25 worst Rock and Roll Hall of Fame Inductees ever
CLEVELAND, Ohio â Itâs that time of year again for people to get enraged. Thatâs because the nominations for the Rock and Roll Hall of Fameâs Class of 2020 are due any day now.
But before we get to whether newly eligible acts like Oasis, The Notorious B.I.G. and Weezer will make the cut, or if longtime snubs like Depeche Mode, Doobie Brothers or Kraftwerk will finally get in, letâs take a look back.
Like most Halls of Fame, the Rock Hall can be polarizing. While, you can make an argument for just about any artist that has been inducted, there are a few dozen fans will swear have no business in musicâs hallowed ground.
In an effort to upset as many people as possible (Not really, but itâs inevitable), we ranked the 25 worst Rock and Roll Hall of Fame selections of all time. You know, the ones that had you scratching your head wondering why them and not [insert snub here].
This is just one manâs opinion, of course. Just remember: Theyâre all good, if not great artists. But were they Rock Hall worthy?
Better option:Â Link Wray
Associated with âAmerican Pieâ (âThe Day the Music Diedâ) after passing away tragically in a plane crash alongside Buddy Holly and The Big Bopper, Valens is a legend. But digging deeper, his Rock Hall resume is pretty light. Yes, he was the pioneer of Chicano rock. And yes, âLa Bambaâ was a huge hit. But that alone should not have earned him induction when you consider other genre pioneers/one-hit wonders such as Screaminâ Jay Hawkins and Big Mama Thornton have never even been nominated. There were several better options for the Class of 2001 when it comes to 1950s rock and roll pioneers, top among them being Link Wray.
Better option: Mary Wells
Youâd be hard pressed to find a Rock Hall Inductee more lovable than Darlene Love. An essential figure in Phil Spectorâs Wall of Sound, Love was (and still is) a great singer. That, along with âChristmas (Baby Please Come Home)â are her two main arguments for Rock Hall Induction. But you canât help but wonder why her and not The Marvelettes or Mary Wells, two essential acts for early Motown with bigger hits to their names.
Better option:Â Lonnie Donegan
Well, this is sure to upset a lot of baby boomers who still geek out to âGlad All Over.â The Dave Clark Five was a very popular British Invasion act of the 1960s, and the second British act after The Beatles to appear on the âThe Ed Sullivan Show.â But The Dave Clark Fiveâs resume, even compared to just other acts of the 1960s, makes them a borderline Rock Hall candidate. Are they that different from The Crystals, Tommy James & The Shondells, The Shangri-Las or Paul Revere & the Raiders: All acts you could argue for or against? A better choice would have been Lonnie Donegan, the most influential recording artist in British history before The Beatles came around.
Better option: Nick Drake
Cat Stevens had a great run during the first half of the 1970s, with two very essential albums and a string of hits. But you have to wonder how the Rock Hall landed on his name instead of a wide variety of 1970s acts that have never even been nominated, from Doobie Brothers to Emerson, Lake & Palmer to Jim Croce. Even in his own genre, you could make a better case for Nick Drake who, as time goes on, feels like a better choice than Stevens, given how the formerâs influence continues to be felt in the artists of today.
Better option: New York Dolls
Itâs easy to see why fans of bands like Mott the Hoople, J. Geils Band or Little Feat might cry foul that their favorite act isnât in the Rock and Roll Hall of Fame and Small Faces/Faces are. Weâre dealing with a combination of two acts here, a la Parliament-Funkadelic (Though, far less significant). The talent and, to a lesser extent, influence are there. Both the Small Faces and, more so, Facesâ back-to-back to basics style and care-free attitude would influence several acts of the 1970s. But in that regard, the impact of, say, the New York Dolls was much greater. After all, Rod Stewart and Ronnie Wood were going to get in anyway.
A lesser Bob Dylan? Sure. But you could say that about any folk artist really. Donovanâs impact runs deeper, primarily in his merger of folk music with psychedelic pop. But where Donovan falls short is in having just a handful of hits that resonated in the States. Thatâs not enough to justify his induction over artists who came before such as Phil Ochs or Judy Collins. And how the Nominating Committee saw fit to nominate Donovan years before Joan Baez is beyond me.
19. The Paul Butterfield Blues Band
Better option: John Mayallâs Bluesbreakers
Letâs face it. Before being nominated for the Rock and Roll Hall of Fame multiple times, most mainstream music fans had never heard of The Paul Butterfield Blues Band. That doesnât mean the band wasnât impactful. The Paul Butterfield Blues Band was integral in bringing Chicago blues to white, suburban audiences in the 1960s. But the bandâs lack of âFameâ and the fact that an landmark blues artist like Son House shockingly canât get a nomination makes you question how The Paul Butterfield Blues Band got on the ballot, let alone chosen over Kraftwerk, Nine Inch Nails, Chic and others nominated for the Class of 2015.
