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Phenomenal spare wheel cover I walked past the other day
Ooh, the yellow is retroreflective glass tape. That stuff blazes when light shines directly on it (for my first experience with the stuff, see Fiks Reflective, a friend's attempt to keep so goddamn many bicyclists from getting run over by cars at night). That thing must light up like a follow spot.
i hate how pervasive the r-word has become again
its like the 2000s to early 2010s again where talking to anyone theres a good chance they'll casually say a slur without any thought
and whats even more annoying now is people who'll try to weasel out of being called out on it
'oh its fine because i'm legally mentally disabled so i can say it' NOT HOW RECLAMATION WORKS
AND SAME WITH DEGENERATE
STOP TALKING LIKE A FUCKING NAZI
Anti-homeless architecture makes cities hostile to everyone, but we understand that the driving force behind this phenomenon is specifically anti-homelessness.
The curb-cut effect makes streets better and more accessible for everyone, but this is still the result of combating a specific type of ableism in city planning.
This is easily understood by many, that even though a social force may affect many people broadly, it does have a specific target.
So why does this become so difficult to understand when we're talking about transmisogyny?
Transmisogyny can be weaponized against anyone, but as a social force it specifically targets transfeminine people, and thus non-transfems can leverage their position to mitigate the effects of transmisogyny, or indeed, exempt themselves from it.
This is why we have the terms TMA and TME, so that we're able to discuss this phenomenon.
If there's one salient criticism against this terminology, it's that the specific words used can trip up people unfamiliar with the terms; "affected" is pretty broad, and "exempt" is rather particular. This can be remedied by simply providing the definitions for the terms, however.
Maybe terms like "transmisogyny targeted" and "transmisogyny exemptable" would communicate the terms' meanings more immediately, but this would amount to little more than language policing that detracts from the actual discussion of transmisogyny and how it functions in society.

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I remember when I was younger, anytime I watched a movie where the characters have to kill a scary monster/alien, I always thought the act of killing it was intended to be part of the horror. Like there’s this amazing creature that we’ve never seen before, and maybe under different circumstances we could’ve coexisted with it, but it’s trying to attack you and you have to defend yourself, but by destroying it you also destroy the ability to ever understand it and that’s sad and is supposed to make you feel conflicted.
It was not until well into my adulthood that I realized most people do not have complicated feelings about movies where people have to kill a scary alien monster, nor is that necessarily meant to be part of the narrative (unless it very obviously is). They just want the scary thing to die because it’s scary. I don’t have a real conclusion to this I just started thinking about it for some reason.
1. This reply is two words and they managed to misspell both of then
2. Yeah. Duh.
1. This reply is
two words and they managed to
misspell both of then
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
There usually is a person who wants to preserve and study the Xenomorph in every movie.
Their actions always lead to more deaths.
Pity not the monster whose only communicated goal is to kill you. It doesn't care about understanding you or preserving your life.
Being concerned with it's life in turn is suicidal empathy.
"The real horror is killing the violent monster."
OP is the guy in a zombie movie who just locks their infected family in the basement because "I can't kill them," and then they break out and eat them and the passing team of survivors.
OP is the best kind of monster food.
And I don't know why there's a stereotype of neurodivergents (for lack of a better word. Fucking hate it) all being monster fuckers.
I've got the monster slayer neurodivergence. Give me some Van Helsing or Solomon Kane any day. Or better yet, a monster that overcame their nature to protect humanity from other monsters, like Hellboy or Alucard from Helsing.
God forbid people have complex emotions related to the permanency of death and the desire to understand the other I guess. Everyone’s mad about this post lately lmao
wait wait back up a couple replies. hold that thought. @eric-coldfire you know the choice to kill your zombified family in zombie movies is almost always depicted as emotionally gutwrenching and difficult right. why did we jump straight to making fun of people for not wanting to shoot their own children in the face right off the bat, why is that being treated as a reasonable thing to say on this post unprompted. or am I over empathizing with (*checks notes*) the victims of apocalyptic disease outbreaks. Jesus what is happening in the zombie movie slash prepper fandom rn
I'm not saying it can't be emotionally upsetting, I'm saying OP's mentality is akin to people who don't kill their zombified family out of a misguided sense of understanding or "no, I can still reach them", and their empathy only results in further death down the line.
