The penultimate album, out Sept 25 via Relapse.
LP black heavy 180g (Ltd 515x Relapse excl)
LP tricolor splatter + slipmat (Ltd 358x Relapse excl)
LP copper black ice shimmer + slipmat (Ltd 245x Relapse excl) â SOLD OUT
LP gold nugget (Ltd 489x UK excl): LINK
LP milky clear w/ splatter (Ltd 578x US excl) LINK
Japanese edition Oct 7 (Daymare Rec, news soon)
âMusic for me, is rarely complete,â says GODFLESH mastermind Justin Broadrick, âbut it has to reach a point where enough is enough. Creatively, there has to be self-discipline. One has to end it.â
Broadrick is primarily referring to the nebulous process of writing and arranging songs into their various potential shapes, but he could just as easily be describing GODFLESHâs imminent conclusion. Just three years after the hypnotic crunch of Purge, 25 years after an uncertain hiatus that nearly scuttled the band, and 38 years since GODFLESHâs inception, Broadrick and bassist-at-arms Ben Green set out to mercilessly crush this cold world with their tenth and penultimate album, this yearâs Decay.
âDecay was born from the same sessions as Purge,â Broadrick declares of the new recordâs six tracks. âIt was one huge pool of songs. I picked what I felt was appropriate for what I wanted to achieve with Purge, with the intention of releasing the songs that didn't fit as a new album within a year of Purge being released. Unfortunately, two years passed whilst considering external labels, so that I didn't have to self-release GODFLESH anymore, but it took an awful lot of time to establish a comfortable home for me. The recordings were done, but as usual for me, I did change a lot of stuff once I came back to it.â
Now, GODFLESH is ready to unleash an even bolder, bleaker series of sounds in Decay. These songs arrive shortly after Broadrick released a public statement about major abdominal surgery he underwent earlier this year. âFortunately, all of the recordings for Decay were completed long before the surgery, vocals included⊠although the back end of a couple of songs were recorded with the hernia itself, and that was a struggle. I was already aware that the GODFLESH shout, so to speak, was exacerbating the hernia greatly, as was every GODFLESH performance in the lead-up to the surgery once the hernia appeared, and the hernia was mostly caused by year upon year of shouting in GODFLESH. The album was mixed post-surgery, and while I was still in some pain and considerable discomfort, but fortunately GODFLESH is generally me expressing my pain, albeit [usually] mental, philosophical and existential, whereas this was physical pain.â
While the middle of the record pulses with five-minute hate-grooves, Broadrick credits the slime-wracked opener âMaster and Slaveâ and crawling closer âConsume Meâ with Decayâs true conceptual thrust. âThe bookends of Decay are the most important pieces to me. They say it all, so to speak; the album could have been just those two songs alone â the duration of them is half of the total album!â
As GODFLESH's active tenure comes to a close, Broadrick expresses gratitude that it was ever his vessel to use as he willed. âIt expresses my pain, and Iâve put my body and soul into this expression for the majority of my existence. I feel quite lucky, because Godflesh is now physically impossible for me, rendering it useless. I now wish to move out of its constraints, move on creatively with heavy/ugly music to new ground.â
areudirty
origamiaround
yousharknotpass
dailybridgerton
discoholicmusic
turnnoffyourmind
