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@thevaljar
Iconic

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amber heard and j*hnny d*ppâs JOINT statement literally says âneither party has made false accusations for financial gain.â that is their JOINT statement, amber heard decided to not go through with a domestic abuse trial because he admitted his guilt. no need for a trial if he admits it.
what kind of world do we live in where a man can admit that his ex-wife was not making any false accusations when she accused him of mistreating/physically abusing her BUT people still think sheâs lying. she had the bruises on her face, the video that showed how angry he could get, and HE ADMITTED THAT SHE DIDNâT LIEâŠ. WHAT MORE DO Y'ALL WANT? why do you want to prove this woman wrong so bad? what do you gain from being in this much denial?
My favorite thing right now is that everyone who doesnât want Zendaya (a black girl) to be Mary Jane is sighting her hair as the problem because MJ is a redhead but like,
I didnât
hear yaâll
complaining
then,
so whyÂ
now?
To be fair, Emma Stone is naturally blonde and I think Gwyneth Paltrow and Kirsten Dunst are both natural redheads/have a strawberry blonde sort of hair colour.
But I get what you mean. The Black Widow example is great. And I'm sure none of the people complaining that Zendaya got cast as MJ, complained about Jennifer Lawrence playing Katniss, or half the cast of 21 being white instead of Asian, or Jake Gyllenhaal being the bloody Prince of Persia.
Woman speaks out against misogynistic abuse and is met with misogynistic abuse from men who believe misogynistic abuse doesnât exist and that she should stop making them look bad.

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R.I.P. Kenny Baker (1934 - 2016)
Kenneth George âKennyâ Baker was an English actor and musician. He was well known for portraying the character R2-D2 in the popular science-fiction movie franchise Star Wars. He passed away today at the age of 83.Â
When your neighbours are apparently having a party from NOON until... whenever. Without notifying you or anything.
And you wanted to study.
Great.
I drink water i mind my own business where is my flawless skin đ đĄđ€
Emma Stone on âMaya and Martyâ, July 12, singing âCall Your Girlfriendâ