Like, I can understand, to an extent, that it sucks to have to kill a monster, but either because of it's nature or mere presence is a threat, it has to be done. Kinda like seeing a rapid dog wandering a neighborhood. It sucks you have to shoot it because "aw puppy", but at the same time if you don't, it's only going to make living worse.
Not to mention how this applies to creatures that are either outwardly violent or sentient enough to be malicious. Like OP's stance of "what if we just studied the creature killing us to better understand them" is shared by so many scientist characters that either get killed or get others killed because their need to "understand" outweighed their survival.
As mentioned above, it's suicidal empathy.
people having emotions isn't a "mentality"
The guy's description is "incoherent patriotic rambling", I don't think we're going to get them to agree that just killing the scary thing because it's scary is bad or that empathy even for your enemy is "good".
Studying monsters is useful because sometimes it lets you learn things like the fact that "suicidal empathy" is a fascist catchphrase that they're all obsessed with, and then you can spot fash in the wild.
Also like. To engage with the dumb fiction takes on a fiction level: you know there's no way to save the zombified family in the basement because you know you're watching a zombie movie, you've been promised all the standard tropes apply, and therefore the narrative purpose of the zombie family in the basement is to turn empathy into a liability within the story.
The guy with his family in the basement doesn't know he's in a zombie movie. He just knows his family got sick one day and then they got violent. He doesn't know they're "dead" (quibble: zombies in most zombie horror don't actually meet the definition of dead, but that's neither here nor there) and he doesn't know they're incurable. Even if he's genre-savvy and knows that this looks like a zombie movie, he can't just blindly assume all the accompanying tropes apply.
You're making fun of OP for being "the guy in the zombie movie who [endangers the survivors for no reason]", but you're the guy who takes his family out back with a shotgun and paints the walls with their brains at the first sign of sickness because he thinks he's living in a movie, only to find out they would've made a full recovery in two weeks and he's a mass murderer.
Rather hang out with the first guy, to put it mildly.
This does suggest two movies, one incredibly annoying one potentially interesting:
1) zombie movie where everyone correctly assumes they're in a zombie movie and immediately does all the stuff the zombie apocalypse preppers like to jerk themselves off about (insufferable)(I think this might be what world war z was, I didn't watch it)
2) movie where everyone incorrectly assumes they're in a zombie movie and immediately does all the stuff the zombie apocalypse preppers like to jerk themselves off about, then have to deal with the logistical, moral, and societal fallout of bringing zombie slop solutions to a public health problem (potentially interesting)
I remember when I was younger, anytime I watched a movie where the characters have to kill a scary monster/alien, I always thought the act of killing it was intended to be part of the horror. Like there’s this amazing creature that we’ve never seen before, and maybe under different circumstances we could’ve coexisted with it, but it’s trying to attack you and you have to defend yourself, but by destroying it you also destroy the ability to ever understand it and that’s sad and is supposed to make you feel conflicted.
It was not until well into my adulthood that I realized most people do not have complicated feelings about movies where people have to kill a scary alien monster, nor is that necessarily meant to be part of the narrative (unless it very obviously is). They just want the scary thing to die because it’s scary. I don’t have a real conclusion to this I just started thinking about it for some reason.
1. This reply is two words and they managed to misspell both of then
2. Yeah. Duh.
1. This reply is
two words and they managed to
misspell both of then
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
There usually is a person who wants to preserve and study the Xenomorph in every movie.
Their actions always lead to more deaths.
Pity not the monster whose only communicated goal is to kill you. It doesn't care about understanding you or preserving your life.
Being concerned with it's life in turn is suicidal empathy.
"The real horror is killing the violent monster."
OP is the guy in a zombie movie who just locks their infected family in the basement because "I can't kill them," and then they break out and eat them and the passing team of survivors.
OP is the best kind of monster food.
And I don't know why there's a stereotype of neurodivergents (for lack of a better word. Fucking hate it) all being monster fuckers.
I've got the monster slayer neurodivergence. Give me some Van Helsing or Solomon Kane any day. Or better yet, a monster that overcame their nature to protect humanity from other monsters, like Hellboy or Alucard from Helsing.
