Really long post containing spoilers for Supergirl (2026) and Woman of Tomorrow below
They... they actually... they actually had Kara kill Krem at the end. They really just... did that. I... look, obviously the movie is telling a very different story with different themes than WOT was. And to be perfectly honest, I also didn't love WOT's stance of "don't kill your enemies, just torture them into compliance over centuries, it's so much more effective at stopping crime!" But like... there had to be a better solution than this. There had to be a way for the movie to explore the stuff it wanted to without removing the strongest narrative moment in WOT and one of the strongest character moments Kara's gotten in recent years.
In the spirit of transparency I will say that as soon as that happened any enjoyment I had for the movie pretty much disappeared, so this isn't really what you'd call an objective review. BUT I have still tried to be as fair as possible. Because there actually were quite a few things I liked throughout the movie, and before seeing the ending I was prepared to give it an "alright, not the best but not the worst either, a few glaring issues but there's definitely some good stuff too", so I do want to talk about what went into that even if my positive feelings went away at the end. (Also obligatory this is just my opinion, if you liked the movie I'm really glad someone did. If you haven't seen it and you want to then you should. Actually please watch this movie, if it doesn't do well they'll never give us Kara content again. You'll probably like it, from what I've seen most people on here do. (<- I wrote this part long before the opening weekend numbers were in, at this point we may be done for but we can still try to turn things around in the next couple weeks, so you should still see it if you can. Even just pirating it and then talking about it afterwards can help because it'll spread good word of mouth.)
I liked all the bits that showed Kara prioritizing Ruthye's safety even with Ruthye not being her reason for going after Krem in this version. She finds Ruthye annoying and keeps trying to get rid of her, but she can never successfully ignore Ruthye for long when she sees her in danger, and when Kara herself gets into a fight she makes an effort not to let Ruthye get pulled into the fighting. In general I liked the emphasis on her still being a kind person who cares and wants to help even if she acts rude (their word) and tries to stay detached. I of course am sad we didn't get to see WOT Kara onscreen, going out of her way to help every single person she meets on her journey, a lone force for good in a world of pain that comes closer and closer to overwhelming her, but I would definitely say that the movie's take preserves the heart of her character. I was extremely relieved that the "Clark is so different from me I'm edgy I'm not good like he is" stuff was portrayed as her perception of herself through the lens of her grief/survivor's guilt rather than something we're meant to take as fact. (Also Milly Alcock was great as I knew she would be.)
Ruthye's acting was really good, and I mostly liked her characterization. There were a lot of times when it felt like she was just there to get into trouble so the plot could happen, but she definitely had her own storyline and made important choices at several points. It felt like the movie wanted to lean into her being a child trying to adopt this "mature" way of life without actually being prepared to handle the danger or the emotional burden it comes with, which was in the comic but it was presented in a bit of a different way, and I actually thought the movie's approach was really effective for what it was trying to do. (I also think that was probably what the ending was about- they're saying it's not necessarily bad to take revenge, Kara just doesn't want Ruthye to carry that weight on top of all she's going through. So they do have something to say with it, I just don't like what it's saying for reasons I'll get into more soon.)
I thought they did a good job condensing Kara's backstory, tbh I tend to think the WOT backstory has too much going on due to it trying to merge all her origin stories into one big thing, so I kinda liked seeing a more streamlined take. The "you are your mother's life and my life and you carry your people so you have to live" (paraphrase) line from Zor-El was one of my favorite pieces of dialogue in the movie. I was bothered that she didn't seem to recognize her family crest on Clark's suit, and I'm conflicted about Clark apparently not knowing any Kryptonian, but the concept of a language barrier between them isn't new and adds something kinda interesting to their early relationship (though my personal favorite take is actually from New 52, where he knew it but his pronunciation was off because at that point he hadn't actually talked to a native speaker (or at least not much- the details of New 52 Superman are a bit fuzzy for me), reminding Kara of how they lost very different things in many ways).
Speaking of Clark, I'm not sure why but David Corenswet seemed really wooden in this. I don't know if it was a situation where they shot his scenes in a day and he didn't have enough time to get back into character or if he and the director just weren't on the same wavelength (it happens and it's nobody's fault, sometimes one person's style just doesn't mesh with another's) or if I was just imagining it, but somehow he came across to me as really stiff and not fully immersed in the scene.
Lobo was... there. And then he went away until the plot needed him again and then he came back. And then he did that a few more times. I'm actually glad I don't have much to say about him, it means he didn't hijack Kara's movie and at least one of my fears was unfounded. (I mean, I think they were doing a thing where he represents another path Ruthye could take, and then she chooses Kara in the end, and that would've been a lot stronger if he'd actually been around for most of the film, but I am selfish and I don't want my favorite character having to share her big movie with this guy who keeps getting inserted into her stories, so truthfully I don't really care if limiting his screentime somewhat weakened the themes.)
The pacing didn't really work for me at all. It was glacial at times and frenzied at others, and so many of the transitions from scene to scene were abrupt and jarring. It could have been worse, but I'd be lying if I said it didn't take me out of the experience on several occasions.
Most of the fight sequences were very well done, I just thought some of them came at odd moments in the narrative. I wish I could articulate that better but somehow there were just a bunch of times when it felt like a scene was reaching an emotional moment or some kind of plot progression and then a fight would start and change up the whole flow of the scene. I'm not sure what exactly made it feel that way, but it was something I noticed. I did enjoy most of the fights themselves, and seeing how much Kara was using her environment when fighting was really satisfying.
Kara's motivation for finding Krem... like I said, the movie is telling a different story from WOT, and I can see how a lot of the changes are meant to serve the themes the movie is going for. Kara's not actively doing much superhero stuff and is less well-known throughout the galaxy because the movie wanted her to still be holding on to her Kryptonian identity at the start. Her main goal isn't to teach Ruthye the dangers of revenge because the movie wanted to show her running from her own pain and not wanting to face it by seeing it in someone else. So she instead goes after Krem to save Krypto (who is dying for real in this version) because with her being where she's at at the start of the movie, the only thing that could motivate her to chase down Krem is if her last connection to Krypton is at stake. It's also likely intended to connect the quest to Kara's personal arc- in WOT her arc was about trying to stop all the pain in the universe and realizing it was impossible, so her main motivation being to help Ruthye was consistent with that, but her arc in the movie is focused on her feeling like Krypton was her only home and not being able to move forward, so she has to start from a place of wanting to save the only part of her home she still has and then discover everything else she has to keep living for over the course of her journey. Honestly I don't really have any problems with how the film tells that story, I've just seen Kara go through the getting-over-losing-Krypton phase of her development in excruciating detail so many times that I'm ready to explore something different. But I also understand that this is going to be a lot of people's first exposure to Supergirl and as far as Kara-getting-over-losing-Krypton stories go this isn't a bad one to get started with, so I don't hate it, it's just not my thing personally.
What does bother me is that whenever they do try to explore Kara wanting to stop Ruthye from chasing revenge, it usually feels like an afterthought. Ruthye is hellbent on killing Krem throughout the movie, but while Kara does explain why she doesn't want Ruthye to do that, her biggest concern is how Ruthye's revenge quest will get in the way of saving Krypto. I get that they're trying to do the thing where the hero doesn't want to bring the child along because they feel like they have to look out for the child and they don't want to have to worry about the child, and Kara is shown to be protective of Ruthye like I said earlier, so the idea was probably that her not wanting Ruthye along would actually suggest that she's thinking of Ruthye's wellbeing. I just don't think it works because she's ready to leave Ruthye in a dangerous place at the beginning (which in fairness she also did in the comic but that Ruthye still had a family to go back to and generally seemed a bit more like she could handle things), ignores her on several occasions which almost always leads to her being in danger, and only has like two moments before the end where she actually seriously tells Ruthye she needs to stop pursuing Krem. It just isn't Kara's top priority until the end when it connects to the lesson she's learned about moving forward, which again is because that's what the movie wanted to focus on, but the result is that the revenge theme, which is the main focus of Ruthye's arc, is present without being explored much up until the final act, when it's suddenly the most important thing. And that makes Ruthye's relevance and character progression both feel uneven.
Ok. So, the ending. I want to start by saying that I'm pretty sure I know what they wanted to do with it. Kara talks Ruthye down instead of the other way around because in this version she's been unable to get through to Ruthye due to the fact that she still hasn't faced her own loss. She doesn't know why Ruthye shouldn't throw her life away because she doesn't know why she herself can't do that. They're doing a thing where her realizing why it's important to keep living is what allows her to finally say the right thing to Ruthye. Honestly, this moment landed for me. It was well acted and I love a good breakthrough moment where a character finally finds the words to connect with another character. But I still think Ruthye being the one to talk Kara down would be a stronger payoff for their relationship, even with the movie doing something different from WOT. Kara has been trying to help this girl work through her grief without properly addressing the grief she carries, and as she becomes more invested in saving Ruthye and the brides, it brings up more and more memories of the loss she still hasn't recovered from. Her feeling like she couldn't help Ruthye because she can't help herself, only for Ruthye to help her by showing that she did learn from Kara just by seeing who she is, would have absolutely worked with what the movie was doing. And then we could have gotten the more balanced dynamic the two of them had by the end of WOT, where Kara protected and guided Ruthye and Ruthye eventually returned the favor (which is also what the stuff with the green sun was showing us, but while Ruthye did get Kara out of the sunlight in the movie, she left right after and then Kara just waited it out, so it didn't really emphasize the "Kara has to rely on Ruthye this time" aspect that the comic focused on).
At the end of the day, though, that part of the climax is fairly well-executed and gets the point across, and I really can't say I dislike it even if I would've preferred a different thing. But the other part is Kara killing Krem after Ruthye walks away. And as you might have guessed from the first paragraph, I hate this. And I know you're all going to say that he deserved to die, that the world is safer with him gone, that it fits with Kara being "not nice but good" because she did the right thing killing a pedophile sex trafficker even if it seems ugly on the surface. I greatly dislike these sorts of arguments that come up whenever superheroes killing people gets discussed, and a lot of that relates to my being firmly against the death penalty including when an individual chooses to carry it out on their own authorityâwhich to be perfectly clear is not a debate I'm remotely interested in having with strangers online, the only reason I bring it up is to give context for how I approach the topic at handâbut even ignoring the moral debate and looking at it from a storytelling perspective, I just think the Super cousins' specific philosophy that it's never impossible for someone to change, meaning they must never rob a person of that chance by killing them, is a key part of who they are as characters and something you can't just change without effectively turning them into different people. (Yes, I am well aware that this is not the first time a writer has done that, but it has this problem every time and I'm annoyed that they still just want to do it so badly.) Of course, because WOT is written by a former CIA officer, its idea of "giving people a chance to change" is to make them spend hundreds of years in the Phantom Zone until they've broken down enough to stop fighting and then they'll realize the things they did were terrible, which I would argue doesn't count as them actually changing because you've just worn them down so much that you can mold them into whatever you want (honestly I could spend forever unpacking superheroes' tendency to be against killing criminals but fine with torturing them, from both a "what the characters' choices say about their mental state" perspective and a "what the writers' choices say about our society's values" one, but it's not exactly the point of this post and also I'm trying to wrap this up), but even if the comic has a messed-up view of what "rehabilitation" actually looks like, the idea that Kara chooses to rehabilitate a person guilty of horrific things is hugely important to who her character is. You don't have to share her views, but they are something that defines her and the point of the story is that she chooses to hold onto who she is by sparing Krem. The point is that this journey and the immense pain she went through couldn't take away who she is, who she's chosen to be. And personally I strongly believe that even if you're telling your own story with an established character, you still have to retain the key features that make them that character. Even when it's a character who's been portrayed differently by countless different authors, there still need to be a few core traits that don't change. (Not to mention this movie is adapting one specific version of the character, which gives it even more of a reason to keep the fundamental traits of that version.)
Overall the movie's definitely much better judged on its own merits than as a Woman of Tomorrow adaptation (thank God they changed the name so people (me) can go in expecting there to be differences), but it does have a handful of issues just as a movie that I think could have been solved by pulling more from the source material. It has a lot going for it and I'm of course happy to have seen a Supergirl movie in theaters, and I do honestly like this version of Kara aside from her stance on killing being discarded (which is something I've managed to overlook in several Supergirl and Superman stories, I'm sure I can do it again), and I'm excited to see what stories they'll tell with her as the DCU develops (assuming they even put her in future projects *looks at weekend box office numbers and cries*), but I also wish it could have been just a little bit better. I'm glad to have gotten any Supergirl movie and I'm glad that it actually had a fair amount of well done things, but at the same time there were so many things that brought the experience down for me. I still really hope it's successful, though, and I think everyone who can should watch it just to experience Kara and how great she is, I just personally wanted more from it. And also a different ending, that would also be nice (again, my opinion).