18. Electric Light Orchestra
Better option: Jethro Tull
When you take into account Jeff Lynneâs production legacy, then you can make a solid case for Electric Light Orchestraâs Rock Hall worthiness. But the band on its own â Iâm just not seeing it. ELO got in as part of the Nominating Committeeâs surge in recent years to include B (or maybe even C) level classic-rock acts. But nothing really puts Electric Light Orchestra ahead of other 1970s acts s like The Guess Who, Bad Company or Bachman-Turner Overdrive. Then again, I wouldnât induct those bands either.
Better option:Â Judy Collins
Laura Nyro is one of the first names that comes up when people list the least deserving members of the Rock and Roll Hall of Fame. And itâs easy to see why. It feels like her nomination was plucked out of thin air. That doesnât mean she wasnât a great artist. Nyro most certainly was. But she feels somewhat fringe compared to almost any other inductee. Sheâs sort of like a lesser Randy Newman, where as the Rock Hall could have opted for someone with more influence like the aforementioned Judy Collins.
16. Frankie Lymon & the Teenagers
Better option:Â Billy Ward and His Dominoes
Frankie Lymon and the Teenagers were nominated for the Rock Hall every year since the beginning until they were inducted in 1993. Why did the Nominating Committee have the group on par with the greatest rock and roll acts of all time. Sure, Lymon has a compelling story as a child star who died young. But while the lack of noteworthy catalog has kept other influential 1950s acts out of the Rock Hall, namely Johnny Ace and Jesse Belvin, it didnât affect Lymon. Maybe in the âEarly Influencesâ category this makes sense. Otherwise, can most people name anything besides âWhy Do Fools Fall In Love?â
15. Little Anthony and the Imperials
Better option:Â Ben E. King (solo)
Little Anthony and the Imperialsâ longevity is impressive. Of all the acts come out of doo-wop and move into R&B, few, if any, had a longer run. But the significance of that run is debatable, especially when you start rifling off the list of influential R&B artists that arenât in the Rock and Roll Hall of Fame: Joe Tex, Mary Wells, Junior Walker & the All Stars, Ben E. King (solo), The Crystals, etc.
Better option:Â Chubby Checker
It must have been easy to get behind the idea of Del Shannon being in the Rock and Roll Hall of Fame when artists like Tom Petty and Jeff Lynne practically worshiped the ground he walked on. But Shannon is one of those artists whose legacy is really built around just one song in âRunaway.â Yes, it was a No. 1 hit and Shannon had a distinct style. But why him and not someone like Chubby Checker or Tommy James & The Shondells.
Better option: Screaminâ Jay Hawkins
Looking at the list of successful artists of the 1950s, Bobby Darin certainly has some of the deccadeâs biggest hits, including âSplish, Splashâ and âMack the Knife.â But how much those songs resonated in the decades that followed? Darin was a famous star who became an actor. But musically, it would have benefitted the Rock Hall to have pushed for an artist with a more unique style and sound.
Better option:Â Procol Harum
Saying Chicago was a successful band during the 1970s would be an understatement. But even after selling all those records, they never really felt like a larger than life act. And when they came close, they morphed into a lame soft rock act with songs like âYouâre the Inspirationâ and âHard to Say Iâm Sorry.â Yes, Chicago brought horns into rock in the 1970s. But they werenât the first or, arguably, the best at it, considering the Mothers of Invention and Electric Flag havenât been nominated.
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11. The Lovinâ Spoonful
Better option:Â The Shangri-Las
Iâm okay with kicking The Lovinâ Spoonful out of the Rock Hall based on the bandâs Induction Ceremony performance alone. Yes, the band had some hits during the 1960s. But they werenât a game-changer the level of peers like Grateful Dead or The Mamas and the Papas. And in terms of the 1960s as a whole, you have to imagine the impact of act like Joe Tex or The Shangri-Las stretches much further. Heck, Iâd take The Monkees over these guys all day, everyday.
Better option:Â Iron Maiden
If weâre talking just commercial appeal, record sales and longevity, by all means Bon Jovi belongs in the Rock Hall. Influence and authenticity? Not so much. I could get behind the bandâs induction more had Desmond Child been included, since thereâs something to be said for the songwriting on choruses to songs like âLivinâ on a Prayer.â As it stands, however, I donât see any significant changes to the history of rock music if Bon Jovi never existed, other than the Goo Goo Dolls never becoming a band or there being fewer songs to sing along to at weddings. Why Bon Jovi and not Boston, Thin Lizzy or Bad Company?
