THE MIRROR OF ENIGMAS

sneak peak of a small interior project I did with a friend in 2018!

Park and ride! This is an older work that I did form my options studies project, back at CTU Prague. It is a video for a studio project for parkhaus (here is more: https://themirrorofenigmas.tumblr.com/post/145420948871/finished-a-school-project-parking-house-as-a ) I just found out that CTU uploaded it on youtube so I thought of sharing it!

The end product is not a single design, as I found the thought process for the project more important.

I’ve decided that I’m going to start uploading my architecture projects more thoroughly, therefore I am starting with my first diploma project, that I did In 2017 at Czech technical university in Prague. I can only upload 10 images, so for futher invastigation, go here https://issuu.com/albetawidholmova/docs/portfolio_xs  or here https://www.atelierkuzemensky.cz/alzbeta-widholmova-porodni-dum-letn

Returning fom Koyasan.

A postcard from Kobe.

Tokyo, Kobe, Osaka, Kyoto, Koyasan Japan in early July, 2019

June 2019 - Diploma exhibition of my year in Academy of Fine Arts in Prague. Bittersweet. 

Paris in May.

moments from St Peter's

HADRIAN'S VILLA

This is a competition I did for an instalation system for exhibitions of Prague Philharmonia in January 2018. Although they chose antoher design, I was quite happy with mine therefore I share.  translation of the text: Presenting projects with exhibition panels is almost never a good idea. This commits an unnecessary spatial violence on units of two dimensions. Such violence can be prevented. For example, panels can be grouped together to create slightly embarrassing spatial formations or be hanged on the wall, therefore save one from inventing over and over different spatial compositions. This is, I think, quite inappropriate for Rudolphinum. The display system I attempted to design is not placed on the frames into which the panels can be hung or fastened and then be forced to form a spatial composition. My ambition also was not to create again and again the pressure on the creativity of the people who would fold and divide it, but rather vice versa. The exhibition system, which I propose, is the same as the Rudolfinum. Universality may not hide in unlimited possibilities, but in their limitations. I suggest an evocation cabinet showcase system. These individual cabinets will in themselves be a space object in which exhibits, exhibits, panels and information will be exhibited as exhibits. The intention of such an exhibition system is not to remain invisible. A cabinet tries to give the reader the feeling that he reads information from the shelf of a nice piece of furniture or a musical instrument. Cabinets can be fitted with castors to move easily. They should be made of wood combined with metal.

This school project tries to pay an honour to the building of the school of architecture by carefuly exploring its surroundigs. By creating small corrections to public spaces such as moving the garden wall, dividing pedestrian and car entry, reorganising parking, ading trees and removing cars by building a small parkhaus, I attept to expose  the building of the school of architecture and let it be noticed. By altering the school grounds I created a piazzeta  with a large tree between two school buildings, and a school garden that is no longer tarnished with cars passing by. I played with the idea of leting each studio have its piece for themselves and added stairs that would allow the access. 

december 2017

Adolf Loos, Na Cihlářce 10, Smíchov, Praha

Ernst Wiesner, U Mrázovky 7, Smíchov, Praha

Kostel sv. Vojtěcha, Praha Libeň - Emil Králíček 1904-1905