The North Elevation // Modernism in Canada

(via Quebec home by MU Architecture blends in with snowy terrain)

H67 in Montreal by Studio Practice Design

Jean leFebure (Canadian, 1930-2013), La fille du briquetier [The bricklayer’s daughter], 1963. Oil on canvas, 81 x 100 cm.

Jean Lefebure

Jean leFebure (Canadian, 1930-2013), Abstraction, 1966. Oil on canvas, 60 x 72 cm.

Mies van der Rohe

Simon Fraser University, Burnaby BC, 1965 Arthur Erickson

#INSPIRATION: On vous emmène au #Canada pour un #design très black and white, vous aimez ? #architecture #home #exterior #house by somhome http://ift.tt/1HmJQJY

Vineyard Bungalow w/ Panoramic Windows & Minimal, Mid-Century Design | Ontario, Canada [990 × 656]

#Repost @roanbarrion Coloured concrete Octavia bowls by @concretecat, whom I will be exhibiting alongside with at #TeteJaune : Western Canada Design Show. #tetejaune2015 @tetejaune @dc3artprojects http://ift.tt/1Qts35C

(1992)

(1970)

(1967)

Working Title is a minimalist space located in Toronto, Canada, designed by Tom Chung. Canadian Douglas Fir, polished stainless steel, tempered glass and maple plywood have been used in reference to the lumber and auto industries that surround Ontario. Custom fixtures including, stools, benches and a large display desk are mixed with vintage pieces that mimic the polished stainless steel framework. The ceiling and floor was torn up to expose the original terrazzo and wood beams. The layout responds to the ad hoc nature of the store and functional needs to be re-arranged for exhibitions and events. The fixtures and materials follow the idea of a “working” or studio space as the format for the store.

Great Britain Pavilion, Universal Exposition or Expo 67 (as it was commonly known), held in Montreal, Canada, from April 27 to October 29, 1967. Leavitt Architecture Collection (35mm Side)