Horned Marsupial Frog (Gastrotheca cornuta), family Hemiphractidae, Panama
CRITICALLY ENDANGERED.
Eggs and tadpoles are carried in a pouch on the females back.
photographs by Raby Núñez
Aqua Utopia|海の底で記憶を紡ぐ
Mike Driver
Cosmic Funnies
PUT YOUR BEARD IN MY MOUTH

shark vs the universe
d e v o n

⁂
occasionally subtle

Kaledo Art
we're not kids anymore.

Andulka
Not today Justin
YOU ARE THE REASON

Discoholic 🪩
One Nice Bug Per Day
untitled


Product Placement
Game of Thrones Daily
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@tiggymalvern
Horned Marsupial Frog (Gastrotheca cornuta), family Hemiphractidae, Panama
CRITICALLY ENDANGERED.
Eggs and tadpoles are carried in a pouch on the females back.
photographs by Raby Núñez

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Favorite gemstone?
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ah yes, Galavant, the musical comedy fantasy show with bangers such as
"Local King Realises He Has Zero Useful Skills"
"Gay Bar Anthem About Undressing An Oblivious Straight Guy"
"The Ruling Class Sucks, How About We Poison All Of Them"
"The Most Scathing Critique Of Representative Democracy You Will Ever Come Across"
"Yelling About How You're Going To Very Sneakily Kill Your Brother"
"Pirate Shanty: Run Aground Edition"
"Disney Princess Love Interest Duet Except The Lyrics Are About How You Barely Tolerate Each Other" (twice)
and of course
"A New Season AKA Suck It Cancellation Bear" which is the actual real title of that song and cannot be improved upon through humorous description
also have I mentioned that all of these are composed by actual real Disney composer Alan Menken, of Little Shop of Horrors, Tangled, and basically the entire Disney Renaissance fame, and wow do they sound like it
not two minutes into Galavant and they rhyme "adventure" with "butt-clencher" and that's all you need to know about the show

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Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.
There was this guy who kept playing Billy Joel's Leave a Tender Moment Alone on the jukebox.
I love this scene so much. Every time I'm just like vividly imagining House sitting there amused by the song thing then hearing a big smash and there's young RSL in the most buttoned up dress shirt and tie ever standing there drunk and angry and then panicked and getting arrested. And House just going "what in the repression is going on with this guy, I need to Know More."
Pearl-spotted Owlet (Glaucidium perlatum), LEUCISTIC, family Strigidae, order Strigiformes, South Africa
photograph by Johann Grobbelaar

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question: im planning on going to the nashville metro council public hearing tmrw night to protest the data center theyre wanting to build next to the nashville zoo. as number one Animal Guy i know of, do you have any recommendations for emotions i could appeal to/facts i could share if i decide to speak? id definitely mention that i grew up going to the zoo and am very anti ai, but im wondering if in this instance its better to lean on emotion/personal stories or fact.
One of the biggest excuses those developers have is “oh, well the noise it’s gonna make is only 60 decibels, which is the same sound as a normal human convo.” But like…animals can hear sounds and tones we can’t. I mean shit, I writhe in pain and vomit whenever I hear an “silent” rodent or dog bark deterrent.
So think of all those painful sounds that data center will be producing that most people can’t hear.
I actually just did a quick google and it turns out people are already suffering from “inaudible” noise and horrible vibrations from data centers.
This shit will do significant damage to the SSP breeding programs for wildlife conservation.
I’m sorry I don’t have the energy to do more research on this right now, I’ve been very sick and busy lately, but I think this is a good place to do a little more digging if you wish to speak.
If the only thing that has kept you going was outliving Mitch McConnell, imma need yall to pick a new person to outlive and fast. Your mission is not over.
Umm hello??? Do u have the death note @sharkgalaxy????
cant believe i have to pick another person to outlive already
and, look, I’m not complaining, not at all, but this is why it’s very important to be abundantly clear and specific with your Etsy witch.
@effervescible texted this to me and that's how I found out

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Personally love the Idea that most of star trek is reconstructed from personal logs. Because it plugs all the plot holes and explains a bunch of stuff like "why does the ferengi characterisation vary so wildly?" Humans are bigots
"why do the trills change appearance between tng and ds9?" Mistake in the logs
"why arent garak and Bashir fucking?" They are, garak keeps deleting if from the logs
emperor kuzco was clearly gay
hes 19, with unlimited power, and he ain’t got a gf. the only time we see him interact with any women his own age is when he’s rejecting like 7 of them rapid fire. he pretends to date pacha in a gag that lasts like 10 solid minutes. listen to me god damnit
Okay, but just in case anyone is coming to tumblr dot com for my hot takes on 20+ year old kids' movies: Kuzco super WAS gay (or at least coded as such) and of course, I didn't get it until I watched it as a gay grownup.
He is played obviously camp and dramatic, for a start, and there is the aforementioned "hate your hair/not likely/yikes yikes yikes/let me guess you have a great personality" summary dismissal of all his potential brides. Then he spends dinner asking Yzma about Kronk ("so he seems nice? He's what, in his late twenties?") and otherwise being slightly obsessed with him.
Then there is the whole Adventure of Doom with Pacha, him being ever huffy about the Kiss of Life, and then the restaurant gag where Kuzco takes to playing Pacha's fake wife and dressing up in ladies' clothing with great gusto (reinforced by the waitress' "bless you for coming out in public" remark when Pacha says they're on their honeymoon). Then when he is finally de-llamafied, we don't see him paired off with the obligatory girl from the lineup earlier, as might otherwise be expected in a Disney movie. Instead he is still single, but goes to found family it up with Pacha, Chica, Kronk, etc, which dare we remark is a very queer trope.
In short, I have no idea how a Disney movie with no white people (all the characters are Indigenous/people of color), a gay king, cross-dressing jokes, and the most offbeat plot of all time actually ever got made (can you imagine the Family Friendly Mouse doing that today? Let us also talk about Kronk because he is a brilliant deconstruction of both toxic masculinity and the musclebound henchman stereotype.) Other than that this was the Chaos Hour of animated movies in the late 90s/early 2000s, and yes.
So yes. There you have it. I will not be taking criticism at this time.
In response to the question “How did a movie like this get made at all much less by fucking Disney?” there was a recent Vulture article that outlines the whole shit show of a history behind this film according to everyone (writers, directors, VAs, Stings) involved. The gist of the story is that they fucked up making a whole, true-to-form Disney musical that never came to see the light of day SO BADLY that Disney switched directors, locked the writer’s room, and didn’t review a single script until weeks after the film was in theaters.
Please, read this article if you have some time. This story is wild, and involves directors being pitted against each other Bake-Off style and a shockingly intimate documentary created by the wife of Sting who, himself was heartbroken by the decimation of the songs he wrote for the film including cutting a fantastic Yzma villain song sung by Eartha Kitt that is SO DAMN GOOD but would not ever have fit the more nailed-down Yzma we would eventually come to know and love. It’s so catchy though, I’m doubling up on calls to action but please listen now:
holy shit read the article. it’s worth it and completely batshit
This is fucking insane
I've never adequately appreciated the batshit brilliance of this joke, I've taken it for granted
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