1969 Bernard D'Andrea cover art to The Several Minds, by Dan Morgan
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1969 Bernard D'Andrea cover art to The Several Minds, by Dan Morgan

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Nemesio Antúnez — Toalha Vermelha (Red Towel) [oil on canvas, 1958]
Alexander Zinoviev
Fleur Femme Etoile Escargot (Snail Woman Flower Star) by Joan Miró, 1934. Oil on canvas.
Eclipse by Toyen (1968)

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Joan Miro
L’air
“Dimanche après-midi (Sunday Afternoon)” by Dorothea Tanning, 1953
Julio De Diego (1900-1979), “Eighth Graphic Arts Production Yearbook”, 1948 Source
Giuliano di Medici’ by Michelangelo, Seen from Behind, 1982, Salvador Dali
Georgia O'Keeffe, Black Flower, 1929 oil on canvas more

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The Metamorphosis of the Lovers by Andre Masson (1938)
Karel Vítězslav Mašek (1865 - 1927)
La Prophétesse Libuse, 1893
Miniature of a Raising Sun and a Black Sun (Sol Niger) setting on the outskirts of a city from ‘Splendor Solis’ (The Splendour of the Sun) a German illuminated alchemical treatise , dated 1582
The Moon is a paradox. It is unreliable at the same time, but not quite enough to clarify anything, while at other times the light vanishes altogether and the light is black. So if you were an ancient traveler you would have fallen into trouble very soon, because of the inexorable shrinking of the light. Thus the Moon was viewed as treacherous, and the earliest lunar goddesses who personified it are paradoxical and ambiguous in character
Liz Greene

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The period of vitalistic religions (third and fourth millenia BC) is identified with the symbol of Taurus in which powers of natural fertility were deified. Natural fertility is indeed the keynote of the Taurus type of human being. And the men of the great agricultural cultures of this Age believed that man could only grow through his attachment to the rhythmic powers of nature
Age of Taurus
Dane Rudhyar