Better option:Â Duran Duran
The arguments for and against Journey and Bon Jovi are the same. Only, Journey fans are even more passionate, and, thus, more likely to slash the tires on my car. Yes, âDonât Stop Believin'â is an indelible pop song. But you know who else made at least one indelible pop song? Duran Duran, Whitney Houston, the Go-Goâs and INXS, each not in the Rock Hall despite having more influence on todayâs music landscape than Journey. Whose getting in next: Nickelback?
Better option:Â Harry Nilsson
Thereâs a case to be made for Pitney in a specialty category, considering his work as a sound engineer and songwriter on hits like âHeâs a Rebelâ and âHello, Mary Lou.â But as a âPerformerâ it doesnât make much sense. His impact during the 1960s doesnât measure up to other acts that arenât in the Rock Hall like Love, Dick Dale or Jan and Dean.
Better option:Â King Crimson
The Moody Blues made good (if not boring) music, some of it great. But this an example of the Nominating Committee and its Boomer voters preferring a second- or third-tier classic rock act rather than a top-tier band from a later decade. The Moody Blues certainly werenât the kind of groundbreaking act snubs like T. Rex, The Jam or Kraftwerk were.
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Better option:Â Lionel Richie and the Commodores
Bill Withers is a fine R&B act with a handful of great soul songs. But even within his own genre, maybe (MAYBE) he rates as one of the 100 most important R&B acts of all time and certainly isnât in the top 50. The Nominating Committee seemingly pulled Withersâ name out of thin air and voters went for it, despite there being several better options in the forms of Chic, Luther Vandross, Kool & the Gang, Barry White, Rick James, The Commodores and The Ohio Players. I could go on.
Better option:Â Dick Dale
If prior to 2009, Jeff Beck felt like a Rock and Roll Hall of Famer, itâs because he was as a member of the Yardbirds, and rightfully so. But there was no reason for him to become a two-time inductee, other than the Rock Hall wanting to put together a guitar showcase at its annual ceremony. Beck is undoubtedly one of the greatest guitarists of all time. But his solo career leaves something to be desired in terms of significance.
Better option:Â Teddy Pendergrass
If you find something significant that separates The Dells from a large group of other like-minded R&B/doo-wop acts from the same period, please let me know what it is. The Dells have one (âOh What a Niteâ), maybe two (âStay In My Cornerâ) essential hits, which somehow got them into the Rock Hall ahead of The Dramatics, The Stylistics, Harold Melvin, Teddy Pendergrass, The Dramatics, The Spinners, The Del Vikings and The Chi-Lites, among others.
3. Joan Jett and the Blackhearts
Better option: The Runaways
This concept of Joan Jett as the archetype of the female rock star is a bit weird. Yes, when you think of a woman with a guitar, she comes to mind. But she did not invent that or do anything with it that hadnât been done before. In fact, her two biggest hits are cover songs. The fact that Joan Jett & the Blackhearts are in the Rock Hall and The Shangri-Las arenât is a bit absurd. Thatâs not to say Jett doesnât belong in the hall. Sheâs just in there with the wrong group. The Runaways were far more essential.
Thereâs a thought among some people that a push for Percy Sledge to get into the Rock Hall was made after he performed at Steve Van Zandtâs wedding. Iâm going to ignore that, only because, if true (which it may very well be), itâs INSANE! Sledge has one hit. Thatâs not discredit his other work. Thatâs just a fact. âWhen a Man Loves a Womanâ is all anyone knows. Does that make him influential? Sledge was an important artist in terms of southern soul in the 1960s or, better yet, âWhen a Man Loves a Womanâ was an important song, one of the essential hits of the decade. But, in terms of body of work, there just isnât much else there.
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Better option: Tina Turner
If the Rock and Roll Hall of Fame were to admit Stevie Nicks was nominated because she finished first in the âVoice Your Choiceâ in-museum fan vote, Iâd let this go. However, the Rock Hall Foundation has said the vote had no influence on the committee. So weâre left to wonder why Nicks was worthy of becoming the first two-time female inductee. To say Nicks has more than one essential album or song would be a reach. And while sheâs an influential figure, most of that (if not all of it) can be chalked up to her time with Fleetwood Mac. The list of women who have had better solo careers than Nicks is too long to list here. So, Iâll just list the women who would have made better two-time inductees, which includes Tina Turner, Diana Ross and Grace Slick.
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