God forbid people have complex emotions related to the permanency of death and the desire to understand the other I guess. Everyone’s mad about this post lately lmao
wait wait back up a couple replies. hold that thought. @eric-coldfire you know the choice to kill your zombified family in zombie movies is almost always depicted as emotionally gutwrenching and difficult right. why did we jump straight to making fun of people for not wanting to shoot their own children in the face right off the bat, why is that being treated as a reasonable thing to say on this post unprompted. or am I over empathizing with (*checks notes*) the victims of apocalyptic disease outbreaks. Jesus what is happening in the zombie movie slash prepper fandom rn
I'm not saying it can't be emotionally upsetting, I'm saying OP's mentality is akin to people who don't kill their zombified family out of a misguided sense of understanding or "no, I can still reach them", and their empathy only results in further death down the line.
Like, I can understand, to an extent, that it sucks to have to kill a monster, but either because of it's nature or mere presence is a threat, it has to be done. Kinda like seeing a rapid dog wandering a neighborhood. It sucks you have to shoot it because "aw puppy", but at the same time if you don't, it's only going to make living worse.
Not to mention how this applies to creatures that are either outwardly violent or sentient enough to be malicious. Like OP's stance of "what if we just studied the creature killing us to better understand them" is shared by so many scientist characters that either get killed or get others killed because their need to "understand" outweighed their survival.
As mentioned above, it's suicidal empathy.
people having emotions isn't a "mentality"
The guy's description is "incoherent patriotic rambling", I don't think we're going to get them to agree that just killing the scary thing because it's scary is bad or that empathy even for your enemy is "good".
Studying monsters is useful because sometimes it lets you learn things like the fact that "suicidal empathy" is a fascist catchphrase that they're all obsessed with, and then you can spot fash in the wild.
Also like. To engage with the dumb fiction takes on a fiction level: you know there's no way to save the zombified family in the basement because you know you're watching a zombie movie, you've been promised all the standard tropes apply, and therefore the narrative purpose of the zombie family in the basement is to turn empathy into a liability within the story.
The guy with his family in the basement doesn't know he's in a zombie movie. He just knows his family got sick one day and then they got violent. He doesn't know they're "dead" (quibble: zombies in most zombie horror don't actually meet the definition of dead, but that's neither here nor there) and he doesn't know they're incurable. Even if he's genre-savvy and knows that this looks like a zombie movie, he can't just blindly assume all the accompanying tropes apply.
You're making fun of OP for being "the guy in the zombie movie who [endangers the survivors for no reason]", but you're the guy who takes his family out back with a shotgun and paints the walls with their brains at the first sign of sickness because he thinks he's living in a movie, only to find out they would've made a full recovery in two weeks and he's a mass murderer.
Rather hang out with the first guy, to put it mildly.
i love werewolves. growing up as a kid i felt like something sickly and beastly masquerading as a human girl and i was mortified by it. now, i think a lot of my issues could be resolved by the ability to morph into a large dog
They keep red scaring in the US about the most milquetoast liberal people ever and I hate it
“This Is Why You’re Always So Tired”

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i had been crying about this on discord for a little while bc it's so wild, but. here is a Veilguard Development Lore :')
"maybe being the lead writer of a fairly dark fantasy game is not the ideal role for someone who gets stressed out by conflict in fiction"
yeah I can't stop thinking about this either, ever since I first read it. There's so much going on. I read the first chapter of this book, and the tension that was so unbearable in it was "main character's uncle dies and main character's father talks about maybe keeping the inheritance from her" - that's the stressful plot point that couldn't be handled.
I had some people upset with me years ago about suggesting (and grimly sticking to my gut) that maybe the writers of the video game had something to do with the deeply different writing tone and scope and depth of the video game (experienced subjectively by many people). none of the many interviews since then with the head writer talking about comfort in fiction have proven me wrong at all. I cannot imagine the situation where they would willingly add a distressing conflict where it wasn't already there, or fight to include a darker tone. They said "we're going to proudly do this our way and it's not going to be the same as if Gaider was there to lead" and called it a day. And I think they genuinely still don't understand what happened because the tone genuinely pleased them.