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I wanted my first-year film students to understand what happens to a story when actual human beings inhabit your characters, and the way they can inspire storytelling. And I wanted to teach them how to look at headshots and what you might be able to tell from a headshot. So for the past few years Iâve done a small experiment with them.
Some troubling shit always occurs.
It works like this: I bring in my giant file of head shots, which include actors of all races, sizes, shapes, ages, and experience levels. Each student picks a head shot from the stack and gets a few minutes to sit with the personâs face and then make up a little story about them.Â
Namely, for white men, they have no trouble coming up with an entire history, job, role, genre, time, place, and costume. They will often identify him without prompting as âthe main character.â The only exception? âHe would play the gay guy.â For white women, they mostly do not come up with a job (even though it was specifically asked for), and they will identify her by her relationships. âShe would play the mom/wife/love interest/best friend.â Iâve heard âShe would play the slutâ or âShe would play the hot girl.â A lot more than once.
For nonwhite men, it can be equally depressing. âHeâs in a buddy cop movie, but heâs not the main guy, heâs the partner.â âHeâd play a terrorist.â âHeâd play a drug dealer.â âA thug.â âA hustler.â âHomeless guy.â One Asian actor was promoted to âvillain.â
For nonwhite women (grab onto something sturdy, like a big glass of strong liquor), sometimes they are âluckyâ enough to be classified as the girlfriend/love interest/mom, but I have also heard things like âWell, sheâd be in a romantic comedy, but as the friend, you know?â âMaid.â âProstitute.â âDrug addict.â
I should point out that the responses are similar whether the group is all or mostly-white or extremely racially mixed, and all the groups Iâve tried this with have been about equally balanced between men and women, though individual responses vary. Women do a little better with women, and people of color do a little better with people of color, but female students sometimes forget to come up with a job for female actors and black male students sometimes tell the class that their black male actor wouldnât be the main guy.
Once the students have made their pitches, we interrogate their opinions. âYou seem really sure that heâs not the main character â why? What made you automatically say that?â âYou said she was a mom. Was she born a mom, or did she maybe do something else with her life before her magic womb opened up and gave her an identity? Who is she as a person?â In the case of the âthugâ, it turns out that the student was just reading off his film resume. This brilliant African American actor who regularly brings houses down doing Shakespeare on the stage and more than once made me weep at the beauty and subtlety of his performances, had a list of film credits that just said âThug #4.â âGang member.â âMuscle.â Because thatâs the film work he can get. Because it puts food on his table.
So, the first time I did this exercise, I didnât know that it would turn into a lesson on racism, sexism, and every other kind of -ism. I thought it was just about casting. But now I know that casting is never just about casting, and this day is a real teachable opportunity. Because if we do this right, we get to the really awkward silence, where the (now mortified) students try to sink into their chairs. Because, hey, most of them are proud Obama voters! They have been raised by feminist moms! They donât want to be or see themselves as being racist or sexist. But their own racism and sexism is running amok in the room, and itâs awkward.
This for every time someone criticizes how characters of color and female characters of color especially are treated in text and by subsequent fandoms.  Itâs never âjust a television/movie/bookâ. Itâs never been âjustâ.
ââŠand by subsequent fandoms.â <â bless this addition.
This one is always worth reblogging. When I say, âRepresentation matters,â itâs not just the presence of PoC, women, PwD, LGBTQIA, in narrative, itâs the roles are those characters are occupying.
The hall of mirrors that is the interplay between fiction and real life becomes a negative feedback loop with real consequences, because we internalize things and then we act them out.
Storytelling is a powerful thing. What stories are we telling, and why?
How media clearly reflects the sexism and the racism we cannot see in ourselves.
Change the paradigm. Change the stories. Change the world.
Annalise: Ok, I can fix this.
Annalise: I'll get my ex-girlfriend to defend my ex-boyfriend who is accused of murdering my husband who was ACTUALLY murdered by my student who I continue to have an ambiguous and slightly inappropriate relationship with.
Annalise: This will work great.
every single negative stereotype about women was dreamt up by men who were projecting. fight me about it.
âwomen canât driveâ
It is so well known that women are better and safer drivers than men that OUR CAR INSURANCE RATES ARE LOWER. Women get into fewer accidents, get fewer DUIs, and receive fewer speeding tickets than men.
âwomen never shut upâ
Several scientific studies have shown that not only do men talk more than women, they also think that women have been talking for much longer than they actually have. Men interrupt and talk over women, dominate conversations, and still think women talk too much.
âwomen are shallowâ
Lol next
âmy wife is my ball and chain lmaoâ
Multiple studies have shown that marriage between men and women: Increases male lifespan, decreases female lifespan Decreases male depression rates, increases female depression rates Decreases male stress levels, increases female stress levels Increases male health and happiness, decreases female health and happiness Increases a manâs chance of getting a raise or promotion, decreases a womanâs chances of getting a raise or promotion
âwomen are too emotionalâ
Men love to say this about women after hurting them, in order to shift the blame and dismiss their feelings in one go. In reality, women are taught to hold our tongues and control ourselves quite literally from birth. Weâre taught to put menâs needs and wants ahead of our own emotions regardless of the personal cost. Men are taught to do more or less whatever the fuck they want to women. Men take their emotions out on women while women are expected to shove theirs down.
I could go on and on but I donât really think I need to.
Thank you Reddit for posting so many pictures from Banff NP. I just had to go. Moraine Lake 6/28/2016 [1836x3264] â
The World Around Us
Starry Night Over the Rhone, Vincent van Gogh.

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We were grabbing a bite of lunch at a small cafe, in a mall, right across from a booth that sold jewelry and where ears could be pierced for a fee. A mother approaches with a little girl of six or seven years old. The little girl is clearly stating that she doesnât want her ears pierced, thatâs sheâs afraid of how much it will hurt, that she doesnât like earrings much in the first place. Her protests, her clear ânoâ is simply not heard. The mother and two other women, who work the booth, begin chatting and trying to engage the little girl in picking out a pair of earrings. She has to wear a particular kind when the piercing is first done but she could pick out a fun pair for later. âI donât want my ears pierced.â âI donât want any earrings.â The three adults glance at each other conspiratorially and now the pressure really begins. She will look so nice, all the other girls she knows wear earrings, the pain isnât bad. She, the child, sees whatâs coming and starts crying. As the adults up the volume so does she, sheâs crying and emitting a low wail at the same time. âI DONâT WANT MY EARS PIERCED.â Her mother leans down and speaks to her, quietly but strongly, the only words we could hear were â⊠embarrassing me.â We heard, then, two small screams, when the ears were pierced. Little children learn early and often that âno doesnât mean no.â Little children learn early that no one will stand with them, even the two old men looking horrified at the events from the cafeteria. Little girls learn early and often that their will is not their own. No means no, yeah, right. Most often, for kids and others without power, âno means force.â
from âNo Means Forceâ at Dave Hingsburgerâs blog.
This is important. It doesnât just apply to little girls and other children, though it often begins there.
For the marginalized, our ânoâsâ are discounted as frivolous protests, rebelliousness, or anger issues, or we donât know what weâre talking about, or we donât understand whatâs happening.
When âno means forceâ we become afraid to say no.
(via k-pagination)