. Ford, which I think has as much to do with her status as it does with her being the person in power specifically in this particular situation. And Harriet defers to Emma - it's not as though she suddenly comes to the conclusion that sending the packages to Hartfield was what she wanted all along, it's like she's trying to pat Emma on the back for having made an executive decision with little deliberation. Of course it would be sent to Hartfield, any other destination would have been ridiculous.
Austen, Jane. Emma. Ed. George Justice. New York: W.W. Norton & Company, Inc., 2012. 325. Print.
"Miller argues Emma suffers from a pathological narcissism; incapable of cathecting her ego onto a suitable object, she withdraws her libido from the world and attaches it instead onto her own ego. Consequently, she manipulates others as a means of releasing libido vicariously through her obsession with matchmaking."
A bit on sex, to go with the sexuality. More on power and Emma assuming the male role.
Why shouldn't Emma be a lesbian?
I could pick meaningful quotes out of this essay for days. But in short, after much searching, I found some support for the idea that Emma Woodhouse might be a lesbian, outside of the text itself, which really only drops hints that must be interpreted for this reading of the novel/character.

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affections & wishes : {10 tracks for 10 jane austen pairings ♥ }
[ L I S T E N ]
will you dance, dear emma?