If anyone needs a copy of this book, I can happily send you a PDF copy so you can make a value judgement for yourself. I will say that I read the first few chapters after seeing this post and it is literally so mild. Like. Mind-boggling levels of weenie hut jr stuff. Between posts like this, the Escapism panel and the Empires panel it's clear that there was a major disconnect between the lead writer and the actual subject matter of the series, and it's just bizarre to me that we're supposed to pretend that there isn't.
Climate change, exacerbated by capitalist exploitation, is going to force more people to leave their homelands. Get more pro-immigrant and reject nationalism now!! We only have each other.
I remember when I was younger, anytime I watched a movie where the characters have to kill a scary monster/alien, I always thought the act of killing it was intended to be part of the horror. Like there’s this amazing creature that we’ve never seen before, and maybe under different circumstances we could’ve coexisted with it, but it’s trying to attack you and you have to defend yourself, but by destroying it you also destroy the ability to ever understand it and that’s sad and is supposed to make you feel conflicted.
It was not until well into my adulthood that I realized most people do not have complicated feelings about movies where people have to kill a scary alien monster, nor is that necessarily meant to be part of the narrative (unless it very obviously is). They just want the scary thing to die because it’s scary. I don’t have a real conclusion to this I just started thinking about it for some reason.
1. This reply is two words and they managed to misspell both of then
2. Yeah. Duh.
1. This reply is
two words and they managed to
misspell both of then
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
There usually is a person who wants to preserve and study the Xenomorph in every movie.
Their actions always lead to more deaths.
Pity not the monster whose only communicated goal is to kill you. It doesn't care about understanding you or preserving your life.
Being concerned with it's life in turn is suicidal empathy.
"The real horror is killing the violent monster."
OP is the guy in a zombie movie who just locks their infected family in the basement because "I can't kill them," and then they break out and eat them and the passing team of survivors.
OP is the best kind of monster food.
And I don't know why there's a stereotype of neurodivergents (for lack of a better word. Fucking hate it) all being monster fuckers.
I've got the monster slayer neurodivergence. Give me some Van Helsing or Solomon Kane any day. Or better yet, a monster that overcame their nature to protect humanity from other monsters, like Hellboy or Alucard from Helsing.
God forbid people have complex emotions related to the permanency of death and the desire to understand the other I guess. Everyone’s mad about this post lately lmao
wait wait back up a couple replies. hold that thought. @eric-coldfire you know the choice to kill your zombified family in zombie movies is almost always depicted as emotionally gutwrenching and difficult right. why did we jump straight to making fun of people for not wanting to shoot their own children in the face right off the bat, why is that being treated as a reasonable thing to say on this post unprompted. or am I over empathizing with (*checks notes*) the victims of apocalyptic disease outbreaks. Jesus what is happening in the zombie movie slash prepper fandom rn
I'm not saying it can't be emotionally upsetting, I'm saying OP's mentality is akin to people who don't kill their zombified family out of a misguided sense of understanding or "no, I can still reach them", and their empathy only results in further death down the line.
Like, I can understand, to an extent, that it sucks to have to kill a monster, but either because of it's nature or mere presence is a threat, it has to be done. Kinda like seeing a rapid dog wandering a neighborhood. It sucks you have to shoot it because "aw puppy", but at the same time if you don't, it's only going to make living worse.
Not to mention how this applies to creatures that are either outwardly violent or sentient enough to be malicious. Like OP's stance of "what if we just studied the creature killing us to better understand them" is shared by so many scientist characters that either get killed or get others killed because their need to "understand" outweighed their survival.
As mentioned above, it's suicidal empathy.
people having emotions isn't a "mentality"
The guy's description is "incoherent patriotic rambling", I don't think we're going to get them to agree that just killing the scary thing because it's scary is bad or that empathy even for your enemy is "good".
Studying monsters is useful because sometimes it lets you learn things like the fact that "suicidal empathy" is a fascist catchphrase that they're all obsessed with, and then you can spot fash in the wild.
im literally in tears what the fuck

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I feel like it hardly matters anymore, but Flock isn't the only unsecured intrusive data selling crime inventing AI hallucinating automated license plate reading mass surveillance camera operators. Axon and Motorola and Amazon and ALPR and CCTV and security cameras should be equally rejected. All surveillance must go.
There is no such thing as benign surveillance.
You are never monitored for